For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
Help nurture the faith of the children in your life with Growing in Gods Love: A Story Bible. This engaging resource features 150 popular Bible stories that are organized by 13 themes, including Strong Women and Men; Listening for God; Parables; Healings and Miracles; and more. Each story is built on the latest in biblical scholarship and learning theory and helps children begin to understand the Bible and apply its teachings to the world around them. Growing in Gods Love features diverse artwork from more than twenty artists to appeal to a variety of ages and learning styles. Three reflection questionsHear, See, Actare included at the end of each story to help children further ponder the message of the story. Growing in Gods Love: A Story Bible is ideal for children ages 4-8, and it is perfect for Sunday school classrooms, childrens sermons, vacation Bible school, and gift-giving at baptism or other milestones.
John assumes responsibility for his family and the farm after the death of his father in a farm accident. Later, his mentor grandfather died, making his future college education uncertain. Even so, through a tragedy with a nearby family and the girl he cares for, he realizes that he can become a policeman and still meet the work demands of the farm and family. He talks his two younger brothers and a friend into becoming policemen also, saying, "One bad cop can be replaced with four good ones.
The press called Martin's actions a "crime spree." Already convicted of armed robbery, Martin was facing the death penalty. In less than two weeks the jury would decide his fate. Terrified that his son would be sentenced to die, Phillip did the only thing he felt he could do: in an act of faith and desperation in his garage with the car exhaust running, Phillip made the consummate sacrifice to spare his son the ultimate punishment. Ironically, his suicide presented Martin's with another chance at life; the jury, moved by Martin's loss, spared his life. Phillip's story-like those of the other parents, siblings, children, and cousins chronicled in this book-vividly illustrates the precarious position family members of capital offenders occupy in the criminal justice system. At once outsiders and victims, they live in the shadow of death, crushed by trauma, grief, and helplessness. In this penetrating account of guilt and innocence, shame and triumph, devastating loss and ultimate redemption, the voices of these family members add a new dimension to debates about capital punishment and how communities can prevent and address crime. Restorative justice theory, which views violent crime as an extreme violation of relationships; searches for ways to hold offenders accountable; and meets the needs of victims and communities torn apart by the crime, organizes these narratives and integrates offenders' families into the process of transforming conflict and promoting justice and healing for all. What emerges from hundreds of hours' worth of in-depth interviews with family members of offenders and victims, legal teams, and leaders in the abolition and restorative justice movements is a vision of justice strongly rooted in the social fabric of communities. Showing that forgiveness and recovery are possible in the wake of even the most heinous crimes, while holding victims' stories sacred, this eye-opening book bridges the pain of living in the shadow of death with the possibility of a reparative form of justice. Anyone working with victims, offenders, and their families-from lawyers and social workers to mediators and activists-will find this riveting work indispensable to their efforts.
Much feminist scholarship has viewed Catholicism and Shi'i Islam as two religious traditions that, historically, have greeted feminist claims with skepticism or outright hostility. Creative Conformity demonstrates how certain liberal secular assumptions about these religious traditions are only partly correct and, more importantly, misleading. In this highly original study, Elizabeth Bucar compares the feminist politics of eleven US Catholic and Iranian Shi'i women and explores how these women contest and affirm clerical mandates in order to expand their roles within their religious communities and national politics. Using scriptural analysis and personal interviews, Creative Conformity demonstrates how women contribute to the production of ethical knowledge within both religious communities in order to expand what counts as feminist action, and to explain how religious authority creates an unintended diversity of moral belief and action. Bucar finds that the practices of Catholic and Shi‘a women are not only determined by but also contribute to the ethical and political landscape in their respective religious communities. She challenges the orthodoxies of liberal feminist politics and, ultimately, strengthens feminism as a scholarly endeavor.
A biography of John Lennon from his turbulent childhood to rebellious rock'n'roll teen to writing and recording with the Beatles to life with Yoko Ono.
The Chronicles of Anna, Deadly Box Set includes all three novels in one great place. Deadly Expectations: As a teen Anna Creed discovers she can time travel; a trick she uses to ‘jump’ from one place to another with no apparent passage of time. All she needs are two wheels, speed and nerves of steel. Now eight years later she’s alone and pregnant when her secret power takes control to save her life. Injured and confused Anna finds herself in the arms of Paul Richards, her summer lover and the father of her child. But Paul has secrets of his own. He’s the head of an old conflict weary family and has been Anna’s past life lover time and time again, something only he remembers. Things come apart for Anna when she starts ‘jumping’ in her sleep. Both Anna and her sister are in mortal danger from Paul’s uncle Damian and a ghost from her past life is driving her to murder. As Anna and Paul’s fledgling relationship unravels she takes the final and unforgivable step of attacking him and leaving him behind. From Northern California to the rainforests of British Columbia Anna gets closer to the truth about Paul’s family and the realization that saving Paul and her unborn child may ultimately cost her life. Deadly Deceptions: Three months after the birth of their daughter Camille, Paul and Anna Richards are touched by tragedy. Alone in the hospital she is approached by Jack Roberts, a man who claims to be the son of Damian Howard. Jack and his men want Paul and Anna’s help breaking away from his brothers RJ Soros and Gerald Walker. With Damian’s death his house has been thrown in to disarray but by offering to help Jack, Anna’s house is divided as well. Separated from her husband and daughter and hunted by Soros and Walker, Anna must make a difficult decision to protect her daughter’s life, a decision that may ultimately destroy everything else she has sworn to protect. Deadly Redemptions: After four months existing in Damian Howard’s Connecticut family home, Jack and Anna are finally able to spend short periods of time apart. Both are worse for wear; any mistake of Anna’s is taken out on Jack. They find the cure for the twins tearing at her and must keep it secret; if Jack’s brothers Gerald Walker and RJ Soros learn she is cured Jack will pay the ultimate price for his earlier traitorous acts against them. Following an attempt on their lives treachery is found on all sides and Jack and Anna find allies in strange places and lies closer than ever. On the eve of disaster news from a dubious source is an opportunity Anna can’t risk passing up. Can she endanger everything in one impulsive move and an unknown future or should she and Jack resign themselves to short lives of misery and another chance at happiness on the other side?
Three months after the birth of their daughter Camille, Paul and Anna Richards are touched by tragedy. Alone in the hospital she is approached by Jack Roberts, a man who claims to be the son of Damian Howard. Jack and his men want Paul and Annas help breaking away from his brothers RJ Soros and Gerald Walker. With Damians death his house has been thrown in to disarray but by offering to help Jack, Annas house is divided as well. Separated from her husband and daughter and hunted by Soros and Walker, Anna must make a difficult decision to protect her daughters life, a decision that may ultimately destroy everything else she has sworn to protect.
Reading Victorian Schoolrooms examines the numerous schoolroom scenes in nineteenth-century novels during the fraught era of the Victorian education debates. As Gargano argues, the fiction of mainstream and children’s writers such as Dickens, Brontë, and Carroll reflected widespread Victorian anxieties about the rapid institutionalization of education and the shrinking realm of domestic instruction. As schools increasingly mapped out a schema of time schedules, standardized grades or forms, separate disciplines, and hierarchical architectural spaces, childhood development also came to be seen as regularized and standardized according to clear developmental categories. Yet, Dickens, Brontë, and others did not simply critique or satirize the standardization of school experience. Instead, most portrayed the schoolroom as an unstable site, incorporating both institutional and domestic space. Drawing on the bildungsroman’s traditional celebration of an individualized, experiential education, numerous novels of school life strove to present the novel itself as a form of domestic education, in contrast to the rigors of institutional instruction. By positioning the novel as a form of domestic education currently under attack, these novelists sought to affirm its value as a form of protest within an increasingly institutionalized society. The figure of the child as an emblem of beleaguered innocence thus became central to the Victorian fictive project.
After four months existing in Damian Howard’s Connecticut family home, Jack and Anna are finally able to spend short periods of time apart. Both are worse for wear; any mistake of Anna’s is taken out on Jack. They find the cure for the twins tearing at her and must keep it secret; if Jack’s brothers Gerald Walker and RJ Soros learn she is cured Jack will pay the ultimate price for his earlier traitorous acts against them. Following an attempt on their lives, treachery is found on all sides and Jack and Anna find allies in strange places and lies closer than ever. On the eve of disaster news from a dubious source is an opportunity Anna can’t risk passing up. Can she endanger everything in one impulsive move and an unknown future or should she and Jack resign themselves to short lives of misery and another chance at happiness on the other side?
A study of how asceticism was promoted through Biblical interpretation, Reading Renunciation uses contemporary literary theory to unravel the writing strategies of the early Christian authors. Not a general discussion of early Christian teachings on celibacy and marriage, the book is a close examination, in the author's words, of how "the Fathers' axiology of abstinence informed their interpretation of Scriptural texts and incited the production of ascetic meaning." Elizabeth Clark begins with a survey of scholarship concerning early Christian asceticism that is designed to orient the nonspecialist. Section Two is organized around potentially troubling issues posed by Old Testament texts that demanded skillful handling by ascetically inclined Christian exegetes. The third section, "Reading Paul," focuses on the hermeneutical problems raised by I Corinthians 7, and the Deutero-Pauline and Pastoral Epistles. Elizabeth Clark's remarkable work will be of interest to scholars of late antiquity, religion, literary theory, and history.
Instructive guide to preparing informative and accurate assessment reports for a variety of individuals and settings Assessment reports are central to the diagnostic process and are used to inform parents, clients, and clinicians, among others, about academic problems, personality functioning, neuropsychological strengths and weaknesses, behavioral problems, and the like. Essentials of Assessment Report Writing provides handy, quick-reference information, using the popular Essentials format, for preparing effective assessment reports. This book is designed to help busy mental health professionals quickly acquire the knowledge and skills they need to write effective psychological assessment reports. Each concise chapter features numerous callout boxes highlighting key concepts, bulleted points, and extensive illustrative material, as well as test questions that help you gauge and reinforce your grasp of the information covered. This practical guide focuses on efficiently and effectively communicating referral and background information, appearance and behavioral observations, test results and interpretation, summary and diagnostic impressions, and treatment recommendations. The authors provide examples of both good and bad case report writing and highlight ethical issues and topics relevant to presenting feedback. Essentials of Assessment Report Writing is the only pocket reference illustrating how to prepare an effective assessment report.
As a teen, Anna Creed discovers she can time travel; a trick she uses to ‘jump’ from one place to another with no apparent passage of time. All she needs are two wheels, speed and nerves of steel. Now eight years later she’s alone and pregnant when her secret power takes control to save her life. Injured and confused Anna finds herself in the arms of Paul Richards, her summer lover and the father of her child. But Paul has secrets of his own. He’s the head of an old conflict weary family and has been Anna’s past life lover time and time again, something only he remembers. Things come apart for Anna when she starts ‘jumping’ in her sleep. Both Anna and her sister are in mortal danger from Paul’s uncle Damian and a ghost from her past life is driving her to murder. As Anna and Paul’s fledgling relationship unravels she takes the final and unforgivable step of attacking him and leaving him behind. From Northern California to the rainforests of British Columbia Anna gets closer to the truth about Paul’s family and the realization that saving Paul and her unborn child may ultimately cost her life.
On a hotter than Hades evening in southwest Arkansas, a preacher arrives at a crossroad village to convince those gathered that if they follow the word of God, they will not have to experience the real heat of Hades. In a heap of sweaty flesh, Miss Elsie Waylock plops in the middle of a center-row bench, unaware that the bench is dangerously sagging and threatening to crack at any moment. It is what happens next that sends Jimmy Hickok into a fiery hell created by none other than his mother. In Musings, Mutterings, and Aw Shucks, author Elizabeth Carroll Foster shares an entertaining collection of short stories, essays, and features that highlight eclectic characters, embellish true experiences, and eloquently illustrate unconditional love, disappointment, and friendship. Divided into sections that comprise short stories followed by essays, Foster shares a poignant, occasionally witty compilation that allows others to reminisce about holidays gone by, sympathize with middle-aged women unwittingly caught up on the cusp of the Womens Liberation Movement, empathize with young single mothers, and love a golden retriever just as he loves his master. Musings, Mutterings, and Aw Shucks provides an unforgettable glimpse into both imaginary and real-life worlds that share a timeless and fresh perspective on life, love, and the pursuit of happiness.
The bestselling guide to reporting writing, updated and reworked for today's practice Essentials of Assessment Report Writing offers effective solutions to the creation of reader-friendly, yet targeted, psychological, and educational assessment reports. Parents, clinicians, clients, and other readers need more than test-by-test descriptions—they need an accessible analysis of the entire situation to determine their next steps. This book provides clear guidance for busy practitioners seeking ways to improve their report writing skills. With a focus on current practice, this new second edition covers DSM-5 updates and the latest assessment instruments including the WJ IV, WISC-V, WAIS-IV, KTEA-3, and the CAS2. New discussion includes advice on tailoring the report to the audience, and annotated case reports provide illustrative models of effective report styles, interpretation, and analysis. Key concepts are highlighted for quick reference throughout, and end-of-chapter questions help reinforce understanding. Reporting styles vary widely within the field, in both content and style; there is no definitive "standard," but many reports fail to reflect best practices and therefore prove less than useful to the reader. This book provides expert guidance throughout the reporting process to help practitioners provide high-quality, accessible reports. Integrate assessment results to provide a person-centered report Identify and navigate critical decision points in the interpretive process Write efficiently yet effectively while enhancing the reader's experience Provide an accurate, informative, and readable assessment report Incorporate practical recommendations to address the referral concerns Expertly-conducted assessments should culminate with a carefully constructed analysis that provides direction via clear communication. Because this report will be used to inform treatment, intervention, and ultimately, the client's quality of life—it is critical that it provides clear, informative guidance in a way that readers can understand. Essentials of Assessment Report Writing provides comprehensive guidelines for navigating through the report writing process.
During the Great Depression, California became a wellspring for some of the era's most inventive and imaginative political movements. In response to the global catastrophe, the multiracial laboring populations who formed the basis of California's economy gave rise to an oppositional culture that challenged the modes of racialism, nationalism, and rationalism that had guided modernization during preceding decades. In Rebel Imaginaries Elizabeth E. Sine tells the story of that oppositional culture's emergence, revealing how aggrieved Californians asserted political visions that embraced difference, fostered a sense of shared vulnerability, and underscored the interconnectedness and interdependence of global struggles for human dignity. From the Imperial Valley's agricultural fields to Hollywood, seemingly disparate communities of African American, Native American, Mexican, Filipinx, Asian, and White working-class people were linked by their myriad struggles against Depression-era capitalism and patterns of inequality and marginalization. In tracing the diverse coalition of those involved in labor strikes, citizenship and immigration reform, and articulating and imagining freedom through artistic practice, Sine demonstrates that the era's social movements were far more heterogeneous, multivalent, and contested than previously understood.
How literature of the British imperial world contended with the social and environmental consequences of industrial mining The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel’s longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like “Sultana’s Dream,” The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. This illuminating book reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding.
An Earthy Entanglement with Spirituality offers compelling perspectives on the human spirit as represented in literature and art. Authors approach the inquiry using distinct critical approaches to varied primary sources—poetry of various genres and periods, Shakespearean drama, contemporary theater, Renaissance sculpture, and the novel, short story, sketch, and dialogue.
In The Arabic Life of Antony Attributed to Serapion of Thmuis, Elizabeth Agaiby demonstrates how the redacted Life of Antony, the “Father of all monks and star of the wilderness”, gained widespread acceptance within Egypt shortly after its composition in the 13th century and dominated Coptic liturgical texts on Antony for over 600 years – the influence of which is still felt up to the present day. By providing a first edition and translation, Agaiby demonstrates how the Arabic Life bears witness to the reinterpretation of the religious memory of Antony in the Coptic Orthodox Church.
Culinary Landmarks is a definitive history and bibliography of Canadian cookbooks from the beginning, when La cuisinière bourgeoise was published in Quebec City in 1825, to the mid-twentieth century. Over the course of more than ten years Elizabeth Driver researched every cookbook published within the borders of present-day Canada, whether a locally authored text or a Canadian edition of a foreign work. Every type of recipe collection is included, from trade publishers' bestsellers and advertising cookbooks, to home economics textbooks and fund-raisers from church women's groups. The entries for over 2,200 individual titles are arranged chronologically by their province or territory of publication, revealing cooking and dining customs in each part of the country over 125 years. Full bibliographical descriptions of first and subsequent editions are augmented by author biographies and corporate histories of the food producers and kitchen-equipment manufacturers, who often published the books. Driver's excellent general introduction sets out the evolution of the cookbook genre in Canada, while brief introductions for each province identify regional differences in developments and trends. Four indexes and a 'Chronology of Canadian Cookbook History' provide other points of access to the wealth of material in this impressive reference book.
Unmistakable evidence that many of Jesus’ teachings were altered, deleted or never recorded In their classic series “The Lost Teachings of Jesus,” Mark L. Prophet and Elizabeth Clare Prophet prove that many of Jesus’ original teachings are missing. They show that the New Testament records only a fragment of what Jesus taught. That what was written down was tampered with by numerous editors or suppressed by “guardians of the faith.” And that some of what was recorded has been misinterpreted to this day. The authors fill in the gaps with a bold reconstruction of the essence of Jesus’ message. They unfold the lost teachings Jesus gave in public to the multitudes and in secret to his closest disciples. In modern vernacular, they offer a unique blend of the mystical and the practical that goes beyond the orthodox view of Jesus to discover his original message. And they answer questions that have puzzled readers of the Bible for centuries.
This work serves as an investigation of the Isis cult by tracing its development from Egypt into Greco-Roman society. The origin of the Isis cult is described by using the accounts of Plutarch, Apuleius, and Diodorus before examining the effects of Isis on Egyptian culture. The Isis cult soon overflows into the Greco-Roman world. While this mysterious religion initially encounters opposition, especially since it clashes with Roman patriarchal society, it overcomes these limitations.
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
In this collection, leading figures in UK and EU public law address seismic changes the field and reflect upon the implications of these changes, the fundamentals of public law, and the interrelationship between them across six themes: legislation, case law, theory, institutions, process, and constitutions.
This book, first presented by Archbishop Wake, now by Jean Elizabeth Ward, of Starward Studio, 2008 presents-THE FORBIDDEN BOOKS, etc. . . . "After the writings contained in the New Testament were selected from the numerous Gospels and Epistles then in existence, what became of the Books that were rejected by the compilers?" This book although still incomplete presents HALF THE TESTAMENT, instead of the PERFECT ONE. In the conclusion, the reader is implored to examine for themselves, and observe the testimony of Archbishop Wake and other learned divines and historians appended thereto; Etc. . . .
Using unpublished and published sources, this book examines the history of diabetes in Britain from the perspective of healer and sufferer alike, focusing on medieval treatments, Renaissance-era diabetology, and the centuries-long debate among specialists over the site and cure of the disease.
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
This lively and wonderful book probes the presence of grace ("Grace is everywhere"), garners the timeless teachings of the New Testament and theologians, and discusses grace in the light of contemporary beliefs and needs.
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