A Journey Into Yin Yoga explores the origins and application of this popular, passive style of yoga. Learn the poses, breathing, and meditation techniques that have helped millions strengthen body, mind, and spirit.
The collected dramatic works of the Nobel Prize winner, from Murder in the Cathedral to The Elder Statesman. T. S. Eliot’s plays—Murder in the Cathedral, The Family Reunion, The Cocktail Party (which won a Tony Award for its Broadway production), The Confidential Clerk, and The Elder Statesman—are brought together for the first time in this volume. They summarize the Nobel Prize winner’s achievements in restoring dramatic verse to the English and American stages, an effort of great significance both for the theater and for the development of Eliot’s art. Between 1935, when Murder in the Cathedral was first produced at the Canterbury Festival, and 1958, when The Elder Statesman opened at the Edinburgh Festival prior to engagements in London and New York, Eliot had given three other plays to the theater. His paramount concerns can be traced through all five works. They have been said to be closely related, marking stages in the development of a new and individual form of drama, in which the poet worked out his intention “to take a form of entertainment, and subject it to the process that would leave it a form of art.” What Mark Van Doren said, in reviewing Murder in the Cathedral, is true of all these plays: “Mr. Eliot adapts himself to the stage with dignity, simplicity, and skill.”
Newly revised and in paperback for the first time, this definitive, annotated edition of T. S. Eliot's "The Waste Land "includes as a bonus""all the essays Eliot wrote as he was composing his masterpiece. Enriched with period photographs, a London map of cited locations, groundbreaking information on the origins of the work, and full annotations, the volume is itself a landmark in literary history. "More than any previous editor, Rainey provides the reader with every resource that might help explain the genesis and significance of the poem. . . . The most imaginative and useful edition of "The Waste Land" ever published."--Adam Kirsch, "New Criterion ""For the student or for anyone who wants to get the maximum amount of information out of a foundational modernist work, this is the best available edition."--"Publishers Weekly
A new edition of the two-volume T. S. Eliot poems This critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems, 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” As well as the masterpieces, The Poems of T. S. Eliot: Volume I contains the poems of his youth, which were rediscovered only decades later; others that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Ricks and McCue illustrate not only the breadth of Eliot’s interests and the range of his writings but how it was that the author of “Gerontion” came to write “Triumphal March” and then Four Quartets. Thanks to the family and friends who recognized Eliot’s genius and preserved his writings from an early age, the archival record is exceptionally complete, enabling us to follow in unique detail the progress of a mind that never ceased exploring.
In the period covered by this richly detailed collection, T. S. Eliot was to set a new course for his life and work. The demands of his professional life as writer and editor became more complex and exacting. The celebrated but financially-pressed periodical he had been editing since 1922—The Criterion: A Literary Review—switched between being a quarterly and a monthly; in addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. This correspondence with friends and mentors vividly documents all the stages of Eliot’s personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.
The first volume of Eliot's correspondence covers his childhood in St. Louis, Missouri, through 1922, when he married and settled in England. Volume two covers the time period of Eliot's publication of The Hallow Men and his developing ideas about poetry.
Certain of these poems first appeared in Poetry, Blast, Others, The Little Review, and Art and Letters. Contents: Gerontion; Burbank with a Baedeker: Bleistein with a Cigar; Sweeney Erect; A Cooking Egg; Le Directeur; Melange adultere de tout; Lune de Miel; The Hippopotamus; Dans le Restaurant; Whispers of Immortality; Mr. Eliot's Sunday Morning Service; Sweeney Among the Nightingales; The Love Song of J. Alfred Prufrock; Portrait of a Lady; Preludes; Rhapsody on a Windy Night; Morning at the Window; The Boston Evening Transcript; Aunt Helen; Cousin Nancy; Mr. Apollinax; Hysteria; Conversation Galante; La Figlia Che Pianga.
DIV T. S. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion, even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital. Eliot corresponds with writers throughout Great Britain, Europe, and the United States while also forging links with the foremost reviews in London, Berlin, Paris, Madrid, and Milan. He generously promotes many other writers, among them Louis Zukofsky and Edward Dahlberg, and manages to complete a variety of writings himself, including the much-loved poem A Song for Simeon, a brilliant introduction to Wilkie Collins’s The Moonstone, and many more. /div
A selection of the most significant and enduring poems from one of the twentieth century’s major writers, chosen and introduced by Vijay Seshadri T.S. Eliot was a towering figure in twentieth century literature, a renowned poet, playwright, and critic whose work—including “The Love Song of J. Alfred Prufrock” (1915), The Waste Land (1922), Four Quartets (1943), and Murder in the Cathedral (1935)—continues to be among the most-read and influential in the canon of American literature. The Essential T.S. Eliot collects Eliot’s most lasting and important poetry in one career-spanning volume, now with an introduction from Vijay Seshadri, one of our foremost poets.
Selections from the prolific T.S. Eliot, one of the best-loved poets of the early 20th century, are elegantly packaged in this handsome edition with a satin ribbon marker. High school older.
Thou hast nor youth nor ageBut as it were an after dinner sleepDreaming of both.Here I am, an old man in a dry month, Being read to by a boy, waiting for rain.I was neither at the hot gatesNor fought in the warm rainNor knee deep in the salt marsh, heaving a cutlass, Bitten by flies, fought.My house is a decayed house, And the jew squats on the window sill, the owner, Spawned in some estaminet of Antwerp, Blistered in Brussels, patched and peeled in London.The goat coughs at night in the field overhead;Rocks, moss, stonecrop, iron, merds.The woman keeps the kitchen, makes tea, Sneezes at evening, poking the peevish gutter.I an old man, A dull head among windy spaces.Signs are taken for wonders. "We would see a sign" The word within a word, unable to speak a word, Swaddled with darkness. In the juvescence of the yearCame Christ the tigerIn depraved May, dogwood and chestnut, flowering Judas, To be eaten, to be divided, to be drunkAmong whispers; by Mr. SilveroWith caressing hands, at LimogesWho walked all night in the next room;By Hakagawa, bowing among the Titians;By Madame de Tornquist, in the dark roomShifting the candles; Fraulein von KulpWho turned in the hall, one hand on the door. Vacant shuttlesWeave the wind. I have no ghosts, An old man in a draughty house
Poems by T. S. Eliot Thomas Stearns Eliot OM (26 September 1888 - 4 January 1965) was an essayist, publisher, playwright, literary and social critic and "one of the twentieth century's major poets." Born in St. Louis, Missouri in the United States, he moved to the United Kingdom in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39. Eliot attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930) and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948, "for his outstanding, pioneer contribution to present-day poetry.
Thomas Stearns Eliot (1888 1965) was an British essayist, publisher, playwright, literary and social critic and one of the twentieth century's major poets. Eliot attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922). He was awarded the Nobel Prize in Literature in 1948, for his outstanding, pioneer contribution to present-day poetry. In this book: Poems The Waste Land Prufrock and Other Observations Ezra Pound: His Metric and Poetry
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