Sharp as the needles on a pinyon pine, these essays will make you rethink your view of the American West. Meloy's wise and unexpected observations are a pure delight." —MINNEAPOLIS STAR TRIBUNE The late writer and naturalist Ellen Meloy wrote and recorded a series of audio essays for KUER, NPR Utah in the 1990s. Every few months, she would travel to their Salt Lake City studios from her red rock home of Bluff to read an essay or two. With understated humor and sharp insight, Meloy would illuminate facets of human connection to nature and challenge listeners to examine the world anew. Seasons: Desert Sketches is a compilation of these essays, transcribed from their original cassette tape recordings. Whether Meloy is pondering geese in Desolation Canyon or people at the local post office, readers will delight in her signature wit and charm—and feel the pull of the desert she loves and defends. With a foreword by Annie Proulx. ELLEN MELOY was a native of the West and lived in California, Montana, and Utah. Her book The Anthropology of Turquoise (2002) was a finalist for the Pulitzer Prize and won the Utah Book Award and the Banff Mountain Book Festival Award in the adventure and travel category. She is also the author of Raven’s Exile: A Season on the Green River (1994), The Last Cheater’s Waltz: Beauty and Violence in the Desert Southwest (2001), and Eating Stone: Imagination and the Loss of the Wild (2005). Meloy spent most of her life in wild, remote places; at the time of her sudden death in November 2004 (three months after completing Eating Stone), she and her husband were living in southern Utah.
Long believed to be disappearing and possibly even extinct, the Southwestern bighorn sheep of Utah’s canyonlands have made a surprising comeback. Naturalist Ellen Meloy tracks a band of these majestic creatures through backcountry hikes, downriver floats, and travels across the Southwest. Alone in the wilderness, Meloy chronicles her communion with the bighorns and laments the growing severance of man from nature, a severance that she feels has left us spiritually hungry. Wry, quirky and perceptive, Eating Stone is a brillant and wholly original tribute to the natural world.
In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape. From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of their homeland, as well as to Persians who consider turquoise the life-saving equivalent of a bullet-proof vest. Throughout, Meloy invites us to appreciate along with her the endless surprises in all of life and celebrates the seduction to be found in our visual surroundings.
In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape. From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of their homeland, as well as to Persians who consider turquoise the life-saving equivalent of a bullet-proof vest. Throughout, Meloy invites us to appreciate along with her the endless surprises in all of life and celebrates the seduction to be found in our visual surroundings.
From the recipient of the 1997 Whiting Award. Feeling disconnected from the wildly beautiful desert that she has known intimately for twenty years, award-winning writer Ellen Meloy embarks on a search for home that is historical, scientific, and spiritual. Her "Map of the Known Universe," devised to guide her quest, reveals extraordinary details of a physical link between the atomic age and her home on Utah's San Juan River. The Map grows to include Los Alamos, the Trinity A-test site, White Sands Missile Range, and primary sources of uranium. Meloy casts her naturalist's eye on the Southwest's "geography of consequence," where she finds unusual local bestiaries, the bodies of long-buried neighbors, an underground bubble of nuclear physics in a national forest, and the rich textures of nature on her own eight acres of land. The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest is multilayered and far-reaching, yet always infused with Meloy's prodigious research, finely tuned prose, and wry humor.
More than a century after John Wesley Powelllaunched his boat on the Green River, Ellen Meloy spent eight years of seasonal floats through Utah's Desolation Canyon with her husband, a federal river ranger. She came to know the history and natural history of this place well enough to call it home, and has recorded her observations in a book that is as wide-ranging as the river and as wild as the wilderness through which it runs.
In Sandstone Seduction, Katie Lee collects her most creative writing, written over her lifetime, telling us about the events that shaped her life, and her encounters with water and rock. As always, her writing is deeply personal, remarkably candid, and abundantly frank. Katie Lee speaks her mind; she does not hold back. She listened to the water and absorbed its lessons for more than sixty years; she knows well that we have a lot to learn about the flow of our lives.
In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape. From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of their homeland, as well as to Persians who consider turquoise the life-saving equivalent of a bullet-proof vest. Throughout, Meloy invites us to appreciate along with her the endless surprises in all of life and celebrates the seduction to be found in our visual surroundings.
From the recipient of the 1997 Whiting Award. Feeling disconnected from the wildly beautiful desert that she has known intimately for twenty years, award-winning writer Ellen Meloy embarks on a search for home that is historical, scientific, and spiritual. Her "Map of the Known Universe," devised to guide her quest, reveals extraordinary details of a physical link between the atomic age and her home on Utah's San Juan River. The Map grows to include Los Alamos, the Trinity A-test site, White Sands Missile Range, and primary sources of uranium. Meloy casts her naturalist's eye on the Southwest's "geography of consequence," where she finds unusual local bestiaries, the bodies of long-buried neighbors, an underground bubble of nuclear physics in a national forest, and the rich textures of nature on her own eight acres of land. The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest is multilayered and far-reaching, yet always infused with Meloy's prodigious research, finely tuned prose, and wry humor.
More than a century after John Wesley Powelllaunched his boat on the Green River, Ellen Meloy spent eight years of seasonal floats through Utah's Desolation Canyon with her husband, a federal river ranger. She came to know the history and natural history of this place well enough to call it home, and has recorded her observations in a book that is as wide-ranging as the river and as wild as the wilderness through which it runs.
Long believed to be disappearing and possibly even extinct, the Southwestern bighorn sheep of Utah’s canyonlands have made a surprising comeback. Naturalist Ellen Meloy tracks a band of these majestic creatures through backcountry hikes, downriver floats, and travels across the Southwest. Alone in the wilderness, Meloy chronicles her communion with the bighorns and laments the growing severance of man from nature, a severance that she feels has left us spiritually hungry. Wry, quirky and perceptive, Eating Stone is a brillant and wholly original tribute to the natural world.
Sharp as the needles on a pinyon pine, these essays will make you rethink your view of the American West. Meloy's wise and unexpected observations are a pure delight." —MINNEAPOLIS STAR TRIBUNE The late writer and naturalist Ellen Meloy wrote and recorded a series of audio essays for KUER, NPR Utah in the 1990s. Every few months, she would travel to their Salt Lake City studios from her red rock home of Bluff to read an essay or two. With understated humor and sharp insight, Meloy would illuminate facets of human connection to nature and challenge listeners to examine the world anew. Seasons: Desert Sketches is a compilation of these essays, transcribed from their original cassette tape recordings. Whether Meloy is pondering geese in Desolation Canyon or people at the local post office, readers will delight in her signature wit and charm—and feel the pull of the desert she loves and defends. With a foreword by Annie Proulx. ELLEN MELOY was a native of the West and lived in California, Montana, and Utah. Her book The Anthropology of Turquoise (2002) was a finalist for the Pulitzer Prize and won the Utah Book Award and the Banff Mountain Book Festival Award in the adventure and travel category. She is also the author of Raven’s Exile: A Season on the Green River (1994), The Last Cheater’s Waltz: Beauty and Violence in the Desert Southwest (2001), and Eating Stone: Imagination and the Loss of the Wild (2005). Meloy spent most of her life in wild, remote places; at the time of her sudden death in November 2004 (three months after completing Eating Stone), she and her husband were living in southern Utah.
Examine cutting-edge research on the social worker’s role in the legal system! Social Work and the Law: Proceedings of the National Organization of Forensic Social Work, 2000 addresses the issues and concerns facing social workers who deal with law and the legal system. This comprehensive research collection is essential for providing diagnosis, treatment, and recommendations on legal issues and litigation, both criminal and civil. The findings are invaluable for social workers called upon for consultation, education, and training insights when dealing with legal personnel. As the relatively new field of forensic social work grows, the issues related to its expansion become more complex. Social Work and the Law presents thoughtful commentary on those issues, taken from cutting-edge research findings on the links between animal, child, and domestic abuse; the psychology of stalkers (and their targets); empowering the drug courts; determining competency to stand trial; and much more! Vital for social work practitioners, the book is also an important resource for medical, legal, and criminal justice professionals, educators, and counselors. Social Work and the Law is a valuable guide for anyone dealing with: the assessment and treatment of criminal and juvenile justice populations the civil rights of the mentally ill and mentally impaired the social work aspects of marriage, divorce, and annulment the termination of parental rights and much more! More and more, social workers will need legal knowledge as they advocate for clients who have legal problems and/or are involved in the judicial system. Social Work and the Law provides essential information on dealing with issues confronted by the civil and criminal justice systems.
Barbed wire is made of two strands of galvanized steel wire twisted together for strength and to hold sharp barbs in place. As creative advertisers sought ways to make an inherently dangerous product attractive to customers concerned about the welfare of their livestock, and as barbed wire became commonplace on battlefields and in concentration camps, the fence accrued a fascinating and troubling range of meanings beyond the material facts of its construction. In The Perfect Fence, Lyn Ellen Bennett and Scott Abbott explore the multiple uses and meanings of barbed wire, a technological innovation that contributes to America’s shift from a pastoral ideal to an industrial one. They survey the vigorous public debate over the benign or “infernal” fence, investigate legislative attempts to ban or regulate wire fences as a result of public outcry, and demonstrate how the industry responded to ameliorate the image of its barbed product. Because of the rich metaphorical possibilities suggested by a fence that controls through pain, barbed wire developed into an important motif in works of literature from the late nineteenth century to the present day. Early advertisements proclaimed that barbed wire was “the perfect fence,” keeping “the ins from being outs, and the outs from being ins.” Bennett and Abbott conclude that while barbed wire is not the perfect fence touted by manufacturers, it is indeed a meaningful thing that continues to influence American identities.
This textbook provides an integrated and organized foundation for students seeking a brief but comprehensive introduction to the field of relationship science. It emphasizes the relationship field's intellectual themes, roots, and milestones; discusses its key constructs and their conceptualizations; describes its methodologies and classic studies; and, most important, presents the theories that have guided relationship scholars and produced the field's major research themes.
Understand the legal framework that provides the structure of Nursing! This is the only current text to critically examine the vast array of legal and ethical matters confronting nursing faculty in classroom and clinical settings. Designed to assist students preparing to be nurse educators, academic nursing administrators, and novice and seasoned faculty in making real-life decisions about academic issues within a legal and ethical framework. Replete with practical advice from experts in the fields of nursing, law, and ethics, this text guides the reader through legal and ethical principles, analyses of relevant case-based scenarios, and practical recommendations for handling problems in accordance with existing laws and institutional policy. Clearly and concisely written and organized, this text provides a comprehensive description of the legal process, including higher education law, the courts, case law, the role of a university attorney, and how to read and cite judicial decisions. Real-world case scenarios and detailed analyses of pertinent issues, including coverage of incivility, discrimination, harassment, academic dishonesty, and freedom of speech, are examined from the perspective of students, faculty, and administrators. Key Features: Written by a nursing dean, a former nursing dean, an ethicist, and a higher education attorney An entire section of legal and ethical cases, featuring a unique philosophical and ethical perspective Delivers best practices for nursing faculty Provides tips on when to consult the university attorney, critical elements to consider, actions to take when law and ethics conflict, helpful resources, and a glossary of legal terms An Instructor’s Manual and discussion questions facilitate teaching.
In a sweeping synthesis of a crucial period of American history, From Dependency to Independence starts with the'problem'of New England's economic development. As a struggling outpost of a powerful commercial empire, colonial New England grappled with problems familiar to modern developing societies: a lack of capital and managerial skills, a nonexistent infrastructure, and a domestic economy that failed to meet the inhabitants'needs or to generate exports. Yet, less than a century and a half later, New England staged the war for political independence and the industrial revolution. How and why did this transformation occur? Marshaling an enormous array of research data, Margaret Ellen Newell demonstrates that colonial New England's economic development and its leadership role in these two American revolutions were interrelated.
The unmatched guide—and perfect gift—for stymied scribes and working wordsmiths everywhere, now expanded and updated. A singular and indispensable reference tool, The Describer's Dictionary—now expanded and updated—has served for over twenty years as the go-to resource for writers who are determined to capture the world in just the right words. The dictionary uses a unique reverse definition-to-term format that makes it easy to zero in on the term you're seeking. Turn to the new section on sensory impressions, for example, to find vivid terms for "loud or jarring," such as "grating," "harsh," "piercing," "blaring," "thunderous," "cacophonous," and "raucous." And at the end of each section dozens of illustrative passages by notable fiction and nonfiction authors—including Donna Tartt, Michael Lewis, Zadie Smith, Khaled Hosseini, and Paul Theroux—bring the terminology to life. New in this edition: • Hundreds of additional definitions, terms, and synonyms • Brand-new categories, including "Physical States and Symptoms," "Temperament and Behavior," "Rooms and Interior Spaces," "Weather and Forces of Nature," and "The Solar System" • Over 400 new quotations from books, periodicals, and digital media by established and rising literary stars • An index of the more than 600 authors quoted in the book
Distinguished by statesmen and magnates, Helena's history is colored with many other compelling characters and episodes nearly lost to time. Before achieving eminence in Deadwood, Sheriff Seth Bullock oversaw Montana Territory's first two legal hangings. The Seven Mile House was an oasis of vice for the parched, weary travelers entering the valley on the Benton Road, despite a tumultuous succession of ownership. The heritage of the Sieban Ranch and the saga of "King Kong" Clayton, "the Joe Louis of the Mat," faded from public memory. From unraveling the myths of Chinatown to detailing the lives of red-light businesswomen and the Canyon Ferry flying saucer hoax, revered local historians Ellen Baumler and Jon Axline team up to preserve a compendium of Helena's yesteryear.
This issue of Nursing Clinics of North America, Guest Edited by Mary Ellen Smith Glasgow, PhD, RN, ACNS-BC, will focus on New Developments in Nursing Education: A Focus on Contemporary Content, Pedagogies, Deans, Trends, with article topics including: Game-based E-Learning; Incorporating Evidence-Based Care of Individuals with Developmental/Cognitive Disabilities into the Curriculum; Doctor of Nursing Practice Graduate as Faculty Members; Clinical Nursing Education Evaluation and Re-Design; Transdisciplinary Simulation; New Dean of Nursing: Lessons Learned; Promoting a Healthy Workplace for Nursing Faculty; Nursing Education Trends; Learning from Business; Focusing Curricula on Primary Care, Health Promotion, and Public Health in Light of Health Care Reform; Genetics in the Nursing Curriculum; and A National Study of Doctoral Nursing Faculty.
Among Montana’s most enduring legacies are the names assigned to its geographic features and places found on the state map. As long as humans have inhabited Montana they have named places. While the past two centuries have changed the way people live in Montana, the names given to some rivers, mountain ranges, cities, and towns have persisted, while others have changed with time. Naming Montana explores the origins of more than 1,000 Montana place names, drawing upon the knowledge of Montana Historical Society historians and the expertise of local historians from across the state. This new publication includes both geographic features, selected historic sites listed on the National Register of Historic Places, historic photographs, and maps. The authors’ extensive research illuminates the stories behind the names of places that we call home.
This deeply personal collection of essays paints a progressive view of the American West as seen by a geologist. The author traces her twenty years of living and conducting research in the natural landscapes of the West as she investigates the conflict between environmental history and widely held romanticized views of the region.
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