Emancipation and the citizenship that followed conferred upon former slaves the right to create family relationships that were sanctioned, recognized, and regulated by the laws that governed the families of all American citizens. Elizabeth Regosin explores what the acquisition of this legal familial status meant to former slaves, personally, socially, and politically. The Civil War pension system offers a fascinating source of documentation for this study of ex-slave families in transition from slavery to freedom. Because the provisions made to compensate eligible Union veterans and surviving family members created a vast bureaucracy—pension officials required and verified extensive proof of qualification—former slaves were obliged to reproduce and represent the inner workings of their familial relationships. Regosin reveals through both their personal histories and pension narratives how former slaves constructed identities as individuals and as family members while they negotiated the boundaries of "family" as defined by the pension system. The stories told by ex-slaves, their witnesses, and the government officials who played a role in the pension process all serve to provide us with a richer understanding of life for newly emancipated African Americans.
Rogosin (history, St. Lawrence U.) uses the Civil War pension system as a rich source of documentation for enhanced understanding of how ex-slaves made the transition from slavery to freedom. She uses personal histories and pension narratives to show how former slaves negotiated the system, constructing and communicating their familial relationships for the bureaucracy in order to quality for the Union veteran benefits that were their entitlement. Annotation copyrighted by Book News, Inc., Portland, OR
Voices of Emancipation seeks to recover the lives and words of former slaves in vivid detail, mining the case files of the U.S. Pension Bureau, which administered a huge pension system for Union veterans and their survivors in the decades following the Civil War. The files contain an invaluable, first-hand perspective of slavery, emancipation, black military service, and freedom. Moreover, as Pension Bureau examiners began interviewing black Union veterans and their families shortly after the Civil War, the files are arguably among the earliest sources of ex-slaves reflecting on their lives, occurring decades before better-known WPA Slave Narratives of the 1930s took place. Voices of Emancipation explores the words of former slaves topically, beginning with recollections of slavery, moving on to experiences of military service in the Civil War, the transition to freedom, and finally to reflections on marriage and family before and after emancipation. With an introduction that places the pension files in context and presents the themes of the book, and historical commentary interwoven throughout the excerpts of the interviews themselves, Elizabeth A. Regosin and Donald R. Shaffer effectively introduce the files and the treasures they contain to students and general readers, but also provide specialists with an indispensable research tool.
Marguerite de Navarre’s Heptaméron, composed in the 1540s and first published posthumously in 1558 and 1559, has long been an interpretive puzzle. De Navarre (1492-1549), sister of King Francis I of France, was a controversial figure in her lifetime. Her evangelical activities and proximity to the Crown placed her at the epicenter of her country’s internecine strife and societal unrest. Yet her short stories appear to offer few traces of the sociopolitical turbulence that surrounded her.In Marguerite de Navarre’s Shifting Gaze, however, Elizabeth Zegura argues that the Heptaméron’s innocuous appearance camouflages its serious insights into patriarchy and gender, social class, and early modern French politics, which emerge from an analysis of the text’s shifting perspectives. Zegura’s approach, which focuses on visual cues and alternative standpoints and viewing positions within the text, hinges upon foregrounding "les choses basses" (lowly things) to which the devisante (storyteller) Oisille draws our attention in nouvelle (novella) 2 of the Heptaméron, using this downward, archaeological gaze to excavate layers of the text that merit more extensive critical attention.While her conclusions cast a new light on the literature, life, and times of Marguerite de Navarre, they are nevertheless closely aligned with recent scholarship on this important historical and literary figure.
Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco’s teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix.Why was Domenichino attacked in this way when other related paintings--including Raphael’s Marriage of the Virgin and Perugino’s painting of the same subject--aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino’s plight signifies in art history.
The French humanist Rabelais (ca. 1483-1553) was the greatest French writer of the Renaissance and one of the most influential authors of all time. His Gargantua and Pantagruel, written in five books between 1532 and 1553, rivals the works of Shakespeare and Cervantes in terms of artistry, complexity of ideas and expression, and historical importance. Rabelais is read in numerous courses in French Literature, Renaissance Studies, and Western Civilization, and his writings continue to attract the attention of scholars and general readers alike. The first work of its kind, this encyclopedia is a comprehensive guide to his life and writings. Included are several hundred alphabetically arranged entries by expert contributors. These entries discuss his characters, his overt and veiled references to historical and Renaissance figures and events, his literary and philosophical allusions, his major themes, and the key events and influences that shaped his career. The entries cover such topics as education, religion, censors and censorship, humanism, death, and warfare. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography.
Voices of Emancipation seeks to recover the lives and words of former slaves in vivid detail, mining the case files of the U.S. Pension Bureau, which administered a huge pension system for Union veterans and their survivors in the decades following the Civil War. The files contain an invaluable, first-hand perspective of slavery, emancipation, black military service, and freedom. Moreover, as Pension Bureau examiners began interviewing black Union veterans and their families shortly after the Civil War, the files are arguably among the earliest sources of ex-slaves reflecting on their lives, occurring decades before better-known WPA Slave Narratives of the 1930s took place. Voices of Emancipation explores the words of former slaves topically, beginning with recollections of slavery, moving on to experiences of military service in the Civil War, the transition to freedom, and finally to reflections on marriage and family before and after emancipation. With an introduction that places the pension files in context and presents the themes of the book, and historical commentary interwoven throughout the excerpts of the interviews themselves, Elizabeth A. Regosin and Donald R. Shaffer effectively introduce the files and the treasures they contain to students and general readers, but also provide specialists with an indispensable research tool.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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