A Toronto Star Bestseller! Rose, a Canadian intelligence officer in Britain in World War II, struggles with conflicting feelings about the war and a superior’s attention. Rose Jolliffe is an idealistic young woman living on a farm with her family in Saskatchewan. After Canada declares war against Germany in World War II, she joins the British Women’s Auxiliary Air Force as an aerial photographic interpreter. Working with intelligence officers at RAF Medmenham in England, Rose spies on the enemy from the sky, watching the war unfold through her magnifying glass. When her commanding officer, Gideon Fowler, sets his sights on Rose, both professionally and personally, her prospects look bright. But can he be trusted? As she becomes increasingly disillusioned by the destruction of war and Gideon’s affections, tragedy strikes, and Rose’s world falls apart. Rose struggles to rebuild her shattered life, and finds that victory ultimately lies within herself. Her path to maturity is a painful one, paralleled by the slow, agonizing progress of the war and Canada’s emergence from Britain’s shadow.
This pathbreaking book looks at everyday storytelling as a twofold phenomenon--a response to our desire for coherence, but also to our need to probe and acknowledge the enigmatic aspects of experience. Letting us listen in on dinner-table conversation, prayer, and gossip, Elinor Ochs and Lisa Capps develop a way of understanding the seemingly contradictory nature of everyday narrative--as a genre that is not necessarily homogeneous and as an activity that is not always consistent but consistently serves our need to create selves and communities. Focusing on the ways in which narrative is co-constructed, and on the variety of moral stances embodied in conversation, the authors draw out the instructive inconsistencies of these collaborative narratives, whose contents and ordering are subject to dispute, flux, and discovery. In an eloquent last chapter, written as Capps was waging her final battle with cancer, they turn to unfinished narratives, those stories that will never have a comprehensible end. With a hybrid perspective--part humanities, part social science--their book captures these complexities and fathoms the intricate and potent narratives that live within and among us.
In The Popular Front Novel in Britain, 1934-1940, Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfield, Lewis Jones and James Barke, Taylor shows that the realist novel of the left was a key site in which the politics of anti-fascist alliance were rehearsed. Maintaining a dialogue with theories of populism and with Georg Lukács’s vision of a revived literary realism ensuing from the Popular Front, this book at once illuminates the cultural formation of the Popular Front in Britain and proposes a new framework for reading British fiction of this period.
“Inspiring experiences from true American leaders. Encouraging and compelling stories &– a must-read.” &– Lilly Ledbetter Includes biographies of fifty successful women, who have all been inducted into halls of fame across the United States and the world. Based on interviews and historical records, each of their profiles discusses how they handled significant challenges in their lives. Learn from lives of :-Temple Grandin -Marilyn Van Derbur Atler -Carlotta Walls LaNier -Dottie Lamm -Lena Archuleta -Dr. Justina Ford -Carla Brown Throughout these biographies, readers are presented with ten key characteristics held by successful people: -Mental intelligence -Emotional intelligence -Social Support -Moral Compass &– Spirituality -Determination &– Perseverance &– Persistence -Optimism -Creativity -Resilience -Action-Orientation -Passion
Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" —Essays in Theatre ". . . an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." —Theatre Journal "In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." —Performing Arts Journal ". . . a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." —Modern Drama "A work of bold theoretical ambition and exceptional critical intelligence. . . . Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." —Una Chaudhuri, New York University "What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have—in the cross-reflections of theory—determined our thinking about theater. She seems to have seen and absorbed them all." —Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee "Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." —Joseph Roach, Tulane University " . . . Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." —Alice Rayner, Stanford University "Arguably the most accessible yet learned road map to what remains for many impenetrable territoryan obligatory addition to all academic libraries serving upper-division undertgraduates and above." —Choice "A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." —American Theatre In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.
The Young Adult Award-Winners MEGAPACKTM assembles seven classic YA books, from fiction to biography, written by some of the most celebrated 20th century children's authors. Included in this volume are: IT'S LIKE THIS, CAT, by Emily Cheney Neville (Newbery Medal Winner, 1964) RUNNER OF THE MOUNTAIN TOPS: THE LIFE OF LOUIS AGASSIZ, by Mabel Louise Robinson (A Newbery Honor Book, 1940) THE WINDY HILL, by Cornelia Meigs (A Newbery Honor Book, 1922) TOD OF THE FENS, by Elinor Whitney (A Newbery Honor Book, 1929) THE JUMPING-OFF PLACE, by Marian Hurd McNeely (A Newbery Honor Book, 1930) SPICE AND THE DEVIL'S CAVE, by Agnes Danforth Hewes (A Newbery Honor Book, 1931) NEW LAND, by Sarah Lindsay Schmidt (A Newbery Honor Book, 1934) If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the 200+ other entries in the series, covering science fiction, modern authors, mysteries, westerns, classics, adventure stories, and much, much more!
Although the RMA has been the subject of much discussion in the United States for over a decade, it has not received the same level of analytic attention in Canada and other NATO and allied countries. Sloan examines the RMA in the context of Canada, Australia, France, Germany, and the United Kingdom in addition to assessing the transformation efforts of the United States Military. She concludes that small and medium military powers such as Canada must, at a minimum, take selected, concrete measures to maximize their military capabilities through the RMA if they are to avoid operational and political marginalisation in the promotion of international peace and security.
When Harriet Mahoney first sees it, Isabel Krug's bed is covered with sheared sheep and littered with celebrity biographies. Unpublished, fortyish, and recently jilted, Harriet has fled Manhattan for Isabel's loudly elegant Cape Cod retreat, where she will ghostwrite The Isabel Krug Story, based on the sexy blond's scandalous tabloid past. Unusually "talented" in the man department ("I give lessons"), Isabel revamps and inspires Harriet as they gear up to tell all, including the tangled history Isabel shares with her odd lodger, Costas. Life according to Isabel is a nonstop soap opera extravaganza, an experience to be swallowed whole -- and the attitude is catching....
Nola and Tony, a middle aged couple, and their small son Chris are charmed by a homeless young man whom they have literally met by accident. He becomes a beloved part of their family and marries Nola's niece. He dies six weeks before their daughter is born, and Nola discovers in a strange way something about him that she never reveals to the rest of the family. Although she never learns the whole story of Reyn, she believes that the love he brought to them was enough, that there is no point investigating further.
Meg Logan has not been farther than two miles from home in six years. She has agoraphobia, a debilitating anxiety disorder that entraps its sufferers in the fear of leaving safe havens such as home. Paradoxically, while at this safe haven, agoraphobics spend much of their time ruminating over past panic experiences and imagining similar hypothetical situations. In doing so, they create a narrative that both describes their experience and locks them into it. Constructing Panic offers an unprecedented analysis of one patient's experience of agoraphobia. In this novel interdisciplinary collaboration between a clinical psychologist and a linguist, the authors probe Meg's stories for constructions of emotions, actions, and events. They illustrate how Meg uses grammar and narrative structure to create and recreate emotional experiences that maintain her agoraphobic identity. In this work Capps and Ochs propose a startling new view of agoraphobia as a communicative disorder. Constructing Panic opens up the largely overlooked potential for linguistic and narrative analysis by revealing the roots of panic and by offering a unique framework for therapeutic intervention. Readers will find in these pages hope for managing panic through careful attention to how we tell the story of our lives.
Compiled in one book, the essential collection of books by Elinor Glyn Beyond The Rocks The Damsel and the Sage Elizabeth Visits America Halcyone His Hour Man and Maid The Man and the Moment The Point of View The Price of Things The Reason Why Red Hair The Reflections of Ambrosine Three Things Three Weeks The Visits of Elizabeth
Philosophy for Everyone begins by explaining what philosophy is before exploring the questions and issues at the foundation of this important subject. Key topics in this new edition and their areas of focus include: Moral philosophy – the nature of our moral judgments and reactions, whether they aim at some objective moral truth, or are mere personal or cultural preferences; and the possibility of moral responsibility given the sorts of things that cause behavior; Political philosophy – fundamental questions about the nature of states and their relationship to the citizens within those states Epistemology – what our knowledge of the world and ourselves consists in, and how we come to have it; and whether we should form beliefs by trusting what other people tell us; Philosophy of mind – what it means for something to have a mind, and how minds should be understood and explained; Philosophy of science – foundational conceptual issues in scientific research and practice, such as whether scientific theories are true; and Metaphysics - fundamental questions about the nature of reality, such as whether we have free will, or whether time travel is possible. This book is designed to be used in conjunction with the free ‘Introduction to Philosophy’ MOOC (massive open online course) created by the University of Edinburgh’s Eidyn research centre, and hosted by the Coursera platform (www.coursera.org/course/introphil).This book is also highly recommended for anyone looking for a short overview of this fascinating discipline.
Electronic Money Flows describes the far-reaching present changes under way in payments and capital markets. Electronic payment forms are in the process of molding a new financial regime-largely shared and inter dependent-throughout the world. Our earlier Electronic Funds Transfers and Payments (Kluwer, 1987) looked at the new money technology in its initial phases of development and in broad focus. Then, as now, the contributors came from many different disciplines. The synthesis of their diverse views laid out the background for the electronic payments revolution to come, and the great benefits but also risks for segmented sectors of society. The old questions have not gone away; new ones have been added to the agenda. For example, what is the nature of money today amidst an array of computer-based options? What money and turnover concepts are appropriate to the electronic age? What are the effects of high-speed money flows on markets, volatility, money control, even the business cycle? Is the financial system more prone to instability but also to faster correction, given the swift movement of money and payments? At the same time, is privacy imperilled by the ubiquitous computer-linked webs that move both information and money? This second book is thus companion to Electronic Funds Transfers and Payments and expands upon it. Contributors discuss the expectations that have and have not come to fruition, together withthe new issuesofthe past four years.
Chronicles the events surrounding the trial of Kenneth Mieske, a white racists accused of killing an Ethiopian, and discusses how the incident uncovered the neo-Nazi movement in the United States.
More than 2,800 citations indexed by author and by subject comprise this bibliography of studies on the physiology of exercise. Selected from a vast literature on physical stress, the majority of works in this listing concern basic physiology. The emphasis is on studies representing the origin and development of fundamental concepts, although some clinical studies with implications for basic physiology are included. The bibliography includes references from a period, 1500 to 1964, not available through the computerized retrieval system (MEDLARS) of the National Library of Medicine. Most entries were published in the late nineteenth and twentieth centuries and thus reflect the growth of the field.
Elinor De Wire has been writing about lighthouses and their keepers since 1972. During that time she found that hundreds of lighthouse animals wandered into her research notes and photo collection. This book is the story of all these cold-nosed, whiskered, wooly, hoofed, horned, slithery, buzzing, feathered, and finned keepers of the lights. Where else would a dog learn to ring a fogbell, a cat go swimming and catch a fish for its supper, or a parrot cuss the storm winds rattling its cage? Who other than a lightkeeper would swim a cow home, tame a baby seal, adopt an orphan alligator, send messages via carrier pigeons, or imagine mermaids coming to visit? The Lightkeepers' Menagerie gathers together animal stories from lighthouses all around the world, tales of happiness and sadness, courage and cowardice, tragedy and comedy, even absurdity. Sometimes, fur, feathers, and fins tell the best tales.
What's wrong with foreign aid? Many policymakers, aid practitioners, and scholars have called into question its ability to increase economic growth, alleviate poverty, or promote social development. At the macro level, only tenuous links between development aid and improved living conditions have been found. At the micro level, only a few programs outlast donor support and even fewer appear to achieve lasting improvements. The authors of this book argue that much of aid's failure is related to the institutions that structure its delivery. These institutions govern the complex relationships between the main actors in the aid delivery system and often generate a series of perverse incentives that promote inefficient and unsustainable outcomes. In their analysis, the authors apply the theoretical insights of the new institutional economics to several settings. First, they investigate the institutions of Sida, the Swedish aid agency, to analyze how that aid agency's institutions can produce incentives inimical to desired outcomes, contrary to the desires of its own staff. Second, the authors use cases from India, a country with low aid dependence, and Zambia, a country with high aid dependence, to explore how institutions on the ground in recipient countries also mediate the effectiveness of aid. Throughout the book, the authors offer suggestions about how to improve aid's effectiveness. These suggestions include how to structure evaluations in order to improve outcomes, how to employ agency staff to gain from their on-the-ground experience, and how to engage stakeholders as "owners" in the design, resource mobilization, learning, and evaluation processes of development assistance programs.
“There are as many types of potpies as there are California foodies . . . a handy framework to use when building your own comfort food.” —Chico News & Review With succulent fillings under their golden toppings, it’s no wonder that potpies have such a universal appeal. Author Elinor Klivans offers a huge range of filling options from vegetables and eggs to meats, chicken, or fish. And the variety of toppings is a real eye-opener: homemade crusts; story-bought phyllo or puff pastry; tortillas; quick-mixing corn bread or biscuits; even nuts, potatoes, or bread. These fifty recipes go from classics like beef and vegetable potpie or everyone’s favorite chicken pot pie, to new takes like the Breakfast Special Potpie: Eggs, bacon, and potatoes with an Irish soda bread crust is a great new option for brunch. Also included are plenty of meatless versions, such as the sublime Spinach, Ricotta, and Parmesan Potpie topped with a delicious cream cheese crust. Advice about assembling and baking potpies assures that all parts of the fillings will be cooked just right and toppings will stand at crispy and proud attention. With useful ideas for do-ahead preparation, storing, freezing, and re-heating, there’s nothing like Potpies!
This volume explores the relationship between language and culture whilst considering its implications for the teaching of Modern Foreign Languages in higher education. Drawing on a comparative empirical study conducted at universities both in the UK and US, this text problematizes the impacts of a separation of language and content in German degree modules. Illustrating the need for a curriculum which fosters the development of intercultural competence and criticality, Parks reconceptualizes established models of Criticality (Barnett) and Intercultural Communicative Competence (Byram). The chapters in this volume discuss a range of important topics including; language graduates with deep translingual and transcultural competence, observed differences and similarities between British and American universities and faculty and student voices: developing intercultural competence and criticality. Aimed at scholars with research interests in Intercultural Communication, Language Education and Applied linguistics, this volume provides a thorough discussion for the ways in which Modern Language programmes in higher education can be improved. Additionally, those carrying out research in the fields of Language Teaching and Language Policy in higher education will find Developing Critical Cultural Awareness in Modern Languages to be of great relevance.
We are all spiritual beings. Our spirituality is an inborn part of our nature - the essence of who we are as aware and intuitive human beings. Having an appreciation of the spiritual in our lives allows us to explore the deepest layer of our being, for ourselves, for our relationships with each other, and for the world beyond. In The Heart of Conflict, Dr. Elinor Powell takes a fresh look at conflict, and then suggests that it is our spirit that is put to the test and most clearly manifested when we are faced with any challenge in our lives.
Interest in the history and preservation of lighthouses has never been stronger. Lighthouses of the Mid-Atlantic Coast details the history of lighthouses and much more, and shows why these structures continue to fascinate us. Discover what life for lighthouse keepers was really like. Learn about the history of U.S. colonial lighthouses and the role lighthouses have played in several wars. Meet the brave, nefarious, and colorful characters who served as lighthouse keepers and government overseers. Learn about lighthouse technology and architecture and find out how these treasures are being preserved.
Who stays late at the office when Mom leaves for a soccer match? Whose dollars pay for the tax credits, childcare benefits, and school vouchers that only parents can utilize? Who is forced to take those undesirable weekend business trips that Dad refuses? The answer: Adults without children--most of them women--have shouldered more than their share of the cost of family-friendly America. Until now.
The hours were composed mostly of dull or rebellious moments during the period of Theodora's engagement to Mr. Brown. From the very first she had thought it hard that she should have had to take this situation, instead of Sarah or Clementine, her elder step-sisters, so much nearer his age than herself. To do them justice, either of these ladies would have been glad to relieve her of the obligation to become Mrs. Brown, but Mr. Brown thought otherwise. A young and beautiful wife was what he bargained for. To enter a family composed of three girls-two of the first family, one almost thirty and a second very plain-a father with a habit of accumulating debts and obliged to live at Bruges and inexpensive foreign sea-side towns, required a strong motive; and this Josiah Brown found in the deliciously rounded, white velvet cheek of Theodora, the third daughter, to say nothing of her slender grace, the grace of a young fawn, and a pair of gentian-blue eyes that said things to people in the first glance.
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