A candid and eye-opening inside look at the final decades of Sinatra's life told by his longtime manager and friend, Eliot Weisman. By the time Weisman met Sinatra in 1976, he was already the Voice, a man who held sway over popular music and pop culture for forty years, who had risen to the greatest heights of fame and plumbed the depths of failure, all the while surviving with the trademark swagger that women pined for and men wanted to emulate. Passionate and generous on his best days, sullen and unpredictable on his worst, Sinatra invited Weisman into his inner circle, an honor that the budding celebrity manager never took for granted. Even when he was caught up in a legal net designed to snare Sinatra, Weisman went to prison rather than being coerced into telling prosecutors what they wanted to hear. With Weisman's help, Sinatra orchestrated in his final decades some of the most memorable moments of his career. There was the Duets album, which was Sinatra's top seller, the massive tours, such as Together Again, which featured a short-lived reunion of the Rat Pack--until Dean Martin, having little interest in reliving the glory days, couldn't handle it anymore--and the Ultimate Event Tour, which brought Liza Minelli and Sammy Davis Jr. on board and refreshed the much-needed lining of both their pocketbooks. Weisman also worked with many other acts, including Steve Lawrence and Eydie Gorme, and an ungrateful Don Rickles, whom Weisman helped get out from under the mob's thumb. Over their years together, Weisman became a confidant to the man who trusted few, and he came to know Sinatra's world intimately: his wife, Barbara, who socialized with princesses and presidents and tried to close Sinatra off from his rough and tough friends such as Jilly Rizzo; Nancy Jr., who was closest to her dad; Tina, who aggressively battled for her and her siblings' rights to the Sinatra legacy and was most like her father; and Frank Jr., the child with the most fraught relationship with the legendary entertainer. Ultimately Weisman, who had become the executor of Sinatra's estate, was left alone to navigate the infighting and hatred between those born to the name and the wife who acquired it, when a mystery woman showed up and threatened to throw the family's future into jeopardy. Laden with surprising, moving, and revealing stories, The Way It Was also shows a side of Sinatra few knew. As a lion in winter, he was struggling with the challenges that come with old age, as well as memory loss, depression, and antidepressents. Weisman was by his side through it all, witness to a man who had towering confidence, staggering fearlessness, and a rarely seen vulnerability that became more apparent as his final days approached.
The collected dramatic works of the Nobel Prize winner, from Murder in the Cathedral to The Elder Statesman. T. S. Eliot’s plays—Murder in the Cathedral, The Family Reunion, The Cocktail Party (which won a Tony Award for its Broadway production), The Confidential Clerk, and The Elder Statesman—are brought together for the first time in this volume. They summarize the Nobel Prize winner’s achievements in restoring dramatic verse to the English and American stages, an effort of great significance both for the theater and for the development of Eliot’s art. Between 1935, when Murder in the Cathedral was first produced at the Canterbury Festival, and 1958, when The Elder Statesman opened at the Edinburgh Festival prior to engagements in London and New York, Eliot had given three other plays to the theater. His paramount concerns can be traced through all five works. They have been said to be closely related, marking stages in the development of a new and individual form of drama, in which the poet worked out his intention “to take a form of entertainment, and subject it to the process that would leave it a form of art.” What Mark Van Doren said, in reviewing Murder in the Cathedral, is true of all these plays: “Mr. Eliot adapts himself to the stage with dignity, simplicity, and skill.”
A selection of the most significant and enduring poems from one of the twentieth century’s major writers, chosen and introduced by Vijay Seshadri T.S. Eliot was a towering figure in twentieth century literature, a renowned poet, playwright, and critic whose work—including “The Love Song of J. Alfred Prufrock” (1915), The Waste Land (1922), Four Quartets (1943), and Murder in the Cathedral (1935)—continues to be among the most-read and influential in the canon of American literature. The Essential T.S. Eliot collects Eliot’s most lasting and important poetry in one career-spanning volume, now with an introduction from Vijay Seshadri, one of our foremost poets.
The first volume of Eliot's correspondence covers his childhood in St. Louis, Missouri, through 1922, when he married and settled in England. Volume two covers the time period of Eliot's publication of The Hallow Men and his developing ideas about poetry.
Certain of these poems first appeared in Poetry, Blast, Others, The Little Review, and Art and Letters. Contents: Gerontion; Burbank with a Baedeker: Bleistein with a Cigar; Sweeney Erect; A Cooking Egg; Le Directeur; Melange adultere de tout; Lune de Miel; The Hippopotamus; Dans le Restaurant; Whispers of Immortality; Mr. Eliot's Sunday Morning Service; Sweeney Among the Nightingales; The Love Song of J. Alfred Prufrock; Portrait of a Lady; Preludes; Rhapsody on a Windy Night; Morning at the Window; The Boston Evening Transcript; Aunt Helen; Cousin Nancy; Mr. Apollinax; Hysteria; Conversation Galante; La Figlia Che Pianga.
The first volume of Eliot's correspondence covers his childhood in St. Louis, Missouri, through 1922, when he married and settled in England. Volume two covers the time period of Eliot's publication of The Hallow Men and his developing ideas about poetry.
In the period covered by this richly detailed collection, T. S. Eliot was to set a new course for his life and work. The demands of his professional life as writer and editor became more complex and exacting. The celebrated but financially-pressed periodical he had been editing since 1922—The Criterion: A Literary Review—switched between being a quarterly and a monthly; in addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. This correspondence with friends and mentors vividly documents all the stages of Eliot’s personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.
This volume brings together the full contents of Prufrock and Other Observations (1917), Poems (1920), and The Waste Land (1922), together with an informative introduction and a selection of background materials. Included as well are two of Eliot’s most influential essays, “Tradition and the Individual Talent” (1919) and “The Metaphysical Poets” (1921). As with other volumes in this series, the material appearing here is for the most part drawn from The Broadview Anthology of British Literature, acclaimed as “the new standard” in the field. Appendices include a wide range of contextual materials pertaining to Modernism; writings by Ezra Pound, H.D., and Mina Loy; reviews of The Waste Land; art by Wyndham Lewis; and excerpts from essays by Virginia Woolf and others.
This fifth volume of the collected letters of poet, playwright, essayist, and literary critic Thomas Stearns Eliot covers the years 1930 through 1931. It was during this period that the acclaimed American-born writer earnestly embraced his newly avowed Anglo-Catholic faith, a decision that earned him the antagonism of friends like Virginia Woolf and Herbert Read. Also evidenced in these correspondences is Eliot’s growing estrangement from his wife Vivien, with the writer’s newfound dedication to the Anglican Church exacerbating the unhappiness of an already tormented union. Yet despite his personal trials, this period was one of great literary activity for Eliot. In 1930 he composed the poems Ash-Wednesday and Marina, and published Coriolan and a translation of Saint-John Perse’s Anabase the following year. As director at the British publishing house Faber & Faber and editor of The Criterion, he encouraged W. H. Auden, Stephen Spender, Louis MacNeice, and Ralph Hogdson, published James Joyce’s Haveth Childers Everywhere, and turned down a book proposal from Eric Blair, better known by his pen name, George Orwell. Through Eliot’s correspondences from this time the reader gets a full-bodied view of a great artist at a personal, professional, and spiritual crossroads.
This volume brings together four of T. S. Eliot's powerful collections into one. It includes such classic poems as "The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Preludes," "Gerontion," "Sweeney Among the Nightingales," and "The Waste Land." It also includes poems that haven't been previously collected and a short story Eliot wrote, "Eeldrop and Appleplex.
DIV T. S. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion, even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital. Eliot corresponds with writers throughout Great Britain, Europe, and the United States while also forging links with the foremost reviews in London, Berlin, Paris, Madrid, and Milan. He generously promotes many other writers, among them Louis Zukofsky and Edward Dahlberg, and manages to complete a variety of writings himself, including the much-loved poem A Song for Simeon, a brilliant introduction to Wilkie Collins’s The Moonstone, and many more. /div
An American-English poet, playwright and influential literary critic, T. S. Eliot was a leader of the Modernist movement in poetry, producing important works such as ‘The Waste Land’ and ‘Four Quartets’. His work exerted a strong influence on Anglo-American culture from the 1920’s until late on in the century. His experiments in diction, style and versification helped revitalise English poetry, while his critical essays challenged old orthodoxies and forged new approaches. Eliot was awarded the 1948 Nobel Prize in Literature “for his outstanding, pioneer contribution to present-day poetry”. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Eliot’s complete poetical and dramatic works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Eliot’s life and works * Concise introductions to the major works * Images of how the books were first printed, giving your eReader a taste of the original texts * The complete poetry * Excellent formatting of the poems * Rare poems often missed out of collections * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * The complete plays * Includes a wide selection of Eliot’s prose, including all the seminal essays * Ordering of texts into chronological order and literary genres CONTENTS: The Poetry Collections Prufrock and Other Observations (1917) Poems, 1920 The Waste Land (1922) The Hollow Men (1925) Ash Wednesday (1930) Ariel Poems (1927-1954) Coriolan (1931) Old Possum’s Book of Practical Cats (1939) Contributions to ‘The Queen’s Book of the Red Cross’ (1939) Four Quartets (1943) Miscellaneous Verses The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Plays The Rock (1934) Murder in the Cathedral (1935) The Family Reunion (1939) The Cocktail Party (1949) The Confidential Clerk (1953) The Elder Statesman (1959) The Prose Eeldrop and Appleplex (1917) Ezra Pound (1918) The Sacred Wood (1920) Homage to John Dryden (1924) The Clark Lectures at Trinity College, Cambridge (1926) Dante (1929) Thoughts after Lambeth (1931) Selected Essays (1932) The Turnbull Lectures at the Johns Hopkins University (1933) Elizabethan Essays (1934) Essays Ancient and Modern (1936) Notes Towards the Definition of Culture (1948) Introduction to ‘All Hallows’ Eve’ (1948) by Charles Williams Introduction to ‘Pascal’s Pensées’ (1958)
The sixth volume of the personal correspondences of British literary giant T. S. Eliot The letters of T. S. Eliot collected in this sixth volume were written during the years the Nobel Prize–winning poet, playwright, critic, and essayist called, “the happiest I can ever remember in my life.” Penned in large part during his tour of Depression Era America, these letters reflect Eliot’s resolve to end his torturous eighteen-year marriage to his wife, Vivienne, and offer fascinating descriptions of the author’s encounters with F. Scott Fitzgerald, Edmund Wilson, Marianne Moore, and other notable figures.
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.
This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats. After exhausting himself through nights of fire-watching in the London wartime blackout, he travels the country, attends meetings of The Moot, delivers talks, and advises a fresh generation of writers including Cyril Connolly, Keith Douglas, Kathleen Raine and Vernon Watkins. Major correspondents include W. H. Auden, George Barker, William Empson, Geoffrey Faber, John Hayward, James Laughlin, Hope Mirrlees, Mervyn Peake, Ezra Pound, Michael Roberts, Stephen Spender, Tambimuttu, Allen Tate, Michael Tippett, Charles Williams and Virginia Woolf. Four Quartets, Eliot's culminating masterpiece, is discussed in detail.
Eliot is called upon to become the completely public man. He gives talks, lectures, readings and broadcasts, and even school prize-day addresses. As editor and publisher, his work is unrelenting, commissioning works ranging from Michael Roberts's The Modern Mind to Elizabeth Bowen's anthology The Faber Book of Modern Stories. Other letters reveal Eliot's delight in close friends such as John Hayward, Virginia Woolf and Polly Tandy, and his colleagues Geoffrey Faber and Frank Morley, as well as his growing troupe of godchildren - to whom he despatches many of the verses that will ultimately be gathered up in Old Possum's Book of Practical Cats (1939). The volume covers his separation from first wife Vivien, and tells the full story of the decision taken by her brother, following the best available medical advice, to commit her to an asylum - after she had been found wandering in the streets of London. All the while these numerous strands of correspondence are being played out, Eliot struggles to find the time to compose his second play, The Family Reunion (1939), which is finally completed in 1938.
An American-English poet, playwright and influential literary critic, T. S. Eliot was a leader of the Modernist movement in poetry, producing important works such as ‘The Waste Land’ and ‘Prufrock’. His work exerted a strong influence on Anglo-American culture from the 1920’s until late on in the century. His experiments in diction, style and versification helped revitalise English poetry, while his critical essays challenged old orthodoxies and forged new approaches. Eliot was awarded the 1948 Nobel Prize in Literature “for his outstanding, pioneer contribution to present-day poetry”. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Eliot’s collected works, with related illustrations and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Eliot’s life and works * Concise introductions to the major works * All poems in the US public domain * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Rare poems often missed out of collections * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a selection of Eliot’s prose * Ordering of texts into chronological order and literary genres * UPDATED with more poems and prose texts CONTENTS: The Poetry Collections Prufrock and Other Observations (1917) Poems, 1920 The Waste Land (1922) The Hollow Men (1925) Miscellaneous Verses The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Prose Eeldrop and Appleplex (1917) Ezra Pound (1918) The Sacred Wood (1920) Homage to John Dryden (1924) The Clark Lectures at Trinity College, Cambridge (1926)
The Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliot's poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poet's working processes, his reading, his influences and his revisions. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possum's Book of Practical Cats and his translation of Perse's Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets
A new edition of the two-volume T. S. Eliot poems This critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems, 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” As well as the masterpieces, The Poems of T. S. Eliot: Volume I contains the poems of his youth, which were rediscovered only decades later; others that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Ricks and McCue illustrate not only the breadth of Eliot’s interests and the range of his writings but how it was that the author of “Gerontion” came to write “Triumphal March” and then Four Quartets. Thanks to the family and friends who recognized Eliot’s genius and preserved his writings from an early age, the archival record is exceptionally complete, enabling us to follow in unique detail the progress of a mind that never ceased exploring.
A candid and eye-opening inside look at the final decades of Sinatra's life told by his longtime manager and friend, Eliot Weisman. By the time Weisman met Sinatra in 1976, he was already the Voice, a man who held sway over popular music and pop culture for forty years, who had risen to the greatest heights of fame and plumbed the depths of failure, all the while surviving with the trademark swagger that women pined for and men wanted to emulate. Passionate and generous on his best days, sullen and unpredictable on his worst, Sinatra invited Weisman into his inner circle, an honor that the budding celebrity manager never took for granted. Even when he was caught up in a legal net designed to snare Sinatra, Weisman went to prison rather than being coerced into telling prosecutors what they wanted to hear. With Weisman's help, Sinatra orchestrated in his final decades some of the most memorable moments of his career. There was the Duets album, which was Sinatra's top seller, the massive tours, such as Together Again, which featured a short-lived reunion of the Rat Pack--until Dean Martin, having little interest in reliving the glory days, couldn't handle it anymore--and the Ultimate Event Tour, which brought Liza Minelli and Sammy Davis Jr. on board and refreshed the much-needed lining of both their pocketbooks. Weisman also worked with many other acts, including Steve Lawrence and Eydie Gorme, and an ungrateful Don Rickles, whom Weisman helped get out from under the mob's thumb. Over their years together, Weisman became a confidant to the man who trusted few, and he came to know Sinatra's world intimately: his wife, Barbara, who socialized with princesses and presidents and tried to close Sinatra off from his rough and tough friends such as Jilly Rizzo; Nancy Jr., who was closest to her dad; Tina, who aggressively battled for her and her siblings' rights to the Sinatra legacy and was most like her father; and Frank Jr., the child with the most fraught relationship with the legendary entertainer. Ultimately Weisman, who had become the executor of Sinatra's estate, was left alone to navigate the infighting and hatred between those born to the name and the wife who acquired it, when a mystery woman showed up and threatened to throw the family's future into jeopardy. Laden with surprising, moving, and revealing stories, The Way It Was also shows a side of Sinatra few knew. As a lion in winter, he was struggling with the challenges that come with old age, as well as memory loss, depression, and antidepressents. Weisman was by his side through it all, witness to a man who had towering confidence, staggering fearlessness, and a rarely seen vulnerability that became more apparent as his final days approached.
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