Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.
Romantic Egypt: Abyssal Ground of British Romanticism traces the historical, cultural and intellectual affiliations between Ancient Egypt and Romantic-period Britain and Germany, including the influences contributed by European thought, politics, and interventions such as Napoleon’s 1799 Egyptian Campaign. Until the contributions of Napoleon’s expedition to scientific knowledge of Ancient Egyptian monuments and ruins, Egypt had been largely swathed in mystical explanations of its past, its achievements, its beliefs, and its cultural importance; however, the increased knowledge about Ancient Egypt competed with the allure of a more mythically imbued antiquity in the Romantic imagination. Romantic Egypt argues that this balance between knowing and not-knowing, between deciphering and imagining a golden-age Egypt, between enlightened thought and mysticism, was essential to the development of the Romantic imaginary because, for the Romantics, western philosophy and art had their birth in the all-but-lost wisdom of Ancient Egypt.
Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.
Romantic Egypt: Abyssal Ground of British Romanticism traces the historical, cultural and intellectual affiliations between Ancient Egypt and Romantic-period Britain and Germany, including the influences contributed by European thought, politics, and interventions such as Napoleon’s 1799 Egyptian Campaign. Until the contributions of Napoleon’s expedition to scientific knowledge of Ancient Egyptian monuments and ruins, Egypt had been largely swathed in mystical explanations of its past, its achievements, its beliefs, and its cultural importance; however, the increased knowledge about Ancient Egypt competed with the allure of a more mythically imbued antiquity in the Romantic imagination. Romantic Egypt argues that this balance between knowing and not-knowing, between deciphering and imagining a golden-age Egypt, between enlightened thought and mysticism, was essential to the development of the Romantic imaginary because, for the Romantics, western philosophy and art had their birth in the all-but-lost wisdom of Ancient Egypt.
The first textbook dedicated to interactional linguistics, focusing on linguistic analyses of conversational phenomena, this introduction provides an overview of the theory and methodology of interactional linguistics. Reviewing recent findings on linguistic practices used in turn construction and turn taking, repair, action formation, ascription, and sequence and topic organization, the book examines the way that linguistic units of varying size - sentences, clauses, phrases, clause combinations, and particles - are mobilized for the implementation of specific actions in talk-in-interaction. A final chapter discusses the implications of an interactional perspective for our understanding of language as well as its variation, diversity, and universality. Supplementary online chapters explore additional topics such as the linguistic organization of preference, stance, footing, and storytelling, as well as the use of prosody and phonetics, and further practices with language. Featuring summary boxes and transcripts from recordings of everyday conversation, this is an essential resource for advanced undergraduate and postgraduate courses on language in social interaction.
All's fair in love and politics... When ambitious solicitor Norman Wynford-Scott is ousted from his legal studies due to a holiday revel spun out of control, he adapts a new plan of running for the Parliament seat of a local village. Only trouble is, the same irresistible woman who ruined his good name is thwarting his campaign at every turn. Widowed and drink-addicted, Lady Elsa Fay has retreated to the family village of Fleck to regain her sobriety. She's distracting herself from her troubles--and her memories of the one passionate night she shared with Norman--by organizing the Parliament campaign of her husband's cousin. Until Norman arrives intent on winning the seat for himself. Shamed and determined, Elsa will do all she can to send her former friend and now adversary packing--even if it means breaking her own heart in the process. Sensuality Level: Sensual
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