This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic forest, as well as important critical contexts for its discussion, and examines the three main ways in which this trope manifests: as a living, animated threat; as a traditional habitat for monsters; and as a dangerous site for human settlement. This book will appeal to students and scholars with interests in horror and the Gothic, ecohorror and the ecoGothic, environmentalism, ecocriticism, and popular culture more broadly. The accessibility of the subject of ‘The Deep Dark Woods’, coupled with increasingly mainstream interests in interactions between humanity and nature, means this work will also be of keen interest to the general public.
Forest Maid By: Rosette Elizabeth Hurst A beautiful young maiden lives in a quaint cottage in an enchanting forest where all the birds and animals come to her for help and to enjoy her cheerful singing and joyful dancing. Sometimes in life, our loved ones leave us and we learn to continue our lives. We learn that the best way to honor their memory is to remember them and the wonderful lessons they taught us. There will be so many things to help us remember them, such as, birthday parties, good books, picnics, boat rides, rainy days, sunny days, and even stormy days. Enjoy the activities in this book which include: Maze, Word Search, Decoding Puzzle, Crossword Puzzle, Jokes, Craft, Song, and Fun Facts.
This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic forest, as well as important critical contexts for its discussion, and examines the three main ways in which this trope manifests: as a living, animated threat; as a traditional habitat for monsters; and as a dangerous site for human settlement. This book will appeal to students and scholars with interests in horror and the Gothic, ecohorror and the ecoGothic, environmentalism, ecocriticism, and popular culture more broadly. The accessibility of the subject of ‘The Deep Dark Woods’, coupled with increasingly mainstream interests in interactions between humanity and nature, means this work will also be of keen interest to the general public.
It's a full home under the leaves of a forest! From spiders and frogs to deer and bears, the temperate forest biome has just the right shelter and weather for a large variety of plants and animals. Learn about the geography and resources of the temperate forest biome as well as how animals and people have adapted to and impacted forest environments. Explore this biome's future and what people can do to help keep it safe.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Never trust anyone without a gift." That's the motto of fifteen-year-old Lizzie Nelson, a wharf rat in a Restoration London much like our own. The other rats call her "Lucky Lizzie," even though her parents are dead, her brother DANIEL is missing, and there's a price on her head. But her gift, seeing the future, has saved her life. It's 1662, Charles II rules, and in this England, only children develop supernatural powers called gifts, growing out of them if they manage to survive to adulthood. The Nobility covet gifted children, sending trackers to capture them. Lord Hazelton is the worst of them all: children abducted for him are never seen again. Hazelton has heard of Lizzie's visions and wants her for his own. Her luck may have just run out. Gilbert, Hazelton's tracker, corners Lizzie in an alley, and she must set him on fire to escape. He survives, but horribly disfigured. Now he wants revenge, planning to disfigure her, too, before delivery to his master. Angry that no one protects the orphans living by the river, Lizzie decides to start the Wharf Rat Guild. The rats swear to protect each other and keep their hideout, Haven, a secret, on pain of death. Everyone's safety depends on trusting each other. Then Mags, Lizzie's young friend, is kidnapped from inside Haven itself. Lizzie, with her allies Kat and Esmeralda, go in pursuit. They discover Hazelton's plot against the king at the village fair near Hazelton's Manor. Lizzie and Esmeralda are captured by Hazelton's men. Imprisoned with other gifted children, Lizzie learns Hazelton plans to kill them all: a fortuneteller warned him that children would be his downfall. Every child in his stable will be killed, once his plot against the King is in motion. It's up to the three friends to free the children and stop the plot that will plunge the country into civil war. A fast-paced tale of spies, betrayal, and strange powers, The Wharf Rat Guild will appeal to fans of heroines like Enola Holmes or those in Gail Carriger's finishing school series.
It's a full home under the leaves of a forest! From spiders and frogs to deer and bears, the temperate forest biome has just the right shelter and weather for a large variety of plants and animals. Learn about the geography and resources of the temperate forest biome as well as how animals and people have adapted to and impacted forest environments. Explore this biome's future and what people can do to help keep it safe.
Throughout the world people are concerned about the demise of tropical forests and their wildlife. Hunting by forest-dwelling people has a dramatic effect on wildlife in many tropical forests, frequently driving species to local extinction, with devastating implications for other species and the health of the forests themselves. But wildlife is an important source of protein and cash for rural peoples. Can hunting be managed to conserve biological communities while meeting human needs? Are hunting rates as practiced by tropical forest peoples sustainable? If not, what are the biological, social, and cultural implications of this failure? Answering these questions is ever more important as national and international agencies seek to integrate the development of local peoples with the conservation of tropical forest systems and species. This book presents a wide array of studies that examine the sustainability of hunting as practiced by rural peoples. Comprising work by both biological and social scientists, Hunting for Sustainability in Tropical Forests provides a balanced viewpoint on the ecological and human aspects of this hunting. The first section examines the effects of hunting on wildlife in tropical forests throughout the world. The next section looks at the importance of hunting to local communities. The third section looks at institutional challenges of resource management, while the fourth draws on economic perspectives to understand both hunting and sustainability. A final section provides synthesis and summary of the factors that influence sustainability and the implications for management. Drawing on examples from Ecuador to Congo-Zaire to Sulawesi, Hunting for Sustainability in Tropical Forests will be a valuable resource to policymakers, conservation organizations, and students and scholars of biology, ecology, and anthropology.
The author, Elizabeth Young, wants to target the young reader and to help inspire and encourage the retention of imagination, the magic of illustration, and the joy of reading that hopefully matures into the love of books from an early age. Elizabeth also hopes that the older readers, who read to the younger audience, can recapture the magic of the book through their ability to find their own magic within.
love, loss, pain, healing, poetry. Elizabeth shares her experience of coming to terms with heartache by embracing acceptance and self-love in a collection of poetry written with straightforward vulnerability. Join her on a walk through the forest, full of love, loss, and other tall trees.
Readers will learn about three major forest biomes on Earth. Clear, easy-to-read text will teach kids about the climates of each forest and what kinds of plants and animals call these biomes home. QR Codes in the book give readers access to book-specific resources to further their learning. Aligned to Common Core Standards and correlated to state standards. Cody Koala is an imprint of Pop!, a division of ABDO.
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