A heartbreaking and insightful debut novel about the wars we fight overseas, at home, and within our own hearts. Some come back whole. Some come back broken. Some just never come back... As an executive for one of the most successful military defense contractors in the country, Ruth Nolan should have been thrilled when her troubled son, Robbie, chose to join the marines. But she wasn’t. She was terrified. So, when he returns home to San Diego after his second tour in Iraq, apparently unscathed, it feels like a chance to start over and make things right—until a scandal at work tears her away from their reunion. By the next morning, Robbie is gone. A note arrives for Ruth in the mail a few days later saying, “I’m sorry for everything. It’s not your fault. I love you.” Without a backward glance, Ruth packs up Robbie’s ashes and drives east, heading away from her guilt and regret. But the closer she gets to the coast she was born on, the more evident it becomes that she won’t outrun her demons—eventually, she’ll have to face them and confront the painful truth about her past, her choices, the war, and her son.
Shattered by her Iraq war vet son's suicide, Ruth, an executive for a successful military defense contractor, flees her regrets during an east-bound road trip that forces her to confront her past, her choices, the war and her relationship with her son.
In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salón México, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.
Law-related words and phrases abound in our everyday language, often without our being aware of their origins or their particular legal significance: "boilerplate," "jailbait," "pound of flesh," "rainmaker," "the third degree." This insightful and entertaining book reveals the unknown stories behind familiar legal expressions that come from sources as diverse as Shakespeare, vaudeville, and Dr. Seuss. Separate entries for each expression follow no prescribed formula but instead focus on the most interesting, enlightening, and surprising aspects of the words and their evolution. Popular myths and misunderstandings are explored and exploded, and the entries are augmented with historical images and humorous sidebars.Lively and unexpected, "Lawtalk" will draw a diverse array of readers with its abundance of linguistic, legal, historical, and cultural information. Those readers should be forewarned: upon finishing one entry, there is an irresistible temptation to turn to another, and yet another . . .
Taking on the thorny ethics of owning and selling property as a white woman in a majority Black city and a majority Bangladeshi neighborhood with both intelligence and humor, this memoir brings a new perspective to a Detroit that finds itself perpetually on the brink of revitalization. In 2016, a Detroit arts organization grants writer and artist Anne Elizabeth Moore a free house—a room of her own, à la Virginia Woolf—in Detroit’s majority-Bangladeshi “Banglatown.” Accompanied by her cats, Moore moves to the bungalow in her new city where she gardens, befriends the neighborhood youth, and grows to intimately understand civic collapse and community solidarity. When the troubled history of her prize house comes to light, Moore finds her life destabilized by the aftershocks of the housing crisis and governmental corruption. This is also a memoir of art, gender, work, and survival. Moore writes into the gaps of Woolf’s declaration that “a woman must have money and a room of one’s own if she is to write”; what if this woman were queer and living with chronic illness, as Moore is, or a South Asian immigrant, like Moore’s neighbors? And what if her primary coping mechanism was jokes? Part investigation, part comedy of a vexing city, and part love letter to girlhood, Gentrifier examines capitalism, property ownership, and whiteness, asking if we can ever really win when violence and profit are inextricably linked with victory.
Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate. Moore, who suffers from several autoimmune disorders, examines what it takes to seek care and community in the increasingly complicated, problematic, and disinterested US healthcare system. A Lambda Literary Award finalist and a Chicago Review of Books Nonfiction Award shortlist title, Body Horror is “sharp, shocking, and darkly funny. . . . Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us” (Publishers Weekly, starred review). Featuring an updated introduction and new essays, as well as illustrations by Xander Marro, this new edition of Body Horror is a fascinating, insightful portrait of the gore that encapsulates contemporary American politics.
Focusing on the intimate relations that develop between plants and humans in the northern rural region of El Salvador, this book explores the ways in which more-than-human intimacies travel away from and return to the milpa through human networks. The chapters present innovative methodological and conceptual contributions to the study of relationships that form between plants and people.
Long recognized as the leading text in this dynamic field, Rogers’ Textbook of Pediatric Intensive Care provides comprehensive, clear explanations of both the principles underlying pediatric critical care disease and trauma as well as how these principles are applied. Led by Drs. Donald H. Shaffner, John J. McCloskey, Elizabeth A. Hunt, and Robert C. Tasker, along with a team of 27 section editors as well as more than 250 expert global contributors, the fully revised Sixth Edition brings you completely up to date on today’s understanding, treatments, technologies, and outcomes regarding critical illness in children.
This comprehensive guide features America's top editors and writers for hire—serving the needs of nonfiction and fiction writers, publishers, literary agents, corporations, companies, educational institutions, and non-profits.
The Path of the Higher Self, the first book in the Climb the Highest Mountain series, is a cornerstone of metaphysical literature—a guide to help us ascend the mountain of Being. It explores topics important to every spiritual seeker. You’ll learn about the destiny of the soul, the difference between soul and Spirit, the role of the Christ, and how to contact and maintain a strong relationship with your Higher Self and the spark of God in your heart. You’ll also explore the mystery of consciousness, God in nature, and the role of nature spirits in planetary ecology. And you’ll find answers to the most important questions every seeker of truth asks: Who am I? Where did I come from? Where am I going? And how do I get there?
Climate Change and Human History provides a concise introduction to the relationship between human beings and climate change throughout history. Starting hundreds of thousands of years ago and going up to the present day, this book illustrates how natural climate variability affected early human societies and how human activity is now leading to drastic changes to our climate. Taking a chronological approach the authors explain how climate change created opportunities and challenges for human societies in each major time period, covering themes such as phases of climate and history, climate shocks, the rise and fall of civilizations, industrialization, accelerating climate change and our future outlook. This 2nd edition includes a new chapter on the explosion of social movements, protest groups and key individuals since 2017 and the implications this has had on the history of climate change, an improved introduction to the Anthropocene and extra content on the basic dynamics of the climate system alongside updated historiography. With more case studies, images and individuals throughout the text, the second edition also includes a glossary of terms and further reading to aid students in understanding this interdisciplinary subject. An ideal companion for all students of environmental history, Climate Change and Human History clearly demonstrates the critical role of climate in shaping human history and of the experience of humans in both adapting to and shaping climate change.
Realizing that most students in an introductory managerial accounting course are not going to major in accounting, this book seeks to position managerial accounting in a broader context of business decision making."--Pref.
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