History played a trick on McKinley. He has been consigned to the shadows between Lincoln and Theodore Roosevelt, vilified or ignored by historians . . . It is a richly undeserved fate. As Eliot Vestner demonstrates in this narrative of the political life of William McKinley, there was much more to the twenty-fifth president’s tenure in office than history books allow. He was a popular president, winning a second term with ease. But only nine months into it, he was assassinated by a self-described anarchist. What more he might have accomplished is anyone’s guess. He had managed to successfully pull America out of one of the worst economic depressions yet experienced, the Panic of 1893. And his controversial tariffs strengthened industry and contributed to the overall wealth of the country, as did his return of the country to the gold standard. He also led the U.S. to victory in the Spanish-American war, and implemented the first steps toward building the Panama Canal, which his successor, Theodore Roosevelt, continued. Perhaps the most under-appreciated aspect of McKinley’s presidency was his advocacy for black civil rights, and his challenge to the white supremacy of the south. As governor of Ohio, he fought against lynching. He signed a ground-breaking anti-lynching bill. Ironically, as president, he had a much more difficult time combating violence and racial injustice because of the use of states’ rights as justification for voter suppression and terrorism towards blacks. He pursued opportunities to advance the interests of black Americans wherever he could, but his inability to stop the lynchings and disfranchisement of blacks was most regrettable. His successors had no interest in the race issue, which remained unresolved until the 1954 court decision in Brown v. The Board of Education. This book gives McKinley his due, and thereby helps us better understand a President of the United States whose work has seemingly been overlooked by most Americans today.
History played a trick on McKinley. He has been consigned to the shadows between Lincoln and Theodore Roosevelt, vilified or ignored by historians . . . It is a richly undeserved fate. As Eliot Vestner demonstrates in this narrative of the political life of William McKinley, there was much more to the twenty-fifth president’s tenure in office than history books allow. He was a popular president, winning a second term with ease. But only nine months into it, he was assassinated by a self-described anarchist. What more he might have accomplished is anyone’s guess. He had managed to successfully pull America out of one of the worst economic depressions yet experienced, the Panic of 1893. And his controversial tariffs strengthened industry and contributed to the overall wealth of the country, as did his return of the country to the gold standard. He also led the U.S. to victory in the Spanish-American war, and implemented the first steps toward building the Panama Canal, which his successor, Theodore Roosevelt, continued. Perhaps the most under-appreciated aspect of McKinley’s presidency was his advocacy for black civil rights, and his challenge to the white supremacy of the south. As governor of Ohio, he fought against lynching. He signed a ground-breaking anti-lynching bill. Ironically, as president, he had a much more difficult time combating violence and racial injustice because of the use of states’ rights as justification for voter suppression and terrorism towards blacks. He pursued opportunities to advance the interests of black Americans wherever he could, but his inability to stop the lynchings and disfranchisement of blacks was most regrettable. His successors had no interest in the race issue, which remained unresolved until the 1954 court decision in Brown v. The Board of Education. This book gives McKinley his due, and thereby helps us better understand a President of the United States whose work has seemingly been overlooked by most Americans today.
T. S. Elliot (1888-1965) was the dominant force in twentieth-century British and American poetry. With poems such as “The Love Song of J. Alfred Prufrock,” he introduced an edgy, disenchanted, utterly contemporary version of French Symbolism to the English-speaking world. With his masterpiece “The Waste Land,” he almost single-handedly ushered an entire poetic culture into the modern world. And with his enormously influential essays he set the canonical standards to which writers and critics of poetry have adhered throughout our era.
In the period covered by this richly detailed collection, which brings the poet to the age of forty, T.S. Eliot was to set a new course for his life and work. Forsaking the Unitarianism of his American forebears, he was received into the Church of England and naturalised as a British citizen - a radical and public alteration of the intellectual and spiritual direction of his career.The demands of Eliot's professional life as writer and editor became more complex and exacting during these years. The celebrated but financially-pressed periodical he had been editing since 1922 - The Criterion - switched between being a quarterly and a monthly, before being rescued by the fledgling house of Faber & Gwyer. In addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. His Ariel poems, Journey of the Magi (1927) and A Song for Simeon (1928) established a new manner and vision for the poet of The Waste Land and 'The Hollow Men'. These are also the years in which Eliot published two sections of an exhilaratingly funny, savage, jazz-influenced play-in-verse - 'Fragment of a Prologue' and 'Fragment of an Agon' - which were subsequently brought together as Sweeney Agonistes. In addition, he struggled to translate the remarkable work Anabase, by St.-John Perse, which was to be a signal influence upon his own later poetry. This correspondence with friends and mentors vividly documents all the stages of Eliot's personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 Excerpt: ...earth. r' = radius of moon, or other body. P = moon's horizontal parallax = earth's angular semidiameter as seen from the moon. f = moon's angular semidiameter. Now = P (in circular measure), r'-r = r (in circular measure);.'. r: r':: P: P', or (radius of earth): (radios of moon):: (moon's parallax): (moon's semidiameter). Examples. 1. Taking the moon's horizontal parallax as 57', and its angular diameter as 32', find its radius in miles, assuming the earth's radius to be 4000 miles. Here moon's semidiameter = 16';.-. 4000::: 57': 16';.-. r = 400 16 = 1123 miles. 2. The sun's horizontal parallax being 8"8, and his angular diameter 32V find his diameter in miles. ' Am. 872,727 miles. 3. The synodic period of Venus being 584 days, find the angle gained in each minute of time on the earth round the sun as centre. Am. l"-54 per minute. 4. Find the angular velocity with which Venus crosses the sun's disc, assuming the distances of Venus and the earth from the sun are as 7 to 10, as given by Bode's Law. Since (fig. 50) S V: VA:: 7: 3. But Srhas a relative angular velocity round the sun of l"-54 per minute (see Example 3); therefore, the relative angular velocity of A V round A is greater than this in the ratio of 7: 3, which gives an approximate result of 3"-6 per minute, the true rate being about 4" per minute. Annual ParaUax. 95. We have already seen that no displacement of the observer due to a change of position on the earth's surface could apparently affect the direction of a fixed star. However, as the earth in its annual motion describes an orbit of about 92 million miles radius round the sun, the different positions in space from which an observer views the fixed stars from time to time throughout the year must be separated ...
The text of Eliot s 1922 masterpiece is accompanied by thorough explanatory annotations as well as by Eliot s own knotty notes, some of which require annotation themselves.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.