10 lectures, Helsinki, April. 3-14, 1912 (CW 136) Rudolf Steiner's achievement in these lectures--it has been said by Valentin Tomberg--"cannot be compared with the accomplishment of any contemporary seer or thinker, or with any of the Middle Ages or antiquity. It towers over them." In the architecture of Rudolf Steiner's great cosmological temple, this extraordinary course of lectures on spiritual beings forms the central pillar with other important texts such as the fourth chapter of An Outline of Esoteric Science (CW 13); The Spiritual Hierarchies and the Physical World (CW 136); and Inner Experiences of Evolution (CW 132). These works--outlining a revolutionary angelological cosmology--are at the heart of Steiner's mission to transform our understanding of the world by laying down a new, non-dual, phenomenological path to a contemporary divine-spiritual-physical cosmology that is angelological and theophanic. For Steiner, what constitutes the world are "beings"--including the ground of the world itself, the "Father being." Steiner's cosmology or angelology is personal, and it is known in relationship; therefore, he presents it in terms of states and deeds of conscious, and of the divine-spiritual beings whose states and deeds they are. The spiritual world is thus always a world of beings. The twin realizations--I am an "I" being and reality is constituted of other "I" beings--go together. Cosmology is angelology. Spiritual beings define experience of the nature of reality. In these lectures, the reader is led through a series of meditations to recognize these spiritual beings and come to know their deeds. Steiner's approach is "contemporary" in that, while continuous with the most ancient understanding of the cosmos, he discovers it for himself, out of his own experience and consciousness, and expresses it in his own words with a logic and language appropriate to our time. Thus, he teaches us, his readers, to do the same. In these lectures, the reader is led through a series of meditations to recognize and come to know the activities and beings of the hierarchies: FIRST HIERARCHY Seraphim -- Spirits of Universal Love Cherubim -- Spirits of Harmony Thrones -- Spirits of Will SECOND HIERARCHY Kyriotetes -- Spirits of Wisdom / Dominions Dynamis -- Spirits of Motion / Mights or Virtues Exusai -- Spirits of Form / Powers THIRD HIERARCHY Archai -- Principalities / Spirits of Personality / Time spirits / Spirits of the Age Archangeloi -- Archangels / Folk Spirits / Spirits of Fire Angeloi -- Angels / Messengers / Spirits of Life or of Twilight THE HUMAN BEING KINGDOMS OF NATURE Animal Plant Mineral Steiner's achievement in these lectures, as Valentin Tomberg said, "cannot be compared with the accomplishment of any contemporary seer or thinker, or with any of the Middle Ages or antiquity. It towers over them." This book is a translation from German of the book Die geistigen Wesenheited in den Himmelskörpern und Naturreichen (GA 136). Translator unknown; original translation revised by Marsha Post.
The Lost Promise is a magisterial examination of the turmoil that rocked American universities in the 1960s, with a unique focus on the complex roles played by professors as well as students. The 1950s through the early 1970s are widely seen as American academia’s golden age, when universities—well-funded and viewed as essential for national security, economic growth, and social mobility—embraced an egalitarian mission. Swelling in size, schools attracted new types of students and professors, including radicals who challenged their institutions’ calcified traditions. But that halcyon moment soon came to a painful and confusing end, with consequences that still afflict the halls of ivy. In The Lost Promise, Ellen Schrecker—our foremost historian of both the McCarthy era and the modern American university—delivers a far-reaching examination of how and why it happened. Schrecker illuminates how US universities’ explosive growth intersected with the turmoil of the 1960s, fomenting an unprecedented crisis where dissent over racial inequality and the Vietnam War erupted into direct action. Torn by internal power struggles and demonized by conservative voices, higher education never fully recovered, resulting in decades of underfunding and today’s woefully inequitable system. As Schrecker’s magisterial history makes blazingly clear, the complex blend of troubles that disrupted the university in that pivotal period haunts the ivory tower to this day.
Evidence-Based Treatments for Alcohol and Drug Abuse encompasses the developments in the field over the last decade, blending theory, techniques and clinical flexibility. Research in the past decade has shown that substance abuse and substance dependence are treatable. The field has witnessed the introduction of evidence-based psychological and specific pharmacological treatments. Unfortunately, many of the empirical supported therapies for addictions are still not widely applied by practitioners. The third volume in the Practical Clinical Guidebooks Series (PCG), Evidence-Based Treatments for Alcohol and Drug Abuse, defines the characteristics, classification, and prevalence of substance use disorders, and provides the clinician with practical guidelines applicable across a variety of treatment settings and patient groups. Drawing on the recent research in the field, the authors provide the practicing clinician and student with an up-to-date understanding of the epidemiology, etiology, course and prognosis of substance abuse disorders that would be relevant to clinical practice. In addition to describing phenomenology and etiology, the book provides a comprehensive guide to the assessment and treatment of DSM-IV-TR substance abuse disorders (SUDs), including abuse and dependence of alcohol, stimulants, opiates, hallucinogens, cannabis/marijuana, sedative, and party drugs.
In a world where there is a growing awareness of the possible effects of human activities on climate change, there is a need to identify the emission of greenhouse gases (GHG) from wastewater treatment plants (WWTPs). As a result of this growing awareness, governments started to implement regulations that require water authorities to report their GHG emissions. With these developments there exists a strong need for adequate insight into the emissions of N2O and CH4. With this insight water authorities would be able to estimate and finally reduce their emissions. The overall objectives of the different research programs performed by partners of the GWRC members WERF (United States of America), WSAA (Australia), CIRSEE-Suez (France) and STOWA (the Netherlands) were: To define the origin of N2O emission. To understand the formation processes of N2O. To identify the level of CH4 emissions from wastewater collection and treatment systems. To evaluate the use of generic emission factors to estimate the emission of N2O from individual plants
Master Kierkegaard is a diary kept by a fictional servant in the house of Soren Kierkegaard. The strong-willed but faithful Magda, a well-educated and "fallen" woman from Berlin, considers herself fortunate to have found domestic work in Copenhagen and yet is plagued by her own demons. Two journals set in the summer of 1847, while Kierkegaard wrote his Works of Love, record Magda's reflections on Scripture, literature, and life, focusing on her sporadic yet intimate interactions with her master, Denmark's premier writer, theologian, and philosopher.
Provides important new content on specific ethical, leadership, and advocacy capabilities that advance the DNP role in nursing practice This core text for the DNP curriculum encompasses all facets of the evolving advanced practice role including diverse professional opportunities and options for career advancement. With ten completely new chapters, the third edition conveys the latest developments in doctoral-level capabilities, including the specific ethical, leadership, and advocacy components that advance these roles. New content addresses health equity, role negotiation, ethical and leadership dilemmas for the clinician, and the preceptor role in relation to doctoral-level advanced practice. Considering the predominance of students seeking the Nurse Practitioner role, the book emphasizes the clinical context for the DNP along with the new AACN Domain of Professionalism. There also are contributions from Nurse Midwives, Nurse Anesthetists, Clinical Nurse Specialists, and DNPs in the Nurse Educator role. The text is distinguished by distinctive Reflective Responses to the authors of all chapters. These may be characterized as a Point-Counterpoint feature—consisting of commentaries by scholars of varying points of view—that stimulates substantive critical dialogue. It examines the role of evidence—both practice-based evidence and evidence-based practice—in the context of clinical problems and policy formation and focuses on how the doctoral advanced prepared nurse can discriminate, translate, and sometimes generate new nursing evidence. The text addresses the need for both forms of evidence and underscores the importance of innovative healthcare intervention models. Included is practical information illustrated with examples geared for both BSN-DNP students and MSN-DNP students. Content on the DNP/PhD double doctorate and the impact of DNP leadership on organizations further examines the relationship between nursing practice, education, and science. New to the Third Edition: Ten new chapters, including coverage of: COVID-19; BSN-DNP Trajectories; Practice-Based Evidence and Evidence-Based Practice; Health Equity; Role Negotiation, Ethical, Leadership, and Advocacy Roles; and 2021 AACN Essentials Expanded roles and content for students of varying experience levels Emphasis on the new AACN Domain of Professionalism throughout Key Features: Focuses on DNP role development with extensive contributions by leading DNP scholars and clinicians Delivers Reflective Responses in a Point-Counterpoint format to stimulate vigorous class discussion Provides critical thinking questions throughout including Reflective Response
Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and often extreme, transformation-human to machine, human to animal, human to god-are certain categories seemingly untouchable? Why does this speculative genre routinely fail to fully speculate about other worlds and ways of being in those worlds? For all their nonconformity, superhero stories do not live up to the idea of a radical genre, in look, feel, or tone. The mainstream American superhero genre, and its surrounding discourses, tells and facilitates an astonishingly seamless tale of opposing ideologies. But how? Recovering the Radical Promise of Superheroes: Un/Making Worlds serves a speculative response, detailing not so much a hunt for genre meaning as a trip through a genre's meaningscape. Looking anew at superhero meaning-making practices allows a distinct way of thinking about and describing the creative, formal, and ideological conditions of the genre and its protagonists, one removed from corralling binaries, one foregrounding the idea of a synergy-often unseen, uneasy, and even hostile-between official and unofficial agents of superhero meaning and one reframing familiar questions: What kinds of meaning do superhero texts engender? How is this meaning made? By whom and under what conditions? What processes and practices inform, regulate, and extend superhero meaning? And finally, superhero narratives present a new question: How might we reimagine its agents, surfaces, and spaces? Centering the experiences and practices of excluded and marginalized superhero fans, Recovering the Radical Promise of Superheroes reveals that genre meaning is not lodged in one place or another, neither in its official creators or fans, nor in "black and white" conservatism or in a "rainbow" of progressive possibilities. Nor is it even located somewhere in the in-between; it is instead better conceived of as an antagonistic, in-process nexus of meaning undergirded by systems of power. Ellen Kirkpatrick, based in northern Ireland, is an activist-writer with a PhD in Cultural Studies. In her work, she writes about activism, pop culture, fan cultures, and the transformative power of storytelling. She has published work in a range of academic journals and media outlets and her writings and work can be found at The Break and on Twitter @elk_dash.
In this serial work of religious historical fiction, Magda, a "fallen woman" from Berlin turned maidservant in the house of Sren Kierkegaard, seeks the full life that has thus far eluded her. Two journals set in the summer of 1847 record Magda's responses to the Luther Bible, Goethe's Faust, and her elusive yet compelling master, who is simultaneously crafting his Works of Love. Three journals set in the fall, winter, and "people's spring" of 1847 and 1848 reflect Magda's ongoing engagement with secular and sacred writings, her sporadic yet intimate interactions with her master, the precariousness of her position in his household, and the rapidly changing social landscape, at the same time as Kierkegaard begins, revises, or completes several of his most existential and prophetic works. A sixth journal set in the summer of 1848 reveals Magda's final disposition. Is she judged, or is she saved?
In the mid-nineteenth-century United States, as it became increasingly difficult to distinguish between bodies understood as black, white, or Indian; able-bodied or disabled; and male or female, intense efforts emerged to define these identities as biologically distinct and scientifically verifiable in a literally marked body. Combining literary analysis, legal history, and visual culture, Ellen Samuels traces the evolution of the fantasy of identificationOCothe powerful belief that embodied social identities are fixed, verifiable, and visible through modern science. From birthmarks and fingerprints to blood quantum and DNA, she examines how this fantasy has circulated between cultural representations, law, science, and policy to become one of the most powerfully institutionalized ideologies of modern society. Yet, as Samuels demonstrates, in every case, the fantasy distorts its claimed scientific basis, substituting subjective language for claimed objective fact.From its early emergence in discourses about disability fakery and fugitive slaves in the nineteenth century to its most recent manifestation in the question of sex testing at the 2012 Olympic Games, a Fantasies of Identification aexplores the roots of modern understandings of bodily identity.
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet,Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: Choreographers Composers Costumers Dance companies Dancers Productions Set designers Techniques Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.
Slow to rise in the literary world, Octavia Estelle Butler cultivated musings on earth's future, reaching massive critical acclaim in the process. This companion will complement book club discussions and classroom lessons for the closest possible readings of Butler's science fiction and her texts on racism and pollution. A maven of speculative fiction so prescient that it hovers between tocsin and prophecy, Butler survives through her print stories, essays, novels and musings on individualism and compromise. This book guides the reader on a variety of Butler pieces, from her most obscure titles to her historical entries and pieces that speculate upon science, metaphysics, linguistics, psychology, writing and religion. The text serves as a guide through the depths of Octavia Butler's works and reinforces the reasons for which her name so often appears on reading lists for higher learning.
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
Eldenburg's Management is an introductory text that focuses on presenting content in an easy to understand way that encourages students to think critically and draw connections between theory and practice. This new seventh edition has a strengthened focus on technology and features have been updated to help students further consolidate their knowledge. This includes various forms of revision materials such as auto-graded knowledge-check questions and self-skill assessment. There is also a broad variety of concise case studies, including new ones with a strategic focus, which enable instructors to have thought-provoking and engaging tutorials. An exciting addition to the interactive e-text are the new ANZ videos that feature a diverse group of management thought-leaders who give insights and ‘tales from the front.’ This will provide supplementary content for lectures or serve as pre-work for a flipped classroom.
From Abelard to Zubaydah, here is a biographical dictionary of notable men and women of the Middle Ages. Hundreds of entries span the fifth to the fifteenth centuries, covering a broad range of creative, vigorous, and influential people from Europe and the Middle East. Each entry includes both personal and historical details, alternate name spellings, and references for further reading. A rich selection of appendices includes a chronology of events; a chronology of popes, emperors and monarchs; a list of colleges and universities of the Middle Ages; a list of major monasteries, abbeys, and convents and an alphabetical list of individuals by occupation.
The soils are fundamental to our existence, delivering water and nutrients to plants, that feed us. But they are in many ways in danger and their conservation is therefore a most important focus for science, governments and society as a whole. A team of world recognised researchers have prepared this first English edition based on the 16th European edition. • The precursors and the processes of soil development • The physical, biological and chemical properties of soils • Nutrients and Pollutants • The various soil classifications with the main focus on the World Reference Base for Soil Resources (WRB) • The most important soils and soil landscapes of the world • Soil Evaluation Techniques • Basic Principles of Soil Conservation Whoever works with soils needs this book.
10 lectures, Helsinki, April. 3-14, 1912 (CW 136) Rudolf Steiner's achievement in these lectures--it has been said by Valentin Tomberg--"cannot be compared with the accomplishment of any contemporary seer or thinker, or with any of the Middle Ages or antiquity. It towers over them." In the architecture of Rudolf Steiner's great cosmological temple, this extraordinary course of lectures on spiritual beings forms the central pillar with other important texts such as the fourth chapter of An Outline of Esoteric Science (CW 13); The Spiritual Hierarchies and the Physical World (CW 136); and Inner Experiences of Evolution (CW 132). These works--outlining a revolutionary angelological cosmology--are at the heart of Steiner's mission to transform our understanding of the world by laying down a new, non-dual, phenomenological path to a contemporary divine-spiritual-physical cosmology that is angelological and theophanic. For Steiner, what constitutes the world are "beings"--including the ground of the world itself, the "Father being." Steiner's cosmology or angelology is personal, and it is known in relationship; therefore, he presents it in terms of states and deeds of conscious, and of the divine-spiritual beings whose states and deeds they are. The spiritual world is thus always a world of beings. The twin realizations--I am an "I" being and reality is constituted of other "I" beings--go together. Cosmology is angelology. Spiritual beings define experience of the nature of reality. In these lectures, the reader is led through a series of meditations to recognize these spiritual beings and come to know their deeds. Steiner's approach is "contemporary" in that, while continuous with the most ancient understanding of the cosmos, he discovers it for himself, out of his own experience and consciousness, and expresses it in his own words with a logic and language appropriate to our time. Thus, he teaches us, his readers, to do the same. In these lectures, the reader is led through a series of meditations to recognize and come to know the activities and beings of the hierarchies: FIRST HIERARCHY Seraphim -- Spirits of Universal Love Cherubim -- Spirits of Harmony Thrones -- Spirits of Will SECOND HIERARCHY Kyriotetes -- Spirits of Wisdom / Dominions Dynamis -- Spirits of Motion / Mights or Virtues Exusai -- Spirits of Form / Powers THIRD HIERARCHY Archai -- Principalities / Spirits of Personality / Time spirits / Spirits of the Age Archangeloi -- Archangels / Folk Spirits / Spirits of Fire Angeloi -- Angels / Messengers / Spirits of Life or of Twilight THE HUMAN BEING KINGDOMS OF NATURE Animal Plant Mineral Steiner's achievement in these lectures, as Valentin Tomberg said, "cannot be compared with the accomplishment of any contemporary seer or thinker, or with any of the Middle Ages or antiquity. It towers over them." This book is a translation from German of the book Die geistigen Wesenheited in den Himmelskörpern und Naturreichen (GA 136). Translator unknown; original translation revised by Marsha Post.
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