Elizabeth Gaskell’s episodic second novel, sometimes dismissed as nostalgically “charming,” is now considered by many critics to be her most sophisticated work. The country town of Cranford is home to a group of women, affectionately called “Amazons” by the narrator, whose seemingly uneventful lives are full of conflicts, failures, and unexpected connections. A rich commentary on Victorian culture by one of its most astute observers, Cranford owes its enduring popularity to the complex pleasures it offers the reader. This Broadview Edition provides an assortment of historical materials to put the novel in context, including Gaskell’s letters from the period of the novel’s writing, excerpts from texts read by the characters, illustrations from the novel and from contemporary periodicals, and other Victorian writings on industrialization, etiquette, and domestic life.
Publisher's description: Telling Tales offers new and original readings of novels by Charlotte Brontë, Anne Brontë, Thomas Hardy, Margaret Oliphant, and Mary Elizabeth Braddon. It also presents new archival material on the lives and stories of working-class women in Victorian Britain. Finally, it sets forth innovative interpretations of the complex ways in which gender informs the abstract cultural narratives--like space, aesthetic value, and nationality--through which a populace comes to know and position itself. Focusing on the interrelations of form, gender, and culture in narratives of the Victorian period, Telling Tales explores the close interplay between gender as manifest in specific literary works and gender as manifest in Victorian culture. The latter does not reflect a shift away from form toward culture, but rather a steady concern of form-in-culture. Reading and analyzing Victorian novels provides an education for reading and interpreting the broader culture. The book's several chapters explore and pose answers to important questions about the impact of gender on narrative in Victorian culture: How do women writers respond to themes and narrative structures of precursor male writers? What are the very real differences that shape a newly emerging tradition of female authorship? How does gender enter into the determination of aesthetic value? How does gender enter into the national imaginary 3/4the idea of Englishness? In exploring these key concerns, Telling Tales establishes a broad terrain for future inquiries that take gender as an organizing term and principle for analysis of narratives in all periods.
Langland argues that the middle-class wife had a more complex and important function than has previously been recognized: she mastered skills that enabled her to support a rigid class system while unknowingly setting the stage for a feminist revolution.
Presents electronic versions of works by English novelist Anne Bronte (1820-1849) as part of the Online Literature Library. Offers access to "Agnes Grey" and "The Tenant of Wildfell Hall.
Chaucer introduces the characters of the Knight and the Prioress in the General Prologue to The Canterbury Tales. Beginning with these familiar figures, Elizabeth Fowler develops a new method of analyzing literary character. She argues that words generate human figures in our reading minds by reference to paradigmatic cultural models of the person. These models—such as the pilgrim, the conqueror, the maid, the narrator—originate in a variety of cultural spheres. A concept Fowler terms the "social person" is the key to understanding both the literary details of specific characterizations and their indebtedness to history and culture.Drawing on central texts of medieval and early modern England, Fowler demonstrates that literary characters are created by assembling social persons from throughout culture. Her perspective allows her to offer strikingly original readings of works by Chaucer, Langland, Skelton, and Spenser, and to reformulate and resolve several classic interpretive problems. In so doing, she reframes accepted notions of the process and the consequences of reading.Developing insights from law, theology, economic thought, and political philosophy, Fowler's book replaces the traditional view of characters as autonomous individuals with an interpretive approach in which each character is seen as a battle of many archetypes. According to Fowler, the social person provides the template that enables authors to portray, and readers to recognize, the highly complex human figures that literature requires.
From the USA TODAY bestselling author. "I consider Elizabeth Thornton a major find." —Mary Balogh, NEW YORK TIMES bestselling author of ONLY ENCHANTING Briony Langland had no use for the superficial games of the ton. She did, however, have choice words for London's most notorious rake when she caught him dallying with his flavor of the moment in her uncle's library. She never thought that her bold set-down would only inspire his lordship to employ his considerable charms to awaken her own deepest passions. Hugh Montgomery, Marques of Ravensworth, has never met a woman he couldn't seduce and just as easily forget. But Briony, so self-possessed, so scrupulous, so determined to thwart him at every turn, has awakened something deep inside his cold, self-serving heart—a desire to experience love. His lordship has a few lessons to learn in the art of sweet persuasion...and Briony may be just the woman to teach him.
Key Concepts in Medieval Literature introduces students to the major authors, themes and genres of the English Middle Ages. These are discussed in concise focused essays, accompanied by summaries and recommendations for further reading, highlighting the need to see texts in context, both historically and linguistically.
The 10 essays here are the result of a conference devoted to the study of medieval technology in April 1995. Taken together, they aim to help dispel the common misconception that medieval people somehow had to toil in a world bereft of technical innovation and ingenuity. The authors of the papers, all experts in their fields, show the Middle Ages not only to be a time of considerable technological development, but also the ways in which the technologies of building construction, manufacture and metallurgy were shaped by broader forces of culture, social identity, political ambition and the local environment.
Just as J. M. Coetzee’s post-2003 books present essays and narrative alongside one another, this book engages with its ideas through both critical and creative writing. Reading Coetzee interleaves critical essays on Coetzee’s works with an autobiographical narrative detailing MacFarlane’s more personal response to her reading and writing. The presentation of elements of the creative with the critical, and the critical within the creative, aims to challenge the traditional boundary between the two. This kind of methodology derives from the idea (and practice) of embodiment: that an idea or philosophy does not ‘float free’, but is tied to the idiosyncrasies, divergences, and subjective ‘travel’ of its speaker or writer. Coetzee’s Elizabeth Costello, Slow Man and Diary of a Bad Year explicitly address themes which abide more surreptitiously throughout his oeuvre: the divisions and paradoxes which occur the moment pen gains page, the value of literature, and the ethics of embodiment. In revealing the dialogue between writer-self and reader-self, and between author and character, these recent novels invite a rereading of Coetzee’s previous literature. Reading Coetzee explores Coetzee’s preoccupation with the act of writing using his recent books as a lens through which to view his eight previous novels as well as his memoirs and essays.
De proprietatibus rerum, ‘On the properties of things’, has long been referred to by scholars as a medieval encyclopedia, but evidence suggests that it has been many things to many people. The sheer number of extant manuscript copies and printed editions, along with translations, adaptations, and mentions in poems and sermons, testify to its continuous significance for Europeans of all estates and different walks of life, from the thirteenth to the seventeenth centuries. While first compiled soon after the time of St Francis by a humble continental friar to meet the needs of his expanding religious brotherhood, by 1600 English men of letters had claimed Bartholomew as a noble compatriot and national treasure. What was it about the work that propelled it through a progression of medieval cultures and into an exalted position in the world of English letters? This reception history traces evidence for the journey of ‘Properties’ over four centuries of social, political and religious change.
How do I love thee? Let me count the ways' Elizabeth Barrett Browning was a poet of passion, wit and conscience. She was also a woman who wrote to speak the truth about everything she knew - and she knew just what it was like to be a thinking woman in a society that wanted women to be weak. The eldest of twelve children, she wrote poetry from the age of eleven, and became a highly successful poet in her lifetime - and remains very much loved today. She was also a strong advocate for human rights, campaigning to abolish slavery and child labour, and her three-part poem A Curse for a Nation is a powerful polemic against the slave trade. 'I heard an angel speak last night, and he said "write! Write a nation's curse for me, and send it over the western sea"
This selection recovers the best work of this independent, passionate and intelligent poet, presenting it on its own terms. Browning emerges as an acute observer of the political dramas taking place in Italy and the private dramas of relationships. Brought up to a life of confinement, Browning (1806-1861) matured into a champion of personal and social freedom, a poetic innovator who wrote some of the nineteenth century's most politically engaged and subtly erotic poetry."--BOOK JACKET.
To seek sanctuary from persecution by entering a sacred space is an act of desperation, but also a symbolic endeavor: fugitives invoke divine presence to reach a precarious safe haven that imbues their lives with religious, social, or political significance. In medieval England, sanctuary was upheld under both canon and common law, and up to five hundred people sought sanctuary every year. What they found, however, was not so much a static refuge as a temporary respite from further action—confession and exile—or from further violence—jurisdictional conflict, harrying or starvation, a breaching of the sanctuary. While sanctuary has usually been analyzed as part of legal history, in Uncertain Refuge Elizabeth Allen explores the symbolic consequences of sanctuary seeking in English literary works—miracle collections, chronicles, romances, and drama. She ponders the miracle of a stag's escape from the hunt into a churchyard as well as the account of a fallen political favorite who gains a sort of charisma as he takes sanctuary three times in succession; the figure of Sir Gawain, seeking refuge in a stark land far from the court and Robin Hood, hiding in his local forest refuge among his Merry Men. Her consideration of medieval sanctuary extends to its resonances in a seventeenth-century play about the early Tudor usurper Perkin Warbeck and even into modern America, with the case of a breach of sanctuary in southwest Georgia in 1963, when sheriffs took over a voter registration meeting in a local church. Uncertain Refuge illuminates a fantasy of protection and its impermanence that animated late medieval literary culture, and one that remains poignantly alive, if no longer written into law, in today's troubled political world.
In 17th-century Oxfordshire, Margaret waits in the manor for news from her husband—who’s fighting for the cause of Parliament. At Froniga’s hearth sits the wise woman whose moral clarity brings life to the community. Goudge’s novel explores the cost of zeal and the power of healing when village life is ruptured by national conflict.
The author argues that in these devotional works (which appealed to a broad readership in late medieval England) Rolle successfully refines traditional affective strategies to develop an implied reader-identity, the individual soul seeking the love of God, which empowers each and every reader in his or her own spiritual journey."--Jacket.
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