This book analyzes how the Second International reacted to international diplomatic crises and what was the attitude of French, German and Italian socialists between 1889 and 1915, the year in which Italy entered the World War. This book shows that the Second International became over the years more and more involved in the fight against war and learnt to respond to situations of diplomatic crisis. An example of this is the fact that its last congress before the outbreak of the First World War, the Basel Congress of 1912, was nothing less than a great international socialist demonstration of opposition to war. However, the fact that France, Germany or Italy were involved in a diplomatic crisis hindered the International's ability to respond effectively to it. For all these factors, the attitude of the International is very different from one crisis to another.
Ricardo Palma’s Tradiciones is the first full-length account of Ricardo Palma informed by theories of cultural criticism. Elisa Sampson Vera Tudela sheds new light on important aspects of Palma’s work. She offers a fresh interpretation of the relations between history and literature – perhaps the most discussed aspect of Palma’s work – engaging with new critical thinking on historicism and examining the significance of the marginal and the anecdotal in Palma’s work. By using the tools of postcolonial cultural criticism, Vera Tudela considers Palma’s encounter with modernity, arguing that his recuperation of colonial history plays a crucial part in imagining the modern future. Most innovatively, Vera Tudela examines the multiple and contradictory notions of femininity in nineteenth-century Latin America and in Palma’s writing, showing how a historical consideration of the sexual politics of cultural production transforms our understanding of many of the assumptions about this period. Finally, by applying the insights of cultural geography in analysing the racial, sexual and political identity of domestic, urban and national space in Palma’s writing, Vera Tudela demonstrates that Palma’s literary maps and topographies are uniquely revelatory of questions of power and agency. In its exploration of sexual politics and nationhood, Ricardo Palma’s Tradiciones presents Palma as a proto-modernist who paved the way for many of the experiments of twentieth-century Latin American narrative fiction.
Combining Forms (CFs) are a major morphological phenomenon in Modern English, yet while they have been discussed in some morphological literature, no full-length study has been devoted to this topic so far. This pioneering book addresses that gap by providing a framework in which CFs are marked as distinct from their neighbouring categories such as abbreviations and blending. It splits CFs into four distinct categories – neoclassical (e.g. bio-therapy, zoo-logy), abbreviated (e.g. e-reader, econo-politics), secreted (e.g. oil-gate, computer-holic) and splinters (e.g. docu- from documentary in docudrama). It shows that the notion of CF spans a wide spectrum of processes, from regular composition to abbreviation, from blending to analogy, and schema. Modern and emerging English CFs are analysed by adopting a corpus-based approach, and measuring their realised, expanding, and potential productivity. Comprehensive yet accessible, it is essential reading for researchers and advanced students of morphology, English historical linguistics, corpus linguistics, and lexicography.
Titles in Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique and major works to key figures. A must-have for any musician’s personal library! Trumpeters today perform a vast repertoire of musical material spanning 500 years, much of it in a variety of styles and even on a number of related instruments. In A Dictionary for the Modern Trumpet Player, scholar and performer, Elisa Koehler has created a key reference work that addresses all of the instruments in the high brass family, providing ready answers to issues that trumpeters, conductors, and musicians commonly—and sometimes not so commonly—encounter. Drawing on a broad range of scholarly sources, A Dictionary for the Modern Trumpet Player includes entries on historic instruments like the cornetto, keyed bugle, and slide trumpet; jazz trumpet techniques; mutes and accessories; and ancient ancestors of the trumpet and related non-Western instruments. In addition to its concise and detailed definitions, this work includes biographies of prominent performers, teachers, instrument makers, and composers of trumpet solo and ensemble literature often omitted from other musical references. Carefully labeled illustrations illuminate the inner workings of various valve mechanisms, allowing readers to visualize the more technical points of high brass instruments. Appendixes include a time line of trumpet history, a survey of valve mechanisms, a list of prominent excerpts from the orchestral and operatic repertoire, and an extensive bibliography. From quick definitions of confusing terms in a musical score to an in-depth overview of trumpet history, A Dictionary for the Modern Trumpet Player is an ideal reference for students, professionals, and music lovers.
Building on the current structural focus of the family firm discipline, this Concise Introduction provides a function-based, processual approach to the area. It rethinks the nature of the family firm, advancing a deeper understanding of its internal dynamics. Ramona Kay Zachary, Sharon M. Danes and Elisa Balabram offer comprehensive theories of the family firm, the best methods of investigation, and the relationships among the owning family, its business as well as how these are interconnected.
Lumbre de fe is the most extensive and articulate polemic text of polemic against Islam written during the 16th century in Spanish in the Iberian Peninsula. The work is the result of the preaching task carried out by Joan Martí de Figuerola for the conversion of the Mudejars of Zaragoza between 1517 and 1518, a task that brought Figuerola into numerous confrontations with the secular authorities for disturbing the coexistence between the two confessions. Lumbre de fe also stands out for its use of qur’ānic texts in Arabic to attack Islam. These texts, transliterated in Latin characters and translated into Spanish, are commented and discussed by Figuerola, making use of his vast theological erudition and his experience as a preacher in the crown of Aragon. The manuscript in which the work is preserved also contains numerous images representing Islamic beliefs and rites, which further reinforces the enormous originality and strength of the work.
During the early modern period, thousands of Jesuits across Europe wrote individual applications for appointments in the “Indies” directly to the superior general of the Society of Jesus in Rome. Known today as litterae indipetae (from Indias petere, that is, applying for the missions in the Eastern and Western territories), these letters encompassed the most personal desires, hopes, and dreams of young Jesuits who sought to become missionaries. This book is the first English monograph on litterae indipetae and studies their style and structure, the background of their authors and the reasons behind their choices, as well as the network surrounding this practice (natural and spiritual families, procurators, confrères). Its purpose is also to capture the experiences of these individuals since lost to history by studying thousands of indipetae, in this case written mainly by Italian Jesuits at the turn of the eighteenth century. It focuses especially on the petitions aimed at East Asia, and offers in-depth analysis of cases of Jesuits whose missionary zeal for China and Japan was fulfilled—or not.
Selling French Sex is an illuminating account of the cultural, social, and economic history of the sale of 'French sex'. It explores the discourses and experiences surrounding the early twentieth century debate on sex trafficking, which mobilized various international reform movements to combat the coerced prostitution of young women abroad. According to popular legend and empirical studies, French women were present in brothels all over the world, where they were the most desired and best paid in the business. But were they trafficking victims or willing migrants? In this timely book, Elisa Camiscioli reconstructs the networks and mechanisms of cross-border migrations for sexual labor; elucidates women's motives for leaving and staying; and explains why French migrant sexual labor occupied such a prominent place in the underworld of prostitution, as well as in the imaginaries of anti-trafficking campaigners, immigration officials, and ordinary consumers of vice.
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations—2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)—are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.
The AC/E Digital Culture Annual Report is a publication which looks at the impact of the internet on our society. Its aim is to delve into the transformation happening within the arts and culture sector and to help entities and professionals create experiences that are in line with the expectations of 21st century consumers. The first part of the 2018 edition brings together texts from professionals in the arts and culture sector as well as from experts in the digital field, in order to get up to speed on important issues regarding main trends. Every year the second part of the edition (Focus) looks at the changes happening among readers and reading material. The aim is to outline a map of digital reading material. Mario Tascón takes a close look at our most connected cities that have been created by the latest interconnected devices and the Internet of Things. He then analyses the role that cultural spaces are destined to perform within these cities. Next, JosО Manuel MenОndez and David Jimeno Bermejo describe the latest challenges faced by immersive technologies and its growing role within the ecosystem of digital content. The Experimental UNIT of the University of Valencia reviews its experience with the use of digital design and analyses how the latest possibilities of mobile devices can offer resources for the construction of the museography debate. Jovanka Adzic discusses a burning issue. In her analysis on the evolution of social networks and their continuously expanding influence on our way of life, she also takes a look at the problem of fake news on the internet. Jovanka goes on to refl ect on the competitive advantage of FANG obtained through large volumes of social data, within an economy driven by Big Data. Elena Neira takes a look at the impact of consumption of on-screen culture and the business models that are based on subscriptions— the so-called “Netfl ix model”. And Emma Rodero – in line with this year’s central theme of Focus – examines the theme of orality and analyses the growing influence of sound and voice in the digital era. Pablo GervЗs builds on the concept of computational creativity and its impact on literary creation. We have a total of seven articles by renowned experts to help us learn and reflect on the changes affecting our society as a whole and to give us a glimpse of new opportunities for the sector of arts and culture. Every year the second part of the edition (Focus) reflects and explains – through the use of best-practice examples both nationally and internationally – the biggest changes happening among readers and reading material in the digital era. The main objective of this section is to present a unified view on the matter. Authors Luis Miguel Cencerrado, Elisa Yuste and Javier Celaya outlines a map to help us navigate with ease through all types of texts; highlighting the role of the reader in the current context of hybrid literature (paper, digital, audio, visual, transmedia, etc.) which is favoured by the digital era we live in. The annual review is published in both Spanish and English, in PDF and EPUB format and can be downloaded for free under the licence of Creative Commons. The publication can be downloaded on the AcciЧn Cultural EspaЦola website in the section digital publications. A copy can also be obtained from major distributors of national and international digital books.
We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick's, Adrian Lyne's, Michael Bay's and Quentin Tarantino's oeuvres, this book discusses the overall 'dominating' time of their films and the moments during which this 'ruling' time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
From two leading scholars, a thrilling and rich investigation of the life and work of Dante Alighieri. Numerous books have attempted to chronicle the life of Dante Alighieri, yet essential questions remain unanswered. How did a self-taught Florentine become the celebrated author of the Divine Comedy? Was his exile from Florence so extraordinary? How did Dante make himself the main protagonist in his works, in a literary context that advised against it? And why has his life interested so many readers? In Dante’s New Lives, eminent scholars Elisa Brilli and Giuliano Milani answer these questions and many more. Their account reappraises Dante’s life and work by assessing archival and literary evidence and examining the most recent scholarship. The book is a model of interdisciplinary biography, as fascinating as it is rigorous.
This book offers a comparative examination of Islamic welfare activities across urban areas in both Switzerland and Italy, in order to address general issues relating to the welfare engagement of Islamic organisations in Europe. Welfare Activities by New Religious Actors describes how Islamic organisations have been coordinated and structured in Geneva, Milan, Rome, and Zurich; four cities not yet analysed in the literature on Islamic welfare. It also explores the institutional opportunities and constraints that are able to influence forms of social religious activities at the local and international level, by bringing together two research fields that seldom speak to each other: social network analysis and political opportunity theory. This book will appeal to scholars of Sociology, Anthropology and Religious Studies dealing with the social and political inclusion of Muslims in Europe and the social activities of Islamic organisations in Western countries.
This book is the first full-length biography of Margarito Bautista (1878-1961), a celebrated Latino Mormon leader in the U.S. and Mexico in the early twentieth century who was a Mexican cultural nationalist, visionary, founder of a utopian commune, and Mormon dissident. Surprisingly little is known about Bautista's remarkable life, the scope of his work, or the development of his vision. Elisa Eastwood Pulido draws on his letters, books, pamphlets, and unpublished diaries to provide a lens through which to view the convergence of Mormon evangelization, Mexican nationalism, and religious improvisation in the U.S. Mexico borderlands. A successful proselytizer of Mexicans for years, from 1922 onward Bautista came to view the paternalism of the Euro-American leadership of the Church as a barrier to ecclesiastical self-governance by indigenous Latter-day Saints . In 1924, he began his journey away from mainstream Mormonism. By 1946, he had established a completely Mexican-led polygamist utopia in Mexico on the slopes of the volcano Popocateptl, twenty-two kilometers southeast of Mexico City. Here, he preached an alternative Mormonism rooted in Mesoamerican history and culture. Based on his indigenous hermeneutic of Mormon scripture, Bautista proclaimed that the indigenous peoples of the Americas were a chosen race, destined to wrest both political and spiritual authority from the descendants of Euro-American colonists. This book provides an in-depth look at a man still regarded with cultural pride by those Mexican and Mexican American Mormons who remember him as an iconic and revolutionary figure.
Music at the Intersection of Brazilian Culture takes an interdisciplinary approach by utilizing several aspects of Brazilian music, race, and food as a window to understanding Brazilian culture, with music at the core. Through a holistic understanding of the Brazilian experience – exploring issues of race, colonization, sustainable development, and the contributions of the three distinct ethnic groups in the making of Brazil – the authors create a narrative based on their own recollection of memories, traditions, customs, sounds, and landscapes that they experienced in Brazil. Each engaging section begins with an overview of the topic that places it in historical context, and then focuses on each subtopic with a thorough presentation of the content as well as suggested activities that can be implemented in the classroom. The chapters conclude with a list of useful references, resources, and audio recording examples, which are available on Spotify, to present readers with a musical landscape of the folktales. These can be found online via the Routledge catalogue page for this book. This book is an essential resource for students and teachers of music and cultural studies, as it unpicks complex issues to help readers better understand and appreciate Brazilian culture.
Among the families who left the United States after the Civil War to seek their fortunes in Brazil, and settled in the vicinity of Santa Barbara, Sao Paulo, and later Americana, was the clan of Henry Strong. Henry left his home in Brookhaven, Mississippi, in 1867, and headed South with his daughter Sarah Amanda (Sally) and other family members. Sally Strong did leave behind a love-sick young Mississippian named Tom Atkins. From the middle years of the war, through its convulsive conclusion and into the turmoil that was the Reconstruction, Tom pined for his love across the seas. Sally kept his letters in a little suitcase. and these letters were preserved over the years until, through the tireless efforts of Maria Elisa Byington, they have come to light in this collection. Tom's chronicles open a window onto life in 19th century Mississippi. - Cyrus B. Dawsey
Extra-grammatical morphology is a hitherto neglected area of research, highly marginalised because of its irregularity and unpredictability. Yet many neologisms in English are formed by means of extra-grammatical mechanisms, such as abbreviation, blending and reduplication, which therefore deserve both greater attention and more systematic study. This book analyses such phenomena.
Traditional accounts of Colorado's history often reflect an Anglocentric perspective that begins with the 1859 Pikes Peak Gold Rush and Colorado's establishment as a state in 1876. Enduring Legacies expands the study of Colorado's past and present by adopting a borderlands perspective that emphasizes the multiplicity of peoples who have inhabited this region. Addressing the dearth of scholarship on the varied communities within Colorado-a zone in which collisions structured by forces of race, nation, class, gender, and sexuality inevitably lead to the transformation of cultures and the emergence of new identities-this volume is the first to bring together comparative scholarship on historical and contemporary issues that span groups from Chicanas and Chicanos to African Americans to Asian Americans. This book will be relevant to students, academics, and general readers interested in Colorado history and ethnic studies.
In Florentine Patricians and Their Networks, Elisa Goudriaan presents the first comprehensive overview of the cultural world and diplomatic strategies of Florentine patricians in the seventeenth century and the ways in which they contributed as a group to the court culture of the Medici. The author focuses on the patricians’ musical, theatrical, literary, and artistic pursuits, and uses these to show how politics, social life, and cultural activities tended to merge in early modern society. Quotations from many archival sources, mainly correspondence, make this book a lively reading experience and offer a new perspective on seventeenth-century Florentine society by revealing the mechanisms behind elite patronage networks, cultural input, recruiting processes, and brokerage activities.
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe Christina Lechtermann & Markus Stock The Pro-Active Scribe: Preparing the Margins of Annotated Manuscripts Erik Kwakkel Thinking from the Margins: Opening and Closing Illuminations and their Commentary Functions around 1000 Kristin Böse Reading Texts within Texts: The Special Case of Lemmata Andrew Hicks The In-/Coherences of Narrative Commentary: Commentarial Forms in the Anegenge Christina Lechtermann Dante’s Self-Commentary and the Call for Interpretation Elisa Brilli Spiritualizing Petrarchism, “Poeticizing” the Bible: Two Counter-Reformation Self-Commentaries Christine Ott and Philip Stockbrugger The Power of Glosses: Francesco Fulvio Frugoni’s Self-Commentary and Literary Criticism in the Tribunal della Critica Andrea Baldan Commenting on a Purged Model: The M. Valerii Martialis Epigrammaton libri omnes novis commentariis illustrati of the Jesuit Matthäus Rader (1602) Magnus Ulrich Ferber
With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.
1943. New Orleans. Rose Marino lives with her Sicilian immigrant parents and helps in the family grocery store. Her older brother and sister both joined the Army, and Rose prays for their safety as World War II rages overseas. Her parents expect Rose to marry a local boy and start a family. But she secretly dreams of being more like her fiercely independent widowed godmother. Behind her parents’ back, Rose lands a job at the shipyard, where she feels free and important for the first time in her life. When the parish priest organizes a goodwill mission to visit Italian prisoners of war at a nearby military base, Rose and her vivacious best friend, Marie, join the group. There, Rose falls for Sal, a handsome and intelligent POW. Italy has switched sides in the war, so the POWs are allowed out to socialize, giving Rose and Sal a chance to grow closer. When Rose gets a promotion at work, she must make an agonizing choice: follow a traditional path like Marie or keep working after the war and live on her own terms. Inspired by little-known historical events and set to a swing-era soundtrack, The Italian Prisoner is an engrossing story of wartime love, family secrets, and a young woman’s struggle to chart her own course at an inflection point in American history. Book Review 1: “The repercussions of WWII are lovingly rendered through one woman’s story, with an endearing cast of characters who all feel like family by the end.”—LALITA TADEMY, New York Times best-selling author of Oprah’s Book Club pick Cane River, Red River, and Citizens Creek Book Review 2: "… an essential contribution to the treasure trove of Italian American fiction and a transporting page-turner. I want everyone in my family to meet Rose, our inspiring heroine, whose extraordinary story will stay with me for a long time." –CHRISTOPHER CASTELLANI, author of Leading Men Book Review 3: “… intimate historical fiction at its page-turning best.”—PAMELA ROTNER SAKAMOTO, author of Midnight in Broad Daylight: A Japanese American Family Caught Between Two Worlds Book Review 4: “… a compelling mix of freshness and familiarity, using a female rites-of-passage narrative to transport readers to 1940s New Orleans and to bring alive the timeless challenges of living in a nation at war.”—ANN HAGEDORN, award-winning author of Beyond the River, Savage Peace, Sleeper Agent and more Book Review 5: “… a refreshing addition to the historical women’s fiction bookshelf.”—KAIA ALDERSON, author of Sisters in Arms Book Review 6: “A dazzling World War II love story set in New Orleans that will pull you in from the very first paragraph.”—JENNIFER SMITH TURNER, award-winning author of Child Bride, named the Best eBook of 2020 by the Black Caucus of The American Library Association Book Review 7: “… a beautiful book that will touch anyone who ever dared want more out of life.” —CHARLES FORREST JONES, author of The Illusion of Simple Book Review 8: "The author's keen eye for the history of those years are evident as delightful details of the city at war abound.”—BRIAN ALTOBELLO, author of Whiskey, Women, and War: How the Great War Shaped Jim Crow New Orleans Book Review 9: “With true-to-life family dynamics and the drama of first love, the author invites us to take a passeggiata alongside her heroine Rose.”—SHAUNNA J. EDWARDS, co-author of The Thread Collectors Book Review 10: “… compelling, atmospheric, and refined. A truly magnificent read.” —DIANNE C. BRALEY, author of The Silence in the Sound
The book contends that the acceptance of translation and imitation in the literary life of a country does not imply denying the specific conditions created by political borders in the constitution of a national literature, that is, the existence of national borders framing literary life. What it does is recognize new and different frontiers that destabilize the national confines (as well as the nationalistic values) of literary history. In translation and imitation, borders are experienced not as the demarcation of otherness, but rather as crossroads in the quest for identity."--Jacket.
“A concise guide linking the history of trumpet to performance . . . includes information on band music, bugle calls, orchestral repertoire, and jazz.” —American Reference Books Annual Unlike the violin, which has flourished largely unchanged for close to four centuries, the trumpet has endured numerous changes in design and social status from the battlefield to the bandstand and ultimately to the concert hall. This colorful past is reflected in the arsenal of instruments a classical trumpeter employs during a performance, sometimes using no fewer than five in different keys and configurations to accurately reproduce music from the past. With the rise in historically inspired performances comes the necessity for trumpeters to know more about their instrument’s heritage, its repertoire, and different performance practices for old music on new and period-specific instruments. More than just a history of the trumpet, this essential reference book is a comprehensive guide for musicians who bring that musical history to life. “A compendium of trumpet history with short, fact-filled chapters. It will serve both amateur and professional musicians alike, and few could read this text without learning something. Fanfares and Finesse is a thorough sampling of trumpet topics, including something of interest for every trumpet player, brass enthusiast, or curious reader.” —Pan Pipes “Trumpet players in a wide variety of situations and at many levels will find a great deal of useful information, presented in a clear, engaging, reader-friendly way yet backed by solid research. While some topics are covered in more depth than others, Koehler’s breadth of vision and thoroughness are commendable . . . For all trumpeters and anyone who teaches them.” —Choice
This book fills a gap in lexical morphology, especially with reference to analogy in English word-formation. Many studies have focused their interest on the role played by analogy within English inflectional morphology. However, the analogical mechanism also deserves investigation on account of its relevance to neology in English. This volume provides in-depth qualitative analyses and stimulating quantitative findings in this realm.
Interest in the molecular and mechanistic aspects of cosmetic research has grown exponentially during the past decade. Herbal Principles in Cosmetics: Properties and Mechanisms of Action critically examines the botanical, ethnopharmacological, phytochemical, and molecular aspects of botanical active ingredients used in cosmetics. Along with dermato
The fifth volume in the Institute of Classical Archaeology's series on rural settlements in the countryside (chora) of Metaponto presents the excavation of a Greek farmhouse, illuminating the lifeways of fourth-century BC farmers of modest means.
Elisa consiste en un resumen de tres historias entrelazadas por los círculos innatos de la vida, trazados inevitablemente. Elisa cuenta su historia permeada de lapsos tristes, trágicos y de amor por la vida. Su experiencia cubre a las tres más importantes personas de su vida, en confrontación con el eterno machismo de la sociedad latina. Su amor por la familia cierra el círculo para prevenir el destino cruel que sufrieron su madre, abuela y ella en carne propia. Una historia que cubre la necesidad de dejar de callar el abuso y maltrato de mujeres jóvenes que se hallan obligadas a olvidar esta humillación y ofrecen una ventana a las que no están solas y siempre hay una luz cuando uno abre la puerta de la verdad. Elisa te provee, en esta lectura, un entretenimiento con un mensaje profundo y enternecedor para toda persona que está interesada en ver la vida a través de tres generaciones. Este libro te inspira a no callar cuando quieres gritar. 1
Spain's attempt to establish a "New Spain" in Mexico never fully succeeded, for Spanish institutions and cultural practices inevitably mutated as they came in contact with indigenous American outlooks and ways of life. This original, interdisciplinary book explores how writing by and about colonial religious women participated in this transformation, as it illuminates the role that gender played in imposing the Spanish empire in Mexico. The author argues that the New World context necessitated the creation of a new kind of writing. Drawing on previously unpublished writings by and about nuns in the convents of Mexico City, she investigates such topics as the relationship between hagiography and travel narratives, male visions of the feminine that emerge from the reworking of a nun's letters to her confessor into a hagiography, the discourse surrounding a convent's trial for heresy by the Inquisition, and the reports of Spanish priests who ministered to noble Indian women. This research rounds out colonial Mexican history by revealing how tensions between Spain and its colonies played out in the local, daily lives of women.
Her unforgettable image is seared into the minds of fans everywhere, and her private life continues to inspire headlines and controversy, but Marilyn Monroe is one of the most famous—and misunderstood—women in the world and remains a mystery to most people. Hello, Norma Jeane cuts through the rumors and myths to present the real person behind the queen of movies and pop culture. From her chaotic childhood in Depression-era Los Angeles to her rise in the world of Hollywood and finally her untimely death—Hello, Norma Jeane explores the legendary star’s family history, connection to the movies from childhood, her personal life as an adult, and her interest in continually educating herself. Hello, Norma Jeane is compulsively readable—instead of chronological dates and dry accounts of events, there are chapters about specific aspects of her life and career. What did Marilyn like to eat? What types of books did she read? Was she really plus size? Did she nearly bring down a political empire? And how did she actually die? This book explores everything—and vividly brings to light the truth about the world’s greatest movie star.
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