Children in the Marshall Islands do many things that adults do not. They walk around half naked. They carry and eat food in public without offering it to others. They talk about things they see rather than hiding uncomfortable truths. They explicitly refuse to give. Why do they do these things? Many think these behaviors are a natural result of children's innate immaturity. But Elise Berman argues that children are actually taught to do things that adults avoid: to be rude, inappropriate, and immature. Before children learn to be adults, they learn to be different from them. Berman's main theoretical claim therefore is also a novel one: age emerges through interaction and is a social production. In Talking Like Children, Berman analyzes a variety of interactions in the Marshall Islands, all broadly based around exchange: adoption negotiations, efforts to ask for or avoid giving away food, contentious debates about supposed child abuse. In these dramas both large and small, age differences emerge through the decisions people make, the emotions they feel, and the power they gain. Berman's research includes a range of methods -- participant observation, video and audio recordings, interviews, children's drawings -- that yield a significant corpus of data including over 80 hours of recorded naturalistic social interaction. Presented as a series of captivating stories, Talking Like Children is an intimate analysis of speech and interaction that shows what age means. Like gender and race, age differences are both culturally produced and socially important. The differences between Marshallese children and adults give both groups the ability to manipulate social life in distinct but often complementary ways. These differences produce culture itself. Talking Like Children establishes age as a foundational social variable and a central concern of anthropological and linguistic research.
Children in the Marshall Islands do many things that adults do not. They walk around half naked. They carry and eat food in public without offering it to others. They talk about things they see rather than hiding uncomfortable truths. They explicitly refuse to give. Why do they do these things? Many think these behaviors are a natural result of children's innate immaturity. But Elise Berman argues that children are actually taught to do things that adults avoid: to be rude, inappropriate, and immature. Before children learn to be adults, they learn to be different from them. Berman's main theoretical claim therefore is also a novel one: age emerges through interaction and is a social production. In Talking Like Children, Berman analyzes a variety of interactions in the Marshall Islands, all broadly based around exchange: adoption negotiations, efforts to ask for or avoid giving away food, contentious debates about supposed child abuse. In these dramas both large and small, age differences emerge through the decisions people make, the emotions they feel, and the power they gain. Berman's research includes a range of methods -- participant observation, video and audio recordings, interviews, children's drawings -- that yield a significant corpus of data including over 80 hours of recorded naturalistic social interaction. Presented as a series of captivating stories, Talking Like Children is an intimate analysis of speech and interaction that shows what age means. Like gender and race, age differences are both culturally produced and socially important. The differences between Marshallese children and adults give both groups the ability to manipulate social life in distinct but often complementary ways. These differences produce culture itself. Talking Like Children establishes age as a foundational social variable and a central concern of anthropological and linguistic research.
In present-day Japan Ainu, women create spaces of cultural vitalization in which they can move between “being Ainu” through their natal and affinal relationships and actively “becoming Ainu” through their craftwork. They craft these spaces despite the specter of loss that haunts the efforts of former colonial subjects, like Ainu, to reconnect with their pasts. The author synthesizes ethnographic field research, museum and archival research, and participation in cultural-revival and rights-based organizing to show how women craft Ainu and indigenous identities through clothwork and how they also fashion lived connections to ancestral values and lifestyles. She examines the connections between the transnational dialogue on global indigeneity and multiculturalism, material culture, and the social construction of gender and ethnicity in Japanese society, and she proposes new directions for the study of settler colonialism and indigenous mobilization in other Asian and Pacific nations.
Maddy Braverman, thirty and single, has taught first grade at an uber-elite private school in Greenwich Village for the past six years, a hip downtown school lauded as much for its progressive pedagogy as its privileged progeny—and its multitude of sex-crazed staff—including the headmaster, aka the Head Molester. Angry at herself for not moving on, Maddy gets distracted from her pity party with a new student, Lola Magdalena—daughter of A-list celebrities Nic and Shelby Seabolt—a last-minute addition to her class roster. When tragedy strikes Lola, Maddy has the chance to meet with Nic in his TriBeCa apartment. Maddy’s sexy celebrity fantasies turn to reality, leaving her breathless and spellbound. But from her front-row vantage point, Maddy learns the hard way that celebrity is not all it seems, and gets dealt a devastating blow that could leave her jobless, loveless, and alone. If she could just see things clearly, she could save herself from going Star Craving Mad.
In Second Rain, Elise Hempel gleans anecdotes of uncommon poignancy from the seemingly commonplace, and crafts them into memorable poems. Family settings and the world of nature are captured and shaped into insight through the poet’s discerning eyes: here an only child in her room with a lone and captive katydid; here a feisty grandmother in the hospital; here a father fond of household projects, building two swimming pools, a basketball hoop in the driveway, and transforming the yard into a skating rink. This inspirational debut collection, charged with nostalgia and longing, is fittingly finalist in the 2015 Able Muse Book Award. PRAISE FOR SECOND RAIN: The apparently domestic poems in Second Rain (poems about family, gardening, dogs, birds, and a few memorable tigers) deliver enough controlled intensity “to shake the trees all down.” A special gift of Elise Hempel’s art is to evoke and suggest passions without spelling them out; we readers get to unscramble the anagram, to find the ache—and our own corresponding ache—beneath the poised surface. —Rachel Hadas, author of Questions in the Vestibule [Elise Hempel’s] curiosity and insights singled her out as special, but her ability to shape her feelings into words remains what I find most unique . . . From the opening title poem on, this is a book about the often ignored, simple gifts that come to us, like “the second rain that comes/ when the first is over,” that “gentle scattering of drops” the breeze shakes down from the trees and “briefly blesses you.” —Bruce Guernsey (from the foreword), author of From Rain: Poems, 1970–2010 From the title poem on, Elise Hempel’s Second Rain matches form with feeling, delivering insights that seem at once inevitable and necessary. Her sense of the sonnet—its grace and shape—lends quiet force to what’s remembered and observed, from a pet shop crow to memories of now-absent loved ones, mother-daughter conflicts to the ambiguities of language itself. Like the flock of geese described in one poem here, Hempel’s collection succeeds in many “different keys.” —James Scruton, author of Thrift Through admirably controlled and marvelously controlling language, the compressed imagery in Elise Hempel’s powerfully compact poems subtly evokes emotional responses, while the poet also smartly engages readers with an authentic and persuasive voice. Indeed, to borrow a phrase from the eighth and final line in the collection’s title poem, each piece in Second Rain “briefly blesses you.” —Edward Byrne, author of Seeded Light
An extraordinary illustrated chronicle of 2020 that captures this indelible year in America in all its tragic, surreal, epic, and (sometimes) comedic intensity Artist Elise Engler set herself a task five years ago: to illustrate the first headline she heard on her bedside radio every morning. The idea was to create a pictorial record of one year of listening to the news. But when Donald Trump was elected, the headlines turned too wild for her to stop the experiment. Then 2020 happened. Was there ever such a year? Headlines about the death of Kobe Bryant and Donald Trump's impeachment began to give way to news of a mysterious virus in China, and Engler’s pages were quickly filled with the march of COVID-19: schools closing their doors, hospitals overflowing, graveyards full to capacity. Day by day, Engler drew every shocking turn of the year: the police murder of George Floyd and protests around the globe; a war against science and those who preached it; fires consuming California; a vicious election, absurdly contested. Other stories appeared, too: “Harvey Weinstein Sentenced,” “Ruth Bader Ginsburg Hospitalized,” “China Extends Control over Hong Kong,” and—on repeat—“Stock Market Plunges.” The result is a powerful visual record of an unprecedented time, collected in A Diary of the Plague Year, which follows the headlines from the first appearance of the coronavirus to the inauguration of President Joe Biden. Made in real time, Engler’s vibrant, immediate images recapture what it was like to live through 2020, bringing texture, feeling, and even charm to what we might not remember and what we will never forget.
The arts and arts management exist in every corner of the world, from the largest city to the smallest town. However, just as a metropolis and a hamlet bear little resemblance to each other despite similar basic needs, arts organizations in the former frequently bear little resemblance to those in the latter, and many foundational arts management texts give little attention to rural settings. This book combines insights from research and practice to fill that knowledge gap and help readers understand arts administration in rural communities. Focusing on the North American setting but including comparative examples and references from around the world, this book examines how areas of practice familiar to any arts manager work in rural areas, including research and best practices for navigating the paucity of resources frequently encountered in rural communities. Emphasizing a “by rural, for rural” perspective, this book frames the arts as integral components of vibrant rural communities and valuable tools for meeting these communities’ needs. Written by arts and nonprofit management professors with backgrounds in rural arts research and practice, this book provides a valuable resource for scholars, advanced students and reflective practitioners at the intersection of the arts and rural studies.
The essays in this edited volume, written in English and French, tackle the intriguing problems of fear and safety by analysing their various meanings and manifestations in literature and other narrative media. The articles bring forth new, cross-cultural interpretations on fear and safety through examining what kinds of genre-specific means of world-making narratives use to express these two affectivities. The articles also show how important it is to study these themes in order to understand challenges in times of global threats, such as the climate crisis. The main themes of the book are approached from various theoretical perspectives as related to their literary and cultural representations. Recent trends in research, such as affect and risk theory, serve as the basis for the discussion. The articles in the volume also draw from disciplines such as gender studies and trauma studies to examine the threats posed by collective fears and aggression on individuals' lives and propose ways of coping with fear. These themes are addressed also in articles analysing new adaptations of old myths that retell stories of the past. Many of the articles in the volume discuss apocalyptic and dystopian narratives that currently permeate the entire cultural landscape. Dystopian narratives do not only deal with future threats, such as totalitarianism, technocracy, or environmental disasters, but also suggest alternative ways of being and new hopes in the form of political resistance.
Psychology for Sustainability, 4th Edition -- known as Psychology of Environmental Problems: Psychology for Sustainability in its previous edition -- applies psychological theory and research to so-called "environmental" problems, which actually result from human behavior that degrades natural systems. This upbeat, user-friendly edition represents a dramatic reorganization and includes a substantial amount of new content that will be useful to students and faculty in a variety of disciplines—and to people outside of academia, as well. The literature reviewed throughout the text is up-to-date, and reflects the burgeoning efforts of many in the behavioral sciences who are working to create a more sustainable society. The 4th Edition is organized in four sections. The first section provides a foundation by familiarizing readers with the current ecological crisis and its historical origins, and by offering a vision for a sustainable future.The next five chapters present psychological research methods, theory, and findings pertinent to understanding, and changing, unsustainable behavior. The third section addresses the reciprocal relationship between planetary and human wellbeing and the final chapter encourages readers to take what they have learned and apply it to move behavior in a sustainable direction. The book concludes with a variety of theoretically and empirically grounded ideas for how to face this challenging task with positivity, wisdom, and enthusiasm. This textbook may be used as a primary or secondary textbook in a wide range of courses on Ecological Psychology, Environmental Science, Sustainability Sciences, Environmental Education, and Social Marketing. It also provides a valuable resource for professional audiences of policymakers, legislators, and those working on sustainable communities.
Filled with short, succinct chapters written by experts in the field of Adolescent Medicine, this handbook covers the major health issues that practicing clinicians regularly encounter in the care of teens and young adults. From menstrual concerns and sexually transmitted infections, anxiety disorders and depression, to eating disorders and common sports medicine concerns, this book is an ideal reference guide for busy clinical practices. Students, residents, and established clinicians alike will find the OC Adolescent PearlsOCO section of each chapter particularly useful.
This volume opens a new perspective on the thriving area of research on the imagined North by studying emotions in the light of case studies in Finnish literature. It addresses the cultural history of Arctic hysteria and maps other strange emotions depicted and evoked in literature of the Finnish North. The case studies range from the works of internationally renowned authors, such as Rosa Liksom, Emmi Itäranta and Tove Jansson, to the affectively controversial and provocative writings of Timo K. Mukka, Marko Tapio and Pentti Linkola. By focusing on the imagined North in the literature of modernism and late modernity, the authors offer fresh views on experiences of modernisation and the changing Northern environment in the age of the Anthropocene. The book is intended for scholars and students in literary studies, together with everyone interested in the imagined North and emotion, Finnish literature and culture.
A treasure trove of information, "American Opera" sketches musical traits and provides plot summaries, descriptions of sets and stagings, and biographical details on performers, composers, and librettists for more than 100 American operas. 86 photos.
2010 Outreach Magazine Resource of the Year award winner: justice category Every day we are confronted by challenging societal problems, from poverty and institutional racism to AIDS and homelessness. It can all seem so overwhelming. But while none of us can do everything, all of us can do something. This handbook will help you discover what you can do. Mae Elise Cannon provides a comprehensive resource for Christians like you who are committed to social justice. She presents biblical rationale for justice and explains a variety of Christian approaches to doing justice. Tracing the history of Christians in social engagement, she lifts out role models and examples from the Great Awakenings to the civil rights movement. A wide-ranging catalog of topics and issues give background info about justice issues at home and abroad, such as sex trafficking domestic violence living wage initiatives debt relief environmental stewardship bioethics and much, much more This handbook includes dozens of practical exercises for taking action, as well as profiles of key figures and movements like William Wilberforce, the Salvation Army and Bono, highlighting how Christians and churches can make a difference. Also included are spiritual practices and resources to help us move from immobility to advocacy. God has always worked through his people to accomplish improbable tasks, and he can use you too. This handbook will be an essential companion for living justly, loving mercy and walking humbly with your God.
Natalie Price, who first appeared in Elise Title's acclaimed Killing Time, runs Horizon House, a halfway house for about-to-be-released convicts in the Massachusetts prison system. A young woman in a man's world, Nat is constantly under the gun - sometimes literally - to keep things running safely for inmates and employees. The lastest inmate to enter Horizon House is Lynn Ingram, a transsexual who was convicted of manslaughter but always claimed self-defense. Her trial a few years earlier was a media circus, and the press attention has started back up since the news of her transfer. Just days into her transfer, Lynn is beaten into a coma. Nat is fiercely determined to protect her charge and discover what happened, and begins to look deeper into Lynn's life with the help of Boston Homicide Detective Leo Coscarelli, with whom Nat is more emotionally involved than maybe she should be, seeing as how the mother of Leo's child is also one of the inmates at Horizon House. Before they can get very far in their investigation, though, it begins to seem that Natalie and Leo have a determined killer on their hands, and more than Lynn's life is at stake.
A CounterPunch Best Book of the Year A Lone Star Policy Institute Recommended Book “If you care, as I do, about disrupting the perverse politics of criminal justice, there is no better place to start than Prisoners of Politics.” —James Forman, Jr., author of Locking Up Our Own The United States has the highest rate of incarceration in the world. The social consequences of this fact—recycling people who commit crimes through an overwhelmed system and creating a growing class of permanently criminalized citizens—are devastating. A leading criminal justice reformer who has successfully rewritten sentencing guidelines, Rachel Barkow argues that we would be safer, and have fewer people in prison, if we relied more on expertise and evidence and worried less about being “tough on crime.” A groundbreaking work that is transforming our national conversation on crime and punishment, Prisoners of Politics shows how problematic it is to base criminal justice policy on the whims of the electorate and argues for an overdue shift that could upend our prison problem and make America a more equitable society. “A critically important exploration of the political dynamics that have made us one of the most punitive societies in human history. A must-read by one of our most thoughtful scholars of crime and punishment.” —Bryan Stevenson, author of Just Mercy “Barkow’s analysis suggests that it is not enough to slash police budgets if we want to ensure lasting reform. We also need to find ways to insulate the process from political winds.” —David Cole, New York Review of Books “A cogent and provocative argument about how to achieve true institutional reform and fix our broken system.” —Emily Bazelon, author of Charged
NEW YORK TIMES BESTSELLER • A groundbreaking exploration of the ancient rules women unwittingly follow in order to be considered “good,” revealing how the Seven Deadly Sins still control and distort our lives and illuminating a path toward a more balanced, spiritually complete way to live Why do women equate self-denial with being good? We congratulate ourselves when we resist the donut in the office breakroom. We celebrate our restraint when we hold back from sending an email in anger. We feel virtuous when we wake up at dawn to get a jump on the day. We put others’ needs ahead of our own and believe this makes us exemplary. In On Our Best Behavior, journalist Elise Loehnen explains that these impulses—often lauded as unselfish, distinctly feminine instincts—are actually ingrained in us by a culture that reaps the benefits, via an extraordinarily effective collection of mores known as the Seven Deadly Sins. Since being codified by the Christian church in the fourth century, the Seven Deadly Sins—pride, greed, lust, envy, gluttony, wrath, and sloth—have exerted insidious power. Even today, in our largely secular, patriarchal society, they continue to circumscribe women’s behavior. For example, seeing sloth as sinful leads women to deny themselves rest; a fear of gluttony drives them to ignore their appetites; and an aversion to greed prevents them from negotiating for themselves and contributes to the 55 percent gender wealth gap. In On Our Best Behavior, Loehnen reveals how we’ve been programmed to obey the rules represented by these sins and how doing so qualifies us as “good.” This probing analysis of contemporary culture and thoroughly researched history explains how women have internalized the patriarchy, and how they unwittingly reinforce it. By sharing her own story and the spiritual wisdom of other traditions, Loehnen shows how we can break free and discover the integrity and wholeness we seek.
This book presents more than 1,000 entries organized in twenty-six major categories in the fields of conflict and peace studies. It focuses on global systems and covers the structures and processes of conflict and peacemaking as they apply at every level from interpersonal to international.
Packed with travel information, including listings, deals, and insider tips: CANDID LISTINGS of hundreds of places to eat, sleep, drink, and dance. RELIABLE MAPS of cities, regions, parks, and transportation. All-new THEMED ITINERARIES take you from coast to coast. The INSIDE SCOOP on the best bars, clubs, festivals, and live entertainment. Brand-new AMERICANA COVERAGE highlighting the unique American experience. Thrilling OPPORTUNITIES to study, work, or volunteer. Tips on getting the most out of THE GREAT OUTDOORS.
The volume presents the results of a research project (named “Legafight”) funded by the Luxembourg Fond National de la Recherche in order to verify if and how digital tracing applications could be implemented in the Grand-Duchy in order to counter and abate the Covid-19 pandemic. This inevitably brought to a deep comparative overview of the various existing various models, starting from that of the European Union and those put into practice by Belgium, France, Germany and Italy, with attention also to some Anglo-Saxon approaches (the UK and Australia). Not surprisingly the main issue which had to be tackled was that of the protection of the personal data collected through the tracing applications, their use by public health authorities and the trust laid in tracing procedures by citizens. Over the last 18 months tracing apps have registered a rise, a fall, and a sudden rebirth as mediums devoted not so much to collect data, but rather to distribute real time information which should allow informed decisions and be used as repositories of health certifications.
You'll never fall into the tourist traps when you travel with Frommer's. It's like having a friend show you around, taking you to the places locals like best. Our expert authors have already gone everywhere you might go -- they've done the legwork for you, and they're not afraid to tell it like it is, saving you time and money. No other series offers candid reviews of so many hotels and restaurants in all price ranges. Every Frommer's Travel Guide is up-to-date, with exact prices for everything, dozens of color maps, and exciting coverage of sports, shopping, and nightlife. You'd be lost without us! Thoroughly updated every year (unlike most of the competition), Frommer's Washington, D.C. features gorgeous color photos of the monuments and memorials, sights and experiences that await you. Our expert author, a longtime resident, hits all the highlights, from the Smithsonian to springtime's glorious cherry blossoms. She's checked out all the city's best hotels and restaurants in person, and will help you find the choices that suit your tastes and budget. Her honest and opinionated dining reviews encompass everything from the best power lunch spots to family-friendly choices, from affordable ethnic spots to trendy bistros opened by D.C.'s hottest new chefs. Our complete sightseeing guide offers fascinating background stories and practical logistical tips. Look for up-to-the-minute coverage of shopping and nightlife; detailed walking tours; accurate neighborhood maps; and side trips to Mount Vernon and Alexandria. You'll even get a color fold-out map and an online directory that makes trip-planning a snap!
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