This book brings together almost all of the known interviews Elizabeth Bishop gave over a period of thirty years. Included also are a few selected pieces based on conversations with her. All together they allow her ardent and admiring readers a rewarding, close-up encounter with one of America's great writers. In this collection of conversations Bishop expresses her opinions about various types of poetry, describes her view of the geography of the imagination in the writing process, defends her often criticized feminist views, and discusses her role as teacher and poet. Elizabeth Bishop (1911-1979) won many prizes for poetry, including a Pulitzer Prize and a National Book Award. She was graduated from Vassar, where she knew Mary McCarthy. She taught at Harvard, New York University, and the University of Washington and was a long-time resident in Brazil.
Robert Lowell once remarked, "When Elizabeth Bishop's letters are published (as they will be), she will be recognized as not only one of the best, but one of the most prolific writers of our century." One Art is the magificent confirmation of Lowell's prediction. From several thousand letters, written by Bishop over fifty years—from 1928, when she was seventeen, to the day of her death, in Boston in 1979—Robert Giroux, the poet's longtime friend and editor, has selected over five hundred missives for this volume. In a way, the letters comprise Bishop's autobiography, and Giroux has greatly enhanced them with his own detailed, candid, and highly informative introduction. One Art takes us behind Bishop's formal sophistication and reserve, fully displaying the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great artist.
Elizabeth Bishop's prose is not nearly as well known as her poetry, but she was a dazzling and compelling prose writer too, as the publication of her letters has shown. Her stories are often on the borderline of memoir, and vice versa. From her college days, she could find the most astonishing yet thoroughly apt metaphors to illuminate her ideas. This volume—edited by the poet, Pulitzer Prize–winning critic, and Bishop scholar Lloyd Schwartz—includes virtually all her published shorter prose pieces and a number of prose works not published until after her death. Here are her famous as well as her lesser-known stories, crucial memoirs, literary and travel essays, book reviews, and—for the first time—her original draft of Brazil, the Time/Life volume she repudiated in its published version, and the correspondence between Bishop and the poet Anne Stevenson, the author of the first book-length volume devoted to Bishop.
Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
Benton presents an introduction and an anthology of Bishop's formal and informal prose on the subject of art and artists, as well as full-colour reproductions of 40 of her pictures, dating from 1937 to 1978.
In choosing to present Elizabeth Bishop's life in poetry through her friendships with Marianne Moore and Robert Lowell, David Kalstone reminds us that what really matters in the life of a writer is the life of the imagination ... Becoming a Poet is an indispensable study, not only for scholars and lovers of Bishop's poetry, but for anyone curious about how creative minds make art out of the unpromising materials of life ... A first-rate piece of criticism. --Katha Pollitt.
The sins of the past will burn you. Four nights. Three days. The human son of two powerful vampires has been taken from his home, and if Carwyn and Brigid can’t find him, the delicate balance of power in an immortal haven might just go up in flames. Las Vegas holds a special appeal in the immortal world. It’s a city of darkness, debauchery, and vice; a city where inhibitions are low and blood runs hot. Rose Di Marco and Agnes Wong have been running Sin City as immortal bosses for nearly a century, but when their son is kidnapped, they turn to their neighbors for help. Carwyn and Brigid know how to find the lost, but what they don’t know is why Zasha Sokholov, a Siberian fire vampire and offshoot of an old crime family, became fixated on them. Carwyn has his suspicions, but all Brigid can think about is a fifteen-year-old boy who’s been taken as bait. She’ll need a clear head and the help of some unexpected allies to find him. Bishop’s Flight is the fourth book in the Elemental Covenant series by Elizabeth Hunter, ten-time USA Today Bestselling author of the Irin Chronicles and the Elemental Mysteries. “We may try to run from our past, but it finds us. We can put continents—even millennia—between us, but in the end, the sins of the fathers will come back to visit.”
The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts. Under the general heading "Brazil" are grouped eleven poems including "Manuelzinho," "The Armadillo," "Twelfth Morning, or What You Will," "The Riverman," "Brazil, January 1, 1502" and the title poem. The second section, entitled "Elsewhere," includes others "First Death in Nova Scotia," "Manners," "Sandpiper," "From Trollope's Journal," and "Visits to St. Elizabeths." In addition to the poems there is an extraordinary story of a Nova Scotia childhood, "In the Village." Robert Lowell has recently written, "I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country.
This edition of the work of Elizabeth Bishop includes her four published volumes, 50 previously uncollected pieces and translations of Octavia Paz, Max Jacob and others. The author's many awards include the Pulitzer Prize (1956).
The life and career of American poet and writer Elizabeth Bishop falls into two distinct segments: the pre-Brazil years and the Brazil years and beyond. A creature of displacement from childhood, Bishop traveled to Brazil at the age of 40 for a two-week trip and unexpectedly stayed for most of the next two decades, a sojourn that marked her work indelibly. This study explores how Bishop's personal and literary experience in Brazil influenced her work culturally, historically, and linguistically, while she was in Brazil and following her return to the United States. Focusing on the "Brazilian" characteristics of Bishop's work as well as some of the major poems she composed before settling in Brazil, this volume offers fresh perspective on one of the 20th century's most celebrated writers.
This is the definitive centenary edition of the work of one of America's greatest poets, recognised today as a master of her art and acclaimed by poets and readers alike. Her poems display honesty and humour, grief and acceptance, observing nature and human nature with painstaking accuracy. They often start outwardly, with geography and landscape - from New England and Nova Scotia, where Bishop grew up, to Florida and Brazil, where she later lived - and move inexorably toward the interior, exploring questions of knowledge and perception, love and solitude, and the ability or inability of form to control chaos. This new edition, edited by Saskia Hamilton, includes Bishop's four published volumes (North & South, A Cold Spring, Questions of Travel and Geography III), as well as uncollected poems, translations and an illuminating selection of unpublished manuscript poems, reproduced in facsimile, revealing exactly how finished, or unfinished, Bishop left them. It offers readers the opportunity to enjoy the complete poems of one of the most distinguished American poets of the twentieth century.
Canaries have symbolized the healing properties of the sun. Many folk cultures feature the canary as a Rosocrucian dream image showing the canary hovering above a rose. In this narrative poem the canary operates as a fixture, a landmark, leading the dreamer in a journey celebrating life, birth and death.
From the mid-1930s to 1978 Elizabeth Bishop published some ninety poems and thirty translations. Yet her notebooks reveal that she embarked upon many more compositions, some existing in only fragmentary form and some embodied in extensive drafts. Edgar Allan Poe & The Juke-Box presents, alongside facsimiles of many notebook pages from which they are drawn, poems Bishop began soon after college, reflecting her passion for Elizabethan verse and surrealist technique; love poems and dream fragments from the 1940s; poems about her Canadian childhood; and many other works that heretofore have been quoted almost exclusively in biographical and critical studies. This revelatory and moving selection brings us into the poet's laboratory, showing us the initial provocative images that moved Bishop to begin a poem, illustrating terrain unexplored in the work published during her lifetime. Editor Alice Quinn has also mined the Bishop archives for rich tangential material that illuminates the poet's sources and intentions.
The story of baseball legend Willie Horton. The 1968 Detroit Tigers always will mean something very special to the city of Detroit. No one player is a better symbol of the relationship between the '68 team and the city than is Willie Horton. When eight-year-old Willie was walking the six miles from his home in Stonega, Virginia to neighboring Appalachia to play baseball, he never dreamed that one day he would star in a major league World Series. The likelihood of a successful career of any kind seemed even more remote after his family moved to Detroit, Michigan. Growing up in Detroit's Projects, Willie had no way of knowing that one day he would give his name to a foundation dedicated to helping youngsters living in similar slum conditions. Willie Horton: Detroit's Own Willie the Wonder takes this warm and generous man from his disadvantaged childhood through the excitement of a baseball career, and ends with an account of his ongoing work among today's youth. Willie believes that his success comes from what others have done for him, and he is determined to give back as much as he can. Young readers will understand why coaches and friends were so willing to help Willie, and t
A quintessentially British reference tool, and an entertaining guide to modern manners, Debrett's Handbook contains informed insights on a range of formal occasions, hosting and entertaining, dress codes, written forms of address, social correspondence and correct form. This fantastically thorough compendium of advice is now available in ebook form, making it easier to use than ever before. With informed insights on a range of occasions including weddings and formal events, the Handbook is a trustworthy companion to social life and rites of passage. It also addresses many modern dilemmas such as social graces, mobile manners and dining etiquette, and offers advice on civilised hosting and entertaining.
Covers the best that Northern California has to offer, from day hikes in awe-inspiring Yosemite Valley to rest and relaxation at the spas and vineyards of Wine Country. To help travelers plan their trip, Veneman also offers a number of unique itinerary ideas, such as as Winter Wonderland, Culinary Culture, and Driving the Coast - a 10-day tour down Northern California's winding, scenic coastline. With expert advice on finding the tastiest food in the Bay Area, exploring the Big Sur coast, and getting to Gold Country ghost towns, and now with expanded coverage of the many outdoor recreation opportunities available in the region, Moon Northern California gives travellers the tools they need to create a more personal and memorable experience.
Women in Teacher Training Colleges, 1900-1960 is an intricate and fascinating investigation of the lives and experiences of women in these important educational institutions of the early twentieth century. The book provides an overview of the historical context of the development of the colleges, using detailed case studies of three colleges: Homerton, Avery Hill and Bishop Otter. Drawing on a wealth of archival material, primary and secondary sources, and on the oral testimonies of former pupils and staff, the book examines the following key themes: *the changing social class of women students *the colleges culture of femininity drawn from the family organization and social practices of the middle-class home *the conflicting public and private roles of the woman principal *the role of the college staff and the residential context of college life *women's sexuality *the last days of the womens colleges.Women in Teacher Training Colleges, 1900-1960 is an essential contribution to women's history and gives a unique insight into this neglected aspect of women's experiences in the twentieth century.
The ultimate collection of books for life-changing success It’s time to stop living your life on the margins and claim the financial success you deserve. Essential Prosperity is a treasury of wisdom that will empower you to move from a life of want—defined by debt, fear, and missed possibilities—to one of true success. You have the power and potential to create the life of abundance you’ve always imagined and Essential Prosperity will show you how. Essential Prosperity includes fourteen life changing books from the thought leaders and teachers whose work has changed the world, including: - The Richest Man in Babylon by George S. Clason - Think and Grow Rich by Napoleon Hill - Power of Your Subconscious Mind by Joseph Murphy - As a Man Thinketh by James Allen - Science of Getting Rich by Wallace Wattles - The Game of Life by Florence Scovel Shinn - The Golden Key by Emmet Fox - The Go-Getter by Peter B. Kyne - How to Live on 24 Hours a Day by Arnold Bennett - Acres of Diamonds by Russell Conwell - Creative Mind and Success by Ernest Holmes - The Secret of Success by William Walker Atkinson - The Life Power and How to Use It by Elizabeth Towne - Prosperity by Annie Rix Militz These experts speak from every background—from self-help and spirituality to finance and business—each of them sharing the secrets to building life changing wealth and prosperity.
As Arab Americans seek to claim their communal identity and rightful place in American society at a time of heightened tension between the United States and the Middle East, an understanding look back at more than one hundred years of the Arab-American community is especially timely. In this book, Elizabeth Boosahda, a third-generation Arab American, draws on over two hundred personal interviews, as well as photographs and historical documents that are contemporaneous with the first generation of Arab Americans (Syrians, Lebanese, Palestinians), both Christians and Muslims, who immigrated to the Americas between 1880 and 1915, and their descendants. Boosahda focuses on the Arab-American community in Worcester, Massachusetts, a major northeastern center for Arab immigration, and Worcester's links to and similarities with Arab-American communities throughout North and South America. Using the voices of Arab immigrants and their families, she explores their entire experience, from emigration at the turn of the twentieth century to the present-day lives of their descendants. This rich documentation sheds light on many aspects of Arab-American life, including the Arab entrepreneurial motivation and success, family life, education, religious and community organizations, and the role of women in initiating immigration and the economic success they achieved.
Set against the turbulent backdrop of 12th-century England, "The Forgotten Queen" is the tale of a warrior, Empress Matilda, daughter of King Henry I of England and granddaughter of William the Conqueror and her struggle to overcome political intrigues, prejudice, and the lover who steals her crown. Available now.
Through an examination of the role of nuns and the place of convents in both the spiritual and social landscape, this book analyzes the interaction of gender, religion and society in late medieval and early modern Spain. Author Elizabeth Lehfeldt here examines the tension between religious reform, which demanded that all nuns observe strict enclosure, and the traditional identity of Spanish nuns and their institutions, in which they were spiritually and temporally powerful women. Lehfeldt's work is based on the archival records of twenty-three convents in the city of Valladolid, and peninsula-wide documents that include visitation records, the constitutions of religious orders, and spiritual biographies. Religious Women in Golden Age Spain is the first book-length study in English to pose this chronological and conceptual framework for identifying and analyzing the role of nuns and convents in late-medieval and early-modern Spanish society.
The Parish Church has not only played a significant part in the life of Leeds, it captures within it the history of the great events and people who together have shaped that city through the centuries. Hundreds of monuments and memorials dating from the Middle Ages to the present day encrust its walls and floors, telling as they do, the part Leeds people have played in that story. Here we see memorials to members of the Leeds Volunteers, formed to offset Napoleon's threatened invasion, and to the men from the city who fought in the Crimea, in South Africa and in two World Wars. Here also we find tributes to hundreds of local men, women and children who lived out their lives in the town; some now forgotten, others nationally famous, like Richard Oastler the 'Factory King'. Now for the first time, those memorials have been captured in Margaret Pullan's pioneering publication, the product of years of devoted research. The range of information offered includes records of births, marriages, and deaths, full inscriptions, background histories explaining why the deceased were buried in the Parish Church and the artistic merits of their tombs. Architectural, ecclesiastical and local historians will find this an invaluable contribution in their respective fields of work whilst the general public will find it gives a fascinating view of the people of Leeds who lived through the years as the old town grew into a major city.
This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.
A woman struggles with love, work, and identity in a novel by “one of the finest and most necessary voices in contemporary American and Caribbean fiction” (Colum McCann, author of Let the Great World Spin). Anna, a Caribbean American immigrant, is eager to assimilate in her new country—but she is about to discover that a gap yawns between her and American-born citizens. The head of a specialized imprint at a major publishing house, Anna is soon challenged for her position by an ambitious upstart who accuses her of not really understanding American culture—particularly African American culture. Her job at stake, Anna turns for advice to her boyfriend, a fellow Caribbean American himself, but even here she finds conflict—in this riveting, thoughtful novel about immigration, family dynamics, race, and relationships, in which “many moments of elegant, overarching insight bind the personal to the collective past” (The New York Times Book Review). “Spare and transcendent prose . . . a unique and riveting perspective on Caribbean life as well as immigrant life in general.” —The New York Amsterdam News “If I wore a hat, I’d tip it to novelist Elizabeth Nunez. [Boundaries] is timely and provocative—and it’s written with such vivid prose that, despite the bittersweet ending, you’ll step away from this refreshing take on contemporary publishing with a smile.” —Essence “In Nunez’s latest, the author further explores immigrant life, a life where a hard-working woman can progress up the corporate ladder, buy an apartment in a soon-to-be trendy neighborhood, and still be plagued by outsider’s angst. A thoughtful literary novel exploring the shadows of cultural identity and the mirage of assimilation.” —Kirkus Reviews “A quiet, sensitive portrait . . . This work covers a lot of ground, from mother-daughter and male-female relationships to the tensions between immigrants and the American born.” —Library Journal “Deftly dissects the immigrant experience in light of cultural traditions that impact family roles, professional obligations, and romantic opportunities.” —Booklist
Indulgences have been synonymous with corruption in the Catholic Church ever since Martin Luther nailed his ninety-five theses to the church door in Wittenberg in 1517. Tingle explores the nature and evolution of indulgences in the Counter Reformation and how they were used as a powerful tool of personal and institutional reform.
This book focuses on excommunication, outlawry, and the connections between them in medieval Icelandic legal and literary sources. It argues that outlawry was a punishment shaped by the conventions and structures of excommunication as it developed in canon law.
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