Everywhere there is water. Nearly all these stories explore basic human characteristics - poverty, puberty, loss, hope, aging, dementia, racism, gender identity, mischievousness, love - with the ocean or a river or a pond or a beach as background. In these stories a sailor sprinkles her husband's ashes in the Bahamas, two misfit teenagers take each other's measure on a peninsula's granite outcropping, and a man encounters a mama bear and her cubs on a remote Aleutian island. Sometimes the water is merely benign setting; more often it reminds the reader of the obstacles that all of us encounter. Intimacy is the key to these stories - the reader will feel close to these characters, even affectionate toward many of them. All will feel familiar, even intimate.
Bitter Passage opens on a rainy day in New York City during the bleak winter of 1849. Newspapers and broadsides shout the news that gold has been discovered in California. Americans respond predictably. Among the mob heading off in that epic American drama - the Gold Rush - are Frida, Hermann, and their three children. Frida's life has been a series of sad leave-takings, beginning ten years earlier in Prussia. When Hermann announces that he will leave New York to go to the fabled diggings, she determines to hold the family together by going too, taking their two teen-age sons and toddler daughter. It is a hard-fought trip, made more so by Hermann's belligerence and incompetence. Frida is our guide, our tragic guide.
This book is a study of seven autobiographies by women who defied the domestic ideology of nineteenth-century America by serving as itinerant preachers. Literally and culturally homeless, all of them used their autobiographies to construct, from an array of materials, plausible identities as women and Christians in an age that found them hard to understand.
Component-based psychotherapy for childhood abuse is not a sequenced model, but it deliberately attends to the following four components: (1) relational, focused on client and therapist attachment styles and relational patterns with the intent of building a secure attachment as the context of the remaining work; (2) self-regulation, not only of emotions but of cognitions and behavior; (3) dissociative parts of self and their identification and elicitation; and (4) narrative construction of a coherent self. CPB does so in a way that is client-centered, flexible, and fluid, yet it is also systematic and has a structure. Each chapter offers observations of false starts, missed opportunities, pivotal interactions, and alternate approaches in response to particular exchanges between therapist and client, and highlights and builds upon interactions and interpretations perceived to bear promise"--
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