Rex Mansfield and Elisabeth Mansfield live in Tennessee. Marshall Terrill is the author of Steve McQueen: Portrait of an American Rebel and Flight of the Hawk: The Aaron Pryor Story. Zoe Terrill is a pop culture historian. They live in Mesa, Arizona.
D. H. Lawrence's Women in Love - 'the beginning of a new world', as he called it - suffered in the course of its revision, transcription, and publication some of the most spectacular damage ever inflicted upon one of his books. Until now no text of Women in Love has ever been published which is faithful to all of Lawrence's revisions. This edition, edited by scholars in England and America, clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as he himself created it. The edition includes the 'Foreword' Lawrence wrote in 1919 and two preliminary and discarded chapters which have attracted widespread critical and biographical discussion. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references; the textual apparatus records all variants between the base-text and the first printed editions.
The fourteen short stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-18 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England published in 1922 in the United States and 1924 in Britain. Some of the stories included in this volume are "Tickets Please", "The Blind Man", "Monkey Nuts", "Wintry Peacock", "Hadrian", "Samson and Delilah", "The Primrose Path", "The Horse-Dealer's Daughter", and "The Last Straw". The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible, manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of "England, My England" is given in an appendix.
The Remembering Site makes it easy for anyone, anywhere, to write and publish their life story and add to it as life unfolds. Not everyone is able to leave money, jewelry, or land as an inheritance for their children and their children's children. Everyone, though, can leave the most precious commodity of all--family treasures made of words. The evocative questions on The Remembering Site make this as easy as possible for you.
The Plumed Serpent is set in Mexico in the 1920s, an era of political turmoil, and centres on a revolutionary movement to revive the religion of the ancient Aztecs. The brilliant vision of place, the violent action and the rituals and myth for the new religion all combine to make it one of Lawrence's most vivid novels. The Cambridge edition establishes for the first time a meticulously edited text based on the manuscript, typescript and proof material, nearly all of which survives. Several lengthy passages rejected in the course of composition and here included in the textual apparatus offer a close look at the intricacies of Lawrence's progress toward a final conception of the novel. Full annotation and appendixes on Mexican politics and Aztec religion are also provided to assist in comprehending the often arcane concepts to which Lawrence applied his imaginative power.
Newfoundland songs are diverse in origin. Vast numbers of them come from the British Isles, especially from England and Ireland; many are composed in Newfoundland, usually on English or Irish models; a lesser number of American, Canadian, and French songs are current. The ballads to be found in the Child collection are probably the oldest now sung. Then there are many seventeenth- and eighteenth-century broadside ballads, particularly English, and many nineteenth-century compositions. Such are the backgrounds from which the compilers of this volume have drawn their unusually interesting and delightful collection of ballad texts and ballad music. Expeditions to the island in 1920 and 1929 furnished the tunes; and a genuine interest in folk-literature assured the care and accuracy of the work.
Rex Mansfield and Elisabeth Mansfield live in Tennessee. Marshall Terrill is the author of Steve McQueen: Portrait of an American Rebel and Flight of the Hawk: The Aaron Pryor Story. Zoe Terrill is a pop culture historian. They live in Mesa, Arizona.
In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration. As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans. Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.
Newfoundland songs are diverse in origin. Vast numbers of them come from the British Isles, especially from England and Ireland; many are composed in Newfoundland, usually on English or Irish models; a lesser number of American, Canadian, and French songs are current. The ballads to be found in the Child collection are probably the oldest now sung. Then there are many seventeenth- and eighteenth-century broadside ballads, particularly English, and many nineteenth-century compositions. Such are the backgrounds from which the compilers of this volume have drawn their unusually interesting and delightful collection of ballad texts and ballad music. Expeditions to the island in 1920 and 1929 furnished the tunes; and a genuine interest in folk-literature assured the care and accuracy of the work.
Excellent reading for the business, armchair or individual traveler, this entertaining book provides an excellent overview of New Zealand's Maori culture, geological wonders, national parks and cities in addition to a step-by-step tour of the country. Contains all new color photography. 84 illustrations, 14 maps.
Pulitzer Prize-winning historian C. Vann Woodward and Chesnut's biographer Elisabeth Muhlenfeld present here the previously unpublished Civil War diaries of Mary Boykin Chesnut. The ideal diarist, Mary Chesnut was at the right place at the right time with the right connections. Daughter of one senator from South Carolina and wife of another, she had kin and friends all over the Confederacy and knew intimately its political and military leaders. At Montgomery when the new nation was founded, at Charleston when the war started, and at Richmond during many crises, she traveled extensively during the war. She watched a world "literally kicked to pieces" and left the most vivid account we have of the death throes of a society. The diaries, filled with personal revelations and indiscretions, are indispensable to an appreciation of our most famous Southern literary insight into the Civil War experience.
From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society. The Modern Venus highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources including painted portraiture, satirical prints, diaries, memoirs The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life. With over 125 color images, The Modern Venus is a remarkable resource for scholars, students and costume lovers alike.
This compendium gives an overview of the essential aspects of neuropsychological assessment practice. It is also a source of critical reviews of major neuropsychological assessment tools for the use of the practicing clinician.
Annotation A study of how the physical processes of learning to play a piece of music can enrich and inform the mental process of studying and analyzing the music, using the cello music of Luigi Boccherini as a case study.
Introduction to Public Law is a historical and comparative introduction to public law. The book traces back the origins of the res publica to Roman law and analyzes the course of its development, first during the monarchical age in continental Europe and England, and then during the republican age that began at the end of the eighteenth century with the democratic revolutions in the United States and France. For each period and country, the book analyzes the major concepts of public law and their transformations: sovereignty, the state, the statute, the separation of powers, the public interest, and administrative justice.
Our 81st issue is among our best so far, if I do say so myself. We have an original mystery by H.K. Slade (courtesy of Acquiring Editor Michael Bracken), a great modern tale by Ann Aptaker (courtesy of Acquiring Editor Barb Goffman), and a pair of mystery novels—Bruce Campbell’s The Mystery of the Iron Box, featuring Ken Holt (by special request of one of our readers), and The Girl Who Had to Die, by Elisabeth Sanxay Holding. And no issue would be complete without a solve-it-yourself mystery by Hal Charles. On the science fiction and fantasy side, we have a classic novel by Fritz Leiber: Conjure Wife, originally published in 1943. Don’t miss the introduction, which puts it into historical context. If that’s not enough, we also have an entry in Phyllis Ann Karr’s “Frostflower & Thorn” series and classic science fiction stories by George O. Smith, Kendell Foster Crossen, and Lu Kella. Fun! Here’s this issue’s complete lineup: Mysteries / Suspense / Adventure: “House in the Snow” by H.K. Slade [Michael Bracken Presents short story] “Death Visits Campus” by Hal Charles [Solve-It-Yourself Mystery] “Red Nocturne,” by Ann Aptaker [Barb Goffman Presents short story] The Mystery of the Iron Box, by Bruce Campbell [novel] The Girl Who Had to Die, by Elisabeth Sanxay Holding [novel] Science Fiction & Fantasy: “The Dragon, the Unicorn, and the Teddy Bear,” by Phyllis Ann Karr [Frostflower & Thorn short story] “The Dreamers,” by Lu Kella [short story] “Booby Prize,” by George O. Smith [novelet] “The Agile Algolian,” by Kendell Foster Crossen [novelet] Conjure Wife, by Fritz Leiber [novel]
The travels and observations of Elisabeth Hewes in her retirement years, during the last decade of the 20th century. With contributions by Stephen Butt and John Florance of BBC Radio Leicester During her retirement years, apart from her diaries, Elisabeth Hewes of Ravenstone in Leicestershire, wrote of her many travels, which were often accomplished in just one day. Betty's Travel Journals begin in April 1992 and finish at the end of 2000. They give a vivid insight into her love of life and people; we see familiar things through different eyes and visit unknown places which leave us with a feeling that we must go there ourselves. Travelling by road, rail, or merely on foot, Betty uses only the most salient points to describe her world in rich colours, but always with humour, intelligence and that steadfast sense of belonging and purpose found in her diaries. As Betty counts down to the New Millennium, she meticulously records her high days and holidays. We travel with her the length and breadth of Britain: from Bardon Hill Quarry to Buckingham Palace; from mighty Canterbury Cathedral to Snibston's little St. Mary's; from the most serene and tranquil Lakeland view to the busiest bustling day in the heart of our nation's great capital. Her journals feature hundreds of indexed and detailed entries in which she quotes from sources as diverse as the essays of Dr. Johnson and her local newspaper, each equally as relevant and informative as the next. Betty's Travel Journals are laced together with a strong historical and religious narrative but with an ever watchful eye on history in the making. Her travels were not confined to distance however; the 1990s saw incredible strides made by humankind and Betty documents our world's biggest events in the final years of the twentieth century as they play out alongside her journey through what turned out to be the last decade of her life.
School Success for Kids With Emotional and Behavioral Disorders gives parents and teachers of students with Conduct Disorder, Oppositional Defiant Disorder, mood disorders, or other emotional and behavioral disorders the strategies they need to help these kids overcome their struggles and find success in school. Based on the experiences of psychologists and educators working with kids with these disorders, this book provides help for children needing to control their emotional outbursts and strategies to teach kids to monitor, review, and change their behaviors. The chapters cover topics such as managing the classroom, dealing with struggles with homework, choosing from options such as time out or restraint to control behavior, helping kids develop self-advocacy strategies and independence, and planning services and accommodations for these disorders. The book also includes multiple tools for parents and teachers to reproduce and use immediately to help their students with emotional and behavioral problems overcome their challenges.
Provides an in-depth review of current print and electronic tools for research in numerous disciplines of biology, including dictionaries and encyclopedias, method guides, handbooks, on-line directories, and periodicals. Directs readers to an associated Web page that maintains the URLs and annotations of all major Inernet resources discussed in th
The First Mystery Novel MEGAPACKTM presents four classic mysteries by top crime writers. Here are: The Red Bishop, by Howard Mason ... A wild chase through Europe...a castle on the Rhine...some very fancy corpses...a racing columnist who suddenly finds himself a Peer of the Realm... These are the unlikely ingredients that make this book at once hair-raising and light-hearted! Reclining Figure, by Marco Page ... Lucas Edgerton, arbitary and capricious eccentric, brings in Ellis Blaise, a young New York art dealer, to sell some of his art collection for tax purposes. Thefts from the collection, the sensational forgery of a priceless Renoir, and the puzzling murder of Lucas's son force Blaise into a perilous investigation! The Case of the 16 Beans, by Harry Stephen Keeler ... Why did old Balhatchet Barkstone, on dying, leave his nephew 16 beans? And why did Boyce Barkstone, his heir, hold on to the beans? Why did Hu Fong, a Chinese detective, come to the conclusion that a poverty-stricken hermit was murdered for an article of great value, and what might that article be? These are only a few of the seemingly insoluble riddles which Keeler answers in his own inimitable manner! The Girl Who Had to Die, by By Elisabeth Sanxay Holding ... 19-year-old Jocelyn is convinced she's going to be murdered, and accuses John Killian, a young man she met on a cruise ship, of throwing her overboard. But there are a lot of people who seem to hate Jocelyn...and Killian starts to wonder if he'll be the next victim instead! If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 250+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
This book examines British responses to genocide and atrocity in the Ottoman Empire during the aftermath of World War I. The authors analyze British humanitarianism and humanitarian intervention through the advice and policies of the Foreign Office and British government in London and the actions of Foreign Officers in the field. British understandings of humanitarianism at the time revolved around three key elements: good government, atrocity, and the refugee crises; this ideology of humanitarianism, however, was challenged by disputed policies of post-war politics and goals regarding the Near East. This resulted in limited intervention methods available to those on the ground but did not necessarily result in the forfeiture of the belief in humanitarianism amongst the local British officials charged with upholding it. This study shows that the tension between altruism and political gain weakened British power in the region, influencing the continuation of violence and repression long after the date most perceive as the cessation of WWI. The book is primarily aimed at scholars and researchers within the field; it is a research monograph and will be of greatest interest to scholars of genocide, British history, and refugee studies, as well as for activists and practitioners.
Energy recounts the life of Dr. John J. McKetta Jr., a first-generation Ukrainian American coal miner who worked his way up from the mines to become the world's foremost energy expert, a university dean, an encyclopedia editor, and one of the most widely known and respected professors in his field. To honor his one hundredth birthday in 2015, thousands of his former students raised more than $25 million to celebrate his contributions to their lives and to chemical engineering at the University of Texas at Austin, which rechristened his home department the John J. McKetta Jr. Department of Chemical Engineering. In this biography, granddaughter Elisabeth Sharp McKetta retraces Dr. McKetta's path to becoming the godfather of modern chemical engineering. She describes how he dedicated his life to supporting students throughout their careers, becoming legendary for phoning scores of them on their birthdays every year, while also showing Americans how to produce and use energy efficiently. John J. McKetta Jr.'s fascinating story has been the subject of hundreds of articles and interviews, and now Energy is the first full-length book about his remarkable life.
The Evolution of Memory Systems sets out a bold and exciting new theory about memory. It proposes that several memory systems arose during evolution and that they did so for the same general reason: to transcend problems and exploit opportunities encountered by specific ancestors at particular times and places in the distant past.
A New York Review Books Original Separated from her mother—the famed author of Suite Française—during World War II, Irène Némirovsky’s daughter offers a “nuanced, eloquent portrait of a complicated woman” in a series of memoirs that reimagine her mother’s life (The Washington Post) Élisabeth Gille was only five when the Gestapo arrested her mother, and she grew up remembering next to nothing of her. Her mother was a figure, a name, Irène Némirovsky, a once popular novelist, a Russian émigré from an immensely rich family, a Jew who didn’t consider herself one and who even contributed to collaborationist periodicals, and a woman who died in Auschwitz because she was a Jew. To her daughter she was a tragic enigma and a stranger. It was to come to terms with that stranger that Gille wrote, in The Mirador, her mother’s memoirs. The first part of the book, dated 1929, the year David Golder made Némirovsky famous, takes us back to her difficult childhood in Kiev and St. Petersburg. Her father is doting, her mother a beautiful monster, while Irene herself is bookish and self-absorbed. There are pogroms and riots, parties and excursions, then revolution, from which the family flees to France, a country of “moderation, freedom, and generosity,” where at last she is happy. Some thirteen years later Irène picks up her pen again. Everything has changed. Abandoned by friends and colleagues, she lives in the countryside and waits for the knock on the door. Written a decade before the publication of Suite Française made Irène Némirovsky famous once more (something Gille did not live to see), The Mirador is a haunted and a haunting book, an unflinching reckoning with the tragic past, and a triumph not only of the imagination but of love.
This cutting-edge analysis of American and European new religious movements explores the controversies between religious groups and the majority interests which oppose them. It asks how modern societies can best respond to new religious movements,
Twenty years after the fall of the Berlin Wall, the question remains ’Do good fences still make good neighbours’? Since the Great Wall of China, the Antonine Wall, built in Scotland to support Hadrian's Wall, the Roman ’Limes’ or the Danevirk fence, the ’wall’ has been a constant in the protection of defined entities claiming sovereignty, East and West. But is the wall more than an historical relict for the management of borders? In recent years, the wall has been given renewed vigour in North America, particularly along the U.S.-Mexico border, and in Israel-Palestine. But the success of these new walls in the development of friendly and orderly relations between nations (or indeed, within nations) remains unclear. What role does the wall play in the development of security and insecurity? Do walls contribute to a sense of insecurity as much as they assuage fears and create a sense of security for those 'behind the line'? Exactly what kind of security is associated with border walls? This book explores the issue of how the return of the border fences and walls as a political tool may be symptomatic of a new era in border studies and international relations. Taking a multidisciplinary approach, this volume examines problems that include security issues ; the recurrence and/or decline of the wall; wall discourses ; legal approaches to the wall; the ’wall industry’ and border technology, as well as their symbolism, role, objectives and efficiency.
This unique and celebrated biography describes how a largely self-educated boy from a small village in Scotland entered the world of scholarship and became the first editor of the Oxford English Dictionary and a great lexicographer. It also provides an absorbing account of how the dictionary was written, the personalities of the people working on it, and the endless difficulties that nearly led to the whole enterprise being abandoned. "It is a magnificent story of a magnificent man, one of the finest biographies of the twentieth century, as its subject was one of the finest human beings of the nineteenth." --Anthony Burgess "A moving and dramatic story . . . sometimes tragic, often comic, ultimately triumphant." --Times (London) "A biography that possesses many of the virtues of James Murray himself--grace, humor, intelligence, curiosity, and scholarship." --Time "In her vivid biography, Murray's granddaughter brings his remarkable personality to life, and provides an unexpectedly fascinating account of the OED's long and difficult birth." --Times Literary Supplement "A gripping, engaging story; endearing, too. The daily round of a big Victorian family, with its jokes, games, and treasured seaside holidays, is entrancingly evoked." --Sunday Times (London)
Do you dream of wicked rakes, gorgeous Highlanders, muscled Viking warriors and rugged Wild West cowboys? Harlequin® Historical brings you three new full-length titles in one collection! THE AWAKENING OF MISS HENLEY The Cinderella Spinsters by Julia Justiss Destined never to marry, Miss Henley is tempted by rakish Lord Theo. Perhaps he could even show her the pleasures of the marriage bed… A MIDSUMMER KNIGHT’S KISS by Elisabeth Hobbes (Medieval) When Rowenna sees childhood friend Robbie again, he’s begun claiming his knighthood. Despite their newly awakened connection, Robbie’s promised to another—could a kiss change everything? BEGUILING THE DUKE by Eva Shepherd (Victorian) To save her friend from marriage, Rosie Smith poses as the heiress to try and dissuade the duke! Falling for him herself would be disastrous… Look for Harlequin® Historical’s October 2019 Box set 1 of 2, filled with even more timeless love stories!
Waking each day refreshed. Being on top of things. Having the “oomph” to tackle whatever life brings. These goals are achievable—and here are the secrets to reversing flagging energy levels and reclaiming get up and go.
Specters of War looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century and into the twenty-first. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate. Such cultural reflection is particularly poignant when it deals with America’s traumatic history of war. The nation has no direct access to war as a horrific experience of carnage and human destruction; we understand our relation to it through images and narratives that transmit and interpret it for us. Bronfen does not discuss actual conflicts but the films by which we have come to know and remember them, including All Quiet on the Western Front, The Best Years of Our Lives, Miracle at St. Anna, The Deer Hunter, and Flags of Our Fathers. Battles and campaigns, the home front and women-who-wait narratives, war correspondents, and court martials are also explored as instruments of cultural memory. Bronfen argues that we are haunted by past wars and by cinematic re-conceptualizations of them, and reveals a national iconography of redemptive violence from which we seem unable to escape.
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