A Wild West matchmaker loses her own heart in an enthralling historical romance from the bestselling author of Elusive Lovers. A beautiful woman among the overwhelmingly male population of Breckenridge, Colorado, Kat Fitzgerald is swarmed with men and their marriage proposals. But the young widow's fiery, independent spirit makes her impossible to woo. Instead, she becomes a matchmaker for other couples until a man comes along with the charms to capture her heart. Will Kat's stubborn nature make her throw Connor away like all the other suitors, or will she find herself succumbing to his dominant will?
Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England. Taking the Shakespearean history play as their point of departure, the authors argue that the change from dynastic kingdom to modern nation was integrally connected to shifts in cultural understandings of gender, and in the social roles available to men and women. The cultural centrality of Elizabethan theatre made it an important arena for staging the diverse and contradictory elements of this transition. Plays featured include: King John Henry VI, Part I Henry VI, Part II Henry, Part III Richard III Richard II Henry V Engendering a Nation makes an original and topical contribution to the study of Shakespeare's history plays and is especially valuable to students and scholars with an interest in where feminist and historicist approaches to the Renaissance intersect. Part I: Making Gender Visible: A Re-Viewing of Shakespeare's History Plays 1. Thoroughly Modern Henry 2. The History Play in Shakespeare's Time 3. Feminism, Women, and the Shakespearean History Pla.
Journeying backward in time—from 1950 to 1926—this masterpiece of women’s literary fiction presents an indelible portrait of a marriage Forty-three-year-old Antonia Fleming is preparing a dinner party for eight at the house in Campden Hill Square she shares with her husband, Conrad. The occasion is the engagement of their son, Julian. Their other child, Deirdre, hates her father and resents her mother—a reality Conrad ponders, along with the disastrous state of Deirdre’s single life, as he leaves the bed of his current mistress. In illuminating the quotidian details of domestic life, The Long View perfectly captures a long relationship, with its moments of joy and intimacy, loneliness and regret, and of the roads not taken. As the story moves backward in time, we learn about the events that led up to Conrad and Antonia’s fateful first meeting—including a startling secret in Antonia’s past. With brilliant use of reverse chronology, the bestselling author of the Cazalet Chronicles paints a realistic and revealing portrait of a marriage and the decisions, good and bad, right and wrong, that shape lives.
From nationally bestselling author Elizabeth Thornton comes the sinfully seductive, delightfully romantic story of a woman who discovers a most thrilling type of pursuit. . . . After years of heroism in the fight against the French, Ash Denison wants nothing more than to savor the good life. But an urgent request has sent him to a writer’s symposium. His charge: to unmask an author who has rattled several members of the town by revealing their most intimate, most scandalous secrets. Not one to be left out, when Ash encounters a bold, beautiful, irresistibly aloof woman writer, he can’t help stirring up some gossip of his own. . . . Much to Eve Dearing’s surprise, Ash is far from the well-mannered gentleman she’s heard about. In fact, he’s shockingly brash and has taken an inexplicable interest in manhandling her at every turn. Yet something about his searing embrace makes her forgive his wicked behavior–and succumb to his dangerous seduction. And when a fellow writer is brutally attacked and Eve becomes the killer’s next target, Ash surprises her once more by vowing not only to keep her safe . . . but to win her heart.
From going AWOL to collaborating with communists, assaulting fellow servicemen to marrying without permission, military crime during the Cold War offers a telling glimpse into a military undergoing a demographic and legal transformation. The post-World War II American military, newly permanent, populated by draftees as well as volunteers, and asked to fight communism around the world, was also the subject of a major criminal justice reform. By examining the Cold War court-martial, Defending America opens a new window on conflicts that divided America at the time, such as the competing demands of work and family and the tension between individual rights and social conformity. Using military justice records, Elizabeth Lutes Hillman demonstrates the criminal consequences of the military's violent mission, ideological goals, fear of homosexuality, and attitude toward racial, gender, and class difference. The records also show that only the most inept, unfortunate, and impolitic of misbehaving service members were likely to be prosecuted. Young, poor, low-ranking, and nonwhite servicemen bore a disproportionate burden in the military's enforcement of crime, and gay men and lesbians paid the price for the armed forces' official hostility toward homosexuality. While the U.S. military fought to defend the Constitution, the Cold War court-martial punished those who wavered from accepted political convictions, sexual behavior, and social conventions, threatening the very rights of due process and free expression the Constitution promised.
Carrie MacMillan, Lorraine McMullen, and Elizabeth Waterston have uncovered information about the lives and works of six such writers. Rosanna Leprohon, May Agnes Fleming, Margaret Murray Robertson, Susan Frances Harrison, Margaret Marshall Saunders, and Joanna E. Wood were once-popular novelists who are now for the most part ignored, with virtually all of their works out of print. MacMillan, McMullen, and Waterston show that these six writers deserve modern recognition not only for their literary accomplishments but also for what they reveal, through their work and their lives, about the condition of the woman writer in nineteenth-century Canada. The writings of these six women from varied backgrounds reflect their different experiences of life in the late nineteenth century. In this study a biographical profile of each author, set in the contemporary social context, is provided, as well as an analysis of career development, emphasising publishing history and critical response. As each case history unfolds, the broader picture emerges of an era when many ideas of personal and public life were changing.
This groundbreaking volume presents a new translation of the text and detailed interpretation of almost every word or phrase in the book of Judges, drawing from archaeology and iconography, textual versions, biblical parallels, and extrabiblical texts, many never noted before. Archaeology also serves to show how a story of the Iron II period employed visible ruins to narrate supposedly early events from the so-called "period of the Judges." The synchronic analysis for each unit sketches its characters and main themes, as well as other literary dynamics. The diachronic, redactional analysis shows the shifting settings of units as well as their development, commonly due to their inner-textual reception and reinterpretation. The result is a remarkably fresh historical-critical treatment of 1:1-10:5.--Publisher's description.
This richly imagined novel tells the story behind The Wonderful Wizard of Oz, the book that inspired the iconic film, through the eyes of author L. Frank Baum’s intrepid wife, Maud. “A breathtaking read that will transport you over the rainbow and into the heart of one of America’s most enduring fairy tales.”—Lisa Wingate, author of Before We Were Yours Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband’s masterpiece for the screen, seventy-seven-year-old Maud Gage Baum sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book—because she’s the only one left who knows its secrets. But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow,” Maud recognizes the yearning that defined her own life story, from her youth as a suffragette’s daughter to her coming of age as one of the first women in the Ivy League, from her blossoming romance with Frank to the hardscrabble prairie years that inspired The Wonderful Wizard of Oz. Judy reminds Maud of a young girl she cared for and tried to help in South Dakota, a dreamer who never got her happy ending. Now, with the young actress under pressure from the studio as well as her ambitious stage mother, Maud resolves to protect her—the way she tried so hard to protect the real Dorothy. The author of two New York Times bestselling nonfiction books, The Eighty-Dollar Champion and The Perfect Horse, Elizabeth Letts is a master at discovering and researching a rich historical story and transforming it into a page-turner. Finding Dorothy is the result of Letts’s journey into the amazing lives of Frank and Maud Baum. Written as fiction but based closely on the truth, Elizabeth Letts’s new book tells a story of love, loss, inspiration, and perseverance, set in America’s heartland. Praise for Finding Dorothy “In some ways reminiscent of Jerry Stahl’s excellent I, Fatty, Letts’ Finding Dorothy combines exhaustive research with expansive imagination, blending history and speculation into a seamless tapestry. . . . It’s a testament to Letts’ skill that she can capture on the page, without benefit of audio, that same emotion we have all felt sometime over the last 80 years while listening to ‘Over the Rainbow.’”—BookPage (starred review)
Four beautifully observed novels from the international bestselling author of the Cazalet Chronicles and a “compelling storyteller” (The Guardian). Best-known for the five novels that comprise her million-selling Cazalet Chronicles, which was made into a BBC television series, British novelist Elizabeth Jane Howard wrote about upper middle-class English life in the twentieth century with a “poetic eye” and “penetrating sanity” (Martin Amis). Her highly acclaimed literary fiction is “shrewd and accurate in human observation, with a fine ear for dialogue and an evident pleasure in the English language and landscape” (The Guardian). Collected here are four of her finest novels, including her award-winning debut, The Beautiful Visit. The Long View: This revealing portrait of a marriage is told in reverse chronological order, from a dinner party in 1950 to the first fateful meeting of Antonia and Conrad Fleming in 1926, poignantly capturing a long relationship with its moments of joy and intimacy, loneliness and heartbreak, and longing and regret for the roads not taken. “A beautifully written and richly perceptive novel.” —The Daily Telegraph The Sea Change: Famous playwright Emmanuel Joyce and his fragile, embittered wife, Lillian, have never gotten over the death of their baby daughter. As if running from their own grief, they travel from city to city, accompanied by Emmanuel’s hero-worshipping manager, Jimmy. But when Alberta Young, a clergyman’s daughter, is hired as their new secretary, she will transform all their lives. “Howard . . . conveys volumes with tiny, brilliant touches.” —The Sunday Times The Beautiful Visit: Winner of the John Llewellyn Memorial Rhys Prize, Howard’s debut novel brilliantly captures the coming-of-age hopes and yearnings of an adolescent English girl at the time of the First World War, whose mesmerizing visit to a country estate when she’s sixteen colors how she views the events of her life before and after the experience. “Distinctive, self-assured and remarkably sensual.” —The Guardian After Julius: Twenty years after the death of a war hero at Dunkirk, the lingering influence of the loss on his widow, Esme; his two daughters; and the young poet Esme fell in love with all converge over the course of one revelatory weekend. “The tone is emancipated, the touch is expert.” —Kirkus Reviews
Europe after Empire is a pioneering comparative history of European decolonization from the formal ending of empires to the postcolonial European present. Elizabeth Buettner charts the long-term development of post-war decolonization processes as well as the histories of inward and return migration from former empires which followed. She shows that not only were former colonies remade as a result of the path to decolonization: so too was Western Europe, with imperial traces scattered throughout popular and elite cultures, consumer goods, religious life, political formations, and ideological terrains. People were also inwardly mobile, including not simply Europeans returning 'home' but Asians, Africans, West Indians, and others who made their way to Europe to forge new lives. The result is a Europe fundamentally transformed by multicultural diversity and cultural hybridity and by the destabilization of assumptions about race, culture, and the meanings of place, and where imperial legacies and memories live on.
NEW YORK TIMES BESTSELLER • “Those who haven’t discovered Elizabeth George . . . should rush to read Playing for the Ashes.”—Us “The story begins with my father, actually, and the fact that I’m the one who’s answerable for his death. It was not my first crime, as you will see, but it is the one my mother couldn’t forgive.” Acclaimed author Elizabeth George reveals the even darker truth behind this startling confession in Playing for the Ashes, a rich tale of passion, murder, and love in which Inspector Thomas Lynley and Detective Sergeant Barbara Havers once again find themselves embroiled in a case where nothing—and no one—is really what it seems. Intense, suspenseful, and brilliantly written, Playing for the Ashes is “a treasure” (Cosmopolitan).
The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.
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