A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.
Elizabeth Meyer’s “sweet, touching, and funny” (Booklist) memoir reads as if “Carrie Bradshaw worked in a funeral home a la Six Feet Under” (Publishers Weekly, starred review). Good Mourning offers a behind-the-scenes look at a legendary funeral chapel on New York City’s Upper East Side—mixing big money, society drama, and the universal experience of grieving—told from the unique perspective of a fashionista turned funeral planner. Elizabeth Meyer stumbled upon a career in the midst of planning her own father’s funeral, which she turned into an upbeat party with Rolling Stones music, thousands of dollars worth of her mother’s favorite flowers, and a personalized eulogy. Starting as a receptionist, Meyer quickly found she had a knack for helping people cope with their grief, as well as creating fitting send-offs for some of the city’s most high-powered residents. Meyer has seen it all: two women who found out their deceased husband (yes, singular) was living a double life, a famous corpse with a missing brain, and funerals that cost more than most weddings. By turns illuminating, emotional, and darkly humorous, Good Mourning is a lesson in how the human heart grieves and grows—whether you’re wearing this season’s couture or drug-store flip-flops.
The name Elizabeth Lowell has become synonymous with electrifying fiction that seamlessly combines suspense, intrigue, and passion. And now the phenomenal New York Times bestselling author brilliantly displays her incomparable talents in a story of treachery, greed, conspiracy, and murder that will hold the reader spellbound until the final word. It is the opportunity of a lifetime for Kate Chandler, the chance to cut seven rare, priceless sapphires and solidify her reputation as a world-class jewel cutter. But something goes horribly, tragically wrong during what should have been a simple transfer of goods. The sapphires vanish without a trace. Missing also is the man Kate trusted to transport the gems: her half brother, Lee, who now, quite possibly, is dead. And suddenly she is on the run, pursued by federal agents who suspect her of being the criminal mastermind of a cunning bait-and-switch scheme. Special agent Sam Groves is one of the best of the best, an essential member of the FBI's elite crime strike force and the perfect man to lead the hunt, since he could never be scammed by a beautiful confidence woman. But something is troubling about this assignment, because someone else is chasing Kate Chandler as well. Only Kate suspects the awful truth: She's unwittingly stumbled into a conspiracy of deceit, betrayal, and cold-blooded murder that goes far beyond a simple jewel heist. And a chilling, threatening voice on the telephone only confirms her worst suspicions. Getting Sam Groves, the FBI agent who's her constant shadow, to believe her is a step in the right direction -- but it may be one that's too little too late in a bloody game where terror dictates her every move and the rules are constantly changing. Because the order has already been passed down to a ruthlessly efficient assassin: Kate Chandler must not be allowed to live ...
Jenny Weston and her mother, Dora, have been receiving strange midnight visits. Bear Falls's own elusive and highly secretive poet, Emily Sutton, has lived her life cloistered away with her sister in a house at the edge of Pewee Swamp. But now, Emily's started leaving scraps of poetry in Dora's Little Library, and Dora makes it her mission to befriend the sheltered woman. Meanwhile Zoe Zola, almost famous author, Little Person, and the Weston's quirky next-door neighbor, is hard at work on a new book, this one about the inner life of Emily Dickinson. And once again, Zoe's literary work starts making uncanny connections with the events in her own world as Emily Sutton reemerges into society. But Zoe begins to suspect things aren't anywhere near normal at Emily's swamp house or in the lives of the people she claims have abandoned her...until looking further into the poet's half-truths leads Zoe and Jenny to a horrible murder. The chaos surrounding the ensuing investigation grows even more hectic with Emily's increasingly erratic behavior, the arrival of a young woman searching for her missing poet uncle, and yet another betrayal in Jenny's love life. And only poetry can set the truth free in Elizabeth Kane Buzzelli's charming second Little Library mystery, She Stopped for Death.
The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations. In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal--and sets in motion one of the most moving and desperate flights of the heart in modern literature.
The press called Martin's actions a "crime spree." Already convicted of armed robbery, Martin was facing the death penalty. In less than two weeks the jury would decide his fate. Terrified that his son would be sentenced to die, Phillip did the only thing he felt he could do: in an act of faith and desperation in his garage with the car exhaust running, Phillip made the consummate sacrifice to spare his son the ultimate punishment. Ironically, his suicide presented Martin's with another chance at life; the jury, moved by Martin's loss, spared his life. Phillip's story-like those of the other parents, siblings, children, and cousins chronicled in this book-vividly illustrates the precarious position family members of capital offenders occupy in the criminal justice system. At once outsiders and victims, they live in the shadow of death, crushed by trauma, grief, and helplessness. In this penetrating account of guilt and innocence, shame and triumph, devastating loss and ultimate redemption, the voices of these family members add a new dimension to debates about capital punishment and how communities can prevent and address crime. Restorative justice theory, which views violent crime as an extreme violation of relationships; searches for ways to hold offenders accountable; and meets the needs of victims and communities torn apart by the crime, organizes these narratives and integrates offenders' families into the process of transforming conflict and promoting justice and healing for all. What emerges from hundreds of hours' worth of in-depth interviews with family members of offenders and victims, legal teams, and leaders in the abolition and restorative justice movements is a vision of justice strongly rooted in the social fabric of communities. Showing that forgiveness and recovery are possible in the wake of even the most heinous crimes, while holding victims' stories sacred, this eye-opening book bridges the pain of living in the shadow of death with the possibility of a reparative form of justice. Anyone working with victims, offenders, and their families-from lawyers and social workers to mediators and activists-will find this riveting work indispensable to their efforts.
Cancer touches everybody’s life in one way or another. But most of us know very little about how the disease works, why we treat it the way we do, and the personalities whose dedication got us where we are today. For fifty years, Dr. Vincent T. DeVita Jr. has been one of those key players: he has held just about every major position in the field, and he developed the first successful chemotherapy treatment for Hodgkin’s lymphoma, a breakthrough the American Society of Clinical Oncologists has called the top research advance in half a century of chemotherapy. As one of oncology’s leading figures, DeVita knows what cancer looks like from the lab bench and the bedside. The Death of Cancer is his illuminating and deeply personal look at the science and the history of one of the world’s most formidable diseases. In DeVita’s hands, even the most complex medical concepts are comprehensible. Cowritten with DeVita’s daughter, the science writer Elizabeth DeVita-Raeburn, The Death of Cancer is also a personal tale about the false starts and major breakthroughs, the strong-willed oncologists who clashed with conservative administrators (and one another), and the courageous patients whose willingness to test cutting-edge research helped those oncologists find potential treatments. An emotionally compelling and informative read, The Death of Cancer is also a call to arms. DeVita believes that we’re well on our way to curing cancer but that there are things we need to change in order to get there. Mortality rates are declining, but America’s cancer patients are still being shortchanged—by timid doctors, by misguided national agendas, by compromised bureaucracies, and by a lack of access to information about the strengths and weaknesses of the nation’s cancer centers. With historical depth and authenticity, DeVita reveals the true story of the fight against cancer. The Death of Cancer is an ambitious, vital book about a life-and-death subject that touches us all.
“Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifyingly complex and impassioned mystery series now being published.” —Entertainment Weekly One of the most acclaimed entries in Elizabeth George’s New York Times bestselling Inspector Lynley series—a masterfully structured, multilayered jigsaw puzzle of a mystery rich with intrigue and atmosphere On compassionate leave after the murder of his wife, Thomas Lynley is called back to Scotland Yard when the body of a woman is found stabbed and abandoned in an isolated London cemetery. His former team welcomes his return; they don’t trust their new department chief, Isabelle Ardery, whose off-putting manner leaves them on edge. Lynley may be the sole person who can see beneath his superior officer's hard-as-nails exterior to a hidden—and compelling—vulnerability. While Lynley works in London, his former colleagues Barbara Havers and Winston Nkata follow the murder trail south to the New Forest—a beautiful and strange place where animals roam free, the long-lost art of thatching is very much alive, and outsiders are suspect. What they don't know is that more than one dark secret lurks within the secluded woodlands, and that their investigation will lead them to an outcome that is both tragic and shocking.
The noble wives in María de Zayas's Desengaños suffer terrible fates: one is beheaded, another poisoned, one is cemented into a chimney, while yet another is locked into a tiny wall closet where she dies. The hallmark of Zayas's aesthetics, these characters are the central reason why her fiction has increased in popularity through the ages. Yet their stories pose an apparent contradiction between the author's pro-female rhetoric and her gusto for killing model women, then beautifying their mutilated cadavers. Dressed to Kill reconciles Zayas's Desengaños with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives. Elizabeth Rhodes elegantly uncovers Zayas's intention to reform the Spanish nobility by displaying noble misbehaviour and its deadly consequences. Her book concludes by detailing the Desengaños' intriguing influence on the aesthetic base of Gothic literature by revealing that its authors were avid readers of Zayas.
Are you alive? What makes you so sure? Most people believe this question has a clear answer—that some law defines our status as living (or not) for all purposes. But they are dead wrong. In this pioneering study, Elizabeth Price Foley examines the many, and surprisingly ambiguous, legal definitions of what counts as human life and death. Foley reveals that “not being dead” is not necessarily the same as being alive, in the eyes of the law. People, pre-viable fetuses, and post-viable fetuses have different sets of legal rights, which explains the law's seemingly inconsistent approach to stem cell research, in vitro fertilization, frozen embryos, in utero embryos, contraception, abortion, homicide, and wrongful death. In a detailed analysis that is sure to be controversial, Foley shows how the need for more organ transplants and the need to conserve health care resources are exerting steady pressure to expand the legal definition of death. As a result, death is being declared faster than ever before. The "right to die," Foley worries, may be morphing slowly into an obligation to die. Foley’s balanced, accessible chapters explore the most contentious legal issues of our time—including cryogenics, feticide, abortion, physician-assisted suicide, brain death, vegetative and minimally conscious states, informed consent, and advance directives—across constitutional, contract, tort, property, and criminal law. Ultimately, she suggests, the inconsistencies and ambiguities in U.S. laws governing life and death may be culturally, and perhaps even psychologically, necessary for an enormous and diverse country like ours.
The authors challenge theories that put the body at the centre of identity, going 'beyond the body' to highlight the persistence of self-identity even when the body itself has been disposed of or is missing.
The course of true love never did run smooth. According to Myrtle, Eloise Crane set her cap for Miles long ago. Although Miles is now dating Eloise, he doesn’t seem overly enthusiastic about it. Myrtle figures he’s simply given in after running out of plausible excuses. Eloise drives Myrtle batty, so she’s intent on avoiding her as much as possible. This isn’t easy since Eloise is determined to join in whenever Miles and Myrtle are together. When Myrtle spots Eloise at a restaurant canoodling with a different gentleman, she likes Eloise even less. And she decides that Eloise has caused no end of problems when her other suitor is found dead. With Miles a suspect, Myrtle must jump into gear to clear his name and find the killer before he strikes again.
Explores Victorian responses to death and burial in literature, journalism, and legal writing. Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBOs Six Feet Under, quipped, Once you put a dead body in the room, you can talk about anything. So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker. Locating corpses at the center of an extensive range of concerns, including money and law, medicine and urban architecture, social planning and folklore, religion and national identity, Mary Elizabeth Hotz draws on a range of legal, administrative, journalistic, and literary writing to offer a thoughtful meditation on Victorian attitudes toward death and burial, as well as how those attitudes influenced present-day deathway practices. Literary Remains gives new meaning to the phrase that serves as its significant theme: Taught by death what life should be. ...Literary Remains is a fantastic literary companion and is worth reading even if youre not initially interested in burial practices. M/C Reviews Hotz not only contextualizes her readings within a historical framework surrounding the passage of the Burial Acts, the building of large public cemeteries in the suburbs, and the late-century introduction of cremation as a widespread social practice, but offers a perceptive and compelling rhetorical analysis of the sociological, political, and theological discourse about burial. Victorian Studies the painstaking research on debates about funerary reform that Hotz brings together will be valuable for future investigations of death in Victorian culture. Studies in English Literature This is an ambitious, energetic and rigorous attempt to do that very difficult thing, integrate detailed and historically informed analysis of the documents of nineteenth-century burial reform and of major literary texts into a lucid and complex argument that doesnt fight shy of contradiction and difficulty. Mortality Drawing on a vast range of primary sourcesofficial documents, newspapers and periodicals, travel guidesand the work of anthropologists, historians, and the substantial engagements within literary studies dealing with representations of death and the dead, Hotzs perceptive, engaging, and eloquent study will be welcomed by a range of scholars in the humanities and social sciences. CHOICE I read this fascinating book with great pleasure. It makes a valuable contribution to the study of Victorian practices of death and burial and will be an essential supplement to existing studies of the culture of Victorian melancholy and bereavement. Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery
Molly Blake is a woman with a gruesome secret from which she cannot escape. A secret which lies buried beneath her husband's camellias – and the fear of its discovery will drive her to madness. John and Molly Blake are a quiet suburban couple leading a quiet suburban life. It comes as a shock to John when their happy relationship suddenly begins to break down. Why has a certain waspishness crept into Molly's voice? Why is she withdrawing from him? First published in 1981, The Death of Ruth demonstrates Kata's gift for compelling storytelling in this psychological thriller with a chilling twist.
This book goes from ‘tell-all' to ‘dead men tell no tales.' Retired English teacher Myrtle Clover is frequently asked to proofread for friends. So she wasn’t totally surprised when her friend Pearl asked her to take a look at her memoir and polish it up. But before Myrtle could pull out her red pen, Pearl was found … murdered. Now Myrtle and her senior sidekick Miles must track down the memoir and the murderer before the killer makes any more final revisions.
At 2:30 am on April 15, 1865, Mary Elizabeth Surratt was awakened by loud knocking at the door of her H Street boardinghouse in Washington D.C. Officers first inquired as to the whereabouts of her son, John Surratt. She was quickly told that her son was wanted in connection with the murder of President Lincoln by John Wilkes Booth, a famous actor and acquaintance of the family! Three days later, Mary found herself under suspicion and under arrest for involvement in the assassination of the president.Elizabeth Steger Trindal worked fifteen years to chronicle the life of this little known but important figure in American history. Mary Surratt's son, John Surratt, was believed to have acted in a plot with John Wilkes Booth and othersto not only murder the president but also kill Secretary of State Seward. John Surratt was out of the country, and Booth yet to be apprehended. But Mary and others were arrested in connection with the assassinationof the president.Eventually they were brought to trial by a military commission.Tried by a military tribunal despite protests by her defense lawyers that it was illegal to try a civilian before a military court, Mary and three others were tried for the crime of conspiring with Booth and found guilty. Many prominent citizens pleaded with President Andrew Johnson for a stay of Mary's execution. He steadfastly refused. On July 7, 1865, Mary Surratt along with the other accused assassins was hanged. In its grief over the death of President Lincoln did America condemn an innocent woman die? This moving account will no doubt elicit new debate on the subject of the Civil War and reveal a new perspective on the events surrounding Lincoln's assassination.
The Last Things We Talk About gives readers and their loved ones the opportunity as death approaches to affirm, celebrate, and remember the people and experiences they cherish in life. The author guides readers step-by-step through the process of making aging and death-related decisions. This includes defining personal values and wishes as well as planning for practical medical, financial, and legal considerations. This book will help readers: - Identify the people, experiences, and things that are important to them and help define and celebrate what gives life meaning and purpose - Discover and define their goals and wishes regarding transitions, support, and the legacy they wish to leave behind - Understand important topics such as legal, financial, and medical documents, the continuum of care, and end-of-life decisions - Find professionals to help them put together inventories for financial, legal, and practical matters - Explore options and plan for culturally and spiritually sensitive end-of-life rituals and celebrations - Learn what needs to be done after death and how survivors can begin to piece their lives back together
This fascinating account and analysis of how one woman’s near-death experience sparked an awakening into psychic consciousness will “inspire your to rethink . . . humanity, death, and an afterlife” (Bruce Greyson, MD, University of Virginia School of Medicine). When Elizabeth Greenfield Krohn got out of her car with her two young sons in the parking lot of her synagogue on a late afternoon in September 1988, she couldn't have anticipated she would within seconds be struck by lightning and have a near-death experience. She felt herself transported to a garden and engaging in a revelatory conversation with a spiritual being. When she recovered, her most fundamental understandings of what the world is and how it works had been completely transformed. She was “changed in a flash,” suddenly able to interact with those who had died and have prescient dreams predicting news events. She came to believe that some early traumatic and abusive experiences had played a part in preparing her for this experience. Told in matter-of-fact language, the first half of this book is the story of Krohn’s journey, and the second is an interpretation and analysis by respected professor of religion Jeffrey J. Kripal. He places Krohn’s experience in the context of religious traditions and proposes the groundbreaking idea that we are shaping our own experiences in the future by how we engage with near-death experiences in the present. Changed in a Flash is not about proving a story, but about carving out space for serious discussion of this phenomenon.
Murder hits close to home for the Southern Sewing Circle in the latest mystery from national bestselling author Elizabeth Lynn Casey. Everyone in Sweet Briar, South Carolina, knows former high school football stars Jake Davis and Noah Madden. The two were fierce rivals once and now, twenty years later, the dueling quarterbacks haven’t lost their luster. So townsfolk are surprised when Jake and Noah team up for a business venture. And there’s only one suspect when Noah turns up murdered. Margaret Louise, Jake’s mother and one of the founding members of the sewing circle, isn’t about to take the attack on her son’s reputation lying down. In fact, she’s in full mama-bear mode. And Tori and the rest of the Sweet Briar gang are more than willing to help her sharpen her claws to catch a killer. PATTERN AND SEWING TIPS INCLUDED
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