When Elisabeth Sladen debuted as journalist Sarah Jane Smith in 1973 Doctor Who story ‘The Time Warrior’, she had no idea that the character would become one of the most popular in the series’ history. When she quit the TARDIS in 1976, having traversed space and time alongside Jon Pertwee and Tom Baker, the story was front page news. But you don’t just walk away from the Doctor. Elisabeth reprised her role many times, and went on to tour the weird and wonderful world of Doctor Who fandom. So when TV wunderkind Russell T. Davies approached her to come back again, this time to a show backed by multi-million pound budgets and garlanded with critical plaudits, how could she refuse? Completed only months before her death in April 2011, Elisabeth’s memoir is funny, ridiculous, insightful and entertaining, and a fitting tribute to a woman who will be sadly missed by millions.
When Elisabeth Sladen debuted as journalist Sarah Jane Smith in 1973 Doctor Who story ‘The Time Warrior’, she had no idea that the character would become one of the most popular in the series’ history. When she quit the TARDIS in 1976, having traversed space and time alongside Jon Pertwee and Tom Baker, the story was front page news. But you don’t just walk away from the Doctor. Elisabeth reprised her role many times, and went on to tour the weird and wonderful world of Doctor Who fandom. So when TV wunderkind Russell T. Davies approached her to come back again, this time to a show backed by multi-million pound budgets and garlanded with critical plaudits, how could she refuse? Completed only months before her death in April 2011, Elisabeth’s memoir is funny, ridiculous, insightful and entertaining, and a fitting tribute to a woman who will be sadly missed by millions.
How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization. Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde. Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.
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