This book provides information and tools necessary to bridge and integrate the knowledge gaps related to the acquisition and processing of archaeological data, specifically in the field of preventive diagnostics, urban centers, archaeological parks and historical monuments, through activities that involve the application of non-invasive diagnostic detection systems, in the field of applied geophysics. The principal aim of this book is to define a tool for experts that work in the frame of Cultural Heritage and to identify a procedure of intervention transferable and usable in different geographical contexts and areas of investigations: it could help to decide the better technique of investigation to apply in relation to the predictive characteristics of the archaeological site and the objectives of the survey. The book is divided in two parts. The first one explains the theory of ground high resolution penetrating radar (GPR), electrical resistivity tomography (ERT), controlled source electromagnetism system, differential magnetic method and the scenario of integrated methods of different geophysical techniques. Each section covers the basic theory (complete description of the physical parameters involved in the method), field instruments (description of all systems actually offered by commercial companies), field techniques (presentation of the main procedures and setting parameters used to explore the ground surface during data acquisition), techniques of data processing and representation (main processing routines and comparison between different techniques; presentation of different typologies of graphical representation), and the possibility and limitations of methods (explanation of best and worst conditions of implementation of the geophysical technique in relation to the contrasts between archaeological features and the natural background and the features of the instruments and arrays). The second part describes some applications of geophysical prospection to Cultural Heritage in detailed case histories, divided in sections relative to monuments, historical buildings, urban centres, archaeological parks and ancient viability. Moreover, examples of integration of three-dimensional reliefs and geophysical diagnostic of a monuments and studies of large scale reconnaissance implemented into a Geographical Information System are treated. In each case study the authors cover the description of the archaeological or historical contest; an explanation of the problem to solve; a choice of the geophysical methods; the setting of the procedure of data acquisition; techniques of data processing; a representation, interpretation, and discussion of the results.
This book traces the development of audio description (AD), a form of audiovisual translation delivered orally and consumed aurally that makes visual elements accessible primarily to people who are visually impaired, and in particular, art AD as an emergent sub-genre. Perego reflects on the static arts and the role of modern museums as key sites for art AD and multisensory environments that create memorable experiences for visitors. Based on professional, pre-recorded British and American English AD scripts, this book outlines the textual and linguistic features of art AD and its most relevant textual patterns. It explores diverse AD practices across different contexts, including stand-alone ADs for specific paintings and sculptures that can be consumed independently to enhance the appeal and accessibility of cultural environments. Moreover, the book investigates AD tours, which provide descriptions of a selection of interconnected artworks while also assisting, through focused instructions, visually impaired individuals in navigating the museum space, as well as touch tours, which incorporate procedural instructions on how to experience three-dimensional art or reproductions through tactile senses. Offering unique insights and future research directions for this growing area, this volume will be of interest to students and scholars in translation studies and media accessibility.
In Florentine Patricians and Their Networks, Elisa Goudriaan presents the first comprehensive overview of the cultural world and diplomatic strategies of Florentine patricians in the seventeenth century and the ways in which they contributed as a group to the court culture of the Medici. The author focuses on the patricians’ musical, theatrical, literary, and artistic pursuits, and uses these to show how politics, social life, and cultural activities tended to merge in early modern society. Quotations from many archival sources, mainly correspondence, make this book a lively reading experience and offer a new perspective on seventeenth-century Florentine society by revealing the mechanisms behind elite patronage networks, cultural input, recruiting processes, and brokerage activities.
Preliminary material -- LO SCAVO -- L'EDIFICIO DEL MITREO -- IL MITREO (PRIMA FASE) -- IL MITREO (SECONDA FASE) -- I TRE VANI A SUD DEL MITREO -- IMPORTANZA DEL MITREO DEI CASTRA PEREGRINORUM -- INDEX -- ELENCO DELLE TAVOLE -- TAVOLA.
During the early modern period, thousands of Jesuits across Europe wrote individual applications for appointments in the “Indies” directly to the superior general of the Society of Jesus in Rome. Known today as litterae indipetae (from Indias petere, that is, applying for the missions in the Eastern and Western territories), these letters encompassed the most personal desires, hopes, and dreams of young Jesuits who sought to become missionaries. This book is the first English monograph on litterae indipetae and studies their style and structure, the background of their authors and the reasons behind their choices, as well as the network surrounding this practice (natural and spiritual families, procurators, confrères). Its purpose is also to capture the experiences of these individuals since lost to history by studying thousands of indipetae, in this case written mainly by Italian Jesuits at the turn of the eighteenth century. It focuses especially on the petitions aimed at East Asia, and offers in-depth analysis of cases of Jesuits whose missionary zeal for China and Japan was fulfilled—or not.
From two leading scholars, a thrilling and rich investigation of the life and work of Dante Alighieri. Numerous books have attempted to chronicle the life of Dante Alighieri, yet essential questions remain unanswered. How did a self-taught Florentine become the celebrated author of the Divine Comedy? Was his exile from Florence so extraordinary? How did Dante make himself the main protagonist in his works, in a literary context that advised against it? And why has his life interested so many readers? In Dante’s New Lives, eminent scholars Elisa Brilli and Giuliano Milani answer these questions and many more. Their account reappraises Dante’s life and work by assessing archival and literary evidence and examining the most recent scholarship. The book is a model of interdisciplinary biography, as fascinating as it is rigorous.
Titles in Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique and major works to key figures. A must-have for any musician’s personal library! Trumpeters today perform a vast repertoire of musical material spanning 500 years, much of it in a variety of styles and even on a number of related instruments. In A Dictionary for the Modern Trumpet Player, scholar and performer, Elisa Koehler has created a key reference work that addresses all of the instruments in the high brass family, providing ready answers to issues that trumpeters, conductors, and musicians commonly—and sometimes not so commonly—encounter. Drawing on a broad range of scholarly sources, A Dictionary for the Modern Trumpet Player includes entries on historic instruments like the cornetto, keyed bugle, and slide trumpet; jazz trumpet techniques; mutes and accessories; and ancient ancestors of the trumpet and related non-Western instruments. In addition to its concise and detailed definitions, this work includes biographies of prominent performers, teachers, instrument makers, and composers of trumpet solo and ensemble literature often omitted from other musical references. Carefully labeled illustrations illuminate the inner workings of various valve mechanisms, allowing readers to visualize the more technical points of high brass instruments. Appendixes include a time line of trumpet history, a survey of valve mechanisms, a list of prominent excerpts from the orchestral and operatic repertoire, and an extensive bibliography. From quick definitions of confusing terms in a musical score to an in-depth overview of trumpet history, A Dictionary for the Modern Trumpet Player is an ideal reference for students, professionals, and music lovers.
This book analyzes how the Second International reacted to international diplomatic crises and what was the attitude of French, German and Italian socialists between 1889 and 1915, the year in which Italy entered the World War. This book shows that the Second International became over the years more and more involved in the fight against war and learnt to respond to situations of diplomatic crisis. An example of this is the fact that its last congress before the outbreak of the First World War, the Basel Congress of 1912, was nothing less than a great international socialist demonstration of opposition to war. However, the fact that France, Germany or Italy were involved in a diplomatic crisis hindered the International's ability to respond effectively to it. For all these factors, the attitude of the International is very different from one crisis to another.
Catalogo/monografia bilingue (ita / en). Questo catalogo costituisce la prima monografia organica su Francesco Simoncini, ricostruita attraverso il materiale iconografico e documentario – in gran parte inedito – esposto nella omonima mostra di Bologna. Un libro che ripercorre le innovazioni e i traguardi raggiunti da questo singolare personaggio del Novecento italiano. Imprenditore dalle idee innovative e progettista autodidatta di caratteri per la stampa, Simoncini ha testimoniato come pochi altri il valore di un approccio globale al progetto, dove estetica e funzionalità, umanità e ricerca sono tutti elementi equivalenti e indispensabili. Nel progettare i propri caratteri, Simoncini si è sempre posto come obiettivi essenziali la chiarezza e la leggibilità. Questa attenzione, unita alle capacità imprenditoriali e alla diffusione della tecnologia Linotype, fece sì che a partire dagli anni Cinquanta i suoi caratteri ebbero largo impiego in ogni ambito della stampa in Italia: dal Delia, progettato per gli elenchi telefonici, al Garamond Simoncini, impiegato dalle edizioni Einaudi a partire dal 1960, e divenuto il carattere più emblematico e rappresentativo dell’editoria italiana del dopoguerra. E ancora oggi alcuni dei suoi caratteri, anche se creati per una tecnologia ormai obsoleta, sono noti e apprezzati in tutto il mondo. Anche come imprenditore Simoncini si distinse per le sue iniziative originali, sempre attente a valorizzare il contributo dei collaboratori e dei dipendenti. Alla fine della guerra, era riuscito a trasformare la piccola officina paterna di riparazioni per Linotype in una grande industria internazionale per la progettazione e produzione di caratteri. La sua attenzione si estese anche al di fuori dell’azienda assumendo ruoli di rilievo in associazioni di settore e impegnandosi nella formazione dei giovani tecnici e nella standardizzazione della tecnologia. Il catalogo è arricchito dai contributi di Antonio Cavedoni, disegnatore di caratteri, e Elisa Rebellato, studiosa di storia dell’editoria. I loro saggi ripercorrono sia la vicenda biografica e imprenditoriale di Francesco Simoncini che l’analisi dei principali caratteri prodotti dalle Officine Simoncini. Una mostra di Griffo, la grande festa delle lettere, sul contributo di Francesco Simoncini (1912-1975) come imprenditore e type designer, curata da Antonio Cavedoni ed Elisa Rebellato. Traduzione di Johanna Bishop. Grafica: Dina&Solomon. Ebook a layout fisso: se ne consiglia la lettura su uno schermo ampio.
The various contributors make clear the relevance of Giussani's thought to the North American and Western cultural and religious context. They point to an important element in all of Giussani's work - his proposal that the Christian Event is the answer to the deepest and most pressing questions in today's world. With his clear and vigorous awareness of the cultural, philosophical, and theological issues central to the contemporary debate, Giussani succeeds in making the truth of the Catholic tradition both reasonable and relevant. Contributors include Lorenzo Albacete (Pontifical Catholic University of Puerto Rico), Jorge Mario Bergoglio (Cardinal Archbishop of Buenos Aires), Remi Brague (Université La Sorbonne, Paris), Carlo Caffarra (Archbishop of Ferrara-Comacchio), Ralph Del Colle (Marquette University), Ravan Farhâdi (United Nations), Giorgio Feliciani (Catholic University of Sacred Heart, Milan), Neil Gillman (Jewish Theological Seminary, NY), David J. Horowitz (DHMA Inc, NY), Rodney Howsare (DeSales University), Nikolaus Lobkowicz (Catholic University of Eichstätt), Gilbert C. Meilaender (Valparaiso University, Chile), John O’Connor (Cardinal Archbishop of New York), Marc Ouellet (Pontifical Council for Promoting Christian Unity),Javier Prades (Theological Faculty, San Damaso, Madrid), David L. Schindler (John Paul II Institute, Washington, DC), Angelo Scola (Pontifical Lateran University, Rome), J. Francis Stafford (Pontifical Council for the Laity), Shingen Takagi (Koyasan University, Japan), and Michale Waldstein (Internationales Theologisches Institut für Studien zu Ehe und Familie, Gaming, Austria).
This volume in the Institute of Classical Archaeology’s series on rural settlements in the countryside (chora) of Metaponto is a study of the fourth-century BC farmhouse known as Fattoria Fabrizio, located in the heart of the surveyed chora in the Venella valley (at Ponte Fabrizio). This simple structure richly illustrates the life of fourth-century BC Metapontine farmers of modest means. Thorough interpretations of the farmhouse structure in its wider historical and socioeconomic contexts are accompanied by comprehensive analyses of the archaeological finds. Among them is detailed evidence for the family cult, a rare archaeological contribution to the study of Greek religion in Magna Grecia. The entire range of local Greek ceramics has been studied, along with a limited number of imports. Together they reveal networks within the chora and trade beyond it, involving indigenous peoples of southern Italy, mainland Greeks, and the wider Mediterranean world. Along with the studies of traditional archaeological finds, archaeobotanical analyses have illuminated the rural economy of the farmhouse and the environment of the adjacent chora. Abundant Archaic pottery also documents an important occupation, during the first great flowering of the chora in the sixth century BC. This study provides an ideal complement to the four volumes of The Chora of Metaponto 3: Archaeological Field Survey—Bradano to Basento and an eloquent example of hundreds of farmhouses of this date identified throughout the chora by their surface remains alone.
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