Interpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.
Interpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.
In 1946 a young woman named Ada Lois Sipuel Fisher (1924–1995) was denied admission to the University of Oklahoma College of Law because she was African American. The OU law school was an all-white institution in a town where African Americans could work and shop as long as they got out before sundown. But if segregation was entrenched in Norman, so was the determination of black Oklahomans who had survived slavery to stake a claim in the territory. This was the tradition that Ada Lois Sipuel sprang from, a tradition and determination that would sustain her through the slow, tortuous path of litigation to gaining admission to law school. A Step toward Brown v. Board of Education—the first book to tell Fisher’s full story—is at once an inspiring biography and a remarkable chapter in the history of race and civil rights in America. Cheryl Elizabeth Brown Wattley gives us a richly textured picture of the black-and-white world from which Ada Lois Sipuel and her family emerged. Against this Oklahoma background Wattley shows Sipuel (who married Warren Fisher a year before she filed her suit) struggling against a segregated educational system. Her legal battle is situated within the history of civil rights litigation and race-related jurisprudence in the state of Oklahoma and in the nation. Hers was a test case organized by the NAACP (National Association for the Advancement of Colored People) to go all the way to the U.S. Supreme Court and, as precedent, strike another blow against “separate but equal” public education. Fisher served as both a litigant, with Thurgood Marshall for counsel, and, later, a litigator; both a plaintiff and an advocate for the NAACP; and both a student and, ultimately, a teacher of the very history she had helped to write. In telling Fisher’s story, Wattley also reveals a time and a place undergoing a profound transformation spurred by one courageous woman taking a bold step forward.
The World’s Cutest Dog comes to comics! He’s Boo, the Pomeranian pup that’s become an internet sensation, and he’s ready for four-color adventures in his first-ever graphic novel! Join Boo and his canine companions Buddy and Bluebeary Pie as they create kitchen chaos, become movie stars, celebrate the birthday of an adorable eight-year-old girl, and have many more whimsical, fun-filled escapades, perfect for readers of all ages!
The geologic history of the Pacific Northwest is as unique as the region itself. Created via tectonic plate movements and accretionary events, the original terranes were subsequently covered by sedimentary layers, ash, lavas, and glacial debris. These processes, begun millions of years ago, continue to affect the area, as seen in the eruption of Mount St. Helens and catastrophic Japanese tsunamis created by earthquakes in the Pacific Northwest. Understanding of the regions geology has led to new insight in volcanic eruption prediction, disaster preparedness, the environmental effects of mining, and urban development as it relates to geologic hazards. The Orrs detailed and informative writing style appeals to those with geologic training as well as beginners with an interest in the region. Each chapter covers a specific subregion, allowing for maximum flexibility both in the classroom and for the casual reader. The authors central theme that continental plate tectonics are the fundamental processes of Northwest geologic history permeates throughout the book.
This volume comprises all the cemetery records originally published in the fifteen volumes of The "Old Northwest" Genealogical Quarterly between 1898 and 1912. It consists principally of tombstone inscriptions from cemeteries in the following counties in northeastern and central Ohio: Athens, Delaware, Fairfield, Franklin (including the city of Columbus), Geauga, Guernsey, Jackson, Knox, Licking, Lorain, Madison, Pickaway, Portage, Ross, Trumbull, and Vinton.
Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.
Kansas City, Missouri, has long been a bustling center of activity in the heart of the Midwest, hosting the railroads that rambled through its stockyards and the jazz pioneers who made a lasting mark on music history. This collection of vintage postcards from the late 1800s through the 1950s brings to life the people, places, and events of old Kansas City. The unique postcards printed in this book capture the historic downtown area and the Country Club Plaza as well as the private notes of a homesick visitor, paying homage to a time long gone, but not forgotten.
Marsden Hartley (1877-1943) was a painter, poet, writer, and pioneer of American modernism. Born in Lewiston, Maine, he lived a peripatetic life, working in Paris, Berlin, New York, Mexico, New Mexico, Bermuda, and elsewhere before returning to Maine in 1934. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output. Some one-hundred and five of his works - landscapes, still lifes, portraits, and abstract paintings - demonstrate the visual power for which Hartley gained acclaim as well as the development of his art over the course of his thirty-five year career." "The book gathers together the most recent scholarship on Hartley's work, discussing such topics as the artist's working methods, his self-portraits, the influence of Cezanne on his work, and Hartley's attitudes toward Native Americans. A chronology of his life is included, and each painting is accompanied by a full catalogue entry." "This book also serves as the catalogue of an exhibition organized by the Wadsworth Atheneum Museum of Art and traveling to the Phillips Collection, Washington, D.C., and the Nelson-Atkins Museum of Art, Kansas City."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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