Forfatteren er lektor i sociologi ved California State College, Sonoma. Hun har udviklet en teori om sociale betingelser, som fremmer revolutionære handlinger af officerer i tredie verdenlande.
In this watershed book, E. Kay Trimberger tackles one of the largest social phenomena of our times: the increasing number of single women over thirty-five. Drawing on the diverse personal stories of long-term single women, including herself, Trimberger explodes the idea that fulfillment comes only through finding a soul mate. Instead, she presents an exciting new identity possible for women in the twenty-first century: the new single woman. The new single woman rejects the cultural pressure to couple and unabashedly lives a fulfilling single life, one where she is not on her own, not defined primarily by self-reliance but by her skills at creating friendships and her ability to link networks of friends into a community. Trimberger's analysis opens up new alternatives for the "good life" and speaks to the anxieties of single women in their twenties and early thirties."--BOOK JACKET.
Forfatteren er lektor i sociologi ved California State College, Sonoma. Hun har udviklet en teori om sociale betingelser, som fremmer revolutionære handlinger af officerer i tredie verdenlande.
In this watershed book, E. Kay Trimberger tackles one of the largest social phenomena of our times: the increasing number of single women over thirty-five. Drawing on the diverse personal stories of long-term single women, including herself, Trimberger explodes the idea that fulfillment comes only through finding a soul mate. Instead, she presents an exciting new identity possible for women in the twenty-first century: the new single woman. The new single woman rejects the cultural pressure to couple and unabashedly lives a fulfilling single life, one where she is not on her own, not defined primarily by self-reliance but by her skills at creating friendships and her ability to link networks of friends into a community. Trimberger's analysis opens up new alternatives for the "good life" and speaks to the anxieties of single women in their twenties and early thirties."--BOOK JACKET.
Collects 14 articles on women's suffrage. DuBois (history, U. of California in Los Angeles) traces the trajectory of the suffrage story against the backdrop of changing attitudes to politics, citizenship, and gender, and the resultant tensions over such issues as slavery and abolitionism, sexuality and religion, and class conflict. Annotation copyrighted by Book News, Inc., Portland, OR
Blatch's dedication to woman suffrage, marked by a concern for social justice and human liberty, closely paralleled that of her mother. After her mother's death in 1902, Blatch returned to the United States. There she encouraged women from all classes to participate in the suffrage movement, advocated a lively activist style, and brought a genuine political sensibility to the movement.
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
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