Ireland’s Abbey Theatre was founded in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century. Conventional wisdom holds that the playwright Sean O’Casey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Plough and the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbey repertoire that has long been overlooked by critics. She seeks to restore attention to a lesser-known corpus of Irish urban plays, specifically those that appeared at the Abbey Theatre from the theatre’s founding until 1951, when the original theatre was destroyed by fire. Mannion illustrates distinct patterns within this Abbey urban genre and considers in particular themes of poverty, gender, and class. She provides historical context for the plays and considers the figures who helped shape the Abbey and this urban subset of plays. With detailed analysis of box office records and extensive appendixes of cast members and production schedules, this book offers a rich source of archival material as well as a fascinating revision to the story of this celebrated institution.
A Southern girl embraces the 60s and 70s, only to become mentally ill when the era is over. In the end, she regains her sanity and achieves her dream of becoming a writer. Elizabeth Wells: If I had to say what inspired this story I would say that I have lived an uncommon life, met unforgettable characters, and done things most people wouldnt do. The idea was to get it into a book that recorded much of my own personal history. Since the beginning of man, such inspiration is always necessary to the persons who create stories of their own. William Faulkner said, Listen to the voices. I do.
Elizabeth Cooperman celebrates artists who have struggled with debilitating self-doubt and uncertainty, while she reflects on her own life, grappling with questions of creativity, womanhood, and motherhood.
The Fault Lines of Empire is a fascinating comparative study of two communities in the early modern British Empire--one in Massachusetts, the other in Nova Scotia. Elizabeth Mancke focuses on these two locations to examine how British attempts at reforming their empire impacted the development of divergent political customs in the United States and Canada.
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