I Was There shares the insights and experiences of the generations of students, professors, and staff who lived and worked at the U of A for the past 100 years. First-person stories and period photographs present a unique insight into university lore from the vantage point of those who were most intimately involved in making the university what it is today: the students and alumni.
A deeply personal and electrifying memoir by Ellen Burstyn, renowned actress and six-time Academy Award nominee. By the time Ellen Burstyn arrived in New York to study acting, she'd already worked as a Texas fashion model, a Montreal chorus girl, suffered numerous toxic relationships, and just as many name changes and spiritual paths. Theater legend Moss Hart called her "a natural" but Ellen Burstyn was still trying to discover who she was. This is the graceful story of a personal and professional quest, a life-long journey-by turns triumphant and terrifying, tragic and funny, thoughtful and illuminating.
Erasmus yearned to make the Bible an effective instrument in the reform of society, church, and the life of individuals in the turbulent world the sixteenth century. He therefore composed paraphrases in which the words of Holy Scripture provided the core of a text vastly expanded to embrace the reforming 'philosophy of Christ.' The Paraphrases were successful beyond expectation and were quickly translated from Latin into French, German, English, and other languages. This volume is the third Paraphrase to be published in the New Testament Scholarship series in the CWE. In it Erasmus explores questions that have always been central to Christian self-understanding. Why is the cross folly to the wise of this world? In the Paraphrase on John, Erasmus hints broadly that the cause of human blindness lies in the arrogance of intellectual pretensions, the love of vain-glory, the lust for possessions, the fear of losing the supports that secure a comfortable way of life. Perhaps nothing will please the reader more the portraits of the chief characters in John's Gospels. We enjoy the simplicity of the lowly woman at the well, we understand the complexity of the distinguished Nicodemus. Above all, we are captured by the portrait of Christ himself. Upon the stage Erasmus has here designed, Christ appears first in the humility of a lowly artisan from a despised country; only to the discerning does his glory flash forth from his mortality, a mortality vividly etched in the scene on the cross. But in the last pages of the Paraphrase on John, Erasmus sets before us in sharp dramatic contrast the resurrected Christ glorious with a radiant holiness. Like Augustine in the City of God, Erasmus attempts to define the relationship between the two worlds in which the Christian lives - the heavenly and the spiritual, and the earthly and physical. Volume 46 of the Collected Works of Erasmus series.
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