When a stranger buys property on Bennett's Island and drops anchor there in an expensive lobster boat, the locals are suspicious, in this eighth volume of the series. Day-to-day life goes on, but dark undercurrents begin to bubble in these chilly Maine waters.
In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths. This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends.
At long last Joanna Bennett is returning to her family’s island, the childhood home that her heart has yearned for ever since she was forced to the mainland by catastrophe. At her side stands Nils Sorensen, her oldest friend, stalwart admirer, and new husband. Together they will restore Bennett’s Island to its former glory: enticing former residents and other hardworking mainlanders to join their small community, repairing damaged buildings pummeled by the elements during five years of abandonment, and reclaiming the lobstering territory that was once the sole province of islanders but has been overrun by the nearby Brigporters. All the while, Joanna and Nils are setting the foundation of their future, one that will surely be stormy if Joanna tries to apply the rules of her previous marriage to her relationship with Nils. Joanna Bennett will always be a strong and fiercely independent woman, but without learning to trust and be vulnerable in her marriage, she will find herself proud and alone. This story, the second book in Elisabeth Ogilvie’s beloved Tide Trilogy, transports readers to the beautiful and rugged Maine coast, where families must eke their livelihoods from the tempestuous ocean but in return they’re afforded the daily splendor and simple pleasures of island life.
Elinor Bennett inherited a coaching inn, The LadyShip, when her father died. Her twin Ned should have been the one to run it, but he was fighting Bonaparte. Elinor’s favorite patron was Marcus Allingham, but, feeling he must carry on the family name, he got engaged to the flighty Clarissa Dudley. Clarissa’s plans set adventures a-plenty in motion—and revealed some surprising truths. Regency Romance by Elisabeth Kidd; originally published by Walker
Young, vivacious Joanna Bennett desperately wishes to be captain of her own lobstering boat, but despite being the favored daughter of Bennett’s Island’s founding family, she is still just a girl in the eyes of the community, and a girl living off the coast of Maine in the early 20th century is expected to mind the kitchen, not tend to pot buoys. While quietly struggling to find her place on insular Bennett’s Island, one where she could let her bold and opinionated nature shine without shaming her family, Joanna instead finds love when she meets a witty stranger with a sparkling smile just off the mailboat. One whirlwind courtship and wedding later, Joanna finds herself master of her own house, and every aspect of her beloved island seems to reflect her joy. But when the luster begins to wear off and her husband’s dark secrets slowly reveal themselves, Joanna must draw on her determination, resilience, and resourcefulness to keep her family together. This evocative coming-of-age story transports readers to the beautiful and rugged Maine coast, where families must eke their livelihoods from the tempestuous ocean but in return they’re afforded the daily splendor and simple pleasures of island life.
Vanessa Barton steps onto Bennett’s Island for the first time as if she is stepping into a prison cell. She feels trapped by her marriage, she carries the emotional shackles of a childhood spent as a ward of the state, and she wants nothing to do with the island community. A chance encounter with Owen Bennett sparks off an attraction that brings Vanessa to life, as she discovers something real that eclipses the fantasies of the novels she reads. Owen leads her on a path of self-discovery that forces her to confront long buried feelings and begin healing old emotional scars. Island life shakes Vanessa out of her self-pity but when misfortune knocks once again at her door, she must decide once and for all whether to succumb to the fugue of her earlier days or whether to seize her independence and happiness.
This book tells the story of women in the First World War at the front line, under fire, and in combat. Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place in the rear-guard of the Iron Regiment as they retreat from the Bulgarian advance. Stow away with Dorothy Lawrence as she smuggles herself to Paris, steals a uniform and heads to the Front. Enlist in Russia’s all-female ‘Battalion of Death’ alongside peasant women and princesses alike.Through the letters, diaries and memoirs of women who were members of organisations such as the US Army Signal Corps, the Canadian Army Medical Corps, the FANY, WRAF, WRNS, WAAC and many others, we learn what life was like for them on the front and discover the courage of the women who took up arms.
Although they are commonplace in American homes, quilts are much more than simple patchwork bed coverings and wall adornments. While many of these beautiful and intricate works of art are rich in history and tradition, others reflect the cutting-edge talent and avant-garde mastery of contemporary quiltmakers. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce is the first comprehensive study to approach quilts as objects of material culture that have adorned homes throughout the history of the commonwealth and the country. Linda Elisabeth LaPinta highlights such topics as quiltmaking in women's history, the influence of early Black quiltmakers, popular Kentucky quilt patterns, types, and colors, and the continuing importance of preserving the commonwealth's quilt history and traditions. The author provides a panoramic view of Kentucky quiltmaking from colonial America through the American Revolution, the Civil War to the 1900s, to the new millennium and the dynamic quilting industry of today. LaPinta reveals Kentucky's pivotal role in shaping significant aspects of American quilt culture—Kentuckians founded the first statewide quilt documentation project, created important exhibits and major quilt organizations, and established the National Quilt Museum. Rounding out this all-encompassing volume is a collection of fascinating and intimate artistic commentaries by notable quiltmakers, as well as discussion of the key players who have conserved, celebrated, and showcased the commonwealth's extraordinary quilt culture.
The World Today Series: The Middle East and South Asia. More than a quarter of the world’s population live in the Middle East and South Asia, yet our knowledge and understanding of the region is often limited to news updates about the latest conflicts and crises. This edition of the annually updated volume of the World Today Series provides important insights that take the reader beyond the headlines. It offers detailed and up-to-date information about the politics, economies and societies of the twenty-four states that make up the region. Contemporary events are placed in their historical context, through an examination of major civilizations and key historical events. This volume introduces major themes that have shaped the region, including the struggles of ordinary people to achieve democratic rights; the role of oil in shaping society; burgeoning environmental threats; and the rise and fall of the Islamic State caliphate. While there is reason for optimism in regards to the Middle East and South Asia, this is tempered by the very real challenges that confront the region. The general reader will gain an understanding of these challenges and opportunities through an exploration of current and past developments.
One of America's most celebrated poets, Emily Dickinson was virtually unpublished in her lifetime. When a slim volume of her poems emerged on the American scene in 1890, her work created shockwaves that have not subsided yet. Famously precise and sparse, Emily Dickinson's poetry is often described as philosophical, both because her poetry grapples with philosophical topics like death, spirituality, and the darkening operations of the mind, and because she approaches those topics in a characteristically philosophical manner: analyzing and extrapolating from close observation, exploring alternatives, and connecting thoughts into cumulative demonstrations. But unlike Lucretius or Pope, she cannot be accused of producing versified treatises. Many of her poems are unsettling in their lack of conclusion; their disparate insights often stand in conflict; and her logic turns crucially on imagery, juxtaposition, assonance, slant rhyme, and punctuation. The six chapters of this volume collectively argue that Dickinson is an epistemically ambitious poet, who explores fundamental questions by advancing arguments that are designed to convince. Dickinson exemplifies abstract ideas in tangible form and habituates readers into productive trains of thought--she doesn't just make philosophical claims, but demonstrates how poetry can make a distinct contribution to philosophy. All essays in this volume, drawn from both philosophers and literary theorists, serve as a counterpoint to recent critical work, which has emphasized Dickinson's anguished uncertainty, her nonconventional style, and the unsettled status of her manuscripts. On the view that emerges here, knowing is like cleaning, mending, and lacemakingL a form of hard, ongoing work, but one for which poetry is a powerful, perhaps indispensable, tool.
Philippa Marshall arrives on isolated Bennett’s Island as a young war widow eager to provide for her son. The insular island community initially welcomes her as the teacher in their one-room schoolhouse, but when she champions a clutch of neglected children, she finds herself thrust in the midst of a smoldering conflict between two prominent families. The prospect of a lobster war between the Bennetts and Campions threatens the livelihoods of everyone who calls Bennett’s Island home. Philippa must grapple with her sense of loyalty to her deceased husband, even as her feelings for Steve Bennett blossom against the rugged coastal landscape. She longs to be reunited with her son, but she’s troubled by the specter of latent strife that lies beneath the tranquil surface of the island community. Philippa must weigh the balance of her heart and her mind and plot the course of her destiny.
Kord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror.
Married Life in the Middle Ages, 900-1300 contains an analysis of the experience of married life by men and women in Christian medieval Europe, c. 900-1300. The study focusses on the social and emotional life of the married couple rather than on the institutional history of marriage, breaking it into three parts: Getting Married - the process of getting married and wedding celebrations; Married Life - the married life of lay couples and clergy, their sexuality, and any remarriage; and Alternative Living - which explores concubinage and polygyny, as well as the single life in contrast to monogamous sexual unions. In this volume, van Houts deals with four central themes. First, the tension between patriarchal family strategies and the individual family member's freedom of choice to marry and, if so, to what partner; second, the role played by the married priesthood in their quest to have individual agency and self-determination accepted in their own lives in the face of the growing imposition of clerical celibacy; third, the role played by women in helping society accept some degree of gender equality and self-determination to marry and in shaping the norms for married life incorporating these principles; fourth, the role played by emotion in the establishment of marriage and in married life at a time when sexual and spiritual love feature prominently in medieval literature.
A wicked and detestable place, though wonderfully attractive': Charles Dickens's conflicted feelings about Paris typify the fascination and repulsion with which a host of mid-nineteenth-century British writers viewed their nearest foreign capital. Variously perceived as the showcase for sophisticated, cosmopolitan talent, the home of revolution, a stronghold of Roman Catholicism, and a shrine to irreligious hedonism, Paris was also a city where writers were respected and journalism flourished. This historically-grounded account of the ways in which Paris touched the careers and work of both major and minor Victorian writers considers both their actual experiences of an urban environment, distinctively different from anything Britain offered, and the extent to which this became absorbed and expressed within the Victorian imaginary. Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Paris for mid-nineteenth-century Anglophone journalists., paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. The final part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.
In 1860, Captain Garrett Fitzwilliam is living in the center of American politics, viewing the divisive issues of the day through his nonpartisan lawyer eyes. His life is defined by love of country and faith in the rule of law--until Rachael Hayes Kendrick enters his world. This sassy young widow captures more than the cocky captain's imagination. She proves to him that love is indeed an act of faith, and Rachael's faith in Garrett is indomitable. Her faith will sustain him when war divides the North and the South; his misguided sense of duty may cost him her love. But for what exactly did he pay so high a price? In the wake of war, everything Garrett believes in, the core of his existence, is collapsing. The Union army suffers repeated defeats not owing entirely to the brilliance of Robert E. Lee's command of the Confederate army, and in Washington, a very different enemy has emerged. This insidious enemy poses a threat to the United States that Garrett never thought possible. But this enemy no officer may dare to challenge. So how will Garrett Fitzwilliam defend his country when his country's survival depends upon an army sabotaged by its own incompetence? Or was his country lost when the man who swore an oath to preserve, protect, and defend the Constitution imprisoned his political foes? Would the answers matter so much to Garrett if Rachael loved him again?"--Back cover
This significant and innovative collection explores the changing piety of townspeople and villagers before, during and after the Reformation. It brings together leading and new scholars from England and the Netherlands to present new research on a subject of importance to historians of society and religion in late medieval and early modern Europe. Contributors examine the diverse evidence for transitions in piety and the processes of these changes. The volume incorporates a range of approaches including social, cultural and religious history, literary and manuscript studies, social anthropology and archaeology. This is, therefore, an interdisciplinary volume that constitutes a cultural history of changing pieties in the period c. 1400-1640. Contributors focus on a number of specific themes using a range of types of evidence and theoretical approaches. Some chapters make detailed reconstructions of specific communities, groups and individuals; some offer perceptive and useful analyses of theoretical and comparative approaches to transition and to piety; and others closely examine cultural practices, ideas and tastes. Through this range of detailed work, which brings to light previously unknown sources as well as new approaches to more familiar sources, contributors address a number of questions arising from recent published work on late medieval and early modern piety and reformation. Individually and collectively, the chapters in this volume offer an important contribution to the field of late medieval and early modern piety. They highlight, for the first time, the centrality of processes of transition in the experience and practice of religion. Offering a refreshingly new approach to the subject, this volume raises timely theoretical and methodological questions that will be of interest to a broad audience.
The bedtime stories that Sherman Graff told his oldest daughter as she was growing up in Manhattan left a lasting impression on her. They were wondrous adventures set in a distant place, among a different people. Storied Landscapes tells of the author's trip to Oregon, years after her father's death, to find the Indian Reservation where he had lived for a time as a young boy. The stories helped her to locate the mission church and the place where the family had lived, each name of a road or a river providing the needed clues. Side by side with the four Reservation Stories are the author's own tales of childhood, some forty years later and on the opposite end of the country, revealing the strength of the bonds of family across time and geography.
Carpenter emerges as an addictive new talent' Helen Fields Can you ever really know your neighbours? When human remains are found in a ground floor flat, the residents of Nelson Heights are shocked to learn that there was a dead body in their building for over three years. Sarah lives at the flat above and after the remains are found, she feels threatened by a stranger hanging around the building. Laura has lived in the building for as long as she can remember, caring for her elderly father, though there is more to her story than she is letting on. As the investigation starts to heat up, and the two women become more involved, it's clear that someone isn't telling the truth about what went on all those years ago...
Rosa Fleming motors her way to Bennett’s Island in the dark of the night, fleeing her divorce, her philandering husband and the gossipmongers of her hometown. On the Island she discovers not only a refuge to heal her emotional wounds, but also a community that nurtures her battered confidence and a man who teaches her to love and be loved as an equal. When a fight breaks out between the island’s lobstermen and the invading fishermen who disregard the island’s longstanding customs, Rosa steps into the struggle and saves a man’s life. She flourishes amid the crisis, but her growth may be at the expense of her fledgling romance. Strawberries in the Sea is a story of self-discovery and rejuvenation, as a sad insecure woman realizes her own inner beauty and personal strengths.
As the battle-fit men of Bennett’s Island are called to fight in World War II, many of the other inhabitants head to the mainland as well. The small island community becomes a bit of a ghost town, though Joanna Bennett keeps the home fires burning. Rather than dwelling on her husband’s fate in the Pacific Theatre, she devotes her time to the raising of her young son, and keeping an eye on her wild and troubled brother. Even when she is forced into boarding an unwanted guest in her home, she plays her role of hostess flawlessly if coolly, but the guest soon proves his mettle, helping the Bennetts contend with both natural and human elements. When Joanna’s heart softens towards the kind and handsome young man, she finds herself fighting to be true to her absent husband, and facing down old ghosts from her past. As the final book of the Tide Trilogy, this wartime story transports readers to the beautiful and rugged Maine coast, where families must eke out their livelihoods from the tempestuous ocean but in return they’re afforded the daily splendor and simple pleasures of island life.
This book is about reading practice and experience in late medieval and early modern England. It focuses on the kinds of literatures that were more readily available to the widest spectrum of the population. Four case studies from many possibilities have been selected, each examining a particular type of popular literature under the headings ‘religious’, ‘moral’, ‘practical’ and ‘fictional’. A key concern of the book is how we might use particular types of evidence in order to understand more about reading practice and experience, so issues of method and approach are discussed fully in the opening chapter. One distinctive element of this book is that it attempts to uncover evidence for the reading practices and experiences of real, rather than ideal, readers, using evidence that is found within the material of a book or manuscript itself, or within the structure of a specific genre of literature. Salter attempts to negotiate a path through a set of methodological and interpretive issues in order to arrive at a better understanding of how people may have read and what they may have read. This, in turn, leads on to how we may interpret the evidence that manuscripts and early printed books provide for the ways that medieval and early modern people engaged with reading. This book will be of interest to academics and research students who study the history of reading, popular culture, literacy, manuscript and print culture, as well as to those interested more generally in medieval and early modern society and culture.
For the practicing neuropsychologist or researcher, keeping up with the sheer number of newly published or updated tests is a challenge, as is evaluating the utility and psychometric properties of neuropsychological tests in a clinical context. The goal of the third edition of A Compendium of Neuropsychological Tests, a well-established neuropsychology reference text, is twofold. First, the Compendium is intended to serve as a guidebook that provides a comprehensive overview of the essential aspects of neuropsychological assessment practice. Second, it is intended as a comprehensive sourcebook of critical reviews of major neuropsychological assessment tools for the use by practicing clinicians and researchers. Written in a comprehensive, easy-to-read reference format, and based on exhaustive review of research literature in neuropsychology, neurology, psychology, and related disciplines, the book covers topics such as basic aspects of neuropsychological assessment as well as the theoretical background, norms, and the utility, reliability, and validity of neuropsychological tests. For this third edition, all chapters have been extensively revised and updated. The text has been considerably expanded to provide a comprehensive yet practical overview of the state of the field. Two new chapters have been added: "Psychometrics in Neuropsychological Assessment" and "Norms in Psychological Assessment." The first two chapters present basic psychometric concepts and principles. Chapters three and four consider practical aspects of the history-taking interview and the assessment process itself. Chapter five provides guidelines on report-writing and chapters six through sixteen consist of detailed, critical reviews of neuropsychological tests, and address the topics of intelligence, achievement, executive function, attention, memory, language, visual perception, somatosensory olfactory function, mood/personality, and response bias. A unique feature is the inclusion of tables that summarize salient features of tests within each domain so that readers can easily compare measures. Additional tables within each test review summarize important features of each test, highlight aspects of each normative dataset, and provide an overview of psychometric properties. Of interest to neuropsychologists, neurologists, psychiatrists, and educational and clinical psychologists working with adults as well as pediatric populations, this volume will aid practitioners in selecting appropriate testing measures for their patients, and will provide them with the knowledge needed to make empirically supported interpretations of test results.
Wace's Roman de Rou is both a valuable historical document and an important work of French literature. Composed during the 1160s and 1170s, it relates the origins of Normandy from the time of Hasting and Rollo (Rou) and continues as far as the battle of Tinchebray in 1106.
The Peacemaker: Growing as an Enneagram 9 is designed to help Nines better understand how God created them and how best to use their unique gifts to serve Him and love others. This sixty-day devotional features a full explanation of what the Enneagram is and how it benefits people, followed by a description of what it means to be a Nine, including their deadly sin, sloth, and their greatest strength, gut instinct. Empathetic and easygoing, Nines are motived by peace or inner stability and often go with the flow to keep the peace. The sixty days are split into six 10-day topics that include uniqueness, weakness, strength, pain points, and where Nines go in times of stress and growth.
Leading us on a journey through familiar twentieth-century American films, this engaging and provocative book proposes that Hollywood has created an imaginary cinematic geography filled with people and places we recognize and to which we are irresistibly drawn. Each viewing of a film stirs, in a very real and charismatic way, feelings of home. The comfort of returning to films like familiar haunts is at the core of our nostalgic desire. Elisabeth Bronfen examines the different ways home is constructed in the development of cinematic narrative, offering close readings of crucial scenes in classic films.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
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