This collection of private writings by General Custer’s wife offers an intimate look at their lives before and during the Civil War. In her first year of marriage (1864–1865) to General George Armstrong Custer, Libbie Custer witnessed the Civil War firsthand. Her experiences of danger, hardship, and excitement made ideal material for a book, one that she worked on later in life yet never published. In this volume, Arlene Reynolds presents a readable narrative of Libbie Custer's life during the war years by painstakingly reconstructing Libbie’s original, unpublished notes and diaries found in the archives of the Little Big Horn Battlefield National Monument. In these reminiscences, Libbie Custer vividly describes her life both in camp and in Washington. She tells of incidents such as fording a swollen river sidesaddle on horseback, dancing at the Inaugural Ball near President Lincoln, and watching the massive review of the Army of the Potomac after the surrender. The resulting narrative tells the fascinating story of a sheltered girl's maturation into a courageous woman in the crucible of war. It also offers an intimate glimpse into the youth, West Point years, and early military service of General Custer.
For nearly 58 years, Elizabeth Bacon Custer was probably the most famous widow in the world. In this lively, fascinating, loving portrait of life on the plains with her already-famous husband, Libbie tells a civilized audience of the excitement, fun, and perils endured at a remote frontier post.Intelligent and beautiful, Libbie was partner, confidant, and booster to the general, as well as an important figure in the social life of the posts he commanded. This book has been used as source material on the general's life as well as the frontier army for well over a century.Celebrated among the prominent people of her day, Libbie never remarried after Custer's death at the Little Bighorn in 1876. She spent the rest of her life writing and lecturing about him, burnishing his reputation and keeping his memory alive.Long a jewel of western Americana, this book continues to find and entertain new audiences in the 21st century.
This collection of private writings by General Custer’s wife offers an intimate look at their lives before and during the Civil War. In her first year of marriage (1864–1865) to General George Armstrong Custer, Libbie Custer witnessed the Civil War firsthand. Her experiences of danger, hardship, and excitement made ideal material for a book, one that she worked on later in life yet never published. In this volume, Arlene Reynolds presents a readable narrative of Libbie Custer's life during the war years by painstakingly reconstructing Libbie’s original, unpublished notes and diaries found in the archives of the Little Big Horn Battlefield National Monument. In these reminiscences, Libbie Custer vividly describes her life both in camp and in Washington. She tells of incidents such as fording a swollen river sidesaddle on horseback, dancing at the Inaugural Ball near President Lincoln, and watching the massive review of the Army of the Potomac after the surrender. The resulting narrative tells the fascinating story of a sheltered girl's maturation into a courageous woman in the crucible of war. It also offers an intimate glimpse into the youth, West Point years, and early military service of General Custer.
Elizabeth Custer chronicles the journey with her legendary husband, General George A. Custer, from the time of his leaving the Army of the Potomac, through Texas, New Orleans, and to the western frontier. Her descriptions of the daily rigors of travel, survival, and the people encountered, have become classic historical literature'and in this case, enlivened by the perceptive eye and mind of a woman who, in her own right, became a heroine of the time.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The mount of Captain Miles W. Keogh, Comanche was the legendary sole survivor of Custer's Last Stand. As such, the horse makes an electric connection between history and memory. In exploring the deeper meaning of the Comanche saga, His Very Silence Speaks addresses larger issues such as the human relationship to animals and nature, cross-cultural differences in the ways animals are perceived, and the symbolic use of living and legendary animals in human cognition and communication. More than an account of the celebrated horse's life and legend existence, this penetrating volume provides insights into the life of the cavalry horse and explores the relationship between cavalrymen and their mounts. Lawrence illuminates Comanche's significance through the many symbolic roles he has assumed at different times and for various groups of people, and reveals much about the ways in which symbols operate in human thought and the manner in which legends develop.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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