»We must declare war on the virus,« stated UN chief António Guterres on March 13, 2020, just two days after the WHO had characterized the outbreak of the novel Covid-19 virus as a pandemic. Elke Krasny introduces feminist worry in order then to develop a feminist cultural theory on pandemic frontline ontologies, which give rise to militarized care essentialism and forced heroism. Feminist hope is gained through the attentive reading of feminist recovery plans and their novel care feminism, with the latter's insistence that recovery from patriarchy is possible.
The Vienna Biennale is the first event of its kind to combine art, design, and architecture, with the aim of generating creative ideas and artistic projects to help improve the world. Its category-spanning, interdisciplinary approach and combination of artistic ambition and the creative economy open up new perspectives on central topics of our time and thus promote positive change in our society. The Vienna Biennale was established with the understanding that we are living in a new modernity in which the digital revolution penetrates all areas of our life and is thus fundamentally changing our civilization. Today's Digital Modernity offers considerable potentials for lasting improvements in quality of life as well as innovative living concepts and business models in every sector. 00Exhibition: Various locations in Vienna, Austria (21.06. -01.10.2017).
»We must declare war on the virus,« stated UN chief António Guterres on March 13, 2020, just two days after the WHO had characterized the outbreak of the novel Covid-19 virus as a pandemic. Elke Krasny introduces feminist worry in order then to develop a feminist cultural theory on pandemic frontline ontologies, which give rise to militarized care essentialism and forced heroism. Feminist hope is gained through the attentive reading of feminist recovery plans and their novel care feminism, with the latter's insistence that recovery from patriarchy is possible.
The title nude, pensive stems from a postcard found by Austrian artist Ulrike Lienbacher - a pin-up girl on a bed, lost in contemplation. Lienbacher's book expands upon her 2010 exhibition 'Elite Bodies//Revolt' at the Salzburger Kunstverein and reflects the many aspects of nudity and ways of viewing naked bodies in the history of visual culture: as an ancient mytho-historical motif in art history, a learning tool for students in figure drawing classes, and the object of the pornographic gaze. This richly illustrated volume contains new drawings, preceded by black-and-white photographs of body studies and previously unpublished photographic works - museum scenes, still lifes and interiors.0Exhibition: Salzburger Kunstverein, Austria (2010). 0.
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