This “delicious, suspenseful . . . and cleverly written romp through a dramatic and forgotten moment in American history” reveals how Lincoln manipulated the media during the Civil War—shining new light on the current ‘fake news’ crisis (Elizabeth Gilbert) In 1864, during the bloodiest days of the Civil War, two newspapers published a call, allegedly authored by President Lincoln, for the immediate conscription of 400,000 more Union soldiers. New York streets erupted in pandemonium. Wall Street markets went wild. When Lincoln sent troops to seize the newspaper presses and arrest the editors, it became clear: The proclamation was a lie. Who put out this fake news? Was it a Confederate spy hoping to incite another draft riot? A political enemy out to ruin the president in an election year? Or was there some truth to the proclamation—far more truth than anyone suspected? Unpacking this overlooked historical mystery for the first time, journalist Elizabeth Mitchell takes readers on a dramatic journey from newspaper offices filled with heroes and charlatans to the haunted White House confinement of Mary Todd Lincoln, from the packed pews of the celebrated preacher Reverend Henry Ward Beecher’s Plymouth Church to the War Department offices in the nation’s capital and a Grand Jury trial. In Lincoln’s Lie, Mitchell brings to life the remarkable story of the manipulators of the news and why they decided to play such a dangerous game during a critical period of American history. Her account of Lincoln’s troubled relationship to the press and its role in the Civil War is one that speaks powerfully to our current political crises: fake news, profiteering, Constitutional conflict, and a president at war with the press.
Much of what you learned in grade school about our most beloved American icon is wrong. For starters, the Statue of Liberty was originally meant for Egypt, conceived to be a slave greeting travelers on the Suez Canal. And when instead she landed on American shores, she wasn't an outright gift from France, but the remarkable scheme of a grandiose Frenchman who tried to hustle everyone from Ulysses S. Grant to Henry Wadsworth Longfellow in an attempt to get his colossus built--somewhere. In this surprising and entertaining biography of America's most famous metal Amazon, Elizabeth Mitchell, author of the Byliner Original bestseller "The Fearless Mrs. Goodwin", provides a portrait of not just the Statue of Liberty but her deluded creator. Powered by fierce ambition and ego, Frederic Auguste Bartholdi spent nearly two decades building Lady Liberty, which he considered to be less a symbol of freedom than a monument to himself. In Bartholdi's remarkable, mostly overlooked diary and in colorful letters to his mother--the model for Liberty's imposing face--Mitchell finds a comically self-serving artiste who looks down his Gallic nose at the young and burgeoning United States.But it's those same "subpar" Americans who, in the end, get the job done. Timed to the 125th anniversary of the statue, Mitchell's book tells the real, unvarnished story of how Lady Liberty, beacon to the world, came to be.Elizabeth Mitchell is the author of "Three Strides Before the Wire: The Dark and Beautiful World of Horse Racing", "W.: Revenge of the Bush Dynasty", and the Byliner bestseller "The Fearless Mrs. Goodwin."* * *Praise for "Lady with a Past""Elizabeth Mitchell is one of the smartest writers I know and you won't want to miss her take on our lady of the harbor."-- Ron Rosenbaum, author of "Explaining Hitler" and "How the End Begins: The Road to a Nuclear World War III.""Mitchell has written a page-turner, exposing the riveting history of the Statue of Liberty, a tale far more brilliant in its complexity than the short-hand version we all know. A stunning jewel of intrigue.-- Martha McPhee, National Book Award finalist and author of "Bright Angel Time," "Gorgeous Lies," "L'America," and "Dear Money.
Charismatic, a colt nobody wanted, is ridden by Antley, a jockey everybody doubted. That either could be a mere mile and a half from winning the Triple Crown would be astounding; that the two of them together are so close to racing immortality would be a fantasy . . . except that it is real.'So ran a newspaper story days before jockey Chris Antley and his horse Charismatic attempted to make history by winning the third and final race of the Triple Crown, the Belmont Stakes. After battling depression and drug and alcohol abuse, Antley had made a stunning comeback by riding the unknown Charismatic to victory at both the Kentucky Derby and the Preakness. Antley's success was viewed as symbolic of the new path he was forging in his life, but his story, and his horse's, would not have a fairy-tale ending. In Three Strides Before the Wire, journalist Elizabeth Mitchell takes the reader on a fascinating journey into the world of horse racing by tracing the intertwined lives of jockey Chris Antley, trainer D. Wayne Lukas, owners Bob and Beverly Lewis, 1999 Derby winner Charismatic, and the author herself, who placed a crucial bet on the race. The adventure takes us behind the scenes of the world's racetracks, revealing the colourful history of horse racing, while also exposing the underbelly of racing scandals. The story of horse racing goes beyond the jockeys, the trainers, the owners and the swindlers. For all people, rich or poor, horse racing offers a dramatic tale that is thrilling at its best moments and heart-wrenching at its worst.
The Statue of Liberty has become one of the most recognizable monuments in the world: a symbol of freedom and the American Dream. But the story of the creation of the statue has been obscured by myth. In reality, it was the inspiration of one quixotic French sculptor hungry for fame and adoration: Frederic Auguste Bartholdi. Bartholdi showed himself to be a talented sculptor at the tender age of twenty-one when a statue he created won third prize at the 1855 Paris Exhibition. His equally prodigious talent for entrepreneurship came to light soon afterwards. Following a trip to Egypt where he was inspired by the pyramids and the Sphinx, and with France in turmoil following the Franco-Prussian war, Bartholdi made for America, carrying with him the idea of a colossal statue of a woman in his mind. With no help coming from the French and American governments, he enlisted the help of a number of notable men and women of the age, including Joseph Pulitzer, Victor Hugo, Gustave Eiffel, and Emma Lazarus, and through a variety of money-making schemes and some very modern-seeming fundraising campaigns, collected almost all of the money required to build the statue himself.
“A fascinating story.” —LeVar Burton The thrilling adventures of a slave who became known worldwide for his explorations of Mammoth Cave. If you toured Mammoth Cave in Kentucky in the year 1838, you would have been led by candlelight through dark, winding tunnels to the edge of a terrifying bottomless pit. Your guide would have been seventeen-year-old Stephen Bishop, an African American slave who became known around the world for his knowledge of Mammoth Cave. Bishop needed bravery, intelligence, and curiosity to explore the vast cavern. Using only a lantern, rope, and other basic caving equipment, he found a way to cross the bottomless pit and discover many more miles of incredible grottoes and tunnels. For the rest of his life he guided visitors through the cave, showing them how to stoop, bend, and crawl through passageways that were sometimes far from the traditional tour route. Based on the narratives of those who toured the cave with him, Journey to the Bottomless Pit is the first book for young readers ever written about Stephen Bishop. New to this edition: A free teacher’s guide to this book, as well as an interview with current-day Mammoth Cave guide Jerry Bransford, great-great-grandson of Stephen Bishop’s fellow guide, Mat Bransford.
Cami is a troubled, motherless teen who discovers a vintage necklace, along with an alarming note. Thrust into the enchanted world of Olmerias, she's greeted by a family she never knew she had. Distracted by the Deceiver, and a new friend, Ethan, the clock is ticking. But how do you defeat an entity that hides in the shadows? Will the Deceiver's deadly game be her undoing?
Carry Me Along by Ashley Elizabeth Mitchell is a single poem broken up by photography of nature in Maine. Carry Me Along is a comforting poem geared toward children about grief and death. Take a step back and relax in the Maine woods and allow the comforting words of Carry Me Along to help in the coping process of grief. Carry Me Along is easy to read for all ages and is geared for children, teens, and adults alike. There are helpful resources at the end of the book for parents to help with the grief process. This book was created with the author's 5 children in mind as they all were learning how to cope with the loss of so many loved ones in one season.
Adding a new Afterword and updated information on the 2000 election and the War on Terrorism, journalist Elizabeth Mitchell discusses the high and low points of George W. Bush's life and political career.
A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.
Edgings turn bland objects into beautiful wonders. Eyeful Edging Patterns is home to 13 crochet edging patterns. There are beautiful washcloths, towels, and other vintage patterns.
The harrowing true story of abduction and survival from the courageous young woman who lived it—now the subject of a Lifetime original movie, I Am Elizabeth Smart. In this memoir, Elizabeth Smart reveals how she survived and the secret to forging a new life in the wake of a brutal crime. On June 5, 2002, fourteen-year-old Elizabeth Smart, the daughter of a close-knit Mormon family, was taken from her home in the middle of the night by religious fanatic Brian David Mitchell and his wife, Wanda Barzee. Elizabeth was kept chained, dressed in disguise, repeatedly raped, and told she and her family would be killed if she tried to escape. After her rescue on March 12, 2003, she rejoined her family and worked to pick up the pieces of her life. With My Story, Elizabeth tells of the constant fear she endured every hour, her courageous determination to maintain hope, and how she devised a plan to manipulate her captors and convinced them to return to Utah, where she was rescued minutes after arriving. Smart explains how her faith helped her stay sane in the midst of a nightmare and how she found the strength to confront her captors at their trial and see that justice was served. In the years after her rescue, Smart transformed from victim to advocate, traveling the country and working to educate, inspire and foster change. She has created a foundation to help prevent crimes against children and is a frequent public speaker. She and her husband, Matthew Gilmour, now have two children.
This new text covers basic principles commonly found in the introduction to emergency medicine course. Comprised of five sections, diagnosis and management is presented from an emergency medicine perspective. Includes 75 case-based clinical vignettes to help students prepare for the course and clerkship as well as the USMLE. The common complaint section features a template covering differential history and physical, pathophysiology, and treatment of the given topics. Illustrations and line drawings supplement the text. Curricula objectives from the Society for Academic Emergency Medicine (SAEM) and the American College of Emergency Physicians (ACEP) are addressed.
In the history of cinema, many film genres have gained and lost popularity with the changing times, but one has maintained its supreme reign—the royal biopic. In Royal Portraits in Hollywood: Filming the Lives of Queens, authors Elizabeth A. Ford and Deborah C. Mitchell follow the lives of historical queens as depicted on film from the 1930s to the present. Women as diverse as Catherine the Great, Cleopatra, Mary Stuart, and Marie Antoinette have been represented on the silver screen, dominating the masculine world of politics while maintaining their femininity. During the golden age of American film, these roles gave Hollywood a means of portraying powerful women without threatening the patriarchal social order. Depictions of the lives of queens have progressed from idealized and romanticized portraits to the more personal, complex portrayals of modern Hollywood. By walking the line between fact and fiction, these royal portraits of queens reveal just as much our society as they do about the historical periods they represent. Audiences are drawn to the theaters year after year because the lives of queens promise good drama and attract some of the most talented actresses. The success of Hollywood’s leading ladies in playing queens further solidifies the link between Hollywood royalty and authentic royalty. Actresses such as Bette Davis, Judy Dench, Helen Mirren, Elizabeth Taylor, and Greta Garbo have done more than influence the way we imagine historical queens—they also have changed how we perceive women in powerful positions today. Royal Portraits in Hollywood analyzes seventy-five years of films about queens as well as the lives of the actresses who starred in them. Combining biographical sketches and excerpts from letters and journals, Ford and Mitchell show how filmmaking and our society’s perceptions of gender have changed. The authors compare Hollywood’s on-screen portrayals to the historical records, often drawing connections to the actresses’ careers and personal lives. This comprehensive analysis provides a more complete picture of the lives that take place behind the thrones—both real and fictional. The spectacle of a woman dressed in the full regalia of power remains a compelling image in our society. Hollywood actresses and the queens they portray are women who wield power, and by examining the lives of these women, the authors reveal not only society’s perceptions about female power but also how those perceptions continue to evolve.
Elizabeth Harcourt Rolls Mitchell (1833-?) was a poet, painter, and popular novelist of the 19th century. She was known for her history of the Church, and traveled extensively.
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