The public debate over civilian use of drones is intensifying. Variously called "unmanned aircraft systems", "unmanned aerial vehicles", "remotely piloted aircraft", or simply "drones", they are available for purchase by anyone for a few hundred to a few thousand dollars. They have strikingly useful capabilities. They can carry high-definition video cameras, infrared imaging equipment, sensors for aerial surveying and mapping. They can stream their video in real time. They have GPS, inertial guidance, magnetic compasses, altimeters, and sonic ground sensors that permit them to fly a preprogrammed flightplan, take off and land autonomously, hover and orbit autonomously with the flick of a switch on the DRone Operator’s ("DROPs") console. The benefits they can confer on law enforcement, journalism, land-use planning, real estate sales, critical infrastructure protection and environmental preservation activities are obvious. However, their proliferation in response to these demands will present substantial risks to aviation safety. How to ensure the safety of drone operations perplexes aviation regulators around the world. They are inexpensive consumer products, unsuited for traditional requirements for manned aircraft costing hundreds of thousands or millions of dollars and flown only by licensed pilots who have dedicated significant parts of their lives and their wealth to obtaining licenses. Regulatory agencies in Europe and Asia are ahead of US regulators in creating spaces for commercial use. Over the next several years, legal requirements must be crystallized, existing operators of helicopter and airplanes must refine their policy positions and their business plans to take the new technologies into account, and all businesses from the smallest entrepreneur to large conglomerates must decide whether and how to use them. Domesticating Drones offers rigorous engineering, economics, legal and policy theory and doctrine on this important and far-reaching development within aviation.
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.
“Middlemarch - A Study of Provincial Life” is an 1871 novel by English author George Eliot. Set in the fictitious Midlands town of Middlemarch, the story revolves around the lives of its inhabitants in the years leading up to the Reform Act in 1832, particularly those of Dorothea Brooke, Tertius Lydgate, Nicholas Bulstrode, and Mary Garth. The novel deals with a variety of themes and issues including marriage, religion, hypocrisy, education, political reform, and the status of women. Although published to mixed reviews, Eliot's “Middlemarch” is now widely considered to be one of the greatest novels ever written in the English language. A veritable classic of English literature without which no bookshelf is complete. Mary Ann Evans (1819–1880), more commonly known as George Eliot, was an English poet, journalist, novelist, and translator. Among the most prominent writers in Victorian England, she wrote seven novels in total, most of which are known for their realism and psychological analyses of provincial English life. Other notable works by this author include: “Adam Bede” (1859), “The Mill on the Floss” (1860), and “Daniel Deronda” (1876). Read & Co. Classics is republishing this classic novel now in a new edition complete with a specially-commissioned new biography of the author.
Middlemarch: A Study of Provincial Life is a novel by George Eliot, the pen name of Mary Anne Evans, later Marian Evans. It is her seventh novel, begun in 1869 and then put aside during the final illness of Thornton Lewes, the son of her companion George Henry Lewes. During the following year Eliot resumed work, fusing together several stories into a coherent whole, and during 1871–72 the novel appeared in serial form. The first one-volume edition was published in 1874 and attracted large sales. Subtitled "A Study of Provincial Life", the novel is set in the fictitious Midlands town of Middlemarch, thought to be based on Coventry, during the period 1830–32. It has multiple plots with a large cast of characters, and in addition to its distinct though interlocking narratives it pursues a number of underlying themes, including the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. The pace is leisurely, the tone is mildly didactic (with an authorial voice that occasionally bursts through the narrative), and the canvas is very broad.
To mark the publication of Stop What You're Doing and Read This!, a collection of essays celebrating reading, Vintage Classics are releasing 12 limited edition themed ebook 'bundles', to tempt readers to discover and rediscover great books. MIDDLEMARCH Dorothea is bright, beautiful and rebellious and has married the wrong man. Lydgate is the ambitious new doctor in town and has married the wrong woman. Both of them long to make a positive difference in the world. But their stories do not proceed as expected and both they, and the other inhabitants of Middlemarch, must struggle to reconcile themselves to their fates and find their places in the world. Middlemarch contains all of life: the rich and the poor, the conventional and the radical, literature and science, politics and romance. Eliot's novel is a stunningly compelling insight into the human struggle to find contentment. TO THE LIGHTHOUSE The serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles.
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