Was Ernesto Sanchez in the wrong place at the wrong time, or is he a member of a violent criminal gang? Sanchez admits that he was caught up in a parking lot gang fight in his rough neighborhood and stabbed Patrick Connor, who died of the wound. Sanchez says he stabbed Connor in self-defense after Connor hit him with a baseball bat. The witnesses agree that Sanchez was on the ground and Connor was standing over him. What happened next is in dispute, as is whether Sanchez is a gang member or just a local resident who was in the wrong place at the wrong time. This unique file focuses on gang activity and non-traditional experts whose qualifications are experience rather than education. New to the Third Edition: Updated skull sketches to reflect Ernesto’s assertion that they are for Dia de los Muertes Cultural information about the Day of the Dead in relation to skull drawings Professors and students will benefit from: An opportunity to examine implicit and explicit biases and learn how to address them in a courtroom situation A variety of witnesses let participants weigh the advantages and disadvantages of calling each witness Multiple forms of exhibits allow participants a chance to practice laying foundations
Is Harper Stanton a victim, or a villain? Toby Armstrong wrote a guest article for the Puffington Post website accusing Harper Stanton of taking a bribe to fix the Miss Olympia beauty pageant—an article this suit claims cost Stanton their job as CEO of Miss Olympia, Inc. Harper Stanton brings this civil case for defamation. Armstrong, a blogger who owns a pageant contestant coaching company, claims that the poorly-run show and the suspiciously high placement of one contestant are proof that Stanton took a bribe—a bribe that witness Rory Carter claims to have seen take place. Stanton denies the claims and asserts that Armstrong wrote the post out of jealousy over Stanton’s success. This entertaining and well-balanced case file presents users with interesting facts and multiple types of exhibits for practice in entering into evidence, all while limiting the witness list to four witnesses. Easy to run as a short trial, you’ll crown Stanton v. Armstrong a winner. New to the Second Edition: Text message evidence An updated map of Stanton’s office Miss Scattersburg’s Q&A answer in video form Text-reader accessible exhibits and detailed alternate text for photos Professors and students will benefit from: Fast-paced, easily understandable text that allows users to focus on their trial skills instead of minutia A well-balanced set of facts on which either side could prevail A closed universe: relevant statutes and case law are provided
State v. Sanchez is a criminal case file featuring the trial of Ernesto Sanchez, who admits to fatally stabbing Patrick Connor during a street fight between two Nita City gangs. Sanchez pleads self-defense, and the circumstances surrounding the stabbing are complicated by the testimonies of other gang and community members. This case file is particularly unique because of its focus on gang activity and its use of non-traditional experts with specialized knowledge of gang behavior. It also addresses the potential impact of racial bias during a criminal trial. Exhibits include social media evidence and a digital recording of a news interview. There are five witnesses for both the state and the defense.
Building contractor Taylor Addison suffered severe first- and second-degree burns when someone sideswiped her parked car. The impact spilled scalding coffee over her left hand, leaving her slightly scarred. In this civil case version of State v. Peyton, Addison has filed a complaint against Jordan Peyton alleging negligence and negligence per se. Addison further alleges that Peyton operated her car in an unsafe manner while under the influence of alcohol and struck Addison's car causing the coffee she was holding to spill over onto her hand, which resulted in severe burns. Is the damage on Peyton’s car proof of a collision with Addison’s, or merely coincidence? How do the field sobriety tests and BAC evidence influence the determination on whether Peyton hit Addison’s car? Was Peyton’s arrest and breathalyzer test mishandled? Advocates will enjoy working either side of this well-balanced case. New to the Third Edition:
It will give experts the confidence they need to be comfortable in court, and give you the skills necessary to emphasize the credibility of your experts. You can avoid pitfalls such as unintentional signals, inappropriate demeanor and appearance, and awkward body language by using Expert Testimony: A Guide for Expert Witnesses and the Lawyers Who Examine Them, Third Edition as your guide. Elizabeth Boals and Steve Lubet coauthored the Third Edition of Expert Testimony: A Guide for Expert Witnesses and the Lawyers Who Examine Them expanding and amplifying the original book with: New guidance on the development and presentation of expert testimony in the digital age, including discussion of visual aids and electronic discovery, Updated analysis of the Federal Rules of Evidence and Federal Rules of Civil Procedure, Updated discussion of the ethical rules governing expert retention and testimony, Examples of expert witness examinations and detailed discussion of techniques for coping with lawyer questioning, Checklists for quick reference. The collaborative effort of Professors Lubet and Boals has resulted in a Third Edition that is worthwhile to both the expert witnesses and the lawyers who examine them.
This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well. "This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly "An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times "Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books "In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal "This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman "Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History "In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic
This impeccably researched collection of the public and private writings of the great British monarch includes a generous selection of her poetry, speeches, letters, prayers, and translations--made available and accessible to a popular audience for the first time ever.
England’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian. Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources. The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.
England’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian. Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources. The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.
Elizabeth Jenkins illuminates in great detail the personal and private life of Elizabeth 1. Was she bald? What precisely was her sex-life? What were her emotional attachments?No other biography provides such a personal study of the Queen and her court - their daily lives, concerns, topics of conversation, meals, living conditions, travels, successes and failures - but it also places them firmly within the historical context of 16th Century Britain. An authoritative history of the period enlightened by a through understanding of Elizabethan society and an intimate portrait of the Queen.
More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting. The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumentalThe Progresses of Queen Elizabeth (1788-1823).
England, late 1547. King Henry VIII Is dead. His fourteen-year-old daughter Elizabeth is living with the king’s widow, Catherine Parr, and her new husband, Thomas Seymour. Seymour is the brother of Henry VIII’s third wife, the late Jane Seymour, who was the mother to the now-ailing boy King.Ambitious and dangerous, Seymour begins and overt flirtation with Elizabeth that ends with Catherine sending her away. When Catherine dies a year later and Seymour is arrested for treason soon after, a scandal explodes. Alone and in dreadful danger, Elizabeth is threatened by supporters of her half-sister, Mary, who wishes to see England return to Catholicism. She is also closely questioned by the king’s regency council due to her place in the line of succession. Was she still a virgin? Was there a child? Had she promised to marry Seymour?Under pressure, Elizabeth shows the shrewdness and spirit she would later be famous for. She survives the scandal, but Thomas Seymour is not so lucky. The “Seymour Scandal” led Elizabeth and her advisers to create of the persona of the Virgin Queen.On hearing of Seymour’s beheading, Elizabeth observed, “This day died a man of much wit, and very little judgment.” His fate remained with her. She would never allow her heart to rule her head again.
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