A vivid and compelling picture of the broader fashion landscape between 1960 and the present day. Anecdotes? The book is full of them.' The Times 'Dazzling from start to finish.' Joanna Lumley In this insightful memoir, Zandra shares her life story for the first time. Told through a variety of mementos collected over the years, it is a vibrant account filled with rockstars and royalty, of life-changing friendships and poignant reflections on her personal triumphs and tragedies, as well as the fears, sacrifices and pressures that come with being an era-defining designer. Full of poignant reflections and life lessons on achieving success while defying convention, Zandra takes the reader right alongside her as she recounts being inspired by her avant-garde mother to her time at the Royal College, from a road trip to Rome with Ossie Clark and Celia Birtwell, to opening her first London store thanks to a kind loan from Vanessa Redgrave with Joe Cocker singing With a Little Help From My Friends, from hanging out with Andy Warhol and Halston in New York's Studio 54 to lifelong friendships with legends such as Karl Lagerfeld and Diana Vreeland; from designing for everyone from Freddie Mercury to Diana Ross, Princess Diana to Barbra Streisand to founding the Fashion and Textile Museum. Capturing the rich and unexpected life of a British icon, this memoir explores what it is to defy the norm. ‘Zandra Rhodes has changed the course of fashion history.' Suzy Menkes, fashion journalist
Myths, personal narratives and historical traditions reveal beliefs and customs of twelve Indian tribes who once lived in the states of Idaho, Montana and Wyoming
Discover wonder. “A wanderlust-whetting cabinet of curiosities on paper.”— New York Times Inspiring equal parts wonder and wanderlust, Atlas Obscura is a phenomenon of a travel book that shot to the top of bestseller lists when it was first published and changed the way we think about the world, expanding our sense of how strange and marvelous it really is. This second edition takes readers to even more curious and unusual destinations, with more than 100 new places, dozens and dozens of new photographs, and two very special features: twelve city guides, covering Berlin, Budapest, Buenos Aires, Cairo, London, Los Angeles, Mexico City, Moscow, New York City, Paris, Shanghai, and Tokyo. Plus a foldout map with a dream itinerary for the ultimate around-the-world road trip. More a cabinet of curiosities than traditional guidebook, Atlas Obscura revels in the unexpected, the overlooked, the bizarre, and the mysterious. Here are natural wonders, like the dazzling glowworm caves in New Zealand, or a baobob tree in South Africa so large it has a pub inside where 15 people can sit and drink comfortably. Architectural marvels, including the M. C. Escher–like stepwells in India. Mind-boggling events, like the Baby-Jumping Festival in Spain—and no, it’s not the babies doing the jumping, but masked men dressed as devils who vault over rows of squirming infants. Every page gets to the very core of why humans want to travel in the first place: to be delighted and disoriented, uprooted from the familiar and amazed by the new. With its compelling descriptions, hundreds of photographs, surprising charts, maps for every region of the world, and new city guides, it is a book you can open anywhere and be transported. But proceed with caution: It’s almost impossible not to turn to the next entry, and the next, and the next.
In modern life, an identity document bearing a photograph is an indispensable feature. Yet this connection between physical appearance and legal identity is not as modern as it may seem. In Graeco-Roman Egypt, Greek texts also bore “lexical photographs”: standardised, detailed physical descriptions (eikones) of individuals including height, skin colour, hair texture, the shape of the nose and face, and other identifiers like body modifications and disabilities. For the first time, this book collects the nearly 4000 extant eikones and their role in society, bringing the images of real individuals to life within the everyday biometric system in which they acted, worked, and relied upon for identification.
Since September 11, public discourse has often been framed in terms of absolutes: an age of innocence gives way to a present under siege, while the United States and its allies face off against the Axis of Evil. This special issue of Social Text aims to move beyond these binaries toward thoughtful analysis. The editors argue that the challenge for the Left is to develop an antiterrorism stance that acknowledges the legacy of U.S. trade and foreign policy as well as the diversity of the Muslim faith and the dangers presented by fundamentalism of all kinds. Examining the strengths and shortcomings of area, race, and gender studies in the search for understanding, this issue considers cross-cultural feminism as a means of combating terrorism; racial profiling of Muslims in the context of other racist logics; and the homogenization of dissent. The issue includes poetry, photographic work, and an article by Judith Butler on the discursive space surrounding the attacks of September 11. This impressive range of contributions questions the meaning and implications of the events of September 11 and their aftermath. Contributors. Muneer Ahmad, Meena Alexander, Lopamudra Basu, Judith Butler, Zillah Eisenstein, Stefano Harney, Randy Martin, Rosalind C. Morris, Fred Moten, Sandrine Nicoletta, Yigal Nizri, Jasbir K. Puar, Amit S. Rai, Ella Shohat, Ban Wang
Bullying, harassment and other unacceptable workplace behaviors pose significant problems for organizations. This exploration of the issue notes that factors from within the organization may help determine who and why some individuals become targets and others become bullies. The authors explore different types of behaviors where managers and management, as well as employees, are the problem. Each chapter has anecdotes scattered throughout and contains a ‘mini-case,’ review questions, ‘action’ items, and two longer cases, all based on actual events. The authors present a unique framework (V-REEL®) to assist individuals and organizations in analyzing the organization’s environment to try to eradicate the negative behavior forces that contribute to bad behavior.
Choosing a name for your baby isreally exciting, but getting it right can also be a challenge! Informative,entertaining and bringing you the very latest news and trends, the UK'sbestselling baby names book is here to help you choose, and includes: Thousands ofinspirational names, including the best, worst andweirdest names from around the world as well as celebrity picks. Trends for 2019, which names are heading up and down the charts,and the latest monikers for celebrity babies. The magic of Disney -the revival of all-time classics such as Aladdin and TheLion King may well introduce Jasmines and Nalas to the pack. Practical tips on choosing a name, registering a birth anddealing with family expectations. Predictions on next year'shottest names (think regal inspiration - Louis, perhaps?), so you'reahead of the baby name game. Baby Names2019 is simply the most up-to-date baby name book you can buy to help youwith the all-important baby name decision!
A fresh approach to a timely topic, Stolen Science is a fascinating compendium of stories of uncredited scientists and inventors throughout the ages. Over the centuries, women, people from underrepresented communities, and immigrants overcame prejudices and social obstacles to make remarkable discoveries in science--but they weren't the ones to receive credit in history books. People with more power, money, and prestige were remembered as the inventor of the telephone, the scientists who decoded the structure of DNA, and the doctor who discovered the cause of yellow fever. This book aims to set the record straight and celebrate the nearly forgotten inventors and scientists who shaped our world today.
When the Hebrew edition of this groundbreaking book came out, it provoked a stormy public debate. The author has now up-dated "Israeli Cinema", adding a substantial new postscript that reflects on the book's initial reception and points to exciting new trends in the cinematic representation of Israel and Palestine. Ella Shohat explores the cinema as a productive site of national culture, dating back to the early Zionist films about turn-of-the-century Palestine. She offers a deconstructionist reading of Zionism, viewing the cinema as itself participating in the 'invention' of the nation. Unthinking the Eurocentric imaginary of 'East versus West', Shohat highlights the paradoxes of an anomalous national/colonial project through a number of salient issues, including the Sabra figure as a negation of the 'Diaspora Jew', the iconography of the land of Israel as a denial of Palestine, and the narrative role of 'the good Arab'. The new postscript examines the emergence of a richly multiperspectival cinematic space that transcends earlier dichotomies through a palimpsestic and cross-border approach to Israel/Palestine.
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