Practical Nell would never be so fanciful as to believe a mysterious Gothic castle and a darkly enigmatic baron would bring her a fairy-tale romance… The star pupil from the Paddington Seminary, governess Miss Helen Faraday, prides herself on her common-sense approach to work. But Lord Eden Jarrow’s imposing abode is enough to test the steadiest of nerves—and the brooding man enough to test the steadiest of hearts! Can one with such a shadowed past be capable of love, and loving a governess at that? When Nell is drawn into a desperate battle alongside Eden to save his young daughter from an unexpected, unknown danger, she is set to find out….
Blanche Ames Ames and Oakes Ames advanced women’s suffrage, reproductive rights, artistic expression, and scientific knowledge, among other accomplishments, in the first half of the twentieth century. Blanche was part of women’s history for nearly seven decades and deserved to be better known for that and other reasons. Oakes’s contributions to the women’s suffrage movement and his extraordinary scientific accomplishments might have received greater recognition had he not avoided the spotlight so successfully. Their story is one of mutual enabling. Believing in gender equality, even if outside the bounds of what was considered socially acceptable, they named their home “Borderland” to represent boundary pushing. One lasting influence is found in the social justice arena. The Harvard professor of botany and supervisor of the university’s major botanical institutions and his sociable, highly independent wife were both active in the fight to secure the vote for women, with Blanche contributing original political cartoons to newspapers. Blanche led the Birth Control League of Massachusetts for nearly twenty years, then used her position and skills on behalf of the New England Hospital for Women and Children. Unity Church and Memorial Hall in Easton, Massachusetts, were family gifts, as was their home, now Borderland State Park.
When lovely Laura Chapman wakes up to find herself destitute in a London workhouse with all her belongings stolen, she cannot imagine how she will ever get over the shame. An orphan newly arrived from India, Laura is at the mercy of Jack Plant, the workhouse overseer, whose intentions are far from honourable. Distraught and penniless, Laura is taken in by the poor by kindly Taylor family and, determined to pay her way, becomes a factory girl at Beresford's Silk Mill where she comes to the attention of Alex Beresford, the talented engineer son of the factory owner. It begins to seem as if love and happiness are still possible for a girl whose life has been blighted by sorrow. Until the day Jack Plant appears to threaten her new-found security by revealing the secret she has tried so hard to keep.
Combining research that stretches across all of the social sciences and international case studies, Elizabeth Crooke here explores the dynamics of the relationship between the community and the museum. Focusing strongly on areas such as Northern Ireland, South Africa, Australia and North America to highlight the complex issues faced by museums and local groups, Crooke examines one of the museum's primary responsibilities – working with different communities and using collections to encourage people to learn about their own histories, and to understand other people's. Arguing for a much closer examination of this concept of community, and of the significance of museums to different communities, Museums and Community is a dynamic look at a relationship that has, in modern times, never been more important.
Because advances made by science and technology far outstripped improvements in human nature, utopian dreams of perfect societies in the twentieth century quickly metamorphosed into dystopian nightmares, which undermined individual identity and threatened the integrity of the family. Armed with technological and scientific tools, totalizing social systems found in literature abolish the distinction between public and private life and thus penetrate and corrupt the very core of all utopian blueprints and visions: the education of future generations. At the heart of the family, mothers as parents transmit their diverse cultural traditions while socializing their children and thus compete with ideologically driven systems that usurp their role as educators. Mothers and Masters in Contemporary Utopian and Dystopian Literature focuses, therefore, on the thematic importance of this and other maternal roles for generic metamorphosis: the shift to dystopia invariably is signaled by the inversion of traditional maternal roles. The longevity of the utopian-dystopian literary tradition and persistence of the maternal model of human relationships serve as points of reference in this post-modern age of relative cultural values. Meta-utopian exploration of this thematic tension between utopia and dystopia reminds us that «no place» may not be home, but we need to keep going there.
Harlequin® Historical brings you three new titles for one great price, available now! This Harlequin® Historical bundle includes A Captain and a Rogue by Liz Tyner, Captured Countess by Ann Lethbridge and The Marquis's Awakening by Elizabeth Beacon. Look for six compelling new stories every month from Harlequin® Historical!
Based on new and original research, this biography documents the life of Lilian Baylis--an esteemed theatrical producer, manager, and the founding mother of the British National Theatre, the Royal Ballet, and the English National Opera. Setting out to discover how Baylis was able to manage two theatres and three companies, bring the very best of high culture to working people, and still haul in a profit, this biography looks beyond the famous comic anecdotes that surround her life and discovers the private woman behind the public persona. From her early career as a musician and dancer to the career-changing breaks she offered to actors such as Alec Guinness and Laurence Olivier, this insightful work reveals how Baylis achieved so much and the personal cost of her successes.
This book fills an important niche in the market providing practical expert advice on the involvement of service users - patients, carers and the public - in nursing and healthcare research. An invaluable guide for anyone working or involved in nursing and healthcare research, this book provides a step-by-step guide to the principles and process of involvement, including understanding the rationale for involvement, designing involvement, working with service users, and evaluating what has been achieved. With illustrations, worked examples and tool sheets throughout, this evidence-based guide uses real life examples from recent research studies in health and social care research, thus relating theory to practice in a meaningful way. The Handbook of Service User Involvement in Nursing & Healthcare Research introduces a wide range of key issues, including: Why? Why should researchers involve service users? How? How can researchers and service users work together successfully and productively? Who? Who chooses to become involved in research? How are issues of representation and diversity addressed? When? At what stage should service users be involved in the research process?
The Parish Church has not only played a significant part in the life of Leeds, it captures within it the history of the great events and people who together have shaped that city through the centuries. Hundreds of monuments and memorials dating from the Middle Ages to the present day encrust its walls and floors, telling as they do, the part Leeds people have played in that story. Here we see memorials to members of the Leeds Volunteers, formed to offset Napoleon's threatened invasion, and to the men from the city who fought in the Crimea, in South Africa and in two World Wars. Here also we find tributes to hundreds of local men, women and children who lived out their lives in the town; some now forgotten, others nationally famous, like Richard Oastler the 'Factory King'. Now for the first time, those memorials have been captured in Margaret Pullan's pioneering publication, the product of years of devoted research. The range of information offered includes records of births, marriages, and deaths, full inscriptions, background histories explaining why the deceased were buried in the Parish Church and the artistic merits of their tombs. Architectural, ecclesiastical and local historians will find this an invaluable contribution in their respective fields of work whilst the general public will find it gives a fascinating view of the people of Leeds who lived through the years as the old town grew into a major city.
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