Theological anthropology is being put to the test: in the face of contemporary developments in the spheres of culture, politics, and science, traditional perspectives on the human person are no longer adequate. Yet can theological anthropology move beyond its previously established categories and renew itself in relation to contemporary insights? The present collection of essays sets out to answer this question. Uniting Roman Catholic theologians from across the globe, it tackles from a theological perspective challenges related to the classical natural law tradition (part 1), to the modern conception of the subject (part 2), and to the postmodern awareness of diversity in a globalizing context (part 3). Its contributors share a fundamental methodological choice of a critical-constructive dialogue with contemporary culture, science, and philosophy. This collection integrates a wider range of approaches than one usually finds in theological volumes, bringing together experts in systematic theology and in theological ethics. Authors come from different American contexts, including Black and Latino, and from a European context that include both French and German. Moreover, the interdisciplinary insights upon which the different contributions draw stem from both the natural sciences (such as neuroscience, evolutionary biology, and ethology) and the humanities (such as cultural studies, philosophy, and hermeneutics). This volume will be essential reading for anyone seeking a state-of-the-art account of theological anthropology, of the uncertainties it is facing, and of the responses it is in the process of formulating. The shared Roman Catholic background of the authors of this collection makes this volume a helpful complement to recent publications that predominantly represent views from other theological traditions.
Theological anthropology is being put to the test: in the face of contemporary developments in the spheres of culture, politics, and science, traditional perspectives on the human person are no longer adequate. Yet can theological anthropology move beyond its previously established categories and renew itself in relation to contemporary insights? The present collection of essays sets out to answer this question. Uniting Roman Catholic theologians from across the globe, it tackles from a theological perspective challenges related to the classical natural law tradition (part 1), to the modern conception of the subject (part 2), and to the postmodern awareness of diversity in a globalizing context (part 3). Its contributors share a fundamental methodological choice of a critical-constructive dialogue with contemporary culture, science, and philosophy. This collection integrates a wider range of approaches than one usually finds in theological volumes, bringing together experts in systematic theology and in theological ethics. Authors come from different American contexts, including Black and Latino, and from a European context that include both French and German. Moreover, the interdisciplinary insights upon which the different contributions draw stem from both the natural sciences (such as neuroscience, evolutionary biology, and ethology) and the humanities (such as cultural studies, philosophy, and hermeneutics). This volume will be essential reading for anyone seeking a state-of-the-art account of theological anthropology, of the uncertainties it is facing, and of the responses it is in the process of formulating. The shared Roman Catholic background of the authors of this collection makes this volume a helpful complement to recent publications that predominantly represent views from other theological traditions.
Managing the demands of the workplace and the responsibilities of the rest of your life can be tricky, especially when you're a driven leader who wants to succeed. This book will show you how to successfully establish and manage work-life boundaries so that you can be more successful at work and at home.
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
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