The first collection of poems spanning the beloved Canadian poet's short but dazzling career. Elise Partridge’s poetry has been widely admired for its scrupulous truth to life and meticulous, glittering craft. Whether writing about family and friends, the natural world and the daily round, or serious illness, Partridge was, as Rosanna Warren has said, “a poet of brilliant precisions. Each line represents a new, glinting angle of thought. . . . The result is an art of eerie compassion and an almost hyper-realist perception of the small.” This new collection includes all the poems that Partridge prepared for publication during her lifetime as well as a selection of uncollected or unpublished poems.
From Ways of Going for Steve Will it be like paragliding— gossamer takeoff, seedlike drifting down into a sunlit, unexpected grove? Or ski-jumping—headlong soaring, ski-tips piercing clouds, crystal revelations astonishing my goggles? . . . . Skittery flicker of a glare-weary lizard startled into the sheltering wings of a leaf, rusting freighter with a brimming hold shimmering onto a crimson edge. . . . Sad rower pushed from shore, I'll disappear like circles summoned by an oar's dip. However I burn through to the next atmosphere, let your dear face be the last thing I see. Whether writing poems about North American life and landscape; or love poems; or elegies for family and friends; or poems on serious, debilitating illness and the transformations it can effect—Elise Partridge offers in Chameleon Hours words forged by suffering and courage. Full of wit and empathy, Partridge’s poems draw inspiration from sources as whimsical as tortoises and pontoons, as poignant as a homeless woman taking shelter inside a post office on a winter night, and as deeply personal as her own cancer diagnosis at a young age. Chameleon Hours is a book about the rewards of being reminded of one’s own mortality and the lyric expression of life in all its intensity. “In their ample, embracing, nuanced appetite for sensory experience, [Partridge’s] poems achieve an ardent, compassionate and unsentimental vision.”—Robert Pinsky, Washington Post “Partridge’s impressive poems pursue a careful thinker’s yearning for abandon, a loyal friend and partner’s wish for change. Attentive to fact, to what she sees and knows, Partridge nonetheless makes space for what is wild, outside and within us—for the fears and the blanks of chemotherapy, for sharp variations within (and without) frames of metre and rhyme, and for the welcome consistencies of married love. She has learned detail-work, and patience, from Elizabeth Bishop, but she has made other virtues her own: riffs on familiar phrases open startling vistas and even her love poems get attractively practical. Hers is a welcome invitation: let’s listen in.”—Stephen Burt “Reading Chameleon Hours, I find myself marveling at the luck of each heron, mosquito, field of Queen Anne’s Lace, each person, place, thing or circumstance in this beautiful book, to have Elise Partridge’s exquisite and precise attention. And how lucky we are to get to listen in as she offers each of them her flawless ear; the book is full of understated sonic gems like ‘a kickball straight into pink lilac.’ In ‘Chemo Side Effects: Memory,’ after describing ‘groping in the thicket’ for ‘the word I want . . . scrabbling like a squirrel on the oak’s far side,’ she tells us ‘I could always pull the gift / from the lucky-dip barrel; scoop the right jewel / from my dragon’s trove. . . .’ We of course already know this. It’s evident in every one of these poems.”—Jacqueline Osherow Praise for Fielder’s Choice “Partridge is a technical wizard for whom thinking and feeling are not separate activities. She is a hawk-like observer of the particular . . . many times ascending to pitch-perfect verse.”—Ken Babstock, Globe and Mail (Canada)
Elise Partridge’s The Exiles’ Gallery extends the range of her widely acclaimed earlier books, Fielder’s Choice and Chameleon Hours, praised as “first-rate” (James Pollock) for their “authenticity” (Stephanie Bolster) and “brilliant precisions that reflect life’s plenitude” (Rosanna Warren). Widely praised for her engagement and her attention to craft, Elise Partridge’s The Exiles’ Gallery confirms her standing as one of the most thoughtful, authentic voices in contemporary poetry. The poems in her third collection continue to explore what she has called “implicit questions about fullness of life or lives somehow thwarted, diminished, ended too early.” Through formal technique, painterly detail or her signature compressed directness, Partridge’s poems explore the past, present and future with compassion and grief, bearing witness to our not-so-still, all-too-brief lives. Above all, The Exiles’ Gallery is a book of celebration. In these restless, nimble, and complex poems of apprehension — whether by a candid glance backward at childhood or through tributes to friends — Partridge’s arresting images and diction give shape to the complexity and abundance of experience, made more luminous and gilt-edged by the corridor of encroaching shadows. Dispossessed but defiant, these are songs of preservation and love.
Elise Partridge’s The Exiles’ Gallery extends the range of her widely acclaimed earlier books, Fielder’s Choice and Chameleon Hours, praised as “first-rate” (James Pollock) for their “authenticity” (Stephanie Bolster) and “brilliant precisions that reflect life’s plenitude” (Rosanna Warren). Widely praised for her engagement and her attention to craft, Elise Partridge’s The Exiles’ Gallery confirms her standing as one of the most thoughtful, authentic voices in contemporary poetry. The poems in her third collection continue to explore what she has called “implicit questions about fullness of life or lives somehow thwarted, diminished, ended too early.” Through formal technique, painterly detail or her signature compressed directness, Partridge’s poems explore the past, present and future with compassion and grief, bearing witness to our not-so-still, all-too-brief lives. Above all, The Exiles’ Gallery is a book of celebration. In these restless, nimble, and complex poems of apprehension — whether by a candid glance backward at childhood or through tributes to friends — Partridge’s arresting images and diction give shape to the complexity and abundance of experience, made more luminous and gilt-edged by the corridor of encroaching shadows. Dispossessed but defiant, these are songs of preservation and love.
The first collection of poems spanning the beloved Canadian poet's short but dazzling career. Elise Partridge’s poetry has been widely admired for its scrupulous truth to life and meticulous, glittering craft. Whether writing about family and friends, the natural world and the daily round, or serious illness, Partridge was, as Rosanna Warren has said, “a poet of brilliant precisions. Each line represents a new, glinting angle of thought. . . . The result is an art of eerie compassion and an almost hyper-realist perception of the small.” This new collection includes all the poems that Partridge prepared for publication during her lifetime as well as a selection of uncollected or unpublished poems.
From Ways of Going for Steve Will it be like paragliding— gossamer takeoff, seedlike drifting down into a sunlit, unexpected grove? Or ski-jumping—headlong soaring, ski-tips piercing clouds, crystal revelations astonishing my goggles? . . . . Skittery flicker of a glare-weary lizard startled into the sheltering wings of a leaf, rusting freighter with a brimming hold shimmering onto a crimson edge. . . . Sad rower pushed from shore, I'll disappear like circles summoned by an oar's dip. However I burn through to the next atmosphere, let your dear face be the last thing I see. Whether writing poems about North American life and landscape; or love poems; or elegies for family and friends; or poems on serious, debilitating illness and the transformations it can effect—Elise Partridge offers in Chameleon Hours words forged by suffering and courage. Full of wit and empathy, Partridge’s poems draw inspiration from sources as whimsical as tortoises and pontoons, as poignant as a homeless woman taking shelter inside a post office on a winter night, and as deeply personal as her own cancer diagnosis at a young age. Chameleon Hours is a book about the rewards of being reminded of one’s own mortality and the lyric expression of life in all its intensity. “In their ample, embracing, nuanced appetite for sensory experience, [Partridge’s] poems achieve an ardent, compassionate and unsentimental vision.”—Robert Pinsky, Washington Post “Partridge’s impressive poems pursue a careful thinker’s yearning for abandon, a loyal friend and partner’s wish for change. Attentive to fact, to what she sees and knows, Partridge nonetheless makes space for what is wild, outside and within us—for the fears and the blanks of chemotherapy, for sharp variations within (and without) frames of metre and rhyme, and for the welcome consistencies of married love. She has learned detail-work, and patience, from Elizabeth Bishop, but she has made other virtues her own: riffs on familiar phrases open startling vistas and even her love poems get attractively practical. Hers is a welcome invitation: let’s listen in.”—Stephen Burt “Reading Chameleon Hours, I find myself marveling at the luck of each heron, mosquito, field of Queen Anne’s Lace, each person, place, thing or circumstance in this beautiful book, to have Elise Partridge’s exquisite and precise attention. And how lucky we are to get to listen in as she offers each of them her flawless ear; the book is full of understated sonic gems like ‘a kickball straight into pink lilac.’ In ‘Chemo Side Effects: Memory,’ after describing ‘groping in the thicket’ for ‘the word I want . . . scrabbling like a squirrel on the oak’s far side,’ she tells us ‘I could always pull the gift / from the lucky-dip barrel; scoop the right jewel / from my dragon’s trove. . . .’ We of course already know this. It’s evident in every one of these poems.”—Jacqueline Osherow Praise for Fielder’s Choice “Partridge is a technical wizard for whom thinking and feeling are not separate activities. She is a hawk-like observer of the particular . . . many times ascending to pitch-perfect verse.”—Ken Babstock, Globe and Mail (Canada)
“With quirky characters reminiscent of Janet Evanovich’s Stephanie Plum series and a small-town heroine redolent of Charlaine Harris’ Sookie Stackhouse” (RT Book Reviews), Elise Sax’s irresistible Matchmaker series blends a red-hot love triangle with captivating murder mysteries and a generous helping of hilarity. Now the first three novels featuring the unforgettable Gladie Burger are together in one convenient ebook bundle: AN AFFAIR TO DISMEMBER MATCHPOINT LOVE GAME Three months has been Gladie Burger’s limit when it comes to staying in one place. That’s why Gladie is more than a little skeptical when her eccentric Grandma Zelda recruits her into the family’s matchmaking business in the quaint small town of Cannes, California. What’s more, Gladie is also highly unqualified, having a terrible track record with romance. Still, Zelda is convinced that her granddaughter has “the gift.” But when the going gets tough, Gladie wonders if this gift has a return policy. When Zelda’s neighbor drops dead in his kitchen, Gladie is swept into his bizarre family’s drama. Despite warnings from the (distractingly gorgeous) chief of police to steer clear of his investigation, Gladie is out to prove that her neighbor’s death was murder. It’s not too long before she’s in way over her head—with the hunky police chief, a dysfunctional family full of possible killers, and yet another mysterious and handsome man, whose attentions she’s unable to ignore. Gladie is clearly being pursued—either by true love or by a murderer. Who will catch her first? Praise for the Matchmaker series “Elise Sax will win your heart.”—New York Times bestselling author Jill Shalvis “Sax will make you laugh. Her larger-than-life characters jump off the page and make crazy seem like a fun place to hang out.”—New York Times bestselling author Christie Craig “Fans of laugh-out-loud romantic suspense will enjoy this new author as she joins the ranks of Janet Evanovich, Katie MacAllister, and Jennifer Crusie.”—Booklist, on An Affair to Dismember “A lighthearted and amusing caper with a sexy side order of romance . . . Gladie is an endearing mess of a character, and the book is fast-paced and amusing, with a large cast of quirky, small-town characters.”—Kirkus Reviews, on Matchpoint “There’s plenty for fans to enjoy in Sax’s third Matchmaker installment, complete with energetic narration, zany humor and a mystery that’s as engaging as the details of Gladie’s love life.”—RT Book Reviews, on Love Game
Lovably troublesome Gladie Burger runs into sizzling danger and a fiery love triangle in the second installment of Elise Sax’s hilarious and sexy Matchmaker romance series. Since joining the family matchmaking business run by her eccentric Grandma Zelda, Gladie is always looking for love. But when an unbearable toothache knocks her out of commission and into the dentist’s chair, she prays only for relief. No such luck. Emerging from an anesthetic haze, Gladie awakes to find that not only is her tooth still throbbing, but her dentist is dead—and the lead suspect in the murder, office receptionist Belinda, just so happens to be Gladie’s first real client. Now it’s up to Gladie to find Belinda a man and keep her from being locked up behind bars. As if that weren’t enough distraction, two gorgeous men are vying for Gladie’s attention: Spencer, the playboy chief of police, and Holden, Gladie’s secretive, gorgeously muscled neighbor. Still, Gladie’s not complaining about having a helping hand or two when the case leads her to a dangerously bizarre cult. She may have met her match—and if she’s not careful, it could be her last. Praise for Elise Sax and Matchpoint “Elise Sax will win your heart.”—New York Times bestselling author Jill Shalvis “With quirky characters reminiscent of Janet Evanovich’s Stephanie Plum series and a small-town heroine redolent of Charlaine Harris’ Sookie Stackhouse, Sax’s second Matchmaker novel will no doubt delight fans and new readers alike. With its charming cast and an intriguing mystery, this fast-paced, zany story provides great fun and features some impressive ingenuity. The love triangle woven into the plot adds an amusing diversion to the main story and will keep readers gleefully trying to guess whodunit.”—RT Book Reviews “Sax’s second novel is a fun, funny romp of a mystery mixed with a sexy love triangle. Gladie is an endearing mess of a character, and the book is fast-paced and amusing, with a large cast of quirky, small-town characters that flesh out a well-crafted, entertaining storyline. A lighthearted and amusing caper with a sexy side order of romance.”—Kirkus Reviews “A cheeky series that has plenty of romantic complications, danger and humor to keep pages going!”—The Parkersburg News and Sentinel “Elise Sax will make you laugh. Her larger-than-life characters jump off the page and make crazy seem like a fun place to hang out.”—New York Times bestselling author Christie Craig From the Paperback edition.
Unjust enrichment is one of the least understood of the major branches of private law. This book builds on the 2006 work by the same authors, which examined the developing law of unjust enrichment in Australia. The refinement of the authors' thinking, responding to novel issues and circumstances that have arisen in the maturing case law, has required many chapters of the book to be completely rewritten. The scope of the book is also much broader. It concerns the principles of the law of unjust enrichment in Australia, New Zealand, England and Canada. Major decisions of the highest courts of these jurisdictions in the last decade provide a fertile basis for examining the underlying principles and foundations of this subject. The book uses the leading cases, particularly in England and Australia, to distil and explain the fundamental principles of this branch of private law. The cases discussed are current as of 1 May 2016 although the most recent could only be included in footnotes.
Filled with short, succinct chapters written by experts in the field of Adolescent Medicine, this handbook covers the major health issues that practicing clinicians regularly encounter in the care of teens and young adults. From menstrual concerns and sexually transmitted infections, anxiety disorders and depression, to eating disorders and common sports medicine concerns, this book is an ideal reference guide for busy clinical practices. Students, residents, and established clinicians alike will find the OC Adolescent PearlsOCO section of each chapter particularly useful.
Originally written in the early 1970s, As I Remember Them is based on Jeanne-Elise Olsens extraordinary recall of her childhood and youth spent in an isolated part of the Laurentians in the Lièvre River Valley in the early twentieth century. She recounts how the Church lifted the ban, but only on specific conditions, one of which was for the family to leave Quebec.
If you liked Sold on a Monday and Beautiful Exiles, you'll love this novel about strong-willed trailblazing photographer, Dorothea Lange, whose fame grew during World War II and the Great Depression. “Hooper excels at humanizing giants....seamlessly weaving together the time, places and people in Lange’s life...For photo buffs and others familiar with her vast body of work, reading the book will be like discovering the secret backstory of someone they thought they knew.” —The Washington Post In 1918, a fearless twenty-two-year old arrives in bohemian San Francisco from the Northeast, determined to make her own way as an independent woman. Renaming herself Dorothea Lange she is soon the celebrated owner of the city’s most prestigious and stylish portrait studio and wife of the talented but volatile painter, Maynard Dixon. By the early 1930s, as America’s economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the United States enters World War II, Dorothea chooses to confront another injustice—the incarceration of thousands of innocent Japanese Americans. At a time when women were supposed to keep the home fires burning, Dorothea Lange, creator of the most iconic photographs of the 20th century, dares to be different. But her choices came at a steep price…
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