Tourism, fast becoming the largest global business, employs one out of twelve persons and produces $6.5 trillion of the world’s economy. In a groundbreaking book, Elizabeth Becker uncovers how what was once a hobby has become a colossal enterprise with profound impact on countries, the environment, and cultural heritage. This invisible industry exploded at the end of the Cold War. In 2012 the number of tourists traveling the world reached one billion. Now everything can be packaged as a tour: with the high cost of medical care in the U.S., Americans are booking a vacation and an operation in countries like Turkey for a fraction of the cost at home. Becker travels the world to take the measure of the business: France invented the travel business and is still its leader; Venice is expiring of over-tourism. In Cambodia, tourists crawl over the temples of Angkor, jeopardizing precious cultural sites. Costa Rica rejected raising cattle for American fast-food restaurants to protect their wilderness for the more lucrative field of eco-tourism. Dubai has transformed a patch of desert in the Arabian Gulf into a mammoth shopping mall. Africa’s safaris are thriving, even as its wildlife is threatened by foreign poachers. Large cruise ships are spoiling the oceans and ruining city ports as their American-based companies reap handsome profits through tax loopholes. China, the giant, is at last inviting tourists and sending its own out in droves. The United States, which invented some of the best of tourism, has lost its edge due to political battles. Becker reveals travel as product. Seeing the tourism industry from the inside out, through her eyes and ears, we experience a dizzying range of travel options though very few quiet getaways. Her investigation is a first examination of one of the largest and potentially most destructive enterprises in the world.
WINNER OF THE 2022 GOLDSMITH BOOK PRIZE The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war. Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine, and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war.
Award-winning journalist Elizabeth Becker started covering Cambodia in 1973 for The Washington Post, when the country was perceived as little more than a footnote to the Vietnam War. Then, with the rise of the Khmer Rouge in 1975 came the closing of the border and a systematic reorganization of Cambodian society. Everyone was sent from the towns and cities to the countryside, where they were forced to labor endlessly in the fields. The intelligentsia were brutally exterminated, and torture, terror, and death became routine. Ultimately, almost two million people—nearly a quarter of the population—were killed in what was one of this century's worst crimes against humanity.When the War Was Over is Elizabeth Becker's masterful account of the Cambodian nightmare. Encompassing the era of French colonialism and the revival of Cambodian nationalism; 1950s Paris, where Khmer Rouge leader Pol Pot received his political education; the killing fields of Cambodia; government chambers in Washington, Paris, Moscow, Beijing, Hanoi, and Phnom Penh; and the death of Pol Pot in 1998; this is a book of epic vision and staggering power. Merging original historical research with the many voices of those who lived through the times and exclusive interviews with every Cambodian leader of the past quarter century, When the War Was Over illuminates the darkness of Cambodia with the intensity of a bolt of lightning.
The never-before-told story of three women who courageously reported from the frontlines of the Vietnam War. One spent twenty-three days in captivity. Another jumped off planes to get the perfect aerial shot. The other reported from war-torn slums and villages. Catherine Leroy, Frankie Fitzgerald and Kate Webb were the first female frontline journalists in the history of US war reporting. Over the course of the Vietnam War they challenged the rules imposed on them, all in an effort to get the story right. Using the stories of these three women, Elizabeth Becker traces the war in Vietnam from the Tet Offensive to the revolution in Cambodia to the American defeat and aftermath. Kate Webb, an Australian reporter, was captured by the Vietcong only to continue her fearless reporting after her release. American Frankie Fitzgerald's powerful coverage earned her bylines in The New Yorker, and she became the first female war reporter for the magazine. And at only twenty-two, the French Catherine Leroy was one of the only female photographers in Vietnam. In You Don't Belong Here, Becker tells the story of how three women forged a place for themselves and for generations of female reporters to come.
These contextual cases remind us that we think best when the issues before us evoke both passion and professionalism. Here are vividly detailed everyday tensions of librarianship, portrayed among human complexities and imaginable lives. We become stronger not by crafting elegant solutions, but by conducting focused contemplation and multifaceted talk.' -Dr David Carr, Associate Professor, School of Information and Library Science, University of North Carolina at Chapel Hill
Gabe Parks, a drifter with no wish for a family and wife, finds his hands full when he is encumbered with five orphaned children. Adding to his previously unimaginable situation, in steps Miss Georgianna, the town's righteous spinster. Her prim and proper ways intrigue and challenge him. Georgianna finds Gabe ill-mannered and forward, qualities she hates. So how can this man provoke desire she never knew she had and make her long for someone to love and cherish her? As she fights the battle within, she learns that being righteous all the time has its drawbacks, and outward appearances can be misleading. Could five children, murder, and the wishes of a whole town bring these two ill-matched people together, or would it take something more -- love?
Catalog of the exhibition held at the Walker, Liverpool, Oct. 16, 2003-Jan. 18, 2004, and the Van Gogh Museum, Amsterdam, Feb. 27-June 6, 2004./Includes bibliographical references (p. 239-243) and index.
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