This compelling book, focusing on more than 60 of Edvard Munch's later paintings, reveals the surprising, vibrant work of a fascinating man who never ceased to grow as an artist. 140 illustrations, 130 in full color.
Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
The German printmaker, draughtsman, and sculptor Kathe Kollwitz's images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz adhered to a figurative style in the era of abstraction and she depicted socially-engaged subject matter when it was unfashionable. Critics have often focused on those issues and have rarely studied the ways in which the artist manipulated technique and resolved formal problems. This illustrated book redresses this imbalance, portraying Kollwitz as an innovative and virtuosic artist rather than a mere chronicler of particular themes.
American social critics in the 1970s seized on narcissism as the sickness of the age. But they missed the psychoanalytic breakthrough that championed it as the wellspring of ambition, creativity, and empathy. Elizabeth Lunbeck's history opens a new view on the central questions faced by the self struggling amid the crosscurrents of modernity.
Through a remarkable blend of intellectual history, philosophical reading, and contemporary cultural analysis, Fruits of Sorrow explores the hidden dynamics at work when we try to make sense of suffering. Spelman examines the complex ways in which we try to redeem the pain we cause and witness. She also shows the way our responses are often more than they seem: how compassion can mask condescension; how identifying with others' pain often slips into illicit appropriation; how pity can reinforce the unequal relationship between those who cause and those who endure suffering.
Weather, water, and climate. How we feel, how productive we are, even our sheer existence, depends on these three things. The United States' economic activity varies annually by 1.7% due to weather—that is more than $500 billion dollars each year. Weather applications on mobile devices are the second most popular apps—more popular than social networking, maps, music, and news.In Treading on Thin Air, Dr. Elizabeth Austin, a world-renowned atmospheric physicist, reveals how the climate is intimately tied to our daily lives. The effects and impacts of weather on humans, society and the planet are changing with the times. Dr. Austin will demystify climate change, revealing what is really happening with our climate and why, whether it is El Nino, tornadoes, floods or hurricanes.Weather and society are at its most fascinating at extremes, and as Dr. Austin is one of a handful of forensic meteorologists around the globe. She has been called upon to investigate plane crashes, murders, wildfires, avalanches, even bombing cases. Drawing upon her rich experiences, Austin’s Treading on Thin Air promises to be an enlightening and informative journey through the wild word of weather.
A cutting-edge look into a pivotal moment in US history: McCarthy's infamous "witch hunt" for communists during the 1950's Red Scare. At the cusp of the Cold War, Americans were so afraid of communists living among them that they began to hunt them like witches. As Senator Joe McCarthy took up this mantle to hunt down “communists” in the US, citizens grew terrified of being accused, so they turned on each other - pointing fingers at neighbors, friends, and even family. Told through a unique and inviting screenplay-format, brought to life with dozens of illustrations by Tim Foley, and comprised almost entirely of quotes derived from primary sources, Witch Hunt recounts the political craze that gripped America during the Red Scare when McCarthyism forced people to go to extraordinary lengths to keep themselves and their families safe from persecution against their own government.
In this work, Elizabeth Turner addresses a central question in post-Reconstruction social history: why did middle-class women expand their activities from the private to the public sphere and begin, in the years just before World War I, an unprecedented activism? Using Galveston as a case study, Turner examines how a generally conservative, traditional environment could produce important women's organizations for Progressive reform. She concludes that the women of Galveston, though slow to respond to national movements, were stirred to action on behalf of their local community. Local organizations, particularly Episcopal and Presbyterian churches, and traditional everyday social activities provided a nurturing environment for budding reformers, and a foundation for activist organizations and programs such as poor relief and progressive reform. Ultimately, women became politicized even as they continued their roles as guardians of traditional domestic values. Women, Culture, and Community will appeal to scholars and students of the post-Reconstruction South, women's history, activist history, and religious history.
Children have their own games, stories, riddles, and so forth. This book gives students and general readers an introduction to children's folklore. Included are chapters on the definition and classification of children's folklore, the presence of children's folklore in literature and popular culture, and the scholarly interpretation of children's folklore. The volume also includes a wide range of examples and texts demonstrating the variety of children's folklore around the world. Children have always had their own games, stories, riddles, jokes, and so forth. Many times, children's folklore differs significantly from the folklore of the adult world, as it reflects the particular concerns and experiences of childhood. In the late 19th century, children's folklore began receiving growing amounts of scholarly attention, and it is now one of the most popular topics among folklorists, general readers, and students. This book is a convenient and authoritative introduction to children's folklore for nonspecialists. The volume begins with a discussion of how children's folklore is defined, and how various types of children's folklore are classified. This is followed by a generous selection of examples and texts illustrating the variety of children's folklore from around the world. The book then looks at how scholars have responded to children's folklore since the 19th century, and how children's folklore has become prominent in popular culture. A glossary and bibliography round out the volume.
Bearing Fruit in Due Season calls upon biblical scholars to pay attention to what happens when academic biblical studies meet the worshiping Church. It also provides the keys to a treasury of feminist biblical interpretation to enrich both the makers of liturgy and all the people who worship."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This volume surveys the history of printmaking with a particular focus on artists and works that expanded the boundaries of various media, including woodcuts, etchings, engravings, lithographs, mezzo-tints, screen prints and more, right up to the digital and photographic processes of today. Originally published in hardback in 2000 this title received excellent reviews. Now republished in paperback making it more accessible to an even wider market 84 colour illustrations
The German printmaker, draughtsman, and sculptor Kathe Kollwitz's images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz adhered to a figurative style in the era of abstraction and she depicted socially-engaged subject matter when it was unfashionable. Critics have often focused on those issues and have rarely studied the ways in which the artist manipulated technique and resolved formal problems. This illustrated book redresses this imbalance, portraying Kollwitz as an innovative and virtuosic artist rather than a mere chronicler of particular themes.
Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
This compelling book, focusing on more than 60 of Edvard Munch's later paintings, reveals the surprising, vibrant work of a fascinating man who never ceased to grow as an artist. 140 illustrations, 130 in full color.
Few artists are as universally beloved as the German printmaker, draftsman, and sculptor Kathe Kollwitz, whose powerful images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz, a woman in a field dominated by men, steadfastly adhered to a figurative style in the era of abstraction and depicted socially engaged subject matter when it was unfashionable. Kollwitz is largely known through political posters and restrikes of her prints. Her reputation has to some extent been dominated by an emphasis on the social content of her work, often at the expense of her remarkable artistic skills. The present study challenges that view by focusing on the artistic aspect of her achievement. The book consists of three essays on Kollwitz. Elizabeth Prelinger provides a reassessment of Kollwitz as an artist; Alessandra Comini presents a richly atmospheric discussion of the artist's life in Berlin during the tumultuous period that spanned two world wars; and Hildegard Bachert surveys the reception of Kollwitz in Germany and the United States as manifested in collections of her works. The volume, which includes a selection of the finest examples of Kollwitz' oeuvre, juxtaposes preparatory drawings with finished art, illustrating the arduous experimental processes by which she attained her brilliant results. Themes important to Kollwitz--such as self-portraits, social activism as illustrated in the cycles A Weavers' Rebellion and Peasants' War, love and death, nudes, workers, war and revolution--are explored in depth in all media. The book will serve as the catalogue for an exhibition of Kollwitz' prints, drawings, and works of sculpture at the National Gallery of Art, Washington, from May 3 to August 26, 1992.
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