What if death is only an urban legend? On a spring morning in early May, Diane wakes up to find her beautiful 16-year old daughter, Callie, lying dead on the floor of her bedroom. The police find a suicide note in Callie’s jewelry chest and Diane’s whole world, as she had previously known it, falls apart. In the afterlife, Callie meets her great grandma, Ellie, who tells her that she’s in a part of heaven called Summer Wind and can never return home again. She wrestles with her abrupt and impulsive decision to take her own life and witnesses the impact that this event has on all who love her. Diane begins a desperate search for answers by tearing apart Callie’s bedroom looking for anything that might tell her what drove her daughter to suicide. She visits Joy, a spiritual healer, who tells her that she must learn to seek the gift in her experiences rather than remaining addicted to her guilt and pain. Diane struggles with letting go of the daughter she once knew and all her hopes and dreams for the future. Desperate to reassure her mother that she’s okay, Callie attempts to communicate with her from beyond the veil. They both begin a heart-wrenching journey to find one another once again.
Taking on the thorny ethics of owning and selling property as a white woman in a majority Black city and a majority Bangladeshi neighborhood with both intelligence and humor, this memoir brings a new perspective to a Detroit that finds itself perpetually on the brink of revitalization. In 2016, a Detroit arts organization grants writer and artist Anne Elizabeth Moore a free house—a room of her own, à la Virginia Woolf—in Detroit’s majority-Bangladeshi “Banglatown.” Accompanied by her cats, Moore moves to the bungalow in her new city where she gardens, befriends the neighborhood youth, and grows to intimately understand civic collapse and community solidarity. When the troubled history of her prize house comes to light, Moore finds her life destabilized by the aftershocks of the housing crisis and governmental corruption. This is also a memoir of art, gender, work, and survival. Moore writes into the gaps of Woolf’s declaration that “a woman must have money and a room of one’s own if she is to write”; what if this woman were queer and living with chronic illness, as Moore is, or a South Asian immigrant, like Moore’s neighbors? And what if her primary coping mechanism was jokes? Part investigation, part comedy of a vexing city, and part love letter to girlhood, Gentrifier examines capitalism, property ownership, and whiteness, asking if we can ever really win when violence and profit are inextricably linked with victory.
Jezebel is the daughter of the vampire king at the Court of Eclipse. The kingdom is located in the mountains of North Carolina where it has been hidden away for hundreds of years. Jezebel is about to marry the man of her dreams, a werewolf of the court, then take the throne. Her world is destroyed along with her dreams as she is betrayed by someone she loves. Cole is a human slave to the court, docile and angry from the death of his mother and sister. He is taking care of the horses in the stables when she is swept up into Jezebels world where deceit and a plot for the throne might take down the whole kingdom. The two are drawn closer together as they face peril, uncover secrets and risk their lives all in the hopes of saving the kingdom.
Join the three Moore sisters as they blithely venture off on their first-ever trip together, traveling in Ireland, England, and Scotland. All in their mid-60s and feeling confident in themselves and their relationship, they embark with visions of fun on their horizon. But all too quickly reality sets in. An unforgettable memoir of a journey filled with ups, downs, and everything in between, this is a must-read book filled with laughter and life lessons. Why would sisters want to take such a long trip together? The Moore sisters were often asked this question, to which came their same, unwavering reply: Why not? It all started when one sister gave a siren call for travel to her two sisters. In response, they started packing; almost that fast. As their journey unfolds, it reveals many things, including how after a fifty-some year break of sharing a childhood room they must adapt to living with each other once again; how hard can this be? Well, it's only a matter of time, though in ever small increments, before they begin sliding sideways. So how do these Golden Girl-ish Moore sisters handle 'sideways, ' and so far from home? You don't have to be a sister to read this book. Readers will be pulled in by the emotional range these sisters experience, including love, frustration, laughter, and angst. Before you know it, you will find yourself rooting for the Moore sisters as they find their way through the sister quagmire.
Ever wondered who makes your clothes? Who sells them? How much they get paid? How the fashion and sex industries are intertwined?Threadbare draws the connections between the international sex and garment trades and human trafficking in a beautifully illustrated comics series. Anne Elizabeth Moore, in reports illustrated by top-notch comics creators, pulls at the threads of gender, labor, and cultural production to paint a concerning picture of a human rights in a globalized world. Moore's reporting, illustrated by members of the Ladydrawers Comics Collective, takes the reader from the sweatshops of Cambodia to the traditional ateliers of Vienna, from the life of a globetrotting supermodel to the warehouses of large clothing retailers, from the secondhand clothing industry to the politics of the sex trade. With thoughtful illustrations of women's stories across the sex and garment supply chain, this book offers a practical guide to a growing problem few truly understand.Featuring the work of Leela Corman, Julia Gfrörer, Simon Häussle, Delia Jean, Ellen Lindner, and Melissa Mendes.
Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate. Moore, who suffers from several autoimmune disorders, examines what it takes to seek care and community in the increasingly complicated, problematic, and disinterested US healthcare system. A Lambda Literary Award finalist and a Chicago Review of Books Nonfiction Award shortlist title, Body Horror is “sharp, shocking, and darkly funny. . . . Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us” (Publishers Weekly, starred review). Featuring an updated introduction and new essays, as well as illustrations by Xander Marro, this new edition of Body Horror is a fascinating, insightful portrait of the gore that encapsulates contemporary American politics.
With his Letter of 1493 to the court of Spain, Christopher Columbus heralded his first voyage to the present-day Americas, creating visions that seduced the European imagination and birthing a fascination with those "new" lands and their inhabitants that continues today. Columbus's epistolary announcement travelled from country to country in a late-medieval media event -- and the rest, as has been observed, is history. The Letter has long been the object of speculation concerning its authorship and intention: British historian Cecil Jane questions whether Columbus could read and write prior to the first voyage while Demetrio Ramos argues that King Ferdinand and a minister composed the Letter and had it printed in the Spanish folio. The Letter has figured in studies of Spanish Imperialism and of Discovery and Colonial period history, but it also offers insights into Columbus's passions and motives as he reinvents himself and retails his vision of Peter Martyr's Novus orbis to men and women for whom Columbus was as unknown as the places he claimed to have visited. The central feature of the book is its annotated variorum edition of the Spanish Letter, together with an annotated English translation and word and name glossaries. A list of terms from early print-period and manuscript cultures supports those critical discussions. In the context of her text-based reading, the author addresses earlier critical perspectives on the Letter, explores foundational questions about its composition, publication and aims, and proposes a theory of authorship grounded in text, linguistics, discourse, and culture.
Here is a serious and passionate plea for theology and education to stand in relationship. Moore argues for an organic approach to religious, moral and theological education.
An Earthy Entanglement with Spirituality offers compelling perspectives on the human spirit as represented in literature and art. Authors approach the inquiry using distinct critical approaches to varied primary sources—poetry of various genres and periods, Shakespearean drama, contemporary theater, Renaissance sculpture, and the novel, short story, sketch, and dialogue.
Sixty contemporary, comforting liturgies that break through the noise of modern life to offer time-tested wisdom for readers navigating burnout, anxiety, and other stresses. “Beautiful words to help us access the longings of our souls and bring them to God. If you’re looking for a jumpstart to your spiritual life, start here.”—Rich Villodas, lead pastor of New Life Fellowship and author of Good and Beautiful and Kind Remind us, Jesus, that You lay sleeping in the boat, in the middle of the storm at sea. You are neither surprised nor distressed by the mounting chaos. You are not a God who panics. When writers Audrey Elledge and Elizabeth Moore were inspired to create an anchor of hope for their own local community, they moved forward by turning to the past, to a time when Christians looked at the collapsing world around them and resolved to offer something beautiful—something true—through poetic prayers. The stunning result is Liturgies for Hope, an original collection of modern liturgies reminiscent of past generations of faith. Designed to awaken your prayer life, the entries in this gentle guide explore experiences such as • feeling burned-out and soul-weary • embracing the mystery of faith • receiving the kindness of others • struggling with secret shame • bursting with thanksgiving With Scripture references for every prayer, Liturgies for Hope is both timeless and ideal for this moment, offering words to express our longings, shore up our prayers, and reorient our souls.
Moore asserts that Christian vocation, and the teaching vocation in particular, can be best understood as sacramental, mediating the grace of God through ordinary creation for the sanctification of human life and the well-being of all creation. She develops her argument through three important factors: a historical-theological analysis of the Christian sacraments and sacramentality; a phenomenological study of teaching events; and a description of six sacramental movements and corresponding teaching practices informed by Jewish-Christian traditions and Eucharistic practices. The nine detailed chapters include: Searching for the Sacred; Sacred Teaching; Education as Sacrament; Expecting the Unexpected; Remembering the Dismembered; Seeking Reversals; Giving Thanks; Nourishing Life; Reconstructing Community and Repairing the World; and Mapping the Future of Sacramental Teaching. "Teaching as a Sacramental Act" is ideal for students, pastors, Christian educators, spiritual directors, and pastoral caregivers who want to rethink and reshape the teaching ministry of the church.
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.