In an attempt to engage with the modern understanding of such a fertile enterprise as Byzantine Philosophy, Analogia offers this first collection of distinguished essays written by promising experts of the younger generation. Table of Contents: 1. Themistius on ‘Prime Matter’, Aristotle, and the ‘Unwritten Doctrines’ ascribed to Plato, ELISA CODA 2. Aristotelian attraction and repulsion in Byzantium, PANTELIS GOLITSIS 3. Simplicius on the principal meaning of physis in Aristotle’s Physics II. 1–3, MELINA G. MOUZALA 4. Aristotle’s Rhetoric in the Manuals of Byzantine Rhetoric, SOTIRIA A. TRIANTARI 5. Visions of political philosophy in the ‘Commentary on Aristotle’s Politics’ by Michael of Ephesus, ILIAS VAVOURAS 6. BOOK REVIEWS The Christian Liturgical Papyri: An Introduction by Ágnes T. Mihálykó, GREGORY S. PAULSON
Extra-grammatical morphology is a hitherto neglected area of research, highly marginalised because of its irregularity and unpredictability. Yet many neologisms in English are formed by means of extra-grammatical mechanisms, such as abbreviation, blending and reduplication, which therefore deserve both greater attention and more systematic study. This book analyses such phenomena.
How do we interact with people in our everyday life? Who are the people we are connected to? What are the consequences of overlapping social circles and how people deal with the potential emerging conflicts? What are the structural and cultural mechanisms that regulate social worlds? Network science is a scientific approach to the study of network dependencies and associations which tries to answer these and many other questions. This book explores the underlying mechanisms that regulate social life as they are produced, reproduced, modified, and abandoned in the spatial and temporal patterns of interactions. The mixed methods approach, that combines formal network analysis with qualitative materials and statistical tools, shows the importance of contextualising structural mechanisms in their social and cultural environment, and allows overcoming the traditional methodological boundaries that shape the field of social sciences.
Anglophilia charts the phenomenon of the love of Britain that emerged after the Revolution and remains in the character of U.S. society and class, the style of academic life, and the idea of American intellectualism. But as Tamarkin shows, this Anglophilia was more than just an elite nostalgia; it was popular devotion that made reverence for British tradition instrumental to the psychological innovations of democracy. Anglophilia spoke to fantasies of cultural belonging, polite sociability, and, finally, deference itself as an affective practice within egalitarian politics. Tamarkin traces the wide-ranging effects of anglophilia on American literature, art and intellectual life in the early nineteenth century, as well as its influence in arguments against slavery, in the politics of Union, and in the dialectics of liberty and loyalty before the civil war. By working beyond narratives of British influence, Tamarkin highlights a more intricate culture of American response, one that included Whig elites, college students, radical democrats, urban immigrants, and African Americans. Ultimately, Anglophila argues that that the love of Britain was not simply a fetish or form of shame-a release from the burdens of American culture-but an anachronistic structure of attachement in which U.S. Identity was lived in other languages of national expression.
Contagiously curious essays on reading, art, and the life of the mind, from the acclaimed author of The Unreality of Memory. Who are we when we read? When we journal? Are we more ourselves alone or with friends? Right now or in memory? How does time transform us and the art we love? In sixteen dazzling, expansive essays, the acclaimed essayist and poet Elisa Gabbert explores a life lived alongside books of all kinds: dog-eared and destroyed, cherished and discarded, classic and clichėd, familiar and profoundly new. She turns her witty, searching mind to the writers she admires, from Plath to Proust, and the themes that bind them—chance, freedom, envy, ambition, nostalgia, and happiness. She takes us to the strange edges of art and culture, from hair metal to surf movies to party fiction. Any Person Is the Only Self is a love letter to literature and to life, inviting us to think alongside one of our most thrilling and versatile critics.
This book fills a gap in lexical morphology, especially with reference to analogy in English word-formation. Many studies have focused their interest on the role played by analogy within English inflectional morphology. However, the analogical mechanism also deserves investigation on account of its relevance to neology in English. This volume provides in-depth qualitative analyses and stimulating quantitative findings in this realm.
Music at the Intersection of Brazilian Culture takes an interdisciplinary approach by utilizing several aspects of Brazilian music, race, and food as a window to understanding Brazilian culture, with music at the core. Through a holistic understanding of the Brazilian experience – exploring issues of race, colonization, sustainable development, and the contributions of the three distinct ethnic groups in the making of Brazil – the authors create a narrative based on their own recollection of memories, traditions, customs, sounds, and landscapes that they experienced in Brazil. Each engaging section begins with an overview of the topic that places it in historical context, and then focuses on each subtopic with a thorough presentation of the content as well as suggested activities that can be implemented in the classroom. The chapters conclude with a list of useful references, resources, and audio recording examples, which are available on Spotify, to present readers with a musical landscape of the folktales. These can be found online via the Routledge catalogue page for this book. This book is an essential resource for students and teachers of music and cultural studies, as it unpicks complex issues to help readers better understand and appreciate Brazilian culture.
We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick's, Adrian Lyne's, Michael Bay's and Quentin Tarantino's oeuvres, this book discusses the overall 'dominating' time of their films and the moments during which this 'ruling' time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
Male and Female Violence in Popular Media brings into focus the apparently symmetrical phenomena of men's violence against women and women's violence against men, explaining the profound differences in their actual features as well as in their representations, which over the last few years have been proliferating in a vast array of global media contents. Elisa Giomi and Sveva Magaraggia consider popular media including crime TV series such as The Killing (Denmark, 2007- 2012), The Fall (UK, 2013-2016) and True Detective (USA, 2015), factual entertainment such as Who the (bleep) Did I Marry? (Investigation Discovery, 2010-2015), and Italian pop music in order to examine popular culture's depictions of men and women in their opposite, yet complementary, roles of perpetrators and victims. They reveal how TV shows, pop-songs, news and commercials that populate global audiences' daily life fuel false beliefs about love and sexuality that either legitimate or stigmatise violence depending on the perpetrators and victims' gender.
Preliminary material -- LO SCAVO -- L'EDIFICIO DEL MITREO -- IL MITREO (PRIMA FASE) -- IL MITREO (SECONDA FASE) -- I TRE VANI A SUD DEL MITREO -- IMPORTANZA DEL MITREO DEI CASTRA PEREGRINORUM -- INDEX -- ELENCO DELLE TAVOLE -- TAVOLA.
Lumbre de fe is the most extensive and articulate polemic text of polemic against Islam written during the 16th century in Spanish in the Iberian Peninsula. The work is the result of the preaching task carried out by Joan Martí de Figuerola for the conversion of the Mudejars of Zaragoza between 1517 and 1518, a task that brought Figuerola into numerous confrontations with the secular authorities for disturbing the coexistence between the two confessions. Lumbre de fe also stands out for its use of qur’ānic texts in Arabic to attack Islam. These texts, transliterated in Latin characters and translated into Spanish, are commented and discussed by Figuerola, making use of his vast theological erudition and his experience as a preacher in the crown of Aragon. The manuscript in which the work is preserved also contains numerous images representing Islamic beliefs and rites, which further reinforces the enormous originality and strength of the work.
“Crackling and bighearted...A powerhouse [that] echoes with the truth that we find harmony when we listen first to ourselves.” —Oprah Daily * “Takes off with magnificent speed and never lets up.” —The New York Times * “Revolutionary.” —NPR’s Morning Edition * A Los Angeles Times and Publishers Weekly Best Book of the Year A provocative and “darkly funny” (Cosmopolitan) novel about a woman who desperately wants a child but struggles to accept the use of assisted reproductive technology—a “riotous, visceral” (Vanity Fair) send-up of feminism, fame, art, commerce, and autonomy. On the eve of her fourth album, singer-songwriter Aviva Rosner is plagued by infertility. The twist: as much as Aviva wants a child, she is wary of technological conception, and has poured her ambivalence into her music. As the album makes its way in the world, the shock of the response from fans and critics is at first exciting—and then invasive and strange. Aviva never wanted to be famous, or did she? Meanwhile, her evolving obsession with another iconic musician, gone too soon, might just help her make sense of things. Told over the course of nine menstrual cycles, this utterly original novel is a “fast, fiery, and often funny” (The Boston Globe) interrogation of our cultural obsession with childbearing. It’s also the story of one fearless woman at the crossroads, ruthlessly questioning what she wants and what she’s willing—or not willing—to do to get it.
From the Costa First Novel Award shortlisted author of An Unremarkable Body She came to write, but the island has its own story . . . Off the windswept coast of Scotland lies Finish Island, rugged and remote. Once a home, it now stands abandoned, a place of dark history and deep memory, a place that holds its stories close. Unable to write since her daughter's death, it's here that Seren comes to work, hoping that the solitude and silence will inspire her next novel. But the island holds memories of its own, restless and unwilling to stay buried. As unsettling occurrences become even more bizarre and frightening, Seren starts seeing uncanny resonances between her past and the island's history. There is something on this island, something ancient and unforgiving. Will Seren discover its secrets, before it's too late?
Is American vision implicitly possessive, as a generation of critics contends? By viewing the American poetic tradition through the prism of pragmatism, Elisa New contests this claim. A new reading of how poetry "sees," her work is a passionate defense of the power of the poem, the ethics of perception, and the broader possibilities of American sight. American poems see more fully, and less invasively, than accounts of American literature as an inscription of imperial national ideology would allow. Moreover, New argues, their ways of seeing draw on, and develop, a vigorous mode of national representation alternative to the appropriative sort found in the quintessential American genre of encounter, the romance. Grounding her readings of Dickinson, Frost, Moore, and Williams in foundational texts by Edwards, Jefferson, Audubon, and Thoreau, New shows how varieties of attentiveness and solicitude cultivated in the early literature are realized in later poetry. She then discloses how these ideas infuse the philosophical notions about pragmatic experience codified by Emerson, James, and Dewey. As these philosophers insisted, and as New's readings prove, art is where the experience of experience can be had: to read, as to write, a poem is to let the line guide one's way.
The short stories gathered in this volume take us into a world of nostalgia and deep emotions. Characters with heightened sensitivity or in positions that call them into question show themselves without shame and reveal to us the universality of the human soul. We recognize ourselves in these confessions. With an elegant and clear style and many references to travel, Greek and Latin mythology, with a culture open to the world, Fabiana Elisa Martínez is a revelation in the literary world. "Fabiana extracts universal value from everyday situations. She is aided by her great culture, her taste for travel, her resistance to paying excessive tribute to the charms of fashion, her careful prose—which knows that a great book can be a great evil—, not just a little English humor, and knowing how to appreciate the good things in the lives we live today." From the Prologue of Conquered by Fog.
This book presents an innovative new approach to studying source mechanisms of earthquakes, combining theory and observation in a unified methodology, with a key focus on the mechanics governing fault failures. It explains source mechanisms by building from fundamental concepts such as the equations of elasticity theory to more advanced problems including dislocation theory, kinematic models and fracture dynamics. The theory is presented first in student-friendly form using consistent notation throughout, and with full, detailed mathematical derivations that enable students to follow each step. Later chapters explain the widely-used practical modelling methods for source mechanism determination, linking clearly to the theoretical foundations, and highlighting the processing of digital seismological data. Providing a unique balance between application techniques and theory, this is an ideal guide for graduate students and researchers in seismology, tectonophysics, geodynamics and geomechanics, and a valuable practical resource for professionals working in seismic hazard assessment and seismic engineering.
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