St. Johns County and St. Augustine are some of the earliest settled areas in the United States, and both are home to fascinating history. The area's story is filled with tales from Native Americans, early European settlers and modern-day Floridians. In some places, the habitants of those historical moments have remained. From the Castillo de San Marcos to the Huguenot Cemetery and the authentic old drugstore, the city and the county are filled with fascinating and terrifying stories of lingering spirits. Join photojournalist couple Elizabeth and Bob Randall as they recount the stories of the things that haunt one of America's oldest regions.
Esther Prescott has seen little of life outside her wealthy family's Rose Bay mansion, until flashy Stan Peterson comes roaring up the drive in his huge American car and barges into her life. Within a fortnight they are living in his Kings Cross flat. Moody and erratic, proud of his well-bred wife yet bitterly resentful of her privilege, Stan is involved with his former girlfriend and a series of shady business deals. Esther, innocent and desperate to please him, must endure his controlling ways. This story of a troubled and obsessive marriage, set against the backdrop of postwar Sydney, is devastating. First published in 1957, Down in the City announced Elizabeth Harrower as a major Australian writer. Elizabeth Harrower was born in Sydney in 1928 and moved to London in 1951. She travelled extensively and began to write fiction. Her first novel Down in the City was published in 1957, and was followed by The Long Prospect a year later. In 1959 she returned to Sydney where she began working for the ABC and as a book reviewer for the Sydney Morning Herald. In 1960 she published The Catherine Wheel, the story of an Australian law student in London, her only novel not set in Sydney. The Watch Tower appeared in 1966. No further novels were published until May 2014 when Harrower's 'lost' novel, In Certain Circles, was released. Her work is austere, intelligent, ruthless in its perceptions about men and women. She was admired by many of her contemporaries, including Patrick White and Christina Stead, and is without doubt among the most important writers of the postwar period in Australia. Elizabeth Harrower died in Sydney on 7 July 2020 at the age of ninety-two. 'Down in the City marked the arrival of one of the sharpest authors of psychological fiction in Australian literature. Many of the things that happen in the novel are unpleasant, but are rendered with such intensity and psychological insight that the experience of reading about them is thrilling.' Australian 'a triumph from Text's project to recover forgotten Australian literature. Doused in melancholy and written from an accessible yet unnerving third-person perspective, Harrower's debut is a light read with weighty resonance.' Readings Bookshop
Twenty-five-year-old Clemency James has moved from Sydney to a chilly bedsit on the other side of the world. During the day she studies for the bar by correspondence; in the evenings she gives French lessons to earn a meagre wage. When she meets Christian, a charismatic would-be actor, she can see he's trouble - not least because he's involved with an older woman who has children. She is drawn to him nonetheless: drawn into his world of unpayable debts and wild promises. First published in 1960, The Catherine Wheel is Elizabeth Harrower's third novel and the only one of her books not set in Australia. In it she turns her unflinching gaze on the grim realities of 1950s London, and the madness that can infect couples. Elizabeth Harrower was born in Sydney in 1928 and moved to London in 1951. She travelled extensively and began to write fiction. Her first novel Down in the City was published in 1957, and was followed by The Long Prospect a year later. In 1959 she returned to Sydney where she began working for the ABC and as a book reviewer for the Sydney Morning Herald. In 1960 she published The Catherine Wheel, the story of an Australian law student in London, her only novel not set in Sydney. The Watch Tower appeared in 1966. No further novels were published until May 2014 when Harrower's 'lost' novel, In Certain Circles, was released. Her work is austere, intelligent, ruthless in its perceptions about men and women. She was admired by many of her contemporaries, including Patrick White and Christina Stead, and is without doubt among the most important writers of the postwar period in Australia. Elizabeth Harrower died in Sydney on 7 July 2020 at the age of ninety-two. 'The Catherine Wheel is a great starting point for those new to Harrower's work, those readers who are unafraid to face the darker aspects of desire we're sometimes too ashamed to acknowledge.' 3am Magazine, Top Reads for 2015 'I love The Watch Tower, but I love The Catherine Wheel more. Like all the Harrower books, with their psychological mysteries, their droll humour, their brilliant language and ear for voices, The Catherine Wheel takes your hand from the first page and beckons you in.' Ramona Koval 'Rich and rewarding.' Starred review, Kirkus
Presenting America's slaveholders as men and women who were intelligent, honourable, and pious, this text asks how people who were admirable in so many ways could have presided over a social system that proved itself and enormity and inflicted horrors on their slaves.
Now in its ninety-seventh year of publication, this standard Canadian reference source contains the most comprehensive and authoritative biographical information on notable living Canadians. Those listed are carefully selected because of the positions they hold in Canadian society; or because of the contribution they have made to life in Canada. The volume is updated annually to ensure accuracy, and 600 new entries are added each year to keep current with developing trends and issues in Canadian society. Included are outstanding Canadians from all walks of life: politics, media, academia, business, sports, and the arts, from every area of human activity. Each entry details birth date and place, education, family, career history, memberships, creative works, honours and awards, and full addresses. Indispensable to researchers, students, media, business, government, and schools, Canadian Who's Who is an invaluable source of general knowledge.
This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.
ÊA warm summer evening, with a sultry haze brooding over the level landscape, and a Sabbath stillness upon all things in the village of Lidford, Midlandshire. In the remoter corners of the old gothic church the shadows are beginning to gather, as the sermon draws near its close; but in the centre aisle and about the pulpit there is broad daylight still shining-in from the wide western window, across the lower half of which there are tall figures of the Evangelists in old stained glass. There are no choristers at Lidford, and the evening service is conducted in rather a drowsy way; but there is a solemn air of repose about the gray old church that should be conducive to tranquil thoughts and pious meditations. Simple and earnest have been the words of the sermon, simple and earnest seem the countenances of the congregation, looking reverently upwards at the face of their pastor; and one might fancy, contemplating that grand old church, so much too spacious for the needs of the little flock gathered there to-night, that Lidford was a forgotten, half-deserted corner of this earth, in which a man, tired of the press and turmoil of the world, might find an almost monastic solitude and calm. So thought a gentleman in the Squire's pewÑa good-looking man of about thirty, who was finishing his first Sunday at Lidford by devout attendance at evening service. He had been thinking a good deal about this quiet country life during the service, wondering whether it was not the best life a man could live, after all, and thinking it all the sweeter because of his own experience, which had lain chiefly in cities. He was a certain Mr. Gilbert Fenton, an Australian merchant, and was on a visit to his sister, who had married the principallandowner in Lidford, Martin ListerÑa man whose father had been called "the Squire." The lady sat opposite her brother in the wide old family pew to-nightÑa handsome-looking matron, with a little rosy-cheeked damsel sitting by her sideÑa damsel with flowing auburn hair, tiny hat and feather, and bright scarlet stockings, looking very much as if she had walked out of a picture by Mr. Millais. The congregation stood up to sing a hymn when the sermon was ended, and Gilbert Fenton turned his face towards the opposite line of pews, in one of which, very near him, there was a girl, at whom Mrs. Lister had caught her brother looking very often, during the service just concluded. It was a face that a man could scarcely look upon once without finding his glances wandering back to it afterwards; not quite a perfect face, but a very bright and winning one. Large gray eyes, with a wonderful light in them, under dark lashes and darker brows; a complexion that had a dusky pallor, a delicate semi-transparent olive-tint that one seldom sees out of a Spanish picture; a sweet rosy mouth, and a piquant little nose of no particular order, made up the catalogue of this young lady's charms. But in a face worth looking at there is always a something that cannot be put into words; and the brightest and best attributes of this face were quite beyond translation. It was a face one might almost call "splendid"Ñthere was such a light and glory about it at some moments. Gilbert Fenton thought so to-night, as he saw it in the full radiance of the western sunlight, the lips parted as the girl sang, the clear gray eyes looking upward.
Sharply observed, bitter and humorous, The Long Prospect is a story of life in an Australian industrial town. Growing up neglected in a seedy boarding house, Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment.
How do ethnic and cultural diversity affect spiritual formation? The authors of A Many Colored Kingdom explore Christian formation and teaching in the church, with a particular focus on intercultural and interethnic relationships. Well-qualified to speak on issues of diversity, the authors describe relevant aspects of their own personal journeys; key issues emerging from their studies and teaching germane to race, culture, and ethnicity; and teaching implications that bring right practice to bear on church ministry. A final chapter contains a conversation among the authors responding to one another's insights and concerns. This book will be required reading for those engaged in as well as those preparing for a life of teaching and ministry in our increasingly multicultural world.
Canadian Women in the Skytraces a century of Canadian women’s progress in aviation and space flight. From the first woman to climb on aboard a flying machine as a passenger to a female astronaut’s second visit to the International Space Station, these women cracked the sky-blue glass ceiling to achieve their dreams.
This biography provides an exploration of the formative influences, development, and impact of the theology of David Smith Cairns, Scottish minister, academic, and writer, during the high point of British imperial expansion, and at a time of social tension caused by industrialization. It describes and evaluates his role in the Church's efforts to face major challenges relating to its relationships to the different world religions, its response to the First World War, and its attitude to the scientific disciplines that called into question some of its longstanding perceptions and suppositions. An eminent figure, born into the United Presbyterian Church and rooted in the Church in Scotland, Cairns operated ecumenically and internationally. His apologetics challenged the prevailing assumptions of the day: that science provided the only intellectually legitimate means of exploring the world, and that scientific determinism ruled out the Christian conception of the world as governed by providence. A major feature of his theology was the presentation of Christianity as a "reasonable" faith, and throughout his life he maintained a particular concern for young people, having endured his own crisis of faith when a student in Edinburgh. He enjoyed a decades-long involvement with the World Student Christian Federation, based on a mutually enriching relationship with one of its leading figures, the renowned American evangelist John Raleigh Mott.
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
An Earthy Entanglement with Spirituality offers compelling perspectives on the human spirit as represented in literature and art. Authors approach the inquiry using distinct critical approaches to varied primary sources—poetry of various genres and periods, Shakespearean drama, contemporary theater, Renaissance sculpture, and the novel, short story, sketch, and dialogue.
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