In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health-is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized midcareer “there is something else in life besides the four walls of an ill-ventilated studio.” The Medicine of Art puts such moments center stage in order to consider the role of health and illness in the way art was produced and consumed. Not merely beautiful or entertaining objects, works by Gilded-Age artists such as John Singer Sargent, Abbott Thayer, and Augustus Saint-Gaudens are shown to function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum, and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy. The first study to address the place of organic disease-cancer, tuberculosis, syphilis-in the life and work of Gilded-Age artists, this book looks at how well-known works of art were marked by disease and argues that art itself functioned in medicinal terms for artists and viewers in the late 19th century.
Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (1823–1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d'Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.
This book contains70 short storiesfrom 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the criticAugust Nemo, in a collection that will please theliterature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: - Nathaniel Hawthorne:Endicott and the Red Cross Young Goodman Brown Ethan Brand My Kinsman, Major Molineux Earth's Holocaust The Gray Champion The Minister's Black Veil - Virginia Woolf:A Haunted House Kew Gardens An Unwritten Novel Solid Objects The Mark on the Wall Mrs. Dalloway in the Bond Street The Lady in the Looking Glass - Henry James:The Beast ih the Jungle The Figure in the Carpet Paste The Romance of Certain Old Clothes The Story of a Year The Altar of the Dead Married Son - Mark Twain:About Barbers A Dog's Tale A Ghost Story A Monument to Adam Eve's Diary Extracts from Adam's Diary The Stolen White Elephant - Guy de Maupassant:The Necklace Mademoiselle Fifi Miss Harriet My Uncle Jules Boule de Suif The Wreck The Hand - Charlotte Perkins:When I Was a Witch The Yellow Wallpaper If I were a man The Giant Wistaria The Boys And The Butter! The Cottagette A Middle Sized Artist - Elizabeth Gaskell:The Old Nurse Story The Poor Clare Lois The Witch The Grey Woman Curious If True Six Weeks At Heppenheim Disappearances - Herman Melville:Bartleby, the Scrivener Benito Cereno The Encantadas The Chase Cock-A-Doodle-Doo! I and My Chimney The Lightning-Rod Man - Katherine Mansfield:The Garden Party The Daughters of the Late Colonel Bliss Prelude At the bay Je ne parle pas francais How Pearl Button was Kidnapped - Jack London:The Law of Life To Build a Fire That Spot All Gold Canyon An Odyssey of the North A Piece of Steak Lost Face
When Robert Browning first met the ailing Elizabeth Barrett in 1845 it must have seemed to him like something from a gothic novel. All but a prisoner to her strict, disciplinarian father, (who had forbidden all twelve of his children from marrying and disinherited any who disobeyed him), Elizabeth had recently published a book of poems that had made her one of the most lauded writers in the land. Robert, enamored by Elizabeth's poems sought out a correspondence and after hundreds of letters had been exchanged between the two poets, Elizabeth finally agreed to meet him, beginning one of the most celebrated courtships in history. The Letters of Robert Browning and Elizabeth Barrett Browning chronicles the development of this remarkable relationship in the poets' own words and is a beautiful tribute to romantic love and literary sensibilities.
Sixty contemporary, comforting liturgies that break through the noise of modern life to offer time-tested wisdom for readers navigating burnout, anxiety, and other stresses. “Beautiful words to help us access the longings of our souls and bring them to God. If you’re looking for a jumpstart to your spiritual life, start here.”—Rich Villodas, lead pastor of New Life Fellowship and author of Good and Beautiful and Kind Remind us, Jesus, that You lay sleeping in the boat, in the middle of the storm at sea. You are neither surprised nor distressed by the mounting chaos. You are not a God who panics. When writers Audrey Elledge and Elizabeth Moore were inspired to create an anchor of hope for their own local community, they moved forward by turning to the past, to a time when Christians looked at the collapsing world around them and resolved to offer something beautiful—something true—through poetic prayers. The stunning result is Liturgies for Hope, an original collection of modern liturgies reminiscent of past generations of faith. Designed to awaken your prayer life, the entries in this gentle guide explore experiences such as • feeling burned-out and soul-weary • embracing the mystery of faith • receiving the kindness of others • struggling with secret shame • bursting with thanksgiving With Scripture references for every prayer, Liturgies for Hope is both timeless and ideal for this moment, offering words to express our longings, shore up our prayers, and reorient our souls.
Hydrology in Practice is an excellent and very successful introductory text for engineering hydrology students who go on to be practitioners in consultancies, the Environment Agency, and elsewhere. This fourth edition of Hydrology in Practice, while retaining all that is excellent about its predecessor, by Elizabeth M. Shaw, replaces the material on the Flood Studies Report with an equivalent section on the methods of the Flood Estimation Handbook and its revisions. Other completely revised sections on instrumentation and modelling reflect the many changes that have occurred over recent years. The updated text has taken advantage of the extensive practical experience of the staff of JBA Consulting who use the methods described on a day-to-day basis. Topical case studies further enhance the text and the way in which students at undergraduate and MSc level can relate to it. The fourth edition will also have a wider appeal outside the UK by including new material on hydrological processes, which also relate to courses in geography and environmental science departments. In this respect the book draws on the expertise of Keith J. Beven and Nick A. Chappell, who have extensive experience of field hydrological studies in a variety of different environments, and have taught undergraduate hydrology courses for many years. Second- and final-year undergraduate (and MSc) students of hydrology in engineering, environmental science, and geography departments across the globe, as well as professionals in environmental protection agencies and consultancies, will find this book invaluable. It is likely to be the course text for every undergraduate/MSc hydrology course in the UK and in many cases overseas too.
Keeney examines the role of botany in the lives of nineteenth-century 'botanizers,' amateur scientists who collected, identified, and preserved plant specimens as a pastime. Using popular magazines, fiction, and autobiographies of the day, she explores the popular culture of this avocation, which attracted both men and women by the thousands.
Inspiring, profound, intimate, and moving, this updated edition of the classic self-help book brings solace, hope, and advice to anyone who has suffered loss. Everyone experiences grief, but few books offer real help with the debilitating emotions of bereavement. Now, an internationally respected authority on personal change maps the terrain between life as it was and life as it can be. Readers can move at their own pace through the seven distinct phases of loss and can work towards a stronger, more balanced self. The author's own story of the loss of a young husband, combined with the tales of dozens of individuals, and the most recent research on coping with loss, helps readers to become happier, healthier, and wiser beings.
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