In writing and then rewriting autobiographical remembrances recalling three decades of marriage and ensuing years of widowhood, Elizabeth Freke strikingly redefines the relationships among self, family, and patriarchy characteristic of early modern women's autobiography. Suffering and sacrifice dominate an extensive ledger of disappointment and bitterness that reveals over time the complex emotions of a Norfolk gentry woman seeking significance and even vindication in her hardships and frustrations. The infirm woman who eventually found herself utterly alone remained to the end a contentious, melodramatic, yet formidable figure - a strong-willed, even sympathetic person intent upon asserting herself against what she perceived as familial neglect and legal abuse. By making available both versions of the remembrances in their entirety, this new, multiple-text edition clarifies the refashioning inherent in each stage of writing and rewriting, recovering with unusual immediacy Freke's late seventeenth- and early eighteenth-century domestic world.
Elizabeth Freke's accounts of her late seventeenth- and early eighteenth-century Norfolk gentry world are the basis for a new critical edition of her autobiography. A complexly contradictory woman caught in an unhappy domestic life, she consciously constructed and reconstructed an identity as a wife, mother, and widow. By preserving two quite often different manuscript versions, the edition provides a new appreciation of a distinct self-image among early modern women's autobiography.
I, Emma Freke is a charming search-for-identity story about Emma—the only "normal" member of her quirky family. While Emma desperately tries to find her niche, she discovers that perhaps it's better to be her own "freak" than someone else's Freke.
In writing and then rewriting autobiographical remembrances recalling three decades of marriage and ensuing years of widowhood, Elizabeth Freke strikingly redefines the relationships among self, family, and patriarchy characteristic of early modern women's autobiography. Suffering and sacrifice dominate an extensive ledger of disappointment and bitterness that reveals over time the complex emotions of a Norfolk gentry woman seeking significance and even vindication in her hardships and frustrations. The infirm woman who eventually found herself utterly alone remained to the end a contentious, melodramatic, yet formidable figure - a strong-willed, even sympathetic person intent upon asserting herself against what she perceived as familial neglect and legal abuse. By making available both versions of the remembrances in their entirety, this new, multiple-text edition clarifies the refashioning inherent in each stage of writing and rewriting, recovering with unusual immediacy Freke's late seventeenth- and early eighteenth-century domestic world.
Growing up near Boston with her free-spirited mother and old-world grandfather, twelve-year-old Emma has always felt out of place, but when she attends the family reunion her father's family holds annually in Wisconsin, she is in for some surprises.
Current feminist theory has developed powerful explanations for some women writers' rebellion against patriarchy. But other women writers did not rebel; rather, they supported and celebrated patriarchy. Examining the lives and selected works of two late eighteenth-century writers, Hannah More and Maria Edgeworth, this book explores what it means for a woman writer to identify with her father and the patriarchal tradition he represents. Kowaleski-Wallace exposes the psychological, social, and historical factors that motivated such an identification, and reveals the consequences that result from being a "daddy's girl.
This book exposes the 'hidden' history of marital violence and explores its place in English family life between the Restoration and the mid-nineteenth century. In a time before divorce was easily available and when husbands were popularly believed to have the right to beat their wives, Elizabeth Foyster examines the variety of ways in which men, women and children responded to marital violence. For contemporaries this was an issue that raised central questions about family life: the extent of men's authority over other family members, the limitations of women's property rights, and the problems of access to divorce and child custody. Opinion about the legitimacy of marital violence continued to be divided but by the nineteenth century ideas about what was intolerable or cruel violence had changed significantly. This accessible study will be invaluable reading for anyone interested in gender studies, feminism, social history and family history.
The Elizabeth Stories serves as a legacy of Alfred Baroody's wife, Elizabeth--the author--who previously published several articles, short stories, and books. This is a collection of ten short stories and two novelettes compiled into one book. These are stories about adventure, action, mystery, and so much more.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.