Over the past century, much attention has been paid to the literature written for adults in response to the First World War, but there has been comparatively little consideration of how the war influenced literature for young readers at the time. Based on extensive archival research, this study examines an array of wartime writing for young people and provides a new understanding of the complexities and nuances within children’s literature of the period. In its discussion of nearly 150 primary sources from Britain, Canada, and the United States, this volume considers some well-known texts but also brings to light forgotten children’s literature of the era, providing new insights into how WWI was presented to the young people whose lives were indelibly impacted by the crisis. Paying special attention to the varied ways in which child figures were depicted, it reflects on what these portrayals reveal about adult conceptualizations of youth, and it considers how these may have shaped young readers’ own views of armed conflict, citizenship, and childhood. From the helpless victim to the heroic combatant, child figures appeared in many guises, exposing a range of adult concerns about nation, empire, and children’s citizenship. Exploring everything from alphabet books for beginning readers, to recruitment materials for high school students, this book examines works from multiple genres and provides a uniquely comprehensive study of transatlantic children’s literature produced during the first global war.
As Canada came to terms with its role as an independent nation following Confederation in 1867, there was a call for a literary voice to express the needs and desires of a new country. Children’s literature was one of the means through which this new voice found expression. Seen as a tool for both entertaining and educating children, this material is often overtly propagandistic and nationalistic, and addresses some of the key political, economic, and social concerns of Canada as it struggled to maintain national unity during this time. From Nursery Rhymes to Nationhood studies a large variety of children’s literature written in English between 1867 and 1911, revealing a distinct interest in questions of national unity and identity among children’s writers of the day and exploring the influence of American and British authors on the shaping of Canadian identity. The visions of Canada expressed in this material are often in competition with one another, but together they illuminate the country’s attempts to define itself and its relation to the world outside its borders.
Grace O'Malley was a sea captain and clan leader, pirate and politico, business woman and warrior, as well as a dutiful daughter, wife, and mother. Though shaped by her times, she shattered the mold for women of her day. She would be a formidable figure in any era, including our own. Part of the sea-faring O'Malley clan, she inherited a deep love of the oceans and dominated trade on the Irish coast. On land, she personally led her clansmen in battle, waging relentless war on rival leaders throughout the Emerald Isle. Even powerful English officials were threatened by her influence. They saw her as "nurse to all rebellions." When she went to meet the Queen of England, the two women dealt as proud equals who had maneuvered their way through 16th century war and politics with skill and aplomb.
In a writing career that spanned the 1920s to the 1960s, Anglo-Irish author Elizabeth Bowen created a rich and nuanced body of work in which she enlarged the comedy of manners with her own stunning brand of emotional and psychological depth. In A World of Love, an uneasy group of relations are living under one roof at Montefort, a decaying manor in the Irish countryside. When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions. It is not clear to whom the letters are addressed, and their appearance begins to lay bare the strange and unspoken connections between the adults now living in the house. Soon, a girl on the brink of womanhood, a mother haunted by love lost, and a ruined matchmaker with her own claim on the dead wage a battle that makes the ghostly Guy as real a presence in Montefort as any of the living.
One of New Zealand's leading poets, Elizabeth Smither has published many collections and has won the New Zealand Book Award for Poetry. Her poems are characteristically slim, so the substantial selection of her work gathered in The Tudor Style has a striking effect. As Bill Manhire says, Smither's poems 'wave to one another, open doors and climb through windows'. This subtle and witty interconnectedness is a distinctive quality in her work. The poems show a delight in image, epigram and unexpected anecdotes. These swift darting poems return to themes such as women friends, gardens, figures of legend and story, religious experience and conversations. They form a striking and original whole, revealing Smither as a distinguished poet.
This book offers a new interpretation of the place of periodicals in nineteenth-century Ireland. Case studies of representative titles as well as maps and visual material (lithographs, wood engravings, title-pages) illustrate a thriving industry, encouraged, rather than defeated by the political and social upheaval of the century. Titles examined include: The Irish Magazine, and Monthly Asylum for Neglected Biography and The Irish Farmers’ Journal, and Weekly Intelligencer; The Dublin University Magazine; Royal Irish Academy Transactions and Proceedings and The Dublin Penny Journal; The Irish Builder (1859-1979); domestic titles from the publishing firm of James Duffy; Pat and To-Day’s Woman. The Appendix consists of excerpts from a series entitled ‘The Rise and Progress of Printing and Publishing in Ireland’ that appeared in The Irish Builder from July of 1877 to June of 1878. Written in a highly entertaining, anecdotal style, the series provides contemporary information about the Irish publishing industry.
Bivalve Molluscs is an extremely comprehensive book coveringall major aspects of this important class of invertebrates. As wellas being an important class biologically and ecologically, many ofthe bivalves are fished and cultured commercially (e.g. mussels,oysters, scallops and clams) in a multi-billion dollar worldwideindustry. Elizabeth Gosling who has a huge wealth of research, teachingand hands on experience working with bivalves, has written alandmark book that will stand for many years as the standard workon the subject. Chapters in Bivalve Molluscs covermorphology, ecology, feeding, reproduction, settlement andrecruitment, growth, physiology, fisheries, aquaculture, genetics,diseases and parasites, and public health issues. A fullunderstanding of many of these aspects is vital for all thoseworking in bivalve fisheries and culture. An essential purchase for anyone concerned with this importantclass of animals, copies of Bivalve Molluscs should be onthe shelves of biologists, ecologists, environmental scientists,fisheries scientists and personnel within the aquaculture industry.Copies of the book should be available in all libraries andresearch establishments where these subjects are studied ortaught. Elizabeth Gosling is based at the Galway-Mayo Instituteof Technology, Galway, Ireland.
Relatively tiny Ireland (32,600 sq. miles) packs great attractions into a small area. You can pack a lot of diverse experiences into your trip with this book as your guide. Climb the cliffs. Kiss the blarney stone. Have a bowl of Irish stew and a pint of Guinness in a local pub. Pay homage to literary giants W. B. Yeats, James Joyce, or Frank McCourt. Play championship golf courses. Whether you?re a book lover or a golf nut?a history buff or a Celtic music fan?a full-fledged adventurer or a laid-back sight-seer, you?ll find plenty to enjoy in this guide that gives you the scoop on: Historic sights, including the 5,000 year old Newgrange Tomb, the burial mounds at Knowth, the storied Hill of Tara, ancient seat of the Irish high kings, and Glendalough, a monastic community founded in the sixth century Gorgeous natural wonders, including the sheer Cliffs of Moher and Slieve League cliffs; the rocky, wildflower-studded Burren; the beautiful Aran Islands; the wild landscape of Connemara; and more Cosmopolitan Dublin, hot-and-happening Belfast, and intriguing medieval villages The Traditional Irish Musical Pub Crawl Strolling through Powerscourt Garden or touring the Waterford Crystal Factory Exploring Killarney National Park on horseback, on a bike, or on foot Driving the Ring of Kerry with its seascapes, cliffs, and spectacular mountain views or the Dingle Peninsula with its patchwork of farms, plus sandy beaches, craggy cliffs, and more seascapes Staying in an ancient but luxurious castle or a comfortable B & B overlooking a working dairy farm Dining on diverse cuisines, ranging from Italian to Mediterranean to fusion and from meat-and-potatoes to sushi; enjoying great pub food at a local haunt or feasting at a medieval banquet in an authentic castle Like every For Dummies travel guide, Ireland For Dummies, 5th Edition helps you make the most of your vacation. It includes: Down-to-earth trip-planning advice What you shouldn't miss--and what you can skip The best hotels and restaurants for every budget Lots of detailed maps No, this book can?t tell you where to find a leprechaun, but if you?re looking for other Irish sites, attractions or adventures, you?re in luck with this guide.
Gaelic literati were an elite and influential group in the social hierarchy of Irish lordships between c. 1300 and 1600. From their estates, they served Gaelic and Old English ruling families in the arts of history, law, medicine, and poetry. They farmed, kept guest-houses, conducted schools, and maintained networks of learning. In other capacities, they were involved in political assemblies and memorializing dynastic histories in landscape. This book presents a framework for identifying and interpreting the settings and built heritages of their estates in lordship borderscapes. It shows that a more textured definition of what this learned class represented can be achieved through the material record of the buildings and monuments they used, and where their lands were positioned in the political map. Where literati lived and worked are conceived as expressions of their intellectual and political cultures. Mediated by case studies of the landscapes of their estates, dwellings, and schools, the methodology is predominantly field based, using archaeological investigation and topographic and spatial analyses, and drawing on historical and literary texts, place-names and lore in referencing named people to places. More widely, the study contributes a landscape perspective to the growing body of work on autochthonous intellectual culture and the exercise of power by ruling families in late medieval and early modern northern European societies.
This book offers a new interpretation of the place of periodicals in nineteenth-century Ireland. Case studies of representative titles as well as maps and visual material (lithographs, wood engravings, title-pages) illustrate a thriving industry, encouraged, rather than defeated by the political and social upheaval of the century. Titles examined include: The Irish Magazine, and Monthly Asylum for Neglected Biography and The Irish Farmers’ Journal, and Weekly Intelligencer; The Dublin University Magazine; Royal Irish Academy Transactions and Proceedings and The Dublin Penny Journal; The Irish Builder (1859-1979); domestic titles from the publishing firm of James Duffy; Pat and To-Day’s Woman. The Appendix consists of excerpts from a series entitled ‘The Rise and Progress of Printing and Publishing in Ireland’ that appeared in The Irish Builder from July of 1877 to June of 1878. Written in a highly entertaining, anecdotal style, the series provides contemporary information about the Irish publishing industry.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.