Named for Alexander Caulfield Anderson, the chief trader for the Hudson's Bay Company at Fort Nisqually, Anderson Island has an early history of brick making, logging, farming, and fishing. Johnson's Landing, on the north end of the island, was the site where mosquito fleet steamships could refuel and purchase lumber for delivery as far south as San Francisco. The first permanent settlers on the island arrived from Denmark in the early 1870s, with others of Scandinavian descent coming shortly thereafter. The southernmost island in Washington State's Puget Sound, accessible only by boat or ferry from Steilacoom, Anderson Island boasts two freshwater lakes, two marinas, and a golf course. Bucolic Anderson Island received national press coverage in 2005 when the flower fairy anonymously left floral bouquets on doorsteps, a practice that continues to this day.
Named for Alexander Caulfield Anderson, the chief trader for the Hudson's Bay Company at Fort Nisqually, Anderson Island has an early history of brick making, logging, farming, and fishing. Johnson's Landing, on the north end of the island, was the site where mosquito fleet steamships could refuel and purchase lumber for delivery as far south as San Francisco. The first permanent settlers on the island arrived from Denmark in the early 1870s, with others of Scandinavian descent coming shortly thereafter. The southernmost island in Washington State's Puget Sound, accessible only by boat or ferry from Steilacoom, Anderson Island boasts two freshwater lakes, two marinas, and a golf course. Bucolic Anderson Island received national press coverage in 2005 when the flower fairy anonymously left floral bouquets on doorsteps, a practice that continues to this day.
Robert Lowell once remarked, "When Elizabeth Bishop's letters are published (as they will be), she will be recognized as not only one of the best, but one of the most prolific writers of our century." One Art is the magificent confirmation of Lowell's prediction. From several thousand letters, written by Bishop over fifty years—from 1928, when she was seventeen, to the day of her death, in Boston in 1979—Robert Giroux, the poet's longtime friend and editor, has selected over five hundred missives for this volume. In a way, the letters comprise Bishop's autobiography, and Giroux has greatly enhanced them with his own detailed, candid, and highly informative introduction. One Art takes us behind Bishop's formal sophistication and reserve, fully displaying the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great artist.
A Stirring Collection of Verse Embark on an evocative journey through life and landscape with Poems, an acclaimed anthology by the peerless Elizabeth Bishop. This anthology places the reader at the heart of experience, rendering the grandeur of human existence and our symbiotic relationship with the natural realm, through precision-tuned verse that oscillates between humor and sorrow, acceptance and affliction. Bishop's artistry immerses us in evocative landscapes, from the nostalgic corners of New England, her childhood abode, to the vibrant hues of Brazil and the lush expanses of Florida, her later homes. Rich in geographical motifs, the collection navigates the intertwined tapestry of human life and nature, revealing the poet's intrinsic ability to render chaos into form. A vital presence in twentieth-century literature, this anthology forges an essential window into Bishop's world, offering a comprehensive view into her profound career. Whether you’re new to Bishop's work or a longtime admirer, you’ll discover the unique perspective she brought to English-language poetry, solidifying this anthology as a definitive cornerstone in any poetry collection.
Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
Get a little taste of what my YA books have to offer with a Pithy Pooka: a series of complete, standalone shorts. Girl + guy + three days = greatest love story ever. Yeah, right. Jess Clayton had no interest in romance. The teen cynic was convinced it was all a ruse made up to lure you into stupidity and part you from your hard-earned pennies. No matter how many people asked her out – not that there was a line or anything – she refused to date. When it came to romance, Ryan Miller had been there and done that. The re-reformed bad boy had already done his redemption romance story only to have his supposed one true love go and break his heart. He really wasn't interested in going through all that mess again. So, when the two come together for a Year 12 English camp with the express purpose of testing the legend of Romeo and Juliet falling in love in three days, nothing could possibly go wrong. After all, it was impossible to fall in love with someone in three days. Wasn't it? Wilderness + teenagers + camping = true love? Over our dead bodies.
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