Love in Excess (1719-1720) is a novel by Eliza Haywood. Published in three parts by printer William Chetwood, the novel marked Haywood’ debut on the London literary scene. It was an immediate bestseller, going through several reprintings in Haywood’s lifetime. Love in Excess is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Like all young aristocratic women of their time, Alovisa and Amena are expected to wait for a marriage proposal to fall into their laps. Forbidden from expressing her desires, Alovisa decides to send an anonymous letter to the handsome, rakish D’Elmont. When he receives it, however, he thinks it has been sent by Amena, whom her promptly begins to pursue. Disappointed, Alovisa conspires with Amena’s father—who disapproves of D’Elmont—to have her rival sent to a convent. Although Alovisa ends up with her beau of choice, she soon realizes that desire has a funny way of concealing a lover’s true nature. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s Love in Excess is a classic of English literature reimagined for modern readers.
The History of Miss Betsy Thoughtless (1751) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of men. The History of Miss Betsy Thoughtless has been recognized as one of the first novels in English literature to depict the development of an independent heroine, as well as to move away from the more popular genre of amatory fiction toward the marriage plot. Widely read in the eighteenth century, Haywood influenced such authors as Fanny Burney and Jane Austen. Having completed her education at an all-girls boarding school, Betsy Thoughtless moves to the city of London. For the first time, she finds herself thrust into the orbit of young and marriageable men, whose attention and affections she craves, though remains cautious to reciprocate. Betsy knows the dangers inherent to sexual impropriety—pregnancy out of wedlock would all but guarantee her a life of poverty and misfortune, not to mention the shame it would bring to her aristocratic family. Despite these pressures, Betsy finds a way to enjoy single life while learning to recognize the signs of deceitful, unworthy men. When marriage does come, she soon realizes the institution is far from perfect. Unhappy, she grows as a person and looks for a way to regain her former independence. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s The History of Miss Betsy Thoughtless is a classic of English literature reimagined for modern readers.
This edition provides representative texts from Eliza Haywood's career, which overlaps that of Daniel Defoe, Samuel Richardson, and Henry Fielding. The six fictions and two plays provided here illustrate the many kinds of writing she produced, and the ways she treated important themes and issues.
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The Anti-Pamela: Or, Feign'd Innocence Detected (1741) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of gender and class to reveal how women perform and experience desire. Written in response to Samuel Richardson’s Pamela; Or, Virtue Rewarded, a novel in which a young girl resists the advances of her wealthy employer and eventually marries him honorably, Haywood’s novel flips the portrayal of static feminine desire on its head. Unlike Pamela, her protagonist is an anti-heroine who wields her sexuality for the purpose of social mobility, showing resilience and determination despite her repeated failures. Syrena Tricksy knows what she wants from men. To get it, she disguises herself as an unmarried aristocrat, a mistress, a widow, and a libertine, each time in pursuit of a wealthy nobleman to marry. Playing these parts with ease, she frequently gets in her own way, failing at the last moment through carelessness and greed. Resourceful and independent, Syrena is a character at odds with the stereotypical portrayal of feminine sexuality. She may not be perfect, but she is never passive. As a parody of Samuel Richardson’s popular novel of morality, The Anti-Pamela: Or, Feign'd Innocence Detected lampoons the unrealistic character at the heart of Pamela, a woman who gets what she wants through virtue alone. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s The Anti-Pamela: Or, Feign'd Innocence Detected is a classic of English literature reimagined for modern readers.
The most important female English novelist of the 1720s, Eliza Haywood is famous for writing scandalous fiction about London society. Fast-moving, controversial, and sometimes disturbing, Haywood’s short novels The Masqueraders and The Surprize are valuable sources for the study of eighteenth-century gender and identity, the social history of masquerade, the dangers of courtship and seduction, and conceptions of elite and popular cultures. Despite their common theme of masquerade and seduction, the two short novels are a study in contrasts. The Masqueraders features the whirl of London life, with a libertine anti-hero and his serial seductions of women who believe that they can manipulate the social conventions that are expected to limit them. The Surprize, on the other hand, is an uncharacteristically sentimental story in which a similarly salacious plot ends in rewards for the good and virtuous. Well suited to the teaching of these two texts, this volume contains annotated scholarly editions of both novels, an extensive introduction, and useful appendices that discuss the masquerade’s role in eighteenth-century debates on gender, morality, and identity.
Most critics will acknowledge the enormous contributions Eliza Haywood made towards the development of the novel, but are often silent about her shorter fiction. Included in this volume are four of her most notable shorter pieces: "The British Recluse" (1722), "Fantomina" (1724), "The Fatal Secret" (1724), and "The City Jilt" (1726).
This edition provides representative texts from Eliza Haywood's career, which overlaps that of Daniel Defoe, Samuel Richardson, and Henry Fielding. The six fictions and two plays provided here illustrate the many kinds of writing she produced, and the ways she treated important themes and issues.
Eliza Haywood (1693-1756) (born Elizabeth Fowler) was an English writer, actress and publisher. Since the 1980s, Eliza Haywood's literary works have been gaining in recognition and interest. She wrote and published over seventy works during her lifetime including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood is a significant figure of the long 18th century as one of the important founders of the novel in English. Her writing career began in 1719 with the first two installments of Love in Excess. Many of her works were published anonymously. Amongst her other works are Fantomina; or, Love in a Maze (1724), The Fortunate Foundlings (1744), Life's Progress Through the Passions; or, The Adventures of Natura (1748) and The History of Miss Betsy Thoughtless (1751).
Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.
This collection of early works by Eliza Haywood includes the well-known novella Fantomina (1725) along with three other short, highly engaging Haywood works: The Tea-Table (1725), Reflections on the Various Effects of Love (1726), and Love-Letters on All Occasions (1730). In these writings, Haywood arouses the vicarious experience of erotic love while exploring the ethical and social issues evoked by sexual passion. This Broadview edition includes an introduction that focuses on Haywood’s life and career and on the status of prose fiction in the early eighteenth century. Also included are appendices of contextual materials from the period comprising writings by Haywood on female conduct, eighteenth-century pornography (from Venus in the Cloister), and a source text (Nahum Tate’s A Present for the Ladies).
The author of over eighty novels, plays, and volumes of poetry, Eliza Haywood is one of the most prolific and high-profile female authors of the eighteenth century. Her last novel, The History of Jemmy and Jenny Jessamy, is original for its unsentimental realism in its depiction of marriage and courtship among the leisure classes of the mid-eighteenth century. In his new introduction, editor John Richetti examines how Haywood's amusing and engaging prose explores the subtleties of eighteenth-century courtship. Out of print since the early nineteenth century, The History of Jemmy and Jenny Jessamy is now available in an edited and fully annotated modern edition.
Eliza Fowler Haywood (c. 1693–1756) was a prolific writer, widely connected actress and critical philosopher. Besides her contributions to moral philosophy and economics, she provides noteworthy insights into early eighteenth-century English society. Haywood’s precise critique of a government ignoring the needs of its most vulnerable citizens remains compelling today. Her two-volume utopian work Memoirs of a Certain Island Adjacent to the Kingdom of Utopia (1724) is a mythological re-telling of the many problems facing early eighteenth-century England. In the first volume, Haywood discusses the economic and financial crisis brought about by England’s South Sea Bubble and interweaves it with her philosophical argument of genuine love and the corruption wrought by greed and lust. Also available as paperback: https://www.degruyter.com/document/isbn/9783110764390/html The second volume will be published in 2025.
Eliza Haywood (1693?-1756) was one of the first women in England to earn a living writing fiction. Her early tales of amorous intrigue, sometimes based on real people, were exceedingly popular though controversial. Haywood, along with her contemporary Daniel Defoe, did more than any other writer to create a market for fiction in the period just prior to the emergence of Samuel Richardson, Henry Fielding, and Tobias Smollett, the dominant novelists of the mid-eighteenth century. The scheming, sexually predatory anti-heroine of The Injur'd Husband is a memorable villain who defies all expectations of a woman's conduct in marriage. The heroine of Lasselia is initially a model of virtue who bravely resists the advances of a king, only to be driven by her passion and desire into an illicit affair with a married man and ultimately into ruin. These two provocative narratives strikingly represent Haywood's extraordinary contribution to the development of the novel.
The scheming, sexually predatory anti-heroine of The Injur'd Husband is a memorable villain who defies all expectations of a woman's conduct in marriage. The heroine of Lasselia is initially a model of virtue who bravely resists the advances of a king, only to be driven by her passion and desire into an illicit affair with a married man and ultimately into ruin. Eliza Haywood (1693?-1756) was one of the first women in England to earn a living writing fiction. Her early tales of amorous intrigue, sometimes based on real people, were exceedingly popular though controversial. Haywood, along with her contemporary Daniel Defoe, did more than any other writer to create a market for fiction in the period just prior to the emergence of Samuel Richardson, Henry Fielding, and Tobias Smollett, the dominant novelists of the mid-eighteenth century.
Eliza Haywood (1693-1756) was one of the most successful writers of her time; indeed, the two most popular English novels in the early eighteenth-century were Robinson Crusoe and Haywood’s first novel, Love in Excess. As this edition enables modern readers to discover, its enormous success is easy to understand. Love in Excess is a well crafted novel in which the claims of love and ambition are pursued through multiple storylines until the heroine engineers a melodramatic conclusion. Haywood’s frankness about female sexuality may explain the later neglect of Love in Excess. (In contrast, her accomplished domestic novel, The History of Miss Betsy Thoughtless, has remained available.) Love in Excess and its reception provide a lively and valuable record of the challenge that female desire posed to social decorum. For the second Broadview edition, the appendix of eighteenth-century responses to Haywood has been considerably expanded.
The most important female English novelist of the 1720s, Eliza Haywood is famous for writing scandalous fiction about London society. Fast-moving, controversial, and sometimes disturbing, Haywood’s short novels The Masqueraders and The Surprize are valuable sources for the study of eighteenth-century gender and identity, the social history of masquerade, the dangers of courtship and seduction, and conceptions of elite and popular cultures. Despite their common theme of masquerade and seduction, the two short novels are a study in contrasts. The Masqueraders features the whirl of London life, with a libertine anti-hero and his serial seductions of women who believe that they can manipulate the social conventions that are expected to limit them. The Surprize, on the other hand, is an uncharacteristically sentimental story in which a similarly salacious plot ends in rewards for the good and virtuous. Well suited to the teaching of these two texts, this volume contains annotated scholarly editions of both novels, an extensive introduction, and useful appendices that discuss the masquerade’s role in eighteenth-century debates on gender, morality, and identity.
Prolific even by eighteenth-century standards, Eliza Haywood was the author of more than eighty titles, including short fiction, novels, periodicals, plays, poetry, and a political pamphlet for which she was briefly jailed. From her early successes (most notably Love in Excess) to later novels such as Betsy Thoughtless (her best known work) she remained widely read, yet sneered at as a ‘stupid, infamous, scribbling woman’ by the likes of Swift and Pope. Betsy Thoughtless is the story of the slow metamorphosis of the heroine from thoughtless coquette to thoughtful wife. Ironically, the most decisive moment in this development may be when Betsy decides to leave her emotionally abusive and financially punishing husband; it is only after experiencing independence that she returns to her marriage and to what becomes her husbands deathbed. Betsy Thoughtless may be the first real novel of female development in English. In this edition the text is accompanied by appendices, including writings from the period that shed light on Haywood’s life and work, and on her relationship with contemporaries such as Henry Fielding.
Haywood's novel is the story of the beautiful Princess Eovaai. Groomed for the throne by her father, who teaches her Lockean notions of liberty, she is overthrown, enmeshed in civil war, and then magically transported to a foreign land by an evil man. Part magician, part politician, he plots to marry her for political reasons. The fascinating reflexive structure of The Adventures of Eovaai incorporates argumentative intrusions (by the Translator, an Historian, etc.), interweaves political and amatory storylines, and blends a wild mix of genres.
Fantomina, or, Love in a Maze is a novella by Eliza Haywood which charts an unnamed female protagonist’s pursuit of the charming, shallow Beauplaisir. Dealing with major themes such as identity, class and sexual desire, and first published in 1725, Fantomina subverts the popular ‘persecuted maiden’ narrative, and reaches a climax which would have shocked its contemporary readership. Moving to London, a young woman – let’s call her Fantomina – meets a dashing man at the theatre. After a short, but intense, fling, Beauplaisir grows bored of Fantomina, and leaves her. Outraged that she should be so treated, Fantomina discards her disguise in favour of another, and sets off in hot pursuit of her victim, and a game of cat and mouse begins. This edition features an introduction by Dr Sarah R. Creel, Bethany E. Qualls and Dr Anna K. Sagal of the International Eliza Haywood Society. '[It] is right to deplore “Haywood’s invisibility to modern political historians”, but now we see her in focus, she matters for the imaginative power of her writing.' — Thomas Keymer, London Review of Books 'Haywood’s place in literary history is equally remarkable and as neglected, misunderstood and misrepresented as her oeuvre.' — Paula R. Backscheider
Idalia: Or, The Unfortunate Mistress (1723) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. Idalia: Or, The Unfortunate Mistress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Idalia is a young woman at the center of Venetian social life. Having lost her mother at a young age, she lacks the guidance necessary for navigating the world of courtship. When her father rejects her suitor Florez, a handsome, rakish man, Idalia turns her attentions to Don Ferdinand, with whom she maintains a steady correspondence. When his friend Henriquez falls in love with her, the two men decide to fight for Idalia’s affections. Their duel ends in death for both men, leaving Idalia to turn her attentions elsewhere. Soon, she attempts to enter a convent in order to live chastely, beyond the reach of men. But the world has other plans. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s Idalia: Or, The Unfortunate Mistress is a classic of English literature reimagined for modern readers.
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