The characters in Soul Stories are so alive and compelling that they jump off the page right into your heart. Clark-Stern has the rare ability to blend her imaginative poetic voice with exciting page turning plots. Soul Stories will not only touch and engage young readers but are great adventures that will appeal to all ages."--Beverly Olevin, winner of Kirkus Discoveries Best Fiction 2010 The Good Side of Bad Soul Stories explores two worlds: the world we know with our feelings and senses--sight, scent, touch, belonging, joy, loss, renewal--and the parallel world of dreams, intuition, imagination, and the dimension of the unknown. Together these realms inform, shape, challenge, and nurture the soul. Safari to Mara finds our heroine on the brink of womanhood in Masai society. The only daughter in a sonless family, she is drafted to do work in the modern world, yet tradition calls her to prepare for initiation as a wife. In the wilderness of her namesake, Kenya’s Masai Mara, she finds an improbable guide who leads her into the mysterious recesses of her awakening heart. Aria of the Horned Toad begins with the dream of a horned toad crawling out of Beatrice’s eyes,“so real I could feel his prickly little feet on my nose.” And so begins an odyssey to the source of all dreaming. Beatrice believes that in this dark and luminous place, she can find someone to fashion a dream to fix her Mama’s terrible ways, and soothe the longing in her own wild spirit.
Late in the Spring of the Second World War. Two “troublemakers” are thrown together in an old storage shed in Auschwitz: Viktor Frankl, a psychiatrist who is making notes on the book he will write if he survives the camp, and Edith Stein, a Jewish philosopher/author who defied her family to become a nun. With the dawn comes Liberation, or Extermination. They make a contract for comedy, but the reality of their characters, and their deep curiosity about each other, draw them again and again, to reveal their ideas, their joys, and the deepest longing of their souls.
This exploration of the feminine begins with a play, the story of Camille Claudel: the Maiden, the Woman, the Crone. Best known to the world as the muse and lover of Auguste Rodin, she was a gifted artist in her own right who created sculptures of deep, sensual spirituality. The relationships in her family proved crucial to Camille’s psychological development as she moved between the opposing forces of love and betrayal. Even as she struggled with madness, she found a home for her soul in her beloved creations. From here, we move to prose and poetic evocations of many essential themes of the feminine: motherhood, daughterhood, love, loss, experiences unique to the feminine body, experiences that transcend ordinary consciousness into the world of symbols and dreams.
Our setting is 16th century Spain. The Inquisition has expelled the Jews or forced them to convert. Teresa of Avila is igniting the imagination of the country as the nun who receives messages directly from God. Alma de Leon, a young Jewish converso, appears on Teresa’s doorstep, petitioning to become a novice in her care. Their complex relationship explores the feminine archetypes of the Amazon, and the Medial Woman, in a story that unveils the foundations of psyche’s movement toward wholeness: Kabbalah, and Christian rapture, in an oppressive yet luminous time. This play is a work of creative imagination based on the interaction of a true historical character and a fictional one. Teresa of Avila is admired to this day not only by Catholics and Christians, but by Taoists and Buddhists, psychologists and poets. Carl Jung was fascinated by her master work, The Interior Castle, for its description of the journey of the soul toward intimacy with God. The fictional character, Alma de Leon, is inspired by twentieth century Jewish philosopher, Edith Stein, who chanced to read Teresa’s autobiography, and experienced a profound spiritual awakening that led her to become a Carmelite nun. “What if these two were to meet?” the playwright asked herself, crafting the character of Alma as a Jewish woman true to her time and place in history. The teaching of the ancient Jewish mystical tradition, the Kabbalah, was strictly forbidden by the Inquisition, and yet Alma is haunted by it, even as she dons the habit of a nun and struggles to find her identity in the presence of her passionate, spiritually adventurous mentor.
The year is 1910. Sigmund Freud and his heir-apparent, Carl Jung, are changing the way we think about human nature and the mind. Twenty-two year old Toni Wolff enters the heart of this world as Jung's patient. His wife, Emma Jung, is twenty-six, a mother of four, aspiring to help her husband create the new science of psychology. Toni Wolff's fiercely curious mind, and her devotion to Jung, threaten this aspiration. Despite their passionate rivalry for Jung's mind and heart, the two women often find themselves allied. Born of aristocratic Swiss families, they are denied a university education, and long to establish themselves as analysts in their own right. Passionate and self-educated, they hunger for another intellectual woman with whom to explore the complexities of the soul, the role of women in society, and the archetypal feminine in the affairs of nations.Their relationship spans 40 years, from pre-World War I to the dawn of the Atomic Age. Their story follows the development of the field of psychology, and the moral and professional choices of some of its major players. Ultimately, Toni and Emma discover that their individual development is informed by both their antagonism, and their common ground. They struggle to know the essence of the enemy, the other, and to claim the power and depth of their own nature.
The year is 1910. Sigmund Freud and his heir-apparent, Carl Jung, are changing the way we think about human nature and the mind. Twenty-two year old Toni Wolff enters the heart of this world as Jung's patient. His wife, Emma Jung, is twenty-six, a mother of four, aspiring to help her husband create the new science of psychology. Toni Wolff's fiercely curious mind, and her devotion to Jung, threaten this aspiration. Despite their passionate rivalry for Jung's mind and heart, the two women often find themselves allied. Born of aristocratic Swiss families, they are denied a university education, and long to establish themselves as analysts in their own right. Passionate and self-educated, they hunger for another intellectual woman with whom to explore the complexities of the soul, the role of women in society, and the archetypal feminine in the affairs of nations.Their relationship spans 40 years, from pre-World War I to the dawn of the Atomic Age. Their story follows the development of the field of psychology, and the moral and professional choices of some of its major players. Ultimately, Toni and Emma discover that their individual development is informed by both their antagonism, and their common ground. They struggle to know the essence of the enemy, the other, and to claim the power and depth of their own nature.
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