Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.
In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity.Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed.Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.
This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.
After a strange and alarming phone call from her elderly uncle Pete gets abruptly cut off, kindergarten teacher Betsy McGovern returns to her hometown of Eagle Point, Maine. She soon learns that her beloved uncle Pete and godmother, Lily Mae Warren, the lighthouse keeper of Eagle Point Light, have been kidnapped. Eagle Point sheriff Francis Willette helps Betsy unravel the puzzling family secrets and shocking local murders that welcome her home. Betsy and the handsome sheriff sort out the clues to the case while they sort out the feelings they have for each other. Betsy also has to keep Eagle Point Light burning. Watching her back might not be a bad idea, either. With two dead bodies and no solid suspects, Betsy and Francis frantically work to solve the case and bring Betsy's loved ones home before they become the final victims in an elaborate scheme to keep past secrets hidden.
Jezebel is the daughter of the vampire king at the Court of Eclipse. The kingdom is located in the mountains of North Carolina where it has been hidden away for hundreds of years. Jezebel is about to marry the man of her dreams, a werewolf of the court, then take the throne. Her world is destroyed along with her dreams as she is betrayed by someone she loves. Cole is a human slave to the court, docile and angry from the death of his mother and sister. He is taking care of the horses in the stables when she is swept up into Jezebels world where deceit and a plot for the throne might take down the whole kingdom. The two are drawn closer together as they face peril, uncover secrets and risk their lives all in the hopes of saving the kingdom.
This book traces the effects of the feminist and civil rights movements in the construction of Hollywood action heroes. Starting in the late 1980s, action blockbusters regularly have featured masculine figures who choose love and community over the path of the stoic loner committed solely to duty. The American heroic quest of the past 25 years increasingly has involved a reclamation of home, creating a place for the Hero at the hearth, part of a more intimate community with less restrictive gender and racial boundaries. The author presents pieces of contemporary popular culture that create the complex mosaic of the present-day American heroic ideal. Hollywood popular films are examined that best represent the often painful shift from traditional heroic masculinity to a masculinity that is less "exceptional" and more vulnerable. There are also chapters on how issues of race and gender intersect with the new masculinity and on subgenres of 1990s films that also developed this postfeminist masculinity.
An annotated selection of unpublished letters by Nathaniel Hawthorne's sister. Retrieved from seven different libraries, this corpus of letters was preserved by the Manning family chiefly for their value as records of Nathaniel Hawthorne's life and work; but they ironically also illuminate the life and mind of a fascinating correspondent and citizen of New England with incisive views and commentaries on her contemporaries, her role as a woman writer, Boston and Salem literary culture, and family life in mid-19th-century America. This book illuminates Elizabeth's early life; the trauma caused for sister and brother by the death of their father; her and her brother's education; and the tensions the two children experienced when they moved in with their mother's family, the welthier Mannings, instead of the poorer though socially more venerable Hawthornes, following their father's death. The letters portray Elizabeth's constrained relationship with Nathaniel's wife Sofia Peabody and counter Sophia's portrayal of her sister-in-law as a recluse, oddity, and "queer scribbler." These 118 letters also reveal Elizabeth Hawthorne's tremendous gifts as a thinker, correspondent, and essayist, her interest in astronomy, a lifelong drive toward self-edification in many fields, and her extraordinary relationship with Nathaniel. As a sibling and a fellow author, they were sometimes lovingly codependent and sometimes competitive. Finally, her writing reveals the larger worlds of politics, war, the literary landscape, class, family life, and the freedoms and constraints of a woman's role, all by a heretofore understudied figure.
She’s under his protection—but her heart may be in danger too—in this novel by a national bestselling author “in the upper tier of thriller writers” (The Providence Journal). Ever since forensics analyst Shaye Mallory survived a police-station shootout, Detective Cole Walker has felt personally responsible for her well-being. Then another shooter takes aim at Shaye. Cole decides the only thing he can do is stay right by her side until he finds the man who wants her dead. Cole knows that he must set aside his attraction to Shaye if he’s going to do his job. But as the days—and nights—go on, it becomes harder and harder to resist his feelings. And, as danger moves ever closer to them both, Shaye realizes that her safety might cost her the life of the man she loves.
Can you believe in someone who can’t believe in himself? Maybe… Maybe I just wanted to get through Year 12, coaching, and soccer with no distractions. Maybe life had other plans. Maybe I shouldn’t be drawn to Cole; the new guy who gets into fights and smokes. Maybe I should want to date Jaime; the nice, steady guy who’s always been there. Maybe you can’t help who you fall for, whether they’re good for you or not. Maybe it shouldn’t matter as long as you’re happy. Maybe each new bruise on Cole’s face is a reason to walk away. Maybe there’s more to the secrets he hides and that’s a reason to be there for him. Maybe a lifetime of pain can’t be washed away by anyone else but you. Maybe finally proving that someone else isn’t going to walk away is enough. Or, maybe it’s time I got out of my own head and stopped wondering. Maybe it’s time I just live by my own rules and find out the answers to all those maybes. It’s time for no more maybes. A sweet YA romance about first love and learning to understand different experiences, this is Cole’s story from Aurora’s point of view. The companion novel, Gray’s Blade, is from Cole’s point of view; much like the characters themselves, Cole’s version is darker, dirtier, and rougher. Read through to the end of No More Maybes for a sneak peek at chapter one of Cole’s side. Please be aware that this story is set in Australia and therefore uses Australian English spelling and syntax.
First published in 1985. In the 1930s the Labour Party undertook a deliberate search for a viable economic programme to introduce a democratic socialism to Britain. Against the background of the economic turmoil of the period, a group of young economists working for the party thrashed out the theoretical and practical implications of the Keynesian revolution, the planning controversies and the new market socialism. New Jerusalems examines in detail this collective enterprise in economic policy-making. This title will be of great interest to scholars and students of political history.
Harlequin® Intrigue brings you three new titles at a great value, available now! Enjoy these suspenseful reads packed with edge-of-your-seat intrigue and fearless romance. HUNTED Killer Instinct by Cynthia Eden Cassandra "Casey" Quinn has been eluding the clutches of a brutal killer. John Duvane, former navy SEAL and current member of the FBI's elite Underwater Search and Evidence Response Team may just be fearless enough to save her. HOT VELOCITY Ballistic Cowboys by Elle James Hot-tempered US Marine Rex "T-Rex" Trainor didn't plan on falling for pretty caregiver Sierra Daniels, not while an explosive situation demands everything he has to give to Homeland Security. POLICE PROTECTOR The Lawmen: Bullets and Brawn by Elizabeth Heiter Ever since a shooting drove Shaye Mallory to quite her job as a computer forensics technician, detective Cole Walker has been determined to get her back in the department. But when another shooter appears, he'll have to protect her around the clock to keep her safe from the unknown threat. Look for Harlequin Intrigue's July 2017 Box Set 2 of 2, filled with even more edge-of-your seat romantic suspense! Look for 6 compelling new stories every month from Harlequin® Intrigue!
A sequel to her award-winning bestseller The Vintner's Luck, The Angel's Cut is an evocative and wildly romantic new novel from Elizabeth Knox. Boomtown Los Angeles, 1929: Into a world of movies lots and speakeasies comes Xas, stunt flier and wingless angel, still nursing his broken heart, and determined only to go on living in the air. But there are forces that will keep him on the ground. Forces like Conrad Cole, movie director and aircraft designer, a glory-seeking king of the grand splash who is also a man sinking into his own sovereign darkness. And Flora McLeod, film editor and maimed former actress, who sees something in Xas that no-one has ever seen before, not even God, who made him, or Lucifer, the general he once followed -- Lucifer, who has lost Xas once, but won't let that be the end of it.
Play with fire and you will get burned Malachy Salem is a fighter. He lets his brothers handle the spells and the sorcery—he just wants to rumble. He’s trained in mixed marital arts. He kills vampires, demons, and other nasties. Then he picks up a blonde for a one night stand, and gets gone before morning. Mal’s life is great…until the new, curvy, redheaded neighbor Cara shows up. She’s so not his type, but he can’t look away. Cara Michaels is not looking for romance. She just wants to finish the job she’s on, which is to restore a historic Victorian home to its former glory. Her dedication and talent means she knows how to handle a hammer, a wrench, or a chainsaw. Handling a ghost is something else. When the house Cara is working on erupts with paranormal activity, she finds out that Mal is not just a random, hot as hell neighbor. He and his brothers have been watching the house because there’s something very evil inside it. And it seems to want something from Cara. Mal’s finally got someone to fight for…if he can take the heat. The second novel in The Brothers Salem, a new contemporary paranormal romance series where a trio of demon hunters--armed with spells and snark--are on a mission to slay some demons, break some curses, and get their girls. Unless the girls get them first.
“This literary thriller's complex narrative involves a cursed house, an unsolved murder and impeccable writing.” —The New York Times Book Review • The basis for the Netflix film Things Heard and Seen Recent transplants to the small town of Chosen, New York, the Clares have not received the warmest welcome; once a thriving dairy farm, their home is haunted by the tragedy that left the former owner’s three sons orphaned and adrift. Late one winter afternoon, professor George Clare knocks on his neighbor’s door with terrible news: he returned from work to find his wife, Catherine, murdered in their bed. Someone took an ax to her head while their three-year-old daughter, Franny, played alone in her room across the hall. As one dark secret peels away to reveal others—and as the Clare marriage reveals itself to have a sinister darkness that rivals the farm’s history—Elizabeth Brundage offers a rich and complex portrait of the scars that can haunt a community for generations and the dark longings inside each and every one of us that drive us to do inexplicable things.
Hunt demons for thrills, then Netflix and chill. Dominic Salem is many things: professional ghost hunter, curse breaker, and demon slayer to name a few. If there’s one thing he’s learned, it’s never pick up hitchhikers. Something about this one made him stop, though. Maybe he hasn't learned his lesson yet. Lavinia “Vinny” Wake doesn’t exactly trust her smoking hot ride. Her music is her sanctuary, the only thing she really believes in. But now, Vinny’s dreams have her all messed up, and the last one seemed too...real. Dom can tell Vinny’s nightmares aren’t just dreams—they’re way worse. Something or someone is drawing her into a trap, and Dom has to stop it. Turns out Vinny’s life isn’t the only thing at stake. Her soul is on the line, too. No pressure. The debut novel in The Brother Salem, a new contemporary paranormal romance series where a trio of demon hunters--armed with spells and snark--are on a mission to slay some demons, break some curses, and get their girls. Unless the girls get them first.
A quartet of witty, perceptive novels from the international bestselling author of the Cazalet Chronicles and a “compelling storyteller” (The Guardian). Best-known for the five novels that comprise her million-selling Cazalet Chronicles, which was made into a BBC television series, British novelist Elizabeth Jane Howard wrote about upper middle-class English life in the twentieth century with a “poetic eye” and “penetrating sanity” (Martin Amis). Her highly acclaimed literary fiction is “shrewd and accurate in human observation, with a fine ear for dialogue and an evident pleasure in the English language and landscape” (The Guardian). Collected here are four of her finest novels about the delight and dangers of desire. Odd Girl Out: When beautiful, wealthy, shiftless, twenty-two-year-old Arabella Dawick comes to stay one summer with Anne and Edmund Cornhill, their once-idyllic marriage becomes a domestic minefield of desires and secrets. “A unique blend of high comedy and acute psychology.” —Hilary Mantel Something in Disguise: One could characterize May’s unwise second marriage to Col. Herbert Brown-Lacy as a “death worse than fate.” The ripple effects of this unhappy union—on May herself; her own adult offspring, Oliver and Elizabeth; as well as her stepdaughter Alice, who is impulsively getting married to escape—lead to surprising and satisfying outcomes. “Astute, experienced, vulnerable, and it reads with incomparable ease.” —Kirkus Reviews Falling: In the wake of a painful divorce, sixtyish playwright Daisy Langrish buys a weekend cottage in the country. When Henry Kent shows up looking for work, Daisy hires him as a caretaker. Despite her wariness, she begins to fall for her charming employee. Slowly and with masterful skill, the aging con man seduces Daisy, drawing her into his spiraling web of lies and deception. “Troubling, subtle, and distinctive . . . Completely unputdownable.” —The Independent Getting It Right: Thirty-one-year-old virgin Gavin Lamb is a shy hairdresser in London’s West End who still lives at home with his parents. But meeting two women at a party—an oversexed married millionairess named Joan and bon vivant who goes by Lady Minerva Munday—will shake up his quest for true love. Howard wrote the screenplay for the film adaption of this delightful social comedy, featuring Helena Bonham Carter as Minerva and Lynn Redgrave as Joan. “Howard scores again—with a wry social comedy . . . Total delight.” —Kirkus Reviews
Piper and Phoebe Halliwell are devastated by the lossof their big sister, Prue. But even in their grief they can't forget that they, too, are in mortal danger.
Tempting the Cowboy: A Paint River Ranch Book by Elizabeth Otto After taking a job on a quiet Montana dude ranch, ex-cop Rylan Frederickson finds herself surrounded by unbelievably sexy cowboys. Too bad the one she wants is her boss...and the single dad of a four-year-old. It doesn't matter anyway, because after a recent tragedy, there's simply no more room in her heart. Letting a new woman into their life is the last thing Cole Haywood wants for him and his daughter, Birdie. But as Rylan's presence at Paint River Ranch breathes new life into his family he can't ignore his growing attraction. When the sparks between them turn into fireworks in bed, Rylan's torn between the family she's lost and the one she may have found. Now she must decide if something that feels this good is worth the risk.
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