While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.
The Ultimate Resource for Cannabis-Based Therapy Backed by extensive research and medical expertise, The Green Elephant is the all-in-one guidebook for healthcare professionals looking to educate themselves on cannabis therapy to better provide guidance to their patients. Delving into the history, biology, chemistry, and pharmacological effects of cannabis and CBD-based therapy, The Green Elephant also explores the equally important areas of ethics in practice, cannabis’ legal history, and current regulatory status — all to enable healthcare professionals to better serve their patients. The Green Elephant provides healthcare professionals with much-needed information on dosing instructions, potential drug interactions, long- and shortterm treatment plans, and much more. Cannabis therapy has the exciting potential to help millions of patients better manage their symptoms and enjoy a higher quality of life. The time has come for all healthcare professionals to discuss this green “elephant in the room.”
Recently a long-lost journal belonging to Dracula author Bram Stoker was discovered in his great-grandson Noel's dusty attic. Published now to coincide with the centenary of Stoker's death, the text of this stunning find, written between 1871 and 1881, mostly in his native Dublin, will captivate scholars of Gothic literature and Dracula fans alike. Painstakingly transcribed and researched, the journal offers intriguing new insights into the complex nature of the man who wrote Dracula more than one hundred years ago. Assisted by a team of scholars and Stoker historians, Dacre Stoker and Professor Elizabeth Miller neatly connect the dots between the contents of the journal and Bram Stoker's later work, most significantly Dracula. Until now, discussion of the very private Bram Stoker has, by necessity, been largely speculative. Other than names and dates provided by biographers, and Bram Stoker's own sparse self-revelation in his non-fiction, little has been available to support character studies of this fascinating Victorian gentleman. This personal journal shows Stoker's private thoughts and his developing style, and is a veritable treasure trove of oddities, musings and anecdotes.
A comprehensive overview of the musical career of Elton John provides the full story behind all of the musician's recordings, a complete chronicle of his concert tours, an assessment of his musical odyssey, and a study of his sometimes turbulent personal life, along with more than forty photographs and a complete discography.
Marsden Hartley (1877-1943) was a painter, poet, writer, and pioneer of American modernism. Born in Lewiston, Maine, he lived a peripatetic life, working in Paris, Berlin, New York, Mexico, New Mexico, Bermuda, and elsewhere before returning to Maine in 1934. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output. Some one-hundred and five of his works - landscapes, still lifes, portraits, and abstract paintings - demonstrate the visual power for which Hartley gained acclaim as well as the development of his art over the course of his thirty-five year career." "The book gathers together the most recent scholarship on Hartley's work, discussing such topics as the artist's working methods, his self-portraits, the influence of Cezanne on his work, and Hartley's attitudes toward Native Americans. A chronology of his life is included, and each painting is accompanied by a full catalogue entry." "This book also serves as the catalogue of an exhibition organized by the Wadsworth Atheneum Museum of Art and traveling to the Phillips Collection, Washington, D.C., and the Nelson-Atkins Museum of Art, Kansas City."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Costa Picazo recopila, traduce y anota las poesías de guerra de cinco poetas ingleses (Edmund Blunden, Robert Graves, Wilfred Owen, Isaac Rosenberg y Siegfried Sassoon) y un grupo de mujeres poetas (Marian Allen, Nora Bomford, Vera Brittain, Eleanor Farjeon, Charlotte Mew, May Sinclair y Elizabeth Underhill, entre otras). Tierra de nadie es un libro acerca de una de las guerras más terribles del siglo XX, en la que más de setenta y cinco millones de hombres fueron movilizados y más de la mitad resultaron muertos o desaparecidos. Es un libro sobre el horror de la guerra y, a pesar del espanto, sobre poesía. La Gran Guerra fue una contienda de trincheras, de dos frentes enemigos separados por un vacío que no era de nadie. Las profundas excavaciones, situadas en lados opuestos, prote-gidas por alambre de púa y ametralladoras, estaban separadas por una extensión de terreno infértil, que la lluvia y el defectuoso sistema de desagües convertían en lodazal. Las trincheras eran un claro ejemplo de deterioro y putrefacción. Allí se amontonaban los vivos y los muertos, estos últimos absorbidos por el fango y todos en medio de las ratas y el hedor. En ese contexto, cinco poetas ingleses (Edmund Blunden, Robert Graves, Wilfred Owen, Isaac Rosenberg y Siegfried Sassoon) y un grupo de mujeres poetas (Marian Allen, Nora Bomford, Vera Brittain, Eleanor Farjeon, Charlotte Mew, May Sinclair y Elizabeth Underhill, entre otras) demostraron que el espíritu humano sobrevive al horror y es capaz de afirmarse en medio del caos, y eternizarse.
Derived from the renowned multi-volume International Encyclopaedia of Laws, this practical analysis of sports law in New Zealand deals with the regulation of sports activity by both public authorities and private sports organizations. The growing internationalization of sports inevitably increases the weight of global regulation, yet each country maintains its own distinct regime of sports law and its own national and local sports organizations. Sports law at a national or organizational level thus gains a growing relevance in comparative law. The book describes and discusses both state-created rules and autonomous self-regulation regarding the variety of economic, social, commercial, cultural, and political aspects of sports activities. Self- regulation manifests itself in the form of by-laws, and encompasses organizational provisions, disciplinary rules, and rules of play. However, the trend towards more professionalism in sports and the growing economic, social and cultural relevance of sports have prompted an increasing reliance on legal rules adopted by public authorities. This form of regulation appears in a variety of legal areas, including criminal law, labour law, commercial law, tax law, competition law, and tort law, and may vary following a particular type or sector of sport. It is in this dual and overlapping context that such much-publicized aspects as doping, sponsoring and media, and responsibility for injuries are legally measured. This monograph fills a gap in the legal literature by giving academics, practitioners, sports organizations, and policy makers access to sports law at this specific level. Lawyers representing parties with interests in New Zealand will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative sports law.
After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines historiographic metafiction’s epistemological concern with the historical document. The six texts herein recover official and neglected documents, viewing history from marginal perspectives endeavoring an ethical reconsideration of dominant historical narratives. Thematically paired chapters focus on eye-witness narratives, legal and official government documents, and news publications. The first two chapters, D.M. Thomas’ The White Hotel with Toni Morrison’s Beloved, explore the writers’ reconsideration of eye-witness accounts, specifically the Holocaust survivor narrative and the slave narrative. The second pair reviews mythologies of the nation in the United States. Susan Howe’s Singularities rewrites the Indian captivity narrative. Hannah Weiner’s Spoke revises the 1868 Black Hills treaty to focus on how popular and official texts promote the colonial imaginary and function to justify colonial expansion. The final two chapters examine Margaret Atwood’s Alias Grace and Robert Coover’s The Public Burning, which critique the press’s authority by questioning its claim to objectivity.
The Lady on the Drawingroom Floor with Selected Poetry and Prose, by Mary Elizabeth Coleridge, seeks to reclaim Coleridge’s reputation as a novelist, poet, critic, and educator by featuring familiar works alongside unpublished or out-of-print works. This collection includes a substantial introduction to Coleridge, analyzing her life and legacy; the whole of Coleridge’s final published novel; and a selection of important poems, short stories, essays, and letters. This discussion of her career invites the reader to consider her poetry and other writing alongside the novel that early critics called her most reflective and mature. In restoring the integrity of Coleridge’s literary canon, this volume offers new ways of understanding the complexities of an innovative Victorian writer who deserves to be better known and featured more prominently in anthologies and college courses. This collection is intended to introduce scholars, undergraduate and graduate students, and the general reading public to Coleridge’s specific and considerable contributions to late-Victorian literature.
William Blake and the Age of Aquarius / by Stephen F. Eisenman -- Prophets, madmen, and millenarians: Blake and the (counter)culture of the 1790s / by Mark Crosby -- William Blake on the West Coast / Elizabeth Ferrell -- William Blake and art against surveillance / Jacob Henry Leveton -- Building Golgonooza in the Age of Aquarius / John Murphy -- "My teacher in all things": Sendak, Blake, and the visual language of childhood / Mark Crosby -- Blake then and now / W.J.T. Mitchell
This beautifully illustrated book traces W. B. Yeats's fascination with the visual arts from his early years, which were strongly influenced by his father's paintings and the Pre-Raphaelite brotherhood, to his celebration in his old age of Greek sculpture, Byzantine mosaics, and Michaelangelo's art.
Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.
Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.
The intimate and revealing memoir of the woman behind the bestselling Cazalet Chronicles and a fascinating window into the British literary world. One of Britain’s most famous and beloved authors, Elizabeth Jane Howard’s life was as rich, varied, and passionate as the characters in her novels. In her brutally honest, at times humorous, wholly captivating autobiography, the woman who felt she lived “in the slipstream of experience” employs her prodigious skills as a novelist to chart the course of an eventful life—including three marriages, multiple affairs, and friendships with the literary giants of the day, among them Kenneth Tynan and Cecil Day-Lewis. Born in 1923 to bohemian parents within a large Edwardian family, Howard was raised in privilege and security. Educated at home from the age of eleven, she enjoyed short-lived careers as a model, an actress, and an editor before she found her métier as a novelist. She gained invaluable experience growing up in a time bookended by two world wars and enjoyed a level of independence denied an earlier generation of British women. In her memoir, Howard writes with painful candor about her introduction to sex—her father abused her when she was fifteen—and her marriage to Peter Scott, son of the famed British explorer, along with her tempestuous third marriage to Kingsley Amis. She delves into complicated romantic and family relationships, inviting the reader to accompany her on her search for truth in life. Featuring cameos by William Faulkner, Rosamond Lehmann, Evelyn Waugh, Charlie Chaplin, Paul Scofield, and many others, Slipstream finally illuminates a struggle common to women writers of every time and place: carving out a room of one’s own.
Ideal for students and both beginning and practicing catalogers in public, school, and academic libraries, this updated workbook offers targeted, hands-on exercises that enhance understanding of description, classification, subject analysis, subject heading application, and MARC 21 subject analysis. Like the first edition, this updated workbook has a straightforward goal: to help expand and improve the effectiveness of library catalogs. It is designed to supplement existing textbooks by providing exercises in AACR2r and RDA description, classification, subject analysis, and MARC protocols. Particular attention is given to problems that may arise when cataloging books as well as multimedia combinations, 3-D items, toys, natural objects, maps, printed and performed music, bilingual materials, and electronic files. Through the exercises, you will better understand the overall process of cataloging an item and making a record, the application of RDA in producing records, the steps for cataloging new media, and the differences in records using RDA or AACR2r. To enhance the exercises, the workbook incorporates photographs of real materials and offers questions for consideration. There is also a companion website with enlargeable color graphics. The site provides complete answer records and additional indexes for instructors to use in selecting examples for specific elements in the record. For students, new or advanced, selected MARC answer records are included, as are special lists, forms, and indexes leading to the tools any cataloger will need. Student Resources Exercises The images from the exercises in the book are included in this section in a larger format for closer examination. Exercises MARC Template For use in drafting cataloging records for all types of elements. MARC Template Instructor's Resources MARC and RDA answer records are provided to instructors upon request. Please contact CustomerService@abc-clio.com for more information.
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