The long awaited seventh book in Elizabeth Haydon's critically-acclaimed epic fantasy series, the Symphony of Ages. The war that they had feared is now upon them. Ashe and Rhapsody, leaders of the Cymrian Alliance, are gathering their allies to combat the machinations of Talquist, who will soon be crowned emperor of Sorbold. Gwydion Navarne remains by Ashe's side. Anborn, Lord Marshal, has taken to the field. And Rhapsody has been forced into hiding to protect the life of her infant son. The Merchant Emperor of Sorbold has unintentionally allied himself with a pair of demons and has begun targeting the dragons that remain on the Middle Continent. Talquist will stop at nothing until the Cymrians are wiped out and the entire continent and the rest of the Known World is under his rule. Assailed by danger from all sides, surrounded by lies and intrigue, Rhapsody is left with one undeniable truth: if their forces are to prevail, she must join the war herself, wielding the Daystar Clarion, an ancient weapon whose power is nearly unparalleled. As she struggles to reconcile her duties as a mother and ruler, a danger far more devastating than Talquist is stirring beneath the surface of the land itself. In The Merchant Emperor, beloved characters are forced to make soul shattering sacrifices. Bestselling author Elizabeth Haydon has delivered a breathtaking seventh installment to the Symphony of Ages. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Previously published as "The Passionate Prude," this classic by the "USA Today" bestselling author is a tale of stubborn pride and hungry hearts that proves all is fair in love and war. Reissue.
Feeley's English Homophone Dictionary is a specialized resource. Homophones are a particular feature of spoken and written English, words that have the same sound but different meanings and may have different roots and different spellings. This dictionary features... • a brief definition of the word • a pronunciation guide • identifies parts of speech • covers from early modern English to the present • provides examples of usage with references to the original • word category Clear and correct use of words is fundamental to good communication and Feeley's English Homophone Dictionary is a significant aid to doing so.
The "USA Today" bestselling author returns with this witty and passionate tale of a romantic tug of war between a country miss and a dashing marquess amidst the world of balls and London intrigue. Reissue.
An investigation of the places in the Irish landscape where open-air Gaelic royal inauguration assemblies were held from the twelfth to the sixteenth centuries.
Acclaimed author Elizabeth Haydon returns with a heartbreaking tale of love and valor in The Weaver’s Lament, the ninth and final installment of her USA Today bestselling Symphony of Ages series that began with Rhapsody. For a thousand years, the lands ruled by the Cymrian Alliance have been at peace. When the brutal death of a dear friend catapults the kingdom to the brink of civil war, Rhapsody finds herself in an impossible situation: forced to choose between her beloved husband, Ashe, and her two oldest friends, Grunthor and Achmed. Choosing her husband will mean the death of thousands of innocents. Siding against him will cost Rhapsody the other half of her soul, both in this life and the next. In The Weaver's Lament, the lines between the past and future are irrevocably blurred, and the strength of true love is tested in unthinkable ways. Bestselling author Elizabeth Haydon has delivered a spectacular conclusion to the Symphony of Ages. "A full-scale tale of warfare and political intrigue that high-fantasy fans will enjoy. Fans of the series will be satisfied, and newcomers will find themselves welcome." —Booklist on The Hollow Queen At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From 1906 until 1922, Geraldine Farrar was the Metropolitan Opera's most popular and glamorous prima donna. Convinced that music must always serve the drama, she often sacrificed tonal beauty to dramatic effect, and her acting was noted for its intensity and realism. Nevertheless, Farrar was a superb singer, possessing a beautiful lyric soprano voice. Farrar was also a star of the silent screen, appearing in 14 films from 1915 to 1920. In retirement, she was mentor and friend to the African American soprano Camilla Williams, enabling Williams to become the first African American to have a regular contract with a major American opera company. This biography and critical analysis of Farrar's career provides a detailed account of her major contributions to the history of opera.
Acclaimed author Elizabeth Haydon returns with a heartbreaking tale of love and valor in The Hollow Queen, the eighth installment of her USA Today bestselling Symphony of Ages series that began with Rhapsody. Beset on all sides by the forces of the merchant emperor Talquist, the Cymrian Alliance finds itself in desperate straits. Rhapsody herself has joined the battle, wielding the Daystar Clarion, leaving her True Name in hiding with her infant son. Ashe tries to enlist the aid of the Sea Mages. Within their Citadel of Scholarship lies the White Ivory tower, a spire that could hold the key to unraveling the full extent of Talquist's machinations. Achmed journeys to the reportedly unassailable palace of Jierna Tal, to kill emperor Talquist—all the while knowing that even if he succeeds, it may not be enough to stop the momentum of the war. As they struggle to untangle the web of Talquist's treachery, the leaders of the Cymrian alliance are met with obstacles at every turn. Rhapsody soon realizes that the end of this war will come at an unimaginable price: the lives of those she holds dearest. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Global Migration provides a clear, concise, and well-organized discussion of historical patterns and contemporary trends of migration, while guiding the readers through an often difficult and politicised topic. Aimed primarily at undergraduate and Master’s students, the text encourages the readers to reflect on economic processes, politics, immigrant lives and raises debates about inclusion, exclusion, and citizenship. The text critically highlights the global character of contemporary migration and the importance of historical context to current processes and emphasises the role of gender, race and national ideologies in shaping migration experiences. Using over a decade of their own insight into teaching undergraduate migration courses in the US and the UK, and the knowledge and understanding of the subject they have acquired as migration researchers, the authors offer an accessible and student-friendly manner for readers to understand and explore the complex issue of migration. The book features numerous international case studies, a chapter dedicated to the perspective of the immigrants themselves, as well as key terms and further readings at the end of each chapter. Both theoretically and empirically informed Global Migration examines the subject in a holistic and expansive way. It will equip students with an understanding of the complex issues of migration and serve as a guide for instructors in structuring their courses and in identifying important bodies of scholarly research on migration issues.
Military service in Bolivia has long been compulsory for young men. This service plays an important role in defining identity, citizenship, masculinity, state formation, and civil-military relations in twentieth-century Bolivia. The project of obligatory military service originated as part of an attempt to restrict the power of indigenous communities after the 1899 civil war. During the following century, administrations (from oligarchic to revolutionary) expressed faith in the power of the barracks to assimilate, shape, and educate the population. Drawing on a body of internal military records never before used by scholars, Elizabeth Shesko argues that conscription evolved into a pact between the state and society. It not only was imposed from above but was also embraced from below because it provided a space for Bolivians across divides of education, ethnicity, and social class to negotiate their relationships with each other and with the state. Shesko contends that state formation built around military service has been characterized in Bolivia by multiple layers of negotiation and accommodation. The resulting nation-state was and is still hierarchical and divided by profound differences, but it never was simply an assimilatory project. It instead reflected a dialectical process to define the state and its relationships.
Haydons lyrical sixth installment in her sweeping saga . . . While deftly managing a large cast of intriguing characters in a story thats both grand and intimate but never predictable, Haydon moves all the pieces into place for the next volume.--"Publishers Weekly.
Conservation of plant resources is often focused on seed banks and botanical gardens. However, the two authors of this volume present a comprehensive conservation strategy that complements this ex-situ approach with practical guidance on in-situ management and conservation of plant resources. The book aims to facilitate better management of protected areas and to illustrate new approaches to conservation of plants within their landscapes. It draws on concepts from forestry, the agricultural sciences, anthropology, ethnology and ethnobotany and should be useful to practitioners, academics and policy-makers.
In New World Drama, Elizabeth Maddock Dillon turns to the riotous scene of theatre in the eighteenth-century Atlantic world to explore the creation of new publics. Moving from England to the Caribbean to the early United States, she traces the theatrical emergence of a collective body in the colonized New World—one that included indigenous peoples, diasporic Africans, and diasporic Europeans. In the raucous space of the theatre, the contradictions of colonialism loomed large. Foremost among these was the central paradox of modernity: the coexistence of a massive slave economy and a nascent politics of freedom. Audiences in London eagerly watched the royal slave, Oroonoko, tortured on stage, while audiences in Charleston and Kingston were forbidden from watching the same scene. Audiences in Kingston and New York City exuberantly participated in the slaying of Richard III on stage, enacting the rise of the "people," and Native American leaders were enjoined to watch actors in blackface "jump Jim Crow." Dillon argues that the theater served as a "performative commons," staging debates over representation in a political world based on popular sovereignty. Her book is a capacious account of performance, aesthetics, and modernity in the eighteenth-century Atlantic world.
The visions begin when Sorren is only 13. Too numb to be frightened, Sorren eventually learns that this gift to travel places in her mind is called Far-travelling, and she is marked as a member of the White Clan of Arun. But this honor of being a witch frightens Sorren and she does not want to come within the Tanjo and serve. So instead, Sorren is determined to keep this gift a secret for as long as she can, whatever the cost may be.
At 2:30 am on April 15, 1865, Mary Elizabeth Surratt was awakened by loud knocking at the door of her H Street boardinghouse in Washington D.C. Officers first inquired as to the whereabouts of her son, John Surratt. She was quickly told that her son was wanted in connection with the murder of President Lincoln by John Wilkes Booth, a famous actor and acquaintance of the family! Three days later, Mary found herself under suspicion and under arrest for involvement in the assassination of the president.Elizabeth Steger Trindal worked fifteen years to chronicle the life of this little known but important figure in American history. Mary Surratt's son, John Surratt, was believed to have acted in a plot with John Wilkes Booth and othersto not only murder the president but also kill Secretary of State Seward. John Surratt was out of the country, and Booth yet to be apprehended. But Mary and others were arrested in connection with the assassinationof the president.Eventually they were brought to trial by a military commission.Tried by a military tribunal despite protests by her defense lawyers that it was illegal to try a civilian before a military court, Mary and three others were tried for the crime of conspiring with Booth and found guilty. Many prominent citizens pleaded with President Andrew Johnson for a stay of Mary's execution. He steadfastly refused. On July 7, 1865, Mary Surratt along with the other accused assassins was hanged. In its grief over the death of President Lincoln did America condemn an innocent woman die? This moving account will no doubt elicit new debate on the subject of the Civil War and reveal a new perspective on the events surrounding Lincoln's assassination.
A new anthology celebrating the witches and sorcerers of epic fantasy—featuring stories by George R. R. Martin, Scott Lynch, Megan Lindholm, and many others! Hot on the heels of Gardner Dozois’s acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf . . . and a Saruman. For every Dorothy, a Glinda . . . and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore . . . and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped—or misshaped—by the potent magic they seek to wield. Yet though their abilities may be godlike, these men and women remain human—some might say all too human. Such is their curse. And their glory. In these pages, seventeen of today’s top fantasy writers—including award-winners Elizabeth Bear, John Crowley, Kate Elliott, K. J. Parker, Tim Powers, and Liz Williams—cast wondrous spells that thrillingly evoke the mysterious, awesome, and at times downright terrifying worlds where magic reigns supreme: worlds as far away as forever, and as near as next door. FEATURING SIXTEEN ALL-NEW STORIES: “The Return of the Pig” by K. J. Parker “Community Service” by Megan Lindholm “Flint and Mirror” by John Crowley “The Friends of Masquelayne the Incomparable” by Matthew Hughes “The Biography of a Bouncing Boy Terror: Chapter Two: Jumping Jack in Love” by Ysabeau S. Wilce “Song of Fire” by Rachel Pollack “Loft the Sorcerer” by Eleanor Arnason “The Governor” by Tim Powers “Sungrazer” by Liz Williams “The Staff in the Stone” by Garth Nix “No Work of Mine” by Elizabeth Bear “Widow Maker” by Lavie Tidhar “The Wolf and the Manticore” by Greg Van Eekhout “The Devil’s Whatever” by Andy Duncan “Bloom” by Kate Elliott “The Fall and Rise of the House of the Wizard Malkuril” by Scott Lynch Plus George R. R. Martin’s classic story “A Night at the Tarn House” and an introduction by Gardner Dozois Praise for The Book of Magic “In The Book of Magic, you get everything you expect and more! Assembling seventeen great authors in one place is a difficult job but this book, with a lot of help from editor Gardner Dozois, does just that. . . . This compilation is a treat for any who love a good fantasy tale.”—Geeks of Doom
A guide to references commonly used in speech and writing. Explains more than 900 allusions. Entries include examples from todays leading media. A must for serious readers, language lovers, and ESL students.
In writing and then rewriting autobiographical remembrances recalling three decades of marriage and ensuing years of widowhood, Elizabeth Freke strikingly redefines the relationships among self, family, and patriarchy characteristic of early modern women's autobiography. Suffering and sacrifice dominate an extensive ledger of disappointment and bitterness that reveals over time the complex emotions of a Norfolk gentry woman seeking significance and even vindication in her hardships and frustrations. The infirm woman who eventually found herself utterly alone remained to the end a contentious, melodramatic, yet formidable figure - a strong-willed, even sympathetic person intent upon asserting herself against what she perceived as familial neglect and legal abuse. By making available both versions of the remembrances in their entirety, this new, multiple-text edition clarifies the refashioning inherent in each stage of writing and rewriting, recovering with unusual immediacy Freke's late seventeenth- and early eighteenth-century domestic world.
History and Salvation in Medieval Ireland explores medieval Irish conceptions of salvation history, using Latin and vernacular sources from c. 700–c. 1200 CE which adapt biblical history for audiences both secular and ecclesiastical. This book examines medieval Irish sources on the cities of Jerusalem and Babylon; reworkings of narratives from the Hebrew Scriptures; literature influenced by the Psalms; and texts indebted to Late Antique historiography. It argues that the conceptual framework of salvation history, and the related theory of the divinely-ordained movement of political power through history, had a formative influence on early Irish culture, society and identity. Primarily through analysis of previously untranslated sources, this study teases out some of the intricate connections between the local and the universal, in order to situate medieval Irish historiography within the context of that of the wider world. Using an overarching biblical chronology, beginning with the lives of the Jewish Patriarchs and ending with the Christian apostolic missions, this study shows how one culture understood the histories of others, and has important implications for issues such as kingship, religion and literary production in medieval Ireland. This book will appeal to scholars and students of medieval Ireland, as well as those interested in religious and cultural history.
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