Wells presents a scholarly study of the American musical West Side Story, viewing the work from cultural, historical, and musical perspectives. --from publisher description.
This title offers analysis of Mexican painted history as an intellectual, documentary and pictorial genre. The author explores how Mexican historians conceptualized and painted their past, and introduces the major pictorial records: Aztec annals and cartographic histories and Mixtec screenfolds and lienzos. Boone focuses her analysis on the kinds of stories told in the histories and on how the manuscripts work pictorially to encode, organize, and preserve these narratives. This twofold investigation aims to broaden our understanding of how preconquest Mexicans use pictographic history for political and social ends. It also demonstrates how graphic writing systems created a broadly understood visual language that communicated effectively across ethnic and linguistic boundaries
LOOKING FOR A NAME THAT MEANS SOMETHING SPECIAL TO YOU? Given the dizzying array of choices available, picking the right name for your baby can be daunting. Why waste hours looking through one long alphabetical list of names just to burn out even before you've run through A, B, and C? In this creative twist on the traditional name book, Baby Names Made Easy offers selections organized into categories of meaning, making it easier than ever to choose a name that is significant to you. Traditional or trendy, American in origin or from all over the globe, the names here cover an array of topics. For example, look under: Animals & Insects (and find "Naia" -- Hawaiian for "dolphin") Victory (and find "Vincent" -- Latin for "conquerer") Love & Affection (and find "Mia" -- Italian for "mine") Religion & Faith (and find "Dev" -- Sanskrit for "God") The book's handy alphabetical index makes cross-referencing easy, so you can find the perfect name in no time. Baby Names Made Easy is a practical and one-of-a-kind reference for anyone searching for the most important gift they can give their child.
The turbulent Tudor age never fails to capture the imagination. But what was it actually like to be a woman during this period? This was a time when death in infancy or during childbirth was rife; when marriage was usually a legal contract, not a matter for love, and the education of women was minimal at best. Yet the Tudor century was also dominated by powerful and characterful women in a way that no era had been before. Elizabeth Norton explores the seven ages of the Tudor woman, from childhood to old age, through the diverging examples of women such as Elizabeth Tudor, Henry VIII's sister who died in infancy; Cecily Burbage, Elizabeth's wet nurse; Mary Howard, widowed but influential at court; Elizabeth Boleyn, mother of a controversial queen; and Elizabeth Barton, a peasant girl who would be lauded as a prophetess. Their stories are interwoven with studies of topics ranging from Tudor toys to contraception to witchcraft, painting a portrait of the lives of queens and serving maids, nuns and harlots, widows and chaperones.
A Rome-based American historian tells the extraordinary story of Caterina Sforza, perhaps the most prominent woman of Renaissance Italy, who was a wife, a mother, a leader, and a warrior with the courage to battle a Borgia pope, the charm to beguile a Medici husband, and the fierceness to make Machiavelli himself wince.
In From She-Wolf to Martyr, Elizabeth Casteen examines Johanna I of Naples's evolving, problematic reputation and uses it as a lens through which to analyze often-contradictory late-medieval conceptions of rulership, authority, and femininity.
This landmark edition . . . will be invaluable to scholars, teachers, and students."—Carol Thomas Neely, author of Broken Nuptials in Shakespeare's Plays
This book stands with respect on the shoulders of four centuries of Francis Bacon’s biographers, referencing historical and cipher inquiries about his noble person and transcendent body of work, but pushing further to ask: Did his vision for the ages, the Great Instauration, die with him? The premise of the fine, foregoing biographies has been to discern and explain the secrets of a great, historic personality, perhaps the world’s greatest genius, from a fixed birthdate to a fixed date of death. The less conventional premise of this book is to explain the context of the life of the person, Francis Bacon, as one crucial chapter within a long continuity of lifetimes, yet unending. Francis, and those closest to him, manifested the beginning of the Great Instauration in the form of an extraordinary array of civilization-building services, sacrificially, under persecution, for the love of humanity and the latent divinity within the people. Francis’ conclave of literary men saw themselves as brothers, demonstrating a constructive vision and true charity, outside the churches which had suppressed as heresy what the people needed to know about nature and themselves. How did twelve-year old Francis see the need and then generate the beneficial concept of the Great Instauration, meaning the restoration of a golden age of abundance, a paradise lost? This would require prior knowledge and likely actual engagement in such a civilization. Why was it lost? Why did he persevere under Job-like trials to produce a legacy of enlightenment he knew would only bear fruit long after his passing? And, is a soul of this magnitude lost forever to humanity at his passing? None of these questions can be answered entirely by original source documents, especially when for safety’s sake Francis deliberately hid or obscured the records of that lifetime. To answer the questions, the scope of Elizabeth Clare Prophet’s biography of Francis Bacon honors the existing body of documented research and then necessarily expands the lens of discovery to summarize a continuous chain of prior lives, the lifestream of this soul.
Italian immigrants to the United States and Argentina hungered for the products of home. Merchants imported Italian cheese, wine, olive oil, and other commodities to meet the demand. The two sides met in migrant marketplaces—urban spaces that linked a mobile people with mobile goods in both real and imagined ways. Elizabeth Zanoni provides a cutting-edge comparative look at Italian people and products on the move between 1880 and 1940. Concentrating on foodstuffs—a trade dominated by Italian entrepreneurs in New York and Buenos Aires—Zanoni reveals how consumption of these increasingly global imports affected consumer habits and identities and sparked changing and competing connections between gender, nationality, and ethnicity. Women in particular—by tradition tasked with buying and preparing food—had complex interactions that influenced both global trade and their community economies. Zanoni conveys the complicated and often fraught values and meanings that surrounded food, meals, and shopping. A groundbreaking interdisciplinary study, Migrant Marketplaces offers a new perspective on the linkages between migration and trade that helped define globalization in the late nineteenth and early twentieth centuries.
After Words investigates how the suicide of an author informs critical interpretations of the author's works. Suicide itself is a form of authorship as well as a revision, both on the part of the author, who has written his or her final scene and revised the `natural' course of his or her life, and on the part of the reader, who must make sense of this final act of writing. Elizabeth Leake focuses on twentieth-century Italian writers Guido Mor-selli, Amelia Rosselli, Cesare Pavese, and Primo Levi, examining personal correspondence, diaries, and obituaries along with popular and academic commemorative writings to elucidate the ramifications of the authors' suicides for their readership. She argues that authorial suicide points to the limitations of those critical stances that exclude the author from the practice of reading. In this innovative and accessible assessment of some of the key issues of authorship, Leake shows that in the aftermath of suicide, an author's life and death themselves become texts to be read.
Women in 16th- and 17th-century Britain read, annotated, circulated, inventoried, cherished, criticized, prescribed, and proscribed books in various historically distinctive ways. Yet, unlike that of their male counterparts, the study of women’s reading practices and book ownership has been an elusive and largely overlooked field. In thirteen probing essays, Women’s Bookscapesin Early Modern Britain brings together the work of internationally renowned scholars investigating key questions about early modern British women’s figurative, material, and cultural relationships with books. What constitutes evidence of women’s readerly engagement? How did women use books to achieve personal, political, religious, literary, economic, social, familial, or communal goals? How does new evidence of women’s libraries and book usage challenge received ideas about gender in relation to knowledge, education, confessional affiliations, family ties, and sociability? How do digital tools offer new possibilities for the recovery of information on early modern women readers? The volume’s three-part structure highlights case studies of individual readers and their libraries; analyses of readers and readership in the context of their interpretive communities; and new types of scholarly evidence—lists of confiscated books and convent rules, for example—as well as new methodologies and technologies for ongoing research. These essays dismantle binaries of private and public; reading and writing; female and male literary engagement and production; and ownership and authorship. Interdisciplinary, timely, cohesive, and concise, this collection’s fresh, revisionary approaches represent substantial contributions to scholarship in early modern material culture; book history and print culture; women’s literary and cultural history; library studies; and reading and collecting practices more generally.
Feasting on the Gospels follows up on the success of the Feasting on the Word series with all new material on the most prominent and preached-on New Testament books, the four Gospels. With contributions from a diverse and respected group of scholars and pastors, Feasting on the Gospels covers every single passage in the Gospels, making it suitable for both lectionary and nonlectionary use. Moreover, these volumes incorporate the unique format of Feasting on the Word, with four perspectives for preachers to choose from for each Gospel passage: theological, pastoral, exegetical, and homiletical.
A historian of early Christianity considers various theoretical critiques to examine the problems and opportunities posed by the ways in which history is written. Clark argues for a renewal of the study of premodern Western history through engagement with the critical methods that have transformed other humanities disciplines in recent decades.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.